Posted tagged ‘April 2015 National Poetry Month’

Hazards of Naming

April 20, 2015

 

11997 - Version 2

Hazards of Naming

There was always “Cerulean” waiting in the wings,
like a slice of sky not showing
through the clouds,
but smiling over that patch
of hillside a couple valleys away
whose grass looks always bright
when ours is grey.

Your sister (potentially) proffered “Poohboo,”
which we attributed to pre-
sibling rivalry.

“Yo” would be handy–
no introduction needed
on the street.

But Cerulean was the most serious contender,
which, I now admit,
may have scared you off,
you not wanting to be blue
your whole life, not even that pitch
of sea in sky, that ripple of sky
on water, that unshadowed shade that we imagine to surely wave
over that bit of hill whose shimmer
we bemoan, though we always say
we mean to hike over there someday, you know,
just to see.
*******************************

Another draft poem for twentieth day April, 2015 National Poetry Month, not sure of the count, for Bjorn Rudberg’s prompt on With Real Toads to write about the meaning of our name.  I just couldn’t do that–sorry Bjorn–so hope this fits the bill–a middle name I thought of giving a son, if I had one, at one point in my life.  (Luckily for him and perhaps even more for me–I have two beloved daughters !)

Cerulean typically describes a small range of blues, rather than one single shade–though they all tend to a sky blue, sea blue; the above photo uses an ad from Winsor & Newton–no copyright infringement intended. 

Two Halves/Different Stories (And Poems)

April 19, 2015

Thinking in 2015 of How the Other Half Lives, 1890

In Jacob Riis’ photographs of New York tenements,
sleeping children clump together in rumples of
face and cloth whose softness against
roughed blocks, barred alleys, shocks
the eye,
and people, even back in the Gilded Age,
were outraged.

But now we live in a Gelded Age,
where no one wants to man up,
woman up,
to face poor children,
to acknowledge
that they too
are all of ours.

And instead of flashing a light on the
shame of their tenemented and un-
tenemented lives (for so many are homeless)
we try simply
to dole out punishment.

Cut cut, halve halve,
wholly making sure that the have-nots
have
naught.
*************************

The above is a draft poem for my prompt on With Real Toads to write about the idea of half.  This arose from my  Jacob Riis’ landmark book called How The Other Half Lives, about poverty in New York around the turn of the century.  Riis’ pictures are truly remarkable though heart-rending and led to actual reforms in New York City and other places.  Sad to say, the U.S. has now one of the highest rates of child poverty in the developed world, and change seems only headed  in a negative direction.

The below is another draft poem I wrote for this prompt.  Sorry for the number of draft poems–the pressure of April puts me in ferment, and I’d rather just get some of the half-done work out rather than stew about it, especially given pace of oncoming prompts.   

*************************************************** 
Another Half of It  (Unbearable)

The egg cannot
just say no.

It cannot, no more than the woman,
push away its attackers; has no recourse to ‘shut down’
the porous.

The woman might convulse, weep,
at last still,
still the egg cannot repulse
what burrows into
its not-throat,
nor immolate against
forced flagellation.

 

*****************************

 Apparently, women who bear children from rape have in many U.S. states no right to cut off parental/visitation rights of a rapist father.  Additionally, although most states allow abortion in the cases of rape, new restrictions on abortion make it increasingly difficult for women to get an abortion in these instances because of difficulties in proving the rape within the short time period allotted for abortion. 

National Haiku Day (Supposedly) in the middle of National Poetry Month!

April 17, 2015

National Haiku Day!

As I haiku up
the hill, every blade of grass
is a syllable.

*********

There’s a tree disease
that looks like an O.C.D.
woodpecker.  Save us.

**********

The stream in spring winds
wide, sings its own wind song,
maybe more a hum.

**********************

Here’s some haiku for Hannah Gosselin’s sweet prompt on haiku on With Real Toads for national haiku day (who knew?) as part of national poetry month.  This is its 17th day.  That is all I know!  Also that it is 2015.  And FRIDAY!!!!!

Have a happy, safe, healthy, blessed, poetic – but not of the melancholic variety of poetics–weekend!

The picture is a picture of mine of a (seeming) disease that makes holes in trees.  This tree actually isn’t so afflicted–there are a couple that are truly riddled.  And it is a riddle–to me at least.  Any person who knows what it is, let me know!
I am sorry for any lateness in returning visits!  This has been a fairly hard work month for me.  Thanks for your patience. k.

U.S. of Hey (Also Bonus From Mitch McConnell)

April 15, 2015

IMG_2432

U.S. of Hey!

Hey!
What you say
we build enough bombs
to blow the sky
sky-higher!
That’ll save the world!

And how’s about we sell
a ton of tons!
Light a fire
under the economy!

Hell, we’re kind of an empire
(only, you know, the good kind)–
we can just give
a bunch away! What the hey!
(Especially to anyone sired–get it?–in oil!  Heh
heh–)
(Even anyone just near
oil!)

Wait a sec!
That guy might have bombs!
And oil!
Let’s bomb him!
That’ll sure keep us from war!

