Archive for the ‘elephants’ category

Pair (In Need of Some Fix)

October 10, 2015

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Pair (In Need of Some Fix)

They were a pair in disrepair,
all caring parlance pared by care
to a squeaking slog of “it’s not fair,”
a toe jam halting here to there–
parallel axes of despair
only intersecting where
mutually assured destruction
might liven up plain old dysfunction.

Each partner then a separate nation
whose jefe craved a daily ration
of intrigue, outrage, aggravation–
preferring the powed illumination
of blast and blow-up, the excitation
of ions, I-AMs, ‘you’ve got to be’s”
to the radiance that they might just see
in the sun-seek of their world in orbit,
in a disregard for gaud and store-bought–
in the stretch of flesh that like earth’s crust
cracks in rifts, shifts, drifts, and such
but for all its lava, all its freeze,
yet yields room for the birds and bees.

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A rather silly little drafty and belated ditty for M’s  “Get Listed” prompt on With Real Toads.   All rights reserved on poem and elephants!

 

Phantom Heart

September 20, 2015

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Phantom Heart

When I gave you my heart, I gave it for keeps,
though soon you were gone as far as fall leaves
blown on a wild wind, leaving a chill–
taking my heart where you keep it still.

Yet here I’m left wondering, why my chest it hurts so–
with no heart to ache, my breast full hollow.
I fear in your pocket it’s squeezed till it’s burst,
bruised by loose change and pen knife and worse.

Or maybe it pains ‘cause you’ve lost it somewhere–
a one-hour hotel, by a bed that you shared–
where the heart that was mine is half-choked by dust,
the half that is left made sick by your lust–

Oh how could I give up the one heart I owned
to a man whose own heart was harder than stone–
maybe that’s why it weighs so heavily now
that heart that you’ve taken in tow, in tow–
that gone heart that still beats me so–

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A ballad, a song, ditty for my own prompt on With Real Toads to write something inspired by the work of Dr. Oliver Sacks.  (Here, thinking of phantom limb syndrome.)  (Sorry to recycle the elephant–and older one of mine–a print made by painting on a glass plate and pressing it on paper.)

 

To You, Who Likes William Carlos Williams

August 25, 2015

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To you, who likes William Carlos Williams and other Imagists–
One Way (of Undoubtedly Many)
That I Am Different From Them

I can’t write simply
about a red wheel barrow, glazed
with rain, and the plain so-much
that depends upon it.

Too much is appended to
my red wheel barrow.
Though its front tire is uninflatably flat,

it still carts
a chimera, shaped, while you protest
the extra effort required in
my lurching slog, by your endless searches
for the right tool, pot lid that
fits tight, true fix

while I’m fixated on moving
damp leaf mulch right
this minute.

And, in its undelayed but belaying veer
to its rain-glazed side,
may be found my pride
in poor but immediate equipage, my age-old
reliance on a single
serrated knife, pot metal spoon, whatever tilting top
or melt-handled spatula
comes to hand.

All this and more bellies
its red basin–the scratches already
on my new camera, your attention
to socks, and–yes, I know of it–your secret seasoning
of my cast iron–

huff-puff being the thing itself for me,
while you, who urge the purchase soon
of some new barrow, possibly blue,
sigh,
then, as if much depended upon it,
put another shoulder to
the wheels.

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Agh! Drafty sort of poem for Kerry O’Connor’s Prompt on William Carlos Williams that was part of Margaret Bednar’s Real Toads “Play it Again, Sam.”  I am linking on Real Toads Open Platform.   (Based on Williams’ poem about “The Red Wheelbarrow.

I know the pic doesn’t exactly fit, but am not in a situation to put in a better.  And I rather like the poor weeding elephant.  Thanks! k.

Stitch

August 16, 2015

 

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Stitch

Time–she had a stitch or nine,
because she ran so hard and fast;
it sewed itself along her sweep
until she slowed her pace at last;

and all of us who tie our shoes
and dash our morning faces wake,
slippered into sudden sigh,
though carapace began to shake–

By that, I mean our peanut shells
so welded by centripety,
their brittle case won’t whittle down
even under battery

(though we don’t batter much our shells
for arms are thoraxed tight within
and Time’s bright gait so blurs our view
we miss the spinning at our end.)

