Posted tagged ‘http://withrealtoads.blogspot.com’

Bells

May 16, 2015
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Bells

We hung bells over your changing table, strung
on a thick silken cord–

A tinkle above your tinkle, as it were, or,
whatever–

For purposes of this piece, it is helpful to understand that the refuse of a little nursed baby often spouts as green as Spring, a new digestive system its own
kind of April.

My fingers were quick
change artists,
but your father’s whole body was sometimes drawn
into gear.

I remember his once clanging those bells full throttle, trying to quell
your wails. He was stripped
to the waist, his other hand keeping
you safe-
father-daughter bonding–still,
you were alarmed–maybe by
his matador’s dodge, the cape
of fleeing shirt tail, or maybe it was just
the green in you coming
to the fore–

The bells were not for babies–
brass.  Probably we should not have hung them
over your head–
still, their weight, their
realness, was also
what made them work (usually)–their rings
more resonant than coo, conjuring
baby awe–

but that day’s jangle of wail
and bell
was like two rivers meeting, a confluence
of conflicting flows, clear and
muddy; eddying sweetness
and screech==

I know now
there is no joy
completely pure, and all joy also
just that–

what is mitigated also
unmitigated–

Maybe this is why
bells can’t seem to knell
without some swell of cry
that also cups sky
while children’s cries ring out–
while children’s laughter
peals–

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A draft poem for my own prompt on Real Toads, about John Donne, and his beautiful lines about bells and connection.  This one more a story than poem, but there it is!  Thanks all.

 

ps-the conjoined pics, such as they are, are mine. They were much bluer when made!  

On The Day

May 12, 2015

 

On the day

On the day you died,
some could swallow
somewhere else.

Sips were tipped from glasses rimmed
with bright transparency;
cake was even guzzled, laughing,
over weaving cleavages of satin;

sand absorbed the sea
a few blocks away,
as little see-through crabs were digested
and regurgitated
in the crawling sway;

I tried to give you something sweet, honey,
but sweetness
was yours
to surfeit–

the quick swoop of a bird, so like
a swallow,
shadowed the glass
by your bed, the door,
the window–

So hard to swallow
what we live through,
the done rising in our throats
with each day’s sun.
Not bright, not
transparent,
still, sometimes we want to shade our eyes
looking inside
in the way that one might peer
through a pinhole
at the eclipse
of a whole star.

 

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Here’s another one inspired by the Real Toads prompt by Grace on Jane Hirshfield;  I am linking it to Real Toads Tuesday Open Forum.

The process of online poetry is so interesting to me–I like to write at a fairly rapid clip so post fairly frequently and often call things drafts.  This is one I wrote yesterday morning essentially and have been revisiting since then–adding little (important) bits, then cutting dramatically–cutting at least a third yesterday and about twenty percent more  just this morning. (Which makes me nervous enough that I put back a few words here and there–ha!)   So, I’m not certain I’ve got the best version–and maybe should even cut more–at the same time, I would just as soon go ahead and post, as I’m not sure I can make a concrete decision about it all right now.  

The pic is mine and is taken from the back of a ghost dance drum, made by George Beaver, a Pawnee in Oklahoma around 1891-92.  (I do not mean the poem to be about Native Americans, but photographed the drum at a recent exhibit I saw about Plains Indians. ) 

At the Museum After a Difficult Week

May 10, 2015

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Not the Picasso I had in mind, when writing, but they are all great and this one comes with elephant–

At the Museum After a Difficult Week

Part of what I like
about Picasso
is the way his people
fill up space.
Even the planed face–the blank make-up of the harlequin–
carries weight,
though nothing like those places where the grease paint
does not reach–the unpainted (painted)
hands, the knuckles sculpted
with hardly a smudge–

Just so, I tell a flattened self,
I need to read people’s volumes–

especially those whose voices even sport
arched brows, tongues stenciled
with sneer, whose intonations alone
could decimate me–

a demotion of what would stand
in me
to step-stool–

When you’re a step-stool
it’s hard to feel much
but feet–

Still, I tell myself–
(for the heelers are so often
as unhealed)
to look for people’s spaces–
not on the drawn face
but at the wrist–
the puckered grist
of knuckle, the twists between
the creases on
the palm–

For life shakes hands
with us all,
leaves its fingerprints
with every brush;
oh life, you, grand master.

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Okay, this one I’m definitely calling a draft.  It is written for Grace’s prompt on With Real Toads to write a poem influenced by Jane Hirschfeld.  The Picasso above was not exactly the one that I was thinking of in writing the poem, as it doesn’t show any hands well, but at least this one has an elephant.  (Rare in Picasso’s oeuvre.)

