Posted tagged ‘iPad art’

Open Link Night- “Poem For My Father”

November 15, 2011

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As a downtown New Yorker, I’ve been pretty taken up by the happenings at Zuccotti Park today, so it feels strange to post the very different poem I’d planned for  dVerse Poets Pub open link night.  But life is complex, lived in lots of layers at once. The iPad painting (above) doesn’t exactly go with the poem, but all I could think of.  I am also posting this for Poet’s Rally at Promising Poets.

Poem for my father

My father, who loves me completely,
is weakening.
My father, who loves me through and through,
cannot sit up on his own.
My dad, who would do anything for me,
cannot make his throat swallow.
I say to him,
“you have to try,” and he does, but
his body is not
all heart.

What will I do
when not loved
through and through? Hurts
thinking of it, hurts
completely, my body all heart
in a throat that can’t swallow.

Tired on Monday Commute (With Elephant)

November 14, 2011

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Sorry, photo got cut off. It’s always a bit complicated taking pictures on the subway, especially of small elephants.

Have a good day!

The Kind of Epiphany I’m Looking For – Chocolate Happens and More.

November 8, 2011

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Here’s a poem I’ve been playing with for the last few days. (Anything but work on old Nanowrimo manuscripts!)

Though it’s still rough, I’m posting it today for the wonderful dVerse Poets Pub Open Link night.

Epiphany

I would really like to have an epiphany
that doesn’t involve the realization
that death happens.
Why can’t my great enlightenment
alert me to the fact that
chocolate happens?
That peppermint explodes in the mouth?
That eggs are unblinking
(until the yolks crack)?
And that the love that always forgives, that is,
the love you give to me,
is not like the sun at noon–everywhere–
but rather a pale pre-rosy dawn that
barely nudges the landscape, lifts but an
edge of shadow, illuminating
the flickering eyelids of
only one–a poor light sleeper, who,
at the waning
of stark night, feels the glow of your hearth
at her side, and inside,
the sudden certainty that even
that star whose contours
cannot be traced
in the quotidian sky
pulses on.

Poetics – Color Poem (Or Monochromatic One) Maybe

November 5, 2011

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I am still supposedly working on Nanowrimo, but I wrote a poem in my head yesterday, and it happens to fit in (sort of) with dVerse Poets Pub Poetics prompt of the day (hosted by Victoria of liv2write2day.blogspot), which is to write a poem using color.

Date

“It’s hurting me”, she whispered,
“I want it to hurt,” he said.
Later, she lay on a bathroom floor,
its hard checkered tiles,
the only black and white
In the whole situation.

 

After posting the above poem, I thought of a different variation that I like better I think as it has more of a moral compass.  Here it is.

 

Date

“It’s hurting me”, she whispered,
“I want it to hurt,” he said.
Later, she lay on a bathroom floor,
its hard checkered tiles,
the only black and white
in the entire world.

 

 

Any suggestions welcomed!

Friday Flash 55 – 99 Percent at Downtown NYC Subway Station

November 4, 2011

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Varying Percentages At Fulton Street Station

Yesterday, cop at the subway by Occupy Wall Street dressed as a hippie.  Today, the guy wears plain clothes; i.e. his uniform.

He got two occupiers though, fare-skippers, thoughtful faces hangdog now, betrayed; victory in his stance, scribbling–as he mumbles ‘sorry’–tickets.

Just behind, tourist wedges around the turnstile, card outspent, confused, unseen.

I am telling this 55 word story (minus) title to the G-Man, also to Occupy Wall Streeters who get on the train at the Fulton Street Station, usually with metro cards, but sometimes perhaps without.  The station looks abandoned at the bottom entrance;  it isn’t.

Man’yoshu Poetry? (What’s that?) With Ladybug

November 3, 2011

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I swore to myself (and this blog) that I would devote at least some of this month to a modified Nanowrimo of revising old manuscripts.  But… it’s really hard to get the steam up for a long project mid-work-week.  So, instead, here is my contribution to dVerse Poets “Form For All” Night, which today focuses on Man’yoshu poetry, a form of Japanese Poetry that includes variations dedicated to love/longing. There is a wonderful exposition of this particular tradition written by “Lady Nyo” a/k/a Jane Kohut-Bartels, that can be found here.