(Treaty, schmeaty!
Accord?  BORing!)

Oh yeah!  And for those of you
at home–did I mention all
the spare tanks?!

*************************
Here’s a quick one for the incomparable Hedgewitch’s very informative prompt on Real Toads to write about folly.   My 15th for April, this 2015 National Poetry Month.

Okay–and here’s one more:

 

From Mitch McConnell–Re Coal

Who cares that all of its processes
are vastly destructive
of the earth
when we can save bad jobs
in Kentucky where the poor people’s
ecosystem is already
irretrievably degraded, and they are well-used
to black lung?

Besides, the companies are paying me
a ton.

*************************

PS the above pic was taken in Kashmir in the Himalayas a few years ago, shows the soot on the snow, part of the process that causes the melting of glaciers.  (I’m sorry that it does not totally fit the post, but hey, it’s April!) 

Out of the Box

April 13, 2015

screenshot 2015-04-12 11.25.54.png

Out of the Box

“I closed the box and put it in a closet.”  Joan Didion.

Blood will out.
Maybe not as anticipated.
To date, DNA has exonerated
over 300 people post-
conviction in the U.S.,
more than twenty on
death row.
The total of time wrongly served–
4,505 years.

“Out out damn spot,”
the police shout,
though they use
other terminology:  “Fuck
your breath.”

Death ensues.
People try
to sue.
The black cat bricked up behind the wall,
while quick,
snarls, yowls.
Thank God for cell phone cameras.

*********************

Here’s a sort of poem for the 13th (I’m guessing) day of April, 2015 National Poetry Month.  This is for Susie Clevenger’s prompt on With Real Toads to write about a Joan Didion quotation.  My figures are taken from the “Innocence Project,” which is a charitable organization in the U.S. that devotes itself to the exoneration of persons wrongfully incarcerated. The quote “fuck your breath” comes from the case of a  recent shooting death in Tulsa, Oklahoma, perpetrated by a “deputy” to the Tulsa Police Department, who is a man who donated large amounts of money to that police department and was allowed to serve as a reserve police member.  He ended up shooting Eric Harris, claiming the death was accidental; that he had only meant to taser Mr. Harris.  (Question–why would he taser the guy anyway?)  The case is reminiscent of the Eric Garner case in Staten Island, New York, in which an African-American man who was suspected of selling loose cigarettes without paying the sales tax on the cigarettes was pressed down into the sidewalk until he died, all the way protesting, I can’t breathe.    

Honestly, I should write a poem about how I’ve bricked all this up myself, really not conscience of all that has been going on in the criminal “justice” world and the war on drugs, despite my childhood in what was then the South – D.C. and Maryland.  Another poem when I can stomach it. 

Screen shot is from the New York Daily News. 

Thirteen Ways of Remembering Red Baby Shoes

April 12, 2015

Thirteen Ways of Remembering Red Baby Shoes

I.
His head was a sunny hill that knelt before her
and also (though he was the emperor of children’s footwear)
before the beautiful red shoes.

II.
Garnets hold no lights
nor darknesses
compared to the deep
red shoes.

III.
Her feet were little clumps of dough
made human by
red shoes.

IV.
The red shoes stared up
at the world; the world
could not stop
looking back.

V.
There are red shoes with sharp
heels; there are red shoes cut
on a bias like one
lipsticked lip; there are shoes
that movies are made of, that spin
ruby-starred dreams.

Such shoes are perfectly valid; they too
mark their rosy rhythms
on the street.

But these are not the red shoes
of which I speak.

VI.
The voice of even small red shoes
cannot be silenced.

VII.
The pulse in a young child’s thumbs,
fingertips, fits one moment into the next
like the stitching
of first ever shoes, threaded red. 

VIII.
Some joke that big shoes mean
a good understanding,

But to understand little shoes that are the dark red of even
the unbitter heart, the wearer must bend
to their very soles.

IX.
What steer gave its life
for the red shoes? What bull, what sweet-eyed
long-lashed cow?  their tongues as tuneful as any offered
to Ulysses’s gods–

The aiglets of the red shoes
are as dark with sorrow
as sorrow.
The laces try to tie off those vacuums
in a weave
of ox blood.

X.
How is the heart so heavy
when somewhere walk
red shoes?

XI.
The red shoes were not cherry red, which is not the red
of cherries, meaning that the red shoes
were cherry; the rest of the world
their stone.

The red shoes seemed to
understand this, or maybe they just
didn’t worry about it.

XII.
Oh red shoes even tied tight
you were as soft as a hand crossing the street,
as firm as a hand
crossing.  

XIII.
In the whole of life,
there was only one pair
of red shoes.
Somewhere a sunny hill still kneels before them
one or both knees bent.

 

****************************

Another drafty poem with my drafty drawing, my 12th for this April 2016 National Poetry Month.  This one was written for Grace’s wonderful prompt on With Real Toads to write something inspired by Wallace Stevens.  Some of the Stevens’ poems that I thought of writing this was “Anecdote of the Jar,” “The Emperor of Ice Cream,” and, of course, “Thirteen Ways of Looking at a Blackbird.”  Again so sorry for the length.   Thanks for your patience!

