Archive for the ‘elephants’ category

Fish In Some Kind of Water

May 14, 2015
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This picture DOES NOT go with the poem–I just like it.

Fish In Water

We feel
like a fish–
I use here both the royal ‘we’
because I am gold, and
the collective ‘we’
because that was how
I was schooled.

We are not out of water
but tanked.
Our owners, easily tiring of the tedium
of our boxed obliviousness, feed us repeatedly
just to see us fetch.

Sure enough, we’re fired up
by the flakes, swish for the catch
in the mitt of our hinged-jaw maws–

The taps feel to us
clapped applause
even as they shake us
to our cartilaginous marrow.
‘My turn’, ‘no,
my turn,” regaling and hailing
until the sounds dumb
to a clouded sky
with only occasional
dandruff, the food of random
passages.

Too much–too little, but still
too much,
until our sheen slimes,
scales bloat, and patches spread
over our once-rich red,
patches pale as the underbelly
of some creature we wot not–

Something is very wrong here,
more than just
fishy–

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A rather strange one, probably linked to nowhere!

 

At the Museum After a Difficult Week

May 10, 2015

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Not the Picasso I had in mind, when writing, but they are all great and this one comes with elephant–

At the Museum After a Difficult Week

Part of what I like
about Picasso
is the way his people
fill up space.
Even the planed face–the blank make-up of the harlequin–
carries weight,
though nothing like those places where the grease paint
does not reach–the unpainted (painted)
hands, the knuckles sculpted
with hardly a smudge–

Just so, I tell a flattened self,
I need to read people’s volumes–

especially those whose voices even sport
arched brows, tongues stenciled
with sneer, whose intonations alone
could decimate me–

a demotion of what would stand
in me
to step-stool–

When you’re a step-stool
it’s hard to feel much
but feet–

Still, I tell myself–
(for the heelers are so often
as unhealed)
to look for people’s spaces–
not on the drawn face
but at the wrist–
the puckered grist
of knuckle, the twists between
the creases on
the palm–

For life shakes hands
with us all,
leaves its fingerprints
with every brush;
oh life, you, grand master.

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Okay, this one I’m definitely calling a draft.  It is written for Grace’s prompt on With Real Toads to write a poem influenced by Jane Hirschfeld.  The Picasso above was not exactly the one that I was thinking of in writing the poem, as it doesn’t show any hands well, but at least this one has an elephant.  (Rare in Picasso’s oeuvre.)

Last Words (As a Writer) (At the End of April and Other Times)

April 30, 2015

Last Words  (As a Writer)  (At the End of April and Other Times)

It is hard to speak of last words–
we don’t much believe in “last”
and we’re reluctant to fast
from words– ‘talk’ a favorite verb,

and ‘verbal’ where we rest assured.
But, in life, syllables sometimes cease–
when even cries of ‘help’, ‘help, please’
are unable to procure preferred

relief, breath itself become absurd
(though we still crave it).  I want, then,
to say ‘thank you’, and say again,
‘thank you,” till nothing more from me is heard.

If, so….  And, so….  I tell myself too,
I should probably start this morning
(in case of no advance warning).
So, thanks, I say, bowing low to you
as deeply as words can bow, thank you.

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One more draft poem for April, for Izy Gruye’s prompt on With Real Toads to write about a time  of bang and hiss when words may not be longer available to you. 

The thanks are very sincerely meant, for all the support you have given me this April National Poetry Month of a poem or draft poem a day–thanks to the prompters at Real Toads, especially to Kerry O’Connor who arranged everything and shows so much depth and inspiration and integrity in her work–thanks to all the poets, and special thanks to those who managed to read thoughtfully and supportively despite the very real pressures on their own time and energies. 

The animation is an old one done by me–a bit silly for the poem–but closest to a bow I could think of.  Thanks again!  

ps this has been edited since first posting.

