Archive for the ‘Uncategorized’ category

Dwarf Star

July 3, 2014

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Dwarf Star

My mind wants so much
to relive those nights
we danced like fireflies
that it forces itself
from its scalp-shelled sheath,
squeezes through the sponge
of gray matter, pushes
through the pores of cranium,
to rest, panting, in my then-longer hair, which shifts
as I skip, galumph, swoop arms
in free-frolic–I was never
the most elegant mover even when dancing
like fireflies–then climbs through the
slide of strands as best it can– for the mind also
hasn’t such well-coordinated arms–
until it stabilizes itself
just at the shelf
of my left ear.

There, it strains to hear–
and smiles as it does–my own panting breath, chipped
by laughter;
smiles as it listens to
the panting breath of feet, mine bared, as they inhale and ex-
the dew-drunk grass, blades clumping together
like buddies on a long day’s night–

delights in the voiced context
of tree-frogs–the intervaled keen which it cannot help comparing
to Phillip Glass, Steve Reich–it’s a mind after all,
and rather high-
falutin’–
the bass thunks of the bigger ones
out in the pond–

Mind shivers–once, twice–
in the cool indigo drapes,
and marvels, as blue blackens,
at the mirrored starscape in the field, the fireflies
dancing just like themselves, in blinkered
galaxies–

The mind wants so much
to still this moment, even though it’s long
past, to stash it–

as if flicker
could be stilled and stashed,
as if the pure delight of movement–
movement as free as the barely seen can sometimes be–
could be re-membered–then’s arms and legs re-fitted
and made to dance–
as if stars could be mirrored
by something palmed, fisted, ferreted
away,
as if anything
could live that way– 

 

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Here’s a poem that I am still calling a draft for now, but that I like. I’m not sure about the title–also thinking of “Re-membering”– and I’m not sure about the close.  I am linking it to Alan’s prompt on Poetry Jam about thirst and also to Real Toads open link Monday.  Something strange has happened to my comments so that I am not getting notifications of when they are posted, so I am sorry if I am late returning visits. k.  

 

 

Who’s My Dada? (Will)

June 27, 2014

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Who’s My Dada? (Will)

(A cut-up of Shakespearean phrases that have entered
common parlance.)

 
The wish is
to wear my heart on
all corners of the world
though I am a native here,
manner-born (then sinning)–

A pound of
paradise swoop
inches the milk
of human sea change.

But, oh–on this stage
of free woe and
hanging kindness (a tale),
father the deed
and, on thy sleeve, comfort
thine own true–

 

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Okay, I confess that this is a bit of a goof–I like Dada visual art, but have a harder time with the poetry, but here is a poem that I made up from cuts of Shakespearean phrses that have gone into the common parlance.  I literally scribbled a bunch down on the train and then cut up the pages very randomly with scissors, excising many words and dissecting little bits of phrases, then dropped them on the floor and picked some up.  My husband has said it does not seem to mean much–judge for yourself!

 

This is belatedly for a dVerse prompt by Victoria on Dadaist poetry.

The photo is a detail from a light sculpture by my husband, Jason Martin. It seemed to go with the idea of paradise swoop.

City Lights Nights

June 24, 2014

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City Lights Nights 

There’s a blue by night building’s edge
needs nothing electric
to neon.  My heart speaks ‘glow’ back,
sings the body eclectic.
But, Blue–
Though heart will pick and choose
its tack,
there’s no pick that will stop
darkling, the shut of day’s door’s wedge
on window-littered blacktop.

 

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A very belated poem for Kerry O’ Connor’s wonderful ‘play it again Sam ‘ post on With Real Toads to write something in a Robert Herrick format.  I am also linking to the dVerse prompt by Marina Sofia about things that could shatter and rebuild one’s world—I don’t think this exactly fits, though it is about an evening world and how small beauties (or big ones such as sky), can lift and darken one’s moods.

I am sorry that I have been so terribly absent of late.  Very busy in my non-poetry life.  I miss you all!  k.

Ps I did not get a blue picture! Maybe tomorrow!

