Posted tagged ‘http://withrealtoads.blogspot.com’

Mailbox

April 4, 2014

20130124-025859.jpg

Mailbox

She sat when she was small
and Time was tall
and the unfolding of a house–
the way it yawned and roused
itself from the naps of houses–
she’d stayed home sick, alone–
they worked, they phoned–
filled her chest with fright
as if she’d sighted
in the hall–for she was small–
a gorilla or a thief–Time was so tall–
a robber in the closet–
she’d turned full hard the faucet
for the noise, the TV too–
but even the bright blue
of whitening power,
the game show of the hour,
could not crowd out
the terrible roust-about
of brick, of wall, nowhere at all
to run (for she was small, Time tall)
and she would walk out to the curb–
and yes, it sounds absurd
if you are big and time is short–
but for her it was a port
from roomside storm, and she would sit
beneath the mail box as if it
were a matter of an important letter,
as if she were important, or better,
as if she were, and of course, she was
which is exactly what she feared, because
if she was–she could be caught–
there, in the house where she thought
she heard the step of someone home,
someone who didn’t know that, yes, they phoned,
someone who could trap her in the bedroom or the hall
where there was nowhere to run at all,
if you were small and Time–too tall–

************************
Here’s my draftish poem for April 4, written for Fireblossom (Shay’s) prompt on With Real Toads to write something about letters, the mail.  I am recycling the drawing (mine) from another somewhat different poem that uses some of the same imagery. 

Reading note–as some know, I am a big believer in punctuation, so typically in reading my poems, there are only pauses at the ends of lines, where punctuated. 

 

Tight Spot

April 1, 2014
Parallel Parked

Parallels?

Tight Spot

She’d angled it in
looking at a mirror,
fixing parallels, nosing
fended bangs,
but the thumping that she thought
had been the road
still thundered,
the heart refusing to be parked
somewhere,
the uncurbed heart.

*************************
Here’s first draft poem for April, for Mama Zen hosting Words Count at With Real Toads. She asks for a poem that will surprise her in 37 words or less–

April is the cruelest month, or the most fun, or some mixture of the aforesaid, for those interested in poetry. It is National Poetry Month, a time in which some tortured people inexplicably decide that they should pull a new poem from their pocket every single day. Real Toads is planning to offer an assortment of prompts every day this month for those interested in testing their resolve but also needing inspiration.

Ride

March 30, 2014

20140330-230403.jpg

Ride

You bought some doughnuts; it was so fun
when you called me your honey bun,
then took me in your sharp-finned car
the night dark blue, the stars near far.
The seats were cold and rough to touch–
the car smelled like you smoked too much–
but you wrapped me round with one taut arm
that felt so lithe and live and warm
that soon the clammy stink of ash
flew from the window like the trash
you tossed out your side–crumpled sack
tattooed with doughnuts’ greasy track,
then lifting your arm’s weight a bit
dug out a bottle, took a sip.

Your breath like fire, wrongness too–
it somehow wired me to you.
You leaned, you kissed, you made me feel
a heat that steered me like a wheel.
You didn’t care what people thought–
oh, I wanted what you’d got.

And then, still driving, came a thump,
it was like the car had hit a bump,
only not, just not, it was not like that,
blackness squirreled inside my lap.
‘Oh shit,’ you said, your head turned back,
‘Goddammit all,’ not turning back.

Mad, you drove with both hands on
except for swipes of light-trapped palm
that wiped your face, the hair that tossed,
your forehead fisted, double-crossed
as any two-lined two-laned road–
all that hot now grown so old.

In light beam’s mutter, light beam’s glare
in the flashing stutter of my stare,
I caught remembrance, glittered blip–
bristled sugar at your lip–
but the only rounds in this holed world,
were tires that whirled and whirled and whirled
and a mind that skittered, tried to care
but only could come up with scared–
no honey bun, no glaze of laughter,
just things that we kept secret after.

*********************************
Here’s very much of a draft poem (also a bit crazy) for Kerry O’Connor’s prompt on With Real Toads (http://withrealtoads.blogsopt.com) to write a poem using the line “there were things that we kept secret after.”

I am sorry that the drawing is a little recycled. I am hoping to do a poem a day in April and will, I’m afraid, likely have to use recycled visuals to keep up. (Hence, my excuse for starting now!)

Bamboo

December 29, 2013

images

Bamboo

Sometime in the second half of the twentieth century,
a little before the U.S. involvement
in Vietnam, at an age when I still ran away
from suspense
to a sofa just out of sight of the TV
to bounce till I
could bear it,
bamboo meant World War II,
someplace steamed
in the South Pacific,
Alec Guinness limping upright
from a blistered three-foot
box, surrounded by sunspots
and jointed jungle.

How strong, by comparison, were the timbers used
by his troops to span the River Kwai–
even the Allied whistle carrying
no reedy wheedle–

How we thrilled at the buttoned brittleness
of the Brit, awed by the nobility of that
conspicuous backbone, all those eon-
forged vowels–my brother wired
to the one comfy chair, me caught
upon the carpet (unable even
to flee to far sofa safety), as we stared
through the flicker of that
yellow-green wood, a genus grown only
in the land of Holly–

Of course, poor Alec was nearly bamboozled–it was our
compatriot, the surly Yank,
William Holden, engulfed in brown wade
and incipient love handles, who knew the true score–
that war was not about building bridges
or character, but about detonators, destruction, lots
of bang, boom, shrapnel.