“It’s a Great Life” – Third Day of National Poetry Month

April 3, 2015

It’s a Great Life

It’s a great life, if you don’t weaken–
so mama said, her face grown pale.
It’s a great life, if you don’t weaken,
but oh lord help, if you should fail.

I gave my love my heart’s safe-keeping
I gave my love my heart to hold:
oh it’s a great life, if you don’t weaken–
my love, he took that heart once whole.

Love’s just so grand until it weakens,
sun shines so bright on your travails,
But when skies dim and leave no beacon,
then tears are all that fill this vale.

That man, he gave my heart a beating
though it beat fast as any bird’s,
oh it’s a great life, if you don’t weaken,
If I but heard my mama’s words–

But life was loud when love was spoken,
and his hands’ touch–it felt so true–
It’s a great life, when vows aren’t broken,
but oh lord help, when love is through.

I gave that man my heart as token
of how I loved him through and through
It’s a great life, till we are broken
now, my heart’s gone, lord help me do.
It’s a great life, till we are broken,
now my heart’s gone, lord help me do.

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Here’s a song as my third poem for April 2015 National Poetry Month, and written for Shay (Fireblossom)’s prompt on With Real Toads.  I can sing this in my head, and it sings country. 

ps- I have edited this slightly since first posting.  I also came up with a very dirge like tune, which I have sung (ha!) and recorded here. 

 

Her Body Soon Following After (Heat-Seeking in 55)

January 31, 2015

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Her Body Soon Followed After (A Heat-Seeking Missive)

Her nose fell first, head over heel,
his smell of warmth so strong,
the opening of his elbow
a window to a long
sun’s day,
his ribs a heated clay
that no
other kiln could fire,
his loins a hearth she could feel
even from afar.

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Here’s a 55 (including the title, which some might feel has been deliberately lengthened) inspired by both the inimitable G-Man and Kerry O’Connor’s prompt on With Real Toads.  Kerry has given the added challenge of using a Robert Herrick style form for the poem.  Kerry  suggested breaking up the Herrick lines by a word count, which would equal 55,  but I’ve gone for a syllabic count, which is why my poem needed such a long title.  (Ha.)

The pic doesn’t really go with it, but since I’m still away from home, using what I can!

Just Ten (Twice)

January 16, 2015

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Just Ten (Twice)  (Not Including Titles–Ha!)

Dizzy With It

Headache slings hammock
between closed eyes, tries
to slow swing.

***

Writing Technique

One way to hold a pen–
as a life raft–

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Two ten word poems for Victoria Slotto’s prompt (and Brian Miller’s ten word form) at dVerse Poets pub.

At Night

January 12, 2015

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At Night

So, I breathe your chest
the way the Moon breathes
the Sun’s skin, inhaling
one half of the month, exhaling
the rest.

So, I rest upon your breath
the way the Earth rests
in the path of the Moon,
nearly centered.

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Here’s another poem that came from the springboard of the prompt of Grace (Everyday Amazing)  on With Real Toads on David Huerta, a Mexican poet.  I am probably linking to With Real Toads Tuesday open forum.  All rights reserved (as always) in drawing and poem. (Yes, I know it’s not much of an elephant!)  

An Older Lady Walking Out In The Teens (Farenheit)

January 11, 2015

 

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An Older Lady Walking Out In The Teens (Farenheit)

Sun masks the cold, sort of.
I think, as I walk out, of a thin blanket
thrown over an elephant in a living room–
you are sure something looms, but can’t quite make out
its toes.

Or maybe the toes are all you’d see–
maybe, in fact, the toes would be all that actually sticks out
from under
that blanket.

All I know is that I keep stepping through the tracks
of feet out here–
the sewing machine stitch of mice (the seams running straight
into our house’s foundation),
the tricorne sloop
of a hare,
the deeper divide of hooves,
and up the snow-blazed hill, the beaded cicatrice
of vole tunnel.