Congress (Seemingly Sold, Seemingly Byzantine)

June 14, 2014
Pants On Fire

Pants On Fire (As In Liar Liar)

Congress (Seemingly Sold, Seemingly Byzantine)

It was ever a country of old men.
Some young have come of late who are even more
stale, though they proclaimate with a vigor
not often seen in rigor mortis.  What then
was wrong, what they know to have been wrong,
they sing odes too, anthems with bombs bursting–
as if bombs were bubbles like those pursing
stuffs so closely held–their real estate long

shots, their inside bets in stocks, that donor
whose requests made so much sense (and dollars)–
Such faux outrage, such gyréd hollers–
the high dudgeon they rub like a boner–
No compromise to help the poor–for,
a human right is but a paltry thing
compared with that that goes ka-ching–  Ka-ching
to keep a pol awake–on the House floor.

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Here’s a poem of sorts (yes, a draft, in that it’s just this minute taken shape) for Kerry O’Connor’s wonderful challenge on With Real Toads to use octaves–like Yeats.  I would like to try for a more lyrical poem, but here’s one that makes (very minor) references to Yeats ‘ great poem, Sailing to Byzantium, in honor of the prompt.

Note that with all my poems, the pauses are not to be taken at the ends of lines unless punctuated, i.e. with a dash or period or comma.

An odd pic, but one I had–no time to make new tonight. 

Order (Of Sorts) Instilled in Difficult Play Date

June 13, 2014

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Order (Of Sorts) Instilled in Difficult Play Date

Terra Cotta
was not exactly
terra firma.
Not like play-doh
which could make my say-so
fly–
for I was a pro
at play-doh
and the ability
to form beings
out of clay–elephants, turtles,
little blue guys–
grants, in childrens’ eyes
a God-like guise.

But terra cotta
was what we had to hand,
an old birthday gift
of stiff mud (tan),
and would have to do.

Messy, still, absorption
ensued,
as we molded, between our palms,
calm–
it came
in little wet lumps
with eyes, ears,
rocket ship cones,
taking us for whole
half-hours completely out
of this world.
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Here’s a rather silly little poem for Fireblossom Friday, on With Real Toads, to write something prompted by the work of Guido Vedovato, a naive painter and sculptor, whose works may be found here. In my case, the inspiration was his very sweet sculptures that look as if molded from clay. I used to take immense pleasure making play doh objects and, yes, even terra cotta–though it is a much much harder medium–with my children and their friends when they were small.

Note that although Vedovato’s sculptures (particularly of horses) were the inspiration for this poem, the above picture is of a little terra cotta elephant made by me. His images may be found at the website, where they are protected by copyright. (Mine are too, by the way! Ha!)
 

Lore

June 12, 2014

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Lore

My grandfather was grievously wounded,
World War I.

Perhaps, because I never met him,
it took me years
to get the story straight.

Who did he fight for?
Was Sweden even in the war?
Or was it Germany, where he’d studied
as a young man?
(This thought I always tried
to banish–but how could it be for the States, I’d wonder,
when he could only just have come–)

But war is its own country,
and all I really understood
was that he’d marched so deeply into it
that he was reported killed in action,
and his name engraved,
while he was nursed unknown,
on a monument to
the fallen.

For years, I imagined
that monument to be
in Stockholm or thereabouts–even connecting the mistake
with his emigration–
My idea: that the strange reception he’d received
on returning to the place
where he’d been given up for dead
had caused him to leave
for good.

But the truth is:
Sweden was neutral in the war,
he fought for the U.S.,
the monument sits
in a leafy park in Minnesota.

After learning all of that, I imagined him visiting the park
of a Sunday,
a sly grin on his face (akin to the laugh
of someone who looks up, bruised but intact, after
a prat fall)
as he stood in the shade of tree and column
tracing his name and the date
of his supposed demise.

I don’t know why I imagined the grin.
Maybe because he was known
for a twinkling sense of humor,
or maybe because when certain family members (my brother)
told the story, they were usually trying
to prove something–God’s grace–
and their voices and eyebrows
rose with the animation of someone convinced
that, finally, they had me,
their proof irrefutable.