But as Time slowed, if for scant breaths,
the dervish dance cast by her draft
unspooled and drooped, and feet adrift,
we swayed, then lurched, as on a raft

that washed up from a sea of notion–
each own’s idea of what this ocean
of floating storm is made up of,
this life we row, this row we motion–

Next landed on a slant shore’s sands
and while Time’s hands massaged her side,
we, creatures of a patterned beat,
assayed a waltz through lapping tide–

Soon enough, Time ran again,
with seams unstitched and hands a’scissored–
in her upswings how we whirred,
and at her strokes, how quivered, quivered.

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A draft poem of sorts–meaning freshly written and little edited for my own prompt on Time on With Real Toads.   The drawing is an old one, not perfect for this poem,  but my laziness makes me a believer in recycling–

 

Midtown Midsummer (Morning)

July 22, 2015
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This picture is not a true depiction of Central Park in the morning.  The pic was actually taken in the afternoon.

Midtown Midsummer

Morning park feels like yesterday’s
shirt, worn, but rested right now
from a night on the bedroom floor
slumped just below
the blow of your best fan.

(The wood of that imagined floor
has been sanded, by bare soles, soft;
its varnish long
walked away, leaving a cool in its planks
that the weave of the shirt would now seem
to carry,  if, that is, air were linen,
and linen, aged oak.)

And you are conscious,
walking through this day that does not yet
stick
to your body but still supports itself
a breath or so away,
of things you really mean to do sometime,
other days you want to live–like that bright one slightly buzzing
with bug and sun, in which,
beneath a great straw hat,
you will paint landscapes from life
leaning over watercolors
before a spread
of cattails,
and a few in Lake Como, which you know nothing at all about
but whose name connotes blue
misted by wine; and a couple starting with oatmeal
on the Isle of Skye–you add those in just
for the sound–
but mainly days, many days,
before your own wooden table
and your own unwooden
computer, in the company of words that hold hands
to catch a story as if it jumped
from a burning building and those hands supported
a strong round net–

and before you know it,
you’re at 59th Street, a/k/a Central Park South, and tourists,
whose shorts are the color
of street maps, fold over one or the other,
and the curb is cross-hatched
by stain and plastic,
and the light on everything
from buckle to windshield, coffee cart to
door-manned lid, glares
rather than shines,
and you understand
crossing Fifth Avenue at 57th Street,
(just to the front of Tiffany’s where, this early
in the morning, the windows show only
small backdrops of dusky harbors)
that your time must be plotted, alloted–
allocated (which since it has four syllables
must surely be the best term for
this job) if you wish to get
anything done at all–

and you notice, traversing the grid,
how the crosswalks fade in the center
of the tar, and how the words holding the net
for your stories seem to veer slowly,
h’s tripped by d’s, m’s crowding–

Impatient, you dart across the lowering
side streets–
54th now, maybe even 53rd,
even before the light changes,
even when a truck is coming,
in some pretense of saving time, counting
that you can make it.

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Another draft poem, or maybe little story.  I wasn’t going to  link this up with anything as it is so long, but will try Real Toads open platform very belatedly.   Thanks much for reading!

I am posting with it an old picture of Central Park, actually from a very hot afternoon rather than early morning.

Love In A Sweet Spell

June 8, 2015

Love Poem in a Sweet Spell

He was a prince
among the amenable,
which is to say
she knew where he stood.

More importantly, she also knew
where he lay,
where his head rested,
where his hands roamed,

and that his heart,
for all its fixed lodging–a room at her inn,
room for her within–burned
with a blue-red flame
as if the blood coursing through it
had simply added an “h”
(blood, of all elements
one that is able to spell)
for hearth,
husband,
honeypie.

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A poem for no prompt but my dear husband’s sweetness.   I will likely link with Real Toads Open Platform.  

Not-Yet-Missed Flight

June 7, 2015
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Me, with fellow flyers. Guess who’s who? (Ha!)

Not-Yet-Missed Flight

The knack of flying is throwing yourself at the ground and missing.”
Douglas Adams

I’ve long proved capable
of missing much–
deadlines, typos, you,
a last best chance,
the writing-on-the-wall dance–that diagram
of there
to somewhere
that didn’t look like here–

Yet, here
is where I am,
with only my feet (maybe)
scraping ground, my head increasingly shy
of six feet above–
Could be worse.

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Another 55 for Kerry O’Connor’s prompt on Real Toads to write a 55 word poem, using a quote from “Brainy Quotes.” 