PS have edited slightly since first posting. 

To a Forefather

April 10, 2015

IMG_3767

To a Forefather

Dear Nameless Here,

She always says you could tell a joke–
not the canned kind–you know,
something you’d heard–
but the kind you made up to fit
the moment,
there, right on the spot.

She calls it your sharp wit
and speaks of it as
admirable–oh, but yours
must have been
very sharp,
cutting as the pried lid of the can
that you pressed down on her. for it’s sure held her
long enough–
long even
after you’ve gone.

How is such pressure applied
where there also must
be love?
How is it preserved,
passed on?

I think of peaches sunken
in a tin, saved
in a cellar.
Peaches that are no longer exactly
peaches
after their best-use date,
assuming they ever had one,
assuming, too,
that they were once peaches.

But they must have been—oh yes—
only cut perhaps
before they sweetened,
cooked green,
hard,
sharp,
never allowed to be what someone might press
to her own soft cheek, breath in, seeking succor.

***************************
Draft poem 10th in 10 days, for With Real Toads prompt by the truly terrific and always sharp (in the best of ways) Mama Zen who blogs at Another Damn Poetry Blog.   (With a recycled pic of mine.)

Some things I Admire about Anselm Keifer

April 9, 2015

333-eventpage-keifer_500-2

“When, at the end of the 1960s,I became interested in the Nazi era, it was a taboo subject in Germany. No one spoke about it anymore, no more in my house than anywhere else.”  Anselm Kiefer

Some things I Admire about Anselm Keifer

Words were meant to carry meaning
like a cart or car,
a sigh or song,
but make crude vehicles
when meaning’s gone
or when it’s grown so vast we gasp, crushed as grass,
boot/tank/shrapnel-tramped, seeded
with mortar or mine–

Paint too
has limitations;
even with its leads, its cadmiums,
burnt umber–
how does line define
meaning’s capsize?
catch the copse where the cart collapsed?
the tracks where the trains did not derail?
the field where the sun was buried?

What pallet of straw, stick, gloam can make us see
the world blown down?

Something very big, with a difficult surface,
something we have to get a distance from
to really see,
something we try to get close to
to really see,
something we are seen by–what?
all that we don’t do in the world
all that we have done–
the huge don’t/done, mud
bloodied–

*****************************

A poem of sorts.  9th for this April, 2015 National Poetry Month.  Inspired by a Real Toads Prompt by Ella of Ella’s Edge, to write about the better depictor–as it were–visual art or language–  The artist that came to mind for me is Anselm Kiefer, a great great (I think) German artist who makes extremely large paintings using a variety of materials including, and other than, paint.  He was born in 1945.

I wasn’t actually particularly thinking of the painting above in doing the poem, but this is one I’ve seen in person at an exhibition at Mass Moca (from which I’ve taken this image, without intending any copyright infringement.)  Images of Kiefer’s work can be found here.  Quotes here.

Note that when I first posted this, I did not put in a quote as asked by the prompt. (I forgot about it and only added this morning-Sorry, Ella!)   Kiefer has many great quotes about art and history, and I only chose this because it gives a context to the work .

What She Pictured Then (Gogo Dancer)

April 6, 2015

What She Pictured Then (Gogo Dancer)

The boredom was what crushed most.  She pictured then
her nipples as satellites, revolving
around their own little–in her case–decent-
sized orbits, ignoring the long-lolling
blur below her cage, for the disco ball,
a million mirrored surfaces of death star
that held her as its ward of light and fall,
casting a fierce laser certain to sear
any worm of flesh that dared squiggle
slobber close, till even so fortified,
she could no longer linger in wiggle;
mind simply had to step away.  Then she tried
to find a way home, a spring when brown dead stalk
gleaned flakes of true star, late snow’s cold clean walk.

*************************************

Here’s a drafty sort of poem–a sonnet (my go-to form when what I’m thinking of isn’t very poetic)–for the 6th day of this April 2015 National Poetry Month, and also my own prompt on With Real Toads to write about seeing stars.   I appreciate that squiggle and wiggle push the envelope in a way that could be deemed mocking here, which I do not mean, but hey!  this is a month of experimentation–

 

Easter

April 5, 2015

Easter —

For me, the humanity was wrapped up
in the swaddling cloths,
that weaving of dust
that returns to dust,
warp of the born that must then
be borne, the thread-bared–
linen holding to its folds
like a clasp of fingers, ribs,
as if even the unsewn strived
for the shape of flesh, bone, forgiveness–

****************************

Here’s another poem for April 2015, National Poetry Month (I think my fifth).  This one has 55 words and is posted for the Real Toads prompt hosted by the wonderful Kerry O’Connor.  The pic was taken by me of a stained glass window in New York’s Metropolitan Museum of Art. 

It snowed much of last night and all day long in the mountains where I live. The good part is that I went skiing.  The bad part is that I went skiing.  (I am a rather terrified skier, who also finds it trying to have to focus on keeping upright, when I want to go off in one of my habitual dazes.  But I survived!)  I wish you all a happy day.