But I don’t believe my grandfather was particularly religious,
and God and World War I
are pretty hard to link.  In fact, all I can think
is that I’ve got the story wrong again, that in real life,
my grandfather could never
have stood there and grinned.

For surely. there are other names
carved in that stone–
the names of men whose mistake
was being ordered
into fire, being entrenched
with disease–  their error
turning 18 before the 1900’s did.

After his real death, my grandfather came back
to Minnesota one more time–
so, my dad believed.
To console him, he said.
Don’t be sad, he told my father
on that ghost visit, don’t
be afraid.

In the parks in Minnesota, leaves twinkle
when they capture sun, so glad of it.

 

 

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This is really a story and not a poem.  I should probably break up the lines into prose.  And it is way too long.  And late for the prompt that inspired it–a prompt on family history from Grace on dVerse Poets Pub.   I am also linking this to the open link day of with real toads hosted by Kerry O’Connor.  

Thanks for taking the time to read.

PS – the pic is a gold finch or oriole crossing the road.  (I don’t know what made them to do it.)  All rights reserved. 

 

 

Onomatopoeia (For You)

June 8, 2014

 

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Onomatopoeia (For You)

Words heard
as themselves,
words that sound out
what they mean–
I’m not speaking about just
“banging”
(siss boom bah),
but, for example,  “bound,”
as in leaping bouncily,
or “bound” as in
tied ’round,
or “bound”–aimed
from lost to found,
or “bound”-as in you
clasped by me
and me
locked into
you.

Or take, for another, “missive,”
as inside the envelope we make
of each other
(addressed to “dearest”, sealed
with a loving kiss),
or, for example, “missive,”
which when one of us must leave
is all we have, meaning,
like this poem,
“missive.”

 

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A draft poem of sorts for my husband. (Pic also by me, taken in Washington, DC by C&O Canal, all rights reserved.)

I seed and I believe (writing poems)

June 3, 2014

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I seed and I believe (in writing poems)

It’s like planting
an echo.
I set down in rows, words–
they want to be heard,
to sprout sounds that will carry,
to wind their way
to some stray mind, to say
I’m here–
and for that mind to reply
oh, there you are–
somehow grounding us both–
those words flying
through pleine air-
propelled at times
by the kickstart
of metered feet,
other times just flapping
for all they’re worth.

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Draft poem for Shanyn’s prompt on dVerse Poets Pub about what we’d like our poems to seed.

After discovery/confession/wearing-off of charm

June 1, 2014

After discovery/confession/wearing-off of charm

The thorns are everywhere
and sharp,
as if for one hundred years,
she’s slept.
No place to turn
without pain.

He lies next to her, still,
sheet pulled over
one shoulder,
only, she thinks, the sleep is feigned;
perhaps his eyes
aren’t even closed.

This is not a bed
of roses.

 

 

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Here’s a poem of sorts inspired by the suggestion of “M” of the Grapeling blog, to write a poem based upon my process notes for “Rosa Multiflora Gore.”  The note is the first two lines of this poem.  The poem does not in anyway reflect my current state of mind (!) but it’s what came up thinking about the line. I am also linking to dVerse Poets Open Link Night, hosted by Mary. 

Rosa Multiflora Gore

May 31, 2014

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Rosa Multiflora Gore

Sometimes, I feel a curmudgeon
bludgeoning bush, butchering
blood-red boughs,
snipping grounded throats, clippers straining
at my hip–
but this green deserves
demonizing,
an invader–

So, despite sure wounds,
I wage the losing war, wade in,
lending my mettle
to soft-speared grass, show-spiked
dandelion,
Queen Anne’s Lace, my liege.

 

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Rosa Multiflora, also called rambling rose, is an invasive species that has moved into my area of the Catskills.  The flowers are actually incredibly pretty and fragrant too, but it would, if it could, crowd out all the native plants, and make fields one big thorn bush (a  Sleeping Beauty mid-nap kind of landscape.)  Every once in a while, I undergo battle against it.  (The thorns are everywhere and sharp.)

The poem with title (and even hyphenated words, counting as two–HA!) is exactly 55 words–it was written for Hedgewitch’s Flash 55 prompt on With Real Toads.  (As pretty much always, all rights reserved on text and drawing. )