PS  – I think I was about 5’6″ and a half or so at max;  not sure now!  Pic is mine, all rights reserved. 

To You, After Shakespeare (No. 18)

June 3, 2015

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To You, After Shakespeare (No. 18)

Rock shifts for Sisyphus at the end of day,
the rock of Venus, but more temperate.
I write about the planet if I may
but also write of my nightly date
with your limbs.  If I could climb, I’d climb their shine–
I can’t actually see it in the dim–
but warm myself with the glow of the decline
of palm’s cascade from shoulder to hip (so trim).
As night goes on, the darkness seems to fade
and the skin of light to pool, a debt dear owed
to those, like us, who’ve endured a treeless shade
but now want branches–yours–now need what grows
even through the blows of rough, of come-what-may–
Oh love, I shan’t compare you to a summer’s day.

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This is very much of a draft poem, but I hope kind of fun, written to the end rhymes (more or less) of Shakespeare’s sonnet number 18.  I wrote this based on an exercise suggested by Bjorn Rudberg’s prompt  on Real Toads about using end rhymes of a specific poem. I did not use the last two rhymes of Shakespeare’s sonnet as they rely on “thee,” so had a great excuse to go my own way.   Pic is old one of mine of elephant influenced by Sisyphus–I don’t really mean the lover in the poem to seem frustrated–just liked the reference–ha!  All rights reserved.

Ps-I have been repeatedly editing the first line since posting.  I still don’t know that it is getting my meaning across but here it is for now. 

Elephant Break?

May 21, 2015

Hey all!

I love writing poems!  Frequently!   Largely thanks to you guys!

But I have long-standing projects on back burners.  I tend to neglect these when focusing on poetry.  (Especially since my employer also expects me to do stuff.)

In order to resuscitate the other projects (and relieve that slow burn–it really gets to me), I seem to need to take a formal break from blogging poetry.

So, here’s my plan.  I am going to try to take a break from posting poems, but I do hope to keep posting–mainly little drawings and such. (Probably complaints!)

But hopefully, they’ll be fun drawings/complaints.

Anyway, keep visiting!  (If interested.)  Not to make you feel obligated (ha!) but your support is very deeply appreciated!

Thanks.

 

Imagining Oklahoma (May 2015)

May 15, 2015

Imagining Oklahoma  (May 2015)

I write of swimming Tulsa’s parks–
it’s rained so much that some have Arks
(Snitched, I think, from church displays–
plastic giraffes in porthole bays.)
But I’ve no boat, nor yet canoe–
the crawl (Australian) best I can do.

Stroking, I ponder the pour of rain–
here in the land of Dust Bowl fame,
where folks went west-er for water, honey
(milk too and, they hoped, some money==)

Or, so it once seemed in older times
a warning time we’d mucked with climes–
that word’s poetic for another, close,
and please excuse my lines verbose–
but State Reg. Nine-Ten-Eye-Eye-Eye-Eight
prohibits that I articulate
that “climb”-start word that rhymes with “pate”
and has naught, says the State, to do with our fate–

Don’t you dare (they tell me) blame fossil fuels
for converting us all to corporate tools–
or else the drillers will pull their rigs
and we’ll have to devise some other gigs
(which would be especially mis-er-a-ble
for those on oil’s-lush payroll–)

So, I guess I’ll just crawl silently
right next to this poor drowning bee–
By the way–you have a Nicorette?
it’s like cold turkey in this wet–
or so he buzzes, busily tells–
somehow addicted to what kills–

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Here’s a poem of sorts for Marian’s prompt on With Real Toads relating to Dr. Seuss and Taj Mahal.  I love Taj, but I stuck mainly with Seuss, except I suppose one could also think of Taj’s song Queen Bee–

Process notes–it is my understanding there are intense downpours right now in Oklahoma, while California, even the parts not traditionally dry, are in terrible drought.  The nicorette reference is to the nicotinamides in pesticides which many think are causing the decimation of bees.

Final process note–I am in New York City right now–so apologies for my ignorance of Oklahoma–California too– though I took out that stanza!  Also I am without either pencil, eraser or drawing pad– I really am not used to drawing without an eraser!  Agh! 

PS– I fear that fracking and earth quakes may be an even bigger problem in Oklahoma right now, but decided to keep this poem relatively simple.

PPS – I am informed, upon posting, that this is my 2000th post on this blog.  Ha!  Thanks to you all for the encouragement.