But I am tracking youth and vigor
and so trek slowly down a ravine where only snips
of the sun’s thin blanket (and me) slip
through the firs, and wonder, once I’ve slid down,
how to cross the small stream, how to ford
the ice-rivered gush, whether–even if I manage to edge farther
along the steep–I’ll find a possible pass,
when I notice the imprint of paws marking a path
over the snow-crowded stones
and follow with clumsy boots
the way chosen
by the animal.

Though these are big prints, the cluster of some being distinctly
carnivorous–so even as I follow,
a part of me longs
to turn back, and I hold tightly
to the large stick I use to stake my passage–
happy in its sharp point, its snub wooden muzzle–

The sun blinks both eyes
when I get to field again,
a there where almost any step will do–
and yet I find myself following the tracks still,
those paws whose imprint looks both like a heart
and a brain, a small hive, a huge
berry–

wanting not to see the creature
and yet also to spot him–
How is it that we so crave connection
with the wild–we with our cold-toed boots
and our elephants in
the living room–

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A draftish poem for Poetry Pantry on Poets’ United.  Note that the pics above are of tracks, but not a close-up of the paw print.  Below are some pics of the tunnels of animals under the snow, and also a bigger stream than the one I crossed–but you get the idea re the freeze–and elephants!  (The fabric a beautiful gift from a family member who kindly brought it for me from a military tour in Afghanistan.)  (All photos are mine, all rights reserved.) 

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Prompt – That First Vehicle That Gave You Freedom

January 9, 2015

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Prompt – That First Vehicle That Gave You Freedom

Sometimes I feel like I never really got away ever.
Someone else has steered the wheel
the whole damn time and I don’t mean
God.
Even though I know the rules
of the road, passed
my drivers’ test.
Even though they–the great big capitalized
They–issued me some kind
of license.

Sometimes, the driver’s a nice person,
if only she wouldn’t constantly look out the window
and yammer,
but sometimes she’s mean as hell, riding
people’s bumpers, scooting by
on the wrong frigging side– then–
just when they get back to their toodle,
slamming (bam) the brakes
with a vagrant squeal
that sounds almost like road kill,
but the one she’s got her gimlet on
sits just there–you know–
in the frozen squash of the vinyl,
not knowing how
to ditch that ride,
hitch another, way too afraid
to open the door even if
she would slow.

But then, sometimes
of a sudden, long and lost,
the car will wander into the desert,
its chrome burnished orange
by buttes that store sunset,
or it will glide by the side
of a sea held level in its glass,
or it will simply lose itself
in the long pitch of horizon
and that bitch of a driver will go
completely away
and yet the car–the car–
will stick right to the road,
moving on.

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A poem of sorts (yes, a draft poem) for Herotomost’s prompt on With Real Toads  – “Road Trip,” to write about the first real vehicle that gave you freedom.  (This has been slightly edited since first posting and first comments.)

The Elephant of the Magi

December 21, 2014

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The Elephant of the Magi

They always give the camels all the credit
(forgetting how they smell and nip and spit at–)
while it was me remembering all day bright
the star that showed our way the prior night.

A hard trip all in all, for kings can be
terribly terribly terribly uppity
and frankincense is not the cup of tea
of those who have a trunkal allergy–

But when I finally got us to the town
where that fledgling family’d gone to ground,
I found the trip was worth the camel stench,
and all the sneezes caused by frankincense.

There’s simply nothing like a newborn babe
to lift us from the suffering of our age,
to take away the sins of this, our world,
and make us hope that peace will still the sword.

So I forgave the Bactrian bite, the snort of king,
as heart and both my flapping ears took wing–
they always give the angels credit too
when (miraculously) it was I who flew,
hovering above that tiny little stable
just as softly as a pachyderm is able.

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A Christmas poem for Kerry O’Connor’s mixed-up titles prompt on With Real Toads.  The above picture is a collaboration of Giotto and MDD (me!)   (The Adoration of the Magi).