I’m afraid my picture turned out better than my poem, but here’s my own rough attempt:

Ladybug On Navy Shawl

A ladybug, deep
orange, lands on the navy
of my paisleyed shawl;
mountains uplift the view but,
because I cannot
see through eyes that turn green when
faced with color, I
mean, your eyes, all here pales, and
my mind looks past the
now to times when you watched it
with me, when the here,
because you were there, held such
wonders always, your quick breaths.

Over Herd on the Hudson Line

November 2, 2011

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Amazing sights outside the train window. Sorry for the blurs–train moving, me half asleep.

Magpie Tales (89) (“These Words Are No Nest”)

October 30, 2011

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This is a post (1001th – an apology to those who subscribe) made for Tess Kincaid’s Magpie Tales. Each week Tess posts an interesting photograph as a prompt. The above is my personal take on the photo–I’ve revised it a bit to fit in with the poem below, a sonnet of sorts.

No Nest

These words are no nest.  They won’t warm you
when I’m gone.  You won’t be able to tuck
your head under a t, though it starts true,
slip fingers down n‘s curve, deftly pluck
replies from even the unsilent e‘s.
They won’t warm me either–no echoes
in ashen brains, though spread upon a breeze.
As twigs and hair and grass and dust close in,
words will be somewhere else; just as what peeps
behind these eyes, this voice, this flickering
insistent maw of self, will, at best, sleep
long.  But for now, I’m here, a bickering
steadfast word monger, building a place
of syllabic lingering, would-be embrace.

 

(I am also linking this poem to The Poetry Palace weekly poets’ rally.)

Friday Flash Fiction 55 – “Both Desperate”

October 28, 2011

Both Desperate

Hit, it still had flight
in its front legs.  The man dragged
it by its antlers off the road,  crouched
on its neck with a knife.  It bled
in dark gulps, still tried to rear, roared.
He laid the hand not pressing it down
upon its shoulder, as if to calm,
as if touch could.

This is my 55 word story (not including title!) for the G-Man.  (Thanks, Mr. Knowitall, for the incentive to compress this scene.)

Conflation in Poetry? Hmmmm…. “Far”

October 27, 2011

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As followers of this blog know, I’ve gotten very involved of late with the dVerse Poetry Pub, and poetry in general.  (There is nothing like community for stimulating work. )  The prompt today by Emmet Wheatfall deals with “conflation,” what I think of as piecing things, often disparate, together.  I don’t know if this poem totally qualifies, but it is a poem I’ve had on my mind, and that I re-wrote (and improved) with the idea of conflating themes in mind.   

Far

We pushed from cold night into a Chinese restaurant,
the fluorescents reverberating like the din.  One waitress
wiped the table, burnishing smears into reflection;
 another balanced a rounded pot of tea and a fist’s stack
of cups (their sides glowing, incongruously,
with little seeds of translucence, grains of rice
made glass), the pot so full
that tea brimmed to the edge of its
spout with every shift from level, hip
or wrist, a
glimmering lithe tongue.

A man in my group had, some time before,
lost his adult child.  It had been sudden, she
had been young.
It was hard for me to look at him,
each expression–his patience
with the waitresses, concern about the chairs, even his
cold-reddened skin—a riddled mask
over the shear of loss that had left
the merest sense of face, worn
like the extremity
of an icon, the bronze saint whose foot has been rubbed
to a bare grip, slip
of soap, by petitioners who have
prayed to be washed clean, not of sin, but suffering.

The teapot begged to be poured; the waitress ran its
gulping stream over the beaded cups, steam rising into
air that ached to be warmed, the door, the night, opening
always at our side.

I could almost not look
at the man, as if his pain
might brim over,
scald me too, and yet another part of me,
what I like to think of as a part
that catches light like the curve of
a cup, or perhaps a part that is
dark, swirling, like the grain in the veneer
of even a plastic tabletop, that part that
somehow recalls a tree (or at least, the idea
of a tree), shifted my chair closer, wanting
to  drink with him that
fresh, hot tea, 
anything that could pass for succor.