Battlefield (After)

May 8, 2015

Battlefield (After)

They lay, blooded clay,
late in the fragmented day,
their cracked bit of dawn withdrawn
from ongoing time; what had been housed in them gnawed
by lead.
What was left swelled,
as darkness fell,
rounding to cratered planet, bellied moon,
as if some elemental piece of them
thought it might pass for a body
that could, insistent, return whole,
given time,
though its revolution would not take it
to this same spot
but to some soft hill
where grass lay still
beneath their feet, and
stars stared brightly down,
night’s pupils.

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For Grapeling’s (“It Could Be That’s) “Get Listed” prompt on with real toads, the words from Pablo Neruda poems.  (Thanks to Grapeling, who is just a wonderful poet and blog friend.)

The pic was taken by me at the Plains Indians exhibit at the Metropolitan Museum in New York tonight.  I don’t particularly mean the poem to be about a battle involving Native Americans–honestly, I was thinking more of WWI or the Spanish Civil War or other battlefields, but the picture was on my phone.  However, it is an incredibly beautiful exhibit; the painting above about the death of Sitting Bull.  

Once More

May 2, 2015

  Once More

I want
to stop time.
I want to park it on
a swing and re-arc
the same pie of sky
until I’ve had
my fill.
I don’t want
you to die.
Or me.
And I want to live all the many moments
this single one can be
again and again
until I get it
right.

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Aha!  It is May and a new poem (or draft poem) occurred to me last night.  I may link this to Real Toads as the poem turned out, on first write, to be exactly 55 words (and it happens to be a Flash 55 day.)  Or maybe I’ll come up with another!  Who knows?  (Freedom from compulsion–meaning the fact that my commitment to April is over and I can write as many poems a day as I wish –or not–is its own inspiration!)  Have a good weekend.

PS  Pic is mine–all rights reserved. 

 

 

Last Words (As a Writer) (At the End of April and Other Times)

April 30, 2015

Last Words  (As a Writer)  (At the End of April and Other Times)

It is hard to speak of last words–
we don’t much believe in “last”
and we’re reluctant to fast
from words– ‘talk’ a favorite verb,

and ‘verbal’ where we rest assured.
But, in life, syllables sometimes cease–
when even cries of ‘help’, ‘help, please’
are unable to procure preferred

relief, breath itself become absurd
(though we still crave it).  I want, then,
to say ‘thank you’, and say again,
‘thank you,” till nothing more from me is heard.

If, so….  And, so….  I tell myself too,
I should probably start this morning
(in case of no advance warning).
So, thanks, I say, bowing low to you
as deeply as words can bow, thank you.

***********************************

One more draft poem for April, for Izy Gruye’s prompt on With Real Toads to write about a time  of bang and hiss when words may not be longer available to you. 

The thanks are very sincerely meant, for all the support you have given me this April National Poetry Month of a poem or draft poem a day–thanks to the prompters at Real Toads, especially to Kerry O’Connor who arranged everything and shows so much depth and inspiration and integrity in her work–thanks to all the poets, and special thanks to those who managed to read thoughtfully and supportively despite the very real pressures on their own time and energies. 

The animation is an old one done by me–a bit silly for the poem–but closest to a bow I could think of.  Thanks again!  

ps this has been edited since first posting.

Socks, Shoes

April 27, 2015

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Socks, Shoes

He had learned from his mother,
whose same fingers managed
to knead dough
and flatten
sun-dried cloth, easing out rumple with such calm
authority that the fabric
wanted to bow repeatedly
into folds
just as bread rose
to greet her,
that order was part of a recipe for
a good life, that self-respect included
respect for one’s lowliest objects, that these too shared
the same sun, had their proper–that is, rightly given–
space–like prayer five times
a day, like the direction of
one’s kneel and once planted
in that direction, like the placement set
by the red wool rug whose woven temple showed
the forehead where
to touch, and too, the toes,
and so,
though order had fled from his life
like teeth
and that bulk he used to carry
at his arms, the small soft fold
at his belly, and the certainty that used to warm
his forehead when it felt the brush of that red wool as sure
as the heat
from his mother’s breads;  still, as the swordsman waited
behind his mask,
he thanked God that his hands were as
free for this moment as birds whose wings alone
have been clipped but not their legs diced
together and gently rolled one sock
into one shoe, the other sock into
the other, so that they might not
be lost,
so that they would be there
when next needed,
so that all would be right
in their world, a world he still
could care for, honor.