“Madness,” says the doctor character through
the smoke, but “greatness,”
is what we thought.

************************************

Here’s a  draft poem  for Hannah Gosselin’s prompt on With Real Toads about bamboo.  Sorry for the length.  I call it a draft because the poem has gone through a million iterations and I still am not getting what I want!  I’m also afraid it may be incomprehensible to anyone who has not seen The Bridge On the River Kwai, a movie made in 1957, directed by David Lean, and starring Alec Guiness, William Holden, Jack Hawkins and Sessue Hayakawa.

The movie takes place in a WWII prison camp in Burma in which the Japanese overguards force the Allied soldiers to build a bridge for a supply route.  Guinness plays a British Colonel focused on maintaining standards (and morale).   The pic is a frame from the move, all copyrights belong to the owner (and no infringement intended.)

One set of thoughts on Nelson Mandela’s Death

December 15, 2013

20131215-184051.jpg

One Set of Thoughts On Nelson Mandela’s Death

When I think of them talking about South Africa, we are almost always at the Hot Shoppes, Friday nights, around a circular wooden table, its brown veneer smeared with sponged shine, swirled by demonstrative maple,

eating from gold speckled trays, my mom finally off the next day, mashed potatoes and thick white plates–

and there is always the word “bloodbath”–which seemed the only possible outcome–mixed in with the phrases “beautiful country;” and “such a shame.”

The shame seemed to arise on several levels–some I could not, as a child, quite trace–but the contours of the word “bloodbath” were easy enough to come up with–gorges slit throats, rivers sliced arteries, valleys marooned–

My mother, at least, was of a mixed mind–pained by the injustice–while her widowed friend who came along with us, had a daughter whose boyfriend was a rich South African, white,  and so, there were these sighs–he really was quite rich–that what was going on was terrible, but not perhaps as bad as red-soaked streets–

As I listened, I would think of the guy who’d just cut my Dad’s roast beef–we lived in the semi-South, and all the workers at the Hot Shoppes were pretty much black–his skin shining so warm in the glare of the heat lamps, the puddling of blood on the carving board and the brilliant droplets oozing from the beef’s crimson core, the starched white hat that implied (without my consciously thinking of it) safety, an acceptance of rules and a life of their imposition–

and I thought of how kindly he smiled, looking over to me as my Dad tried to decide how he wanted his meat done–

and of the carver’s hands, the skin translucent below the lamp, the creases of his palms pink against their tan, the fleshy base so soft around the pine stem of the great grey knife–

I did not even know Mandela’s name back then–nine or ten–but when I did learn it, it came to mean one thing to me–”no bloodbath”–

It was something that seemed impossible–I mean, there were race riots the very next year in my home town, me just eleven–

and I write this now not meaning to diminish the suffering, but only to describe my awe at waters that have washed so blue along jagged coasts, green riverbanks, and of a translucence of flesh/spirit/smile that was completely human, yet able, like the divine, to let there be light.

**************************************

Here’s a draftish prose poem written for Kerry O’Connor’s prompt on With Real Toads, to write a personal response to the death of Nelson Mandela.  Like all of us, I’ve got many responses, but this was one set of memories that came up.  I’m also linking belatedly to  Mary’s dVerse Poets Pub prompt about light.

Hewn

November 2, 2013

20131102-211639.jpg

Hewn

The hues of a northern November recall, somehow,
World War I–not just the peace,
but the slog, entrenched in barren,
bombarded by fall.
Only that which is young enough
to bend completely to the ground
and spring up straight again
still glows green–

And how can it be
that the war to end all wars
is now the hundred years’ war
and the young
are still bent to the ground,
and still, no matter how straight they do spring,
are soon to lose
their green
for some dark time.

Trees–they know how to make good
going around in circles–but when humans
become wood, they turn into
a machine’s toys–

We can hardly see them
in the blinding grey–
those leaves, Novembers, that low to the ground
flare against ghost
trunks and sky-carved limbs–
Though the eye barely dares
believe them, the heart
watches its step, anxious not to flatten a one
before the snow.

************************************

I couldn’t resist!  Though I have been noveling!  But all day, off and on, Claudia’s prompt on Autumn colors on dVerse Poets Pub and Kerry O’Connor’s prompt about Marianne Moore’s Real Toads in Imaginary Gardens on With Real Toads were swirling about in my mind, so I finally wrote a draft of the swirl down.  Check out both of these wonderful prompts and the wonderful poems they are inspiring. 

I apologize to Kerry as I did not try for a syllabic format a la Marianne Moore, though I do typically write a syllabic line when doing forms.  (Next time.) 

PS – a special thanks to Hedgewitch for this poem – who got me thinking that it was okay to keep writing down my attempted poems despite my concurrent attempts for discipline. 

