Archive for the ‘poetry’ category

“Mismatched”

January 22, 2013

(Doesn’t completely suit the poem, but you get the idea. And it’s cold!!!!!)

Mismatched

She skidded
along the surface of time.
He dug his heels in.
Either way time flowed, bunching around
his ankles, splashing about
her curves.

Feet flexed, he leaned
into his wake, barely ahead
of inundation, while she, without
suavity of surf or ski, lurched
through her glide. They tried

to hold hands,
but it was difficult.
Even side by side,
a stretch, and when he dug in, and
she swerved, great
elasticity was needed.

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Posting the above, a re-write of an older poem for dVerse Poets Open Link Night, and also for Magpie Tales (where Tess Kincaid posts a pictorial prompt.) I don’t think my poem completely fits Tess’s picture, but it did give me the idea of returning to this poem. My awkward rendition below.

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At Cross Purposes

January 19, 2013

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At Cross Purposes

My points, to you, seem hollow,
faux arguments, foe arguments,
spent shells of zero caliber–
fibber blanks that might nonetheless
mess up all that you hold dear
(fear mainly, rage–of course, stuff–
toughness). It’s rough how this world,
swirled in a rifling that won’t be aimed,
lames us, though both want it to behave,
be saved. You imagine your self
pure self – there at the ready,
steady-handed–while I’m not sure
your bullet will hit its mark,
parking its lead instead in my
bystander’s heart, or another–
mother, brother, neighbor, son–
one of our own, ’cause you and me–
we–for all our lingo–stock, cocked,
locked–ram into a single barrel,
peril, sorrow, recoil–

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Here’s a double-barreled sort of poem (draft) responding both to the dVerse Poets Pub Prompt hosted by the far-ranging Fred Rutherford relating to writing in foreign languages, and to the Real Toads prompt hosted by the wonderful Hedgewitch (Joy Anne Jones) on chained rhyme. Both have written super interesting articles with great original poems. Check them out.

(The foreign language here, for me, is gun talk. Chained rhyme is a form where the last word of each line rhymes with the first word of the next. Sort of, in my case.)

“Remembered Blue” Flash Friday 55

January 18, 2013

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Remembered Blue

When I think of blue,
my closed-eyes mind sees green–
sheen of Minnesota lawn stretching flat
past pasture, where behind a straggle-wire
fence my grandmother straddled, impossibly,
a horse called grey as white
as her own curls, so very long ago that all
I truly remember is awe
as huge as the sky.

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55 belated for the G-Man.  Go tell him to have a great weekend.  You too. 

“Woe (the You) Is Me”

January 17, 2013

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Woe (The You) Is Me

You’re wrong. Tick.
You made a mis-tock-take.
And now there’s no clock–tick
that can be turnedtock–
back–tick. The stock prices
dropped–tick. The man kicked
the buck—tock–with the t’s-tick
not crossed–tock–nor the i’s dotted–tick–
fuck; the whole thing a mess-tock–
’cause you made a miss
tick, 
yourself a mistook–
tock– you less than a tick, miss–
You less than—

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This really is a draftish poem for the terrific and exacting Mama Zen at With Real Toads to write something (in 75 words or less) about “the hard stuff.” For me, making a mistake–becoming conscious of making a mistake–is an extremely unpleasant experience. Unfortunately, it is one I have with great frequency. (You’d think I’d get used to it!)

Here’s a reading. I’m not sure I got the tick/tocks right, but it will give some idea–

Speaking of Real Toads – Isadore Gruye has very kindly interviewed me there today.  Check it out!  

I Heart Beat

January 14, 2013
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Image by Kim Nelson (used with permission)

I Heart Beat

I heart you sky
I heart you blue
I heart you cloud
I heart you true.

I heart you here,
there too and fro’–
I heart you now
and then and mo’.

I heart you even
when eve do fall–
(and adam too)
I heart you all.

So, lord, don’t hurt me–
jes’ hold me tight,
so’s I can ear
your heart all night.

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Here’s a sort of ditty for With Real Toads, Kerry O’Connor, and a prompt focusing on beautiful images made by Kim Nelson. Don’t know about the last two stanzas!  Had something lighter –but you know me – if I can add some gloom, I will!  Oh well!

I am also posting for dVerse Poets Pub Open Link Night. 

“A Mother’s Loss”

January 13, 2013

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A Mother’s Loss

She was my first friend my own age
to die. Not by accident, not
by her own hand, but with
advance notice, and against
her will.

She tried to block it, to barricade death’s door as if
with couch, desk, table, only she
used organs–

The teen-long legs of her daughters dangled
from the arms of chairs in her last room–while her own
arms–arms that, not long before, would have lifted a car
if it had pinned one of those girls–tendonned the
coverlet.

I tried for poetry–she liked
poetry– but all I had rock-solid
was Yeats, “The Lake Isle of Innisfree,” and as
uplifting as those words
might be – I will arise
and go now
– they were chunks of pavement
in my mouth, the roadway stuck
below the pinioning car,

her clenched face drawn
to different lines, lines that resisted
far shores, lines that radiated only
towards the two girls lapping the stiff-backed chairs.

Batting away silent
linnets’ wings, her croaked voice stretched across
the tubelit glimmer: have you
finished your homework?
Did you get enough
to eat?

At her memorial some weeks later,
her daughters, poised women,
shook hands with all who came.

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Sorry to be so gloomy of late! (I think I need more sun!) The above poem, about which I am still very uncertain, was written for the dVerse Poets poetics prompt hosted by the wonderful Stu McPherson on growing up. I am also linking to Real Toads Open Link Monday.  The photograph was taken by Raquel Martin (with, amazingly, my iPad). All rights, as always, reserved.

“Changing the Dialogue” – Flash Friday 55

January 11, 2013

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Changing the Dialogue

“A rose by any other name–”
Shakespeare says–of
smells and sweetness.
But in an age of spin and
tweetness,
“handles” turn the top.
So, why not tell it like it is
(but freshly scented.)

Rename “pro-gun control” –
pro-life;
“pro-choice” – women’s fight
against governmental
tyranny;
environmentalism”—wealth
preservation;

“teachers and parents” – VIPs.

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55 for the G-Man!

Tirupati (Hair-Cutting Temple Complex)

January 11, 2013

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At Tirupati (The Hair-Cutting Temple Complex)

At the big temple – the one where the Westerner is allowed to beat
the line through extra payment–there are rooms
of rupees, tied stacks of currency fluttering
in the currents of standing fans–
as if money could overheat–while priests, strong-handed,
push the sweating pilgrims through.

Outside, she keeps
to the shade, angling for impossible
discretion, as she records, through metallic lens, rows and rows
of unwound braid–hair is for sale
in the dusty green stalls–still waved
from lifetimes of plaiting, fraying loose, and black
and black–though some
are greyed–each tail an unspooled wish
posited at the barbers’ temple (one she is not allowed to
enter, even for a fee)–

Though she feels awkward holding hands with her
camera, as before her on
the dry blown strand, fresh-rounded heads as smooth
as those of travelers from another planet, trudge
in familial groups, hiking up on hips, brown
babes, also shaved-headed but wearing now
smocked caps, kohl-drawn eyes transfixed by her
blonde aloneness.

She takes the pilgrims’ bus–the only
one–back down the mountain knots.  A woman
is sick–the driver stops–
they wait – driver, conductor, the woman’s friend companionably chatting,
then passing to the woman, as she bends over
a weedy gap, the driver’s rough
panni–water–

As the bus shudders to lurch, the friend helps the
sick woman bump back into their squeezed space, then holds
her pale buck-toothed head, which
shaved, shows oddly triangular below
its bristle.

But the friend–
the Westerner realizes suddenly–has the most beautiful
face she has ever seen–smile broad
as a movie star, cheekbones taut
as a ballet dancer, eyes the dark velvet
of a twilit doe.

Her hair falls gently about
the sick woman’s face, which is notched–the
woman dozes almost immediately–at the friend’s sari’ed
clavicle.  The friend keeps it there, still, through the
swerves of twisted brush, parched green, as the
Westerner watches, wondering at
the making of wishes and the unraveling
of fates.
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This is genuinely a draft for the “Form for All” prompt on dVerse Poets Pub, hosted by Victoria C. Slotto who challenges to write an “imagist” poem. I am so sorry about the length. It is a poem about an experience visiting Tirupati many years ago. It is a temple complex, pilgrimage site, in South India, where people go and have their heads shaved offering their hair as a sort of sacrifice. At least some of the hair is then sold at the temple complex in an outdoor market.

“Estrangement”

January 8, 2013

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Estrangement

She hides.
It is what
pride does. Wedges herself
inside a hedge, stranded hair stalking
snagged branch, limbs pricked
by entwining vine, scraped skin blending
into wall behind, eyes stone-faced chimneys
to a bricked-up heart.

He stands apart. Calling from the pavement, once,
twice, but, proud too, not bending to look
though she is just there, hedged.

The calls and then, after,
the silence,
reverberate as buzz in their ears, nearly
deafening at moments; at others, something
they can almost make themselves
not hear.

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Draftish poem (and not-really-right pic)  for dVerse Poets Open Link Night.  Check it out!  Also my books!  Poetry, GOING ON SOMEWHERE, (by Karin Gustafson, illustrated by Diana Barco). 1 Mississippi -counting book for lovers of rivers, light and pachyderms, or Nose Dive. Nose Dive is available on Kindle for just 99 cents!

Homing In/Night Feeding

January 7, 2013
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Mother and Child, M.C. Escher, 1921

Homing In

Baby’s mouth eyes nipple
like a blind poet bobbing
over the wine-dark sea.

Nipple, the limpet-decked thru-hull
of storm-tossed ship