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This is a draft poem for Bjorn Rudberg’s prompt on With Real Toads to write a poem that includes a recipe.  It is some poem in a bunch written for April 2015 National Poetry Month.  (There were a couple of days of writing two.)  (I mention this in case I don’t make it to the end!)

This poem was inspired by a photograph by Gilles Peress in a 1999 New Yorker magazine taken in Bosnia of a corpse of a person executed in the fighting there in the 90s.  The corpse was a man who died next to his shoes, where each sock was rolled into the shoe.  In the case of that photo, it was not clear whether the man was one of the last Bosnians killed by the Serbs, or a Serb killed by the Bosnians in the early days of retribution. In my poem, I was thinking also of the killings undertaken by ISIS in more recent days.

My own picture was made by me and not a very valid reflection of the Peress; I’m not totally happy with it, but this is April, and have to move on.  All rights reserved.

 

 

Hazards of Naming

April 20, 2015

 

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Hazards of Naming

There was always “Cerulean” waiting in the wings,
like a slice of sky not showing
through the clouds,
but smiling over that patch
of hillside a couple valleys away
whose grass looks always bright
when ours is grey.

Your sister (potentially) proffered “Poohboo,”
which we attributed to pre-
sibling rivalry.

“Yo” would be handy–
no introduction needed
on the street.

But Cerulean was the most serious contender,
which, I now admit,
may have scared you off,
you not wanting to be blue
your whole life, not even that pitch
of sea in sky, that ripple of sky
on water, that unshadowed shade that we imagine to surely wave
over that bit of hill whose shimmer
we bemoan, though we always say
we mean to hike over there someday, you know,
just to see.
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Another draft poem for twentieth day April, 2015 National Poetry Month, not sure of the count, for Bjorn Rudberg’s prompt on With Real Toads to write about the meaning of our name.  I just couldn’t do that–sorry Bjorn–so hope this fits the bill–a middle name I thought of giving a son, if I had one, at one point in my life.  (Luckily for him and perhaps even more for me–I have two beloved daughters !)

Cerulean typically describes a small range of blues, rather than one single shade–though they all tend to a sky blue, sea blue; the above photo uses an ad from Winsor & Newton–no copyright infringement intended. 

U.S. of Hey (Also Bonus From Mitch McConnell)

April 15, 2015

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U.S. of Hey!

Hey!
What you say
we build enough bombs
to blow the sky
sky-higher!
That’ll save the world!

And how’s about we sell
a ton of tons!
Light a fire
under the economy!

Hell, we’re kind of an empire
(only, you know, the good kind)–
we can just give
a bunch away! What the hey!
(Especially to anyone sired–get it?–in oil!  Heh
heh–)
(Even anyone just near
oil!)

Wait a sec!
That guy might have bombs!
And oil!
Let’s bomb him!
That’ll sure keep us from war!

(Treaty, schmeaty!
Accord?  BORing!)

Oh yeah!  And for those of you
at home–did I mention all
the spare tanks?!

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Here’s a quick one for the incomparable Hedgewitch’s very informative prompt on Real Toads to write about folly.   My 15th for April, this 2015 National Poetry Month.

Okay–and here’s one more:

 

From Mitch McConnell–Re Coal

Who cares that all of its processes
are vastly destructive
of the earth
when we can save bad jobs
in Kentucky where the poor people’s
ecosystem is already
irretrievably degraded, and they are well-used
to black lung?

Besides, the companies are paying me
a ton.

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PS the above pic was taken in Kashmir in the Himalayas a few years ago, shows the soot on the snow, part of the process that causes the melting of glaciers.  (I’m sorry that it does not totally fit the post, but hey, it’s April!) 

What She Pictured Then (Gogo Dancer)

April 6, 2015

What She Pictured Then (Gogo Dancer)

The boredom was what crushed most.  She pictured then
her nipples as satellites, revolving
around their own little–in her case–decent-
sized orbits, ignoring the long-lolling
blur below her cage, for the disco ball,
a million mirrored surfaces of death star
that held her as its ward of light and fall,
casting a fierce laser certain to sear
any worm of flesh that dared squiggle
slobber close, till even so fortified,
she could no longer linger in wiggle;
mind simply had to step away.  Then she tried
to find a way home, a spring when brown dead stalk
gleaned flakes of true star, late snow’s cold clean walk.

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Here’s a drafty sort of poem–a sonnet (my go-to form when what I’m thinking of isn’t very poetic)–for the 6th day of this April 2015 National Poetry Month, and also my own prompt on With Real Toads to write about seeing stars.   I appreciate that squiggle and wiggle push the envelope in a way that could be deemed mocking here, which I do not mean, but hey!  this is a month of experimentation–