PPS – November 11 is Armistice Day (celebrated as Veteran’s Day in the U.S.), the armistice of WWI, which began 100 years ago next year. 

ppps–this has been edited since first posting–

Safekeeping

September 12, 2013

20130912-224033.jpg

Safekeeping

She sewed pieces of eight
‘gainst the harshness of fate
into her muslin-lined bodice.

Then found that her breast
like an oak treasure chest
weighed heavy.

She walked with a bend,
clanked in the wind,
smelled of a grasping fist,

and always she feared
that if love came too near
it would lift her dubloons
as its levy.

So, long long before
she e’re met death’s door
she slept lone with arms
tightly crossed.

And cursed her harsh fate.

*******************
Here’s a rather silly little poem for wonderfully distilled Mama Zen’s challenge “words count” on With Real Toads. It is below 80 words and bounces off some usage of 8.

Brainscape

June 29, 2013
By Diana Barco (From "Going on Somewhere")

Drawing By Diana Barco (From “Going on Somewhere”)

Brainscape

You know, a brain is not nearly so large
as what it holds, the lodgings of joy and sorrow,
exhilaration and despair, jammed tenements, walls thin
as a hair’s breadth, everyone pounding
against the noise–

I don’t know much
about the addresses–whether ecstasy holes up at 413 South Cortex,
and grief, 414, to the front–
only that the brain passing through experience
sometimes derails, its trains of thought caught
in synaptic whiplash, its emotional impulses shorting
sparks, catapulting blow-outs and when the
tracks get swarmed, new routes
are formed, and that old byway
that climbed through spacious fields
where long-stemmed grass was starsprayed
with pale fleurettes and the deep red mouths of poppies laughed
as big as Jupiter, and the sun shone gold,
and you, as warm, held me,
our bared ribs twined
like clasped hands, swerves suddenly
into changed lands, fixes on a switchbacked
track, no going back and though we still hold on, up slides
down and gathered gold, outweighing
balances, seesaws the scale, and here cut flowers mound
to memorialize the missing, those who are no more are known never
to return, and ecstasy–
though I will have just passed through
her door—now pushes me
out her window, and despair alone extends
a sharp-spined net, offers me
a floor to sleep on, though I don’t sleep,
only wait till I can catch my breath
and the next train home.

***************************
Here’s a poem for With Real Toads, Fireblossom’s Friday, to write something about heartbreaking loss.    I am also posting it for dVerse Poets Pub open link night. 

I hesitate to post a poem of this kind for fear it will be deemed autobiographical by readers.  All I can say is that poets are poets — we write about all kinds of human experience, and poetry, by its use of distillation and metaphor, tends to make that experience seem hyper-dramatic and perhaps more personally intense than it may be.

The drawing above is by a dear friend, Diana Barco, who illustrated my book of poetry “Going on Somewhere.”  (This is a new poem, written today and not in the book, though I do urge you to check out the book! As well as my other books, Nose Dive –a humorous mystery, and 1 Mississippi, a counting book for those who like elephants.)

Nocturnal in Be

June 6, 2013

20130606-091513.jpg

Nocturnal in Be

Knock-knocked/tick-tocked
self-mocked/self-socked–
Who’s there?

************************

Here’s a little query in the night for Kerry O’Connor’s prompt for With Real Toads to write a nocturne. I think the prompt was aiming for something more lyrically musical, inspired maybe by Chopin, probably my favorite composer. I could not come up with something more lyrical! But I was reminded by Kerry’s prompt of a story told by Artur Rubinstein, a great Chopin pianist, of how once as a young man, when hounded by creditors and disappointment, he tried to hang himself from a hotel bathroom shower (either rod or shower head) by his bathrobe belt. Even though I suspect that both showers and bathrobes were far more sturdy back then (I believe this was in 1908), the whole apparatus collapsed, leaving Rubinstein (i) alive), (ii) ruefully amused that he was even a failure at suicide; and (iii) with a renewed and seemingly vibrant commitment to life. (This is a memory of the story heard during my childhood when Rubinstein used to actually be on talkshows! I think I have the details right, but I’m sorry if they are a little fuzzy.)

Finally, my story has nothing to do with this story. But I couldn’t help thinking of it because of my attachment to Rubinstein’s performance’s of Chopin’s nocturnes. I urge you to listen to one.

Favorite Book (Poem) (With Elephants)

May 30, 2013

At The End of National Poetry Month

Favorite Book

The page was a palm
on heart’s forehead, a familiar bed,
sheet rumpled to my shape, spine
drawing a line
against the banged slam
of demand, flared inhalation
of expectation, the vacuum cleaner
that sucked up every crumb. The words,
like an animal that mothers the misplaced young,
kept me as their own.

************************************

Here’s a short poem written for a With Real Toads prompt by the stiletto-sharp Mama Zen about a safe place. The challenge required a poem, I think, of 53 words or less. (This qualifies without the title.) And guess what–with the title, it’s 55 – so I’d ask you to also tell the G-Man.

(I’m not sure that the pic really goes with the poem, but I like the pic.  Here’s another one – also not quite right for the poem but also one I kind of like.  As always, all rights reserved.)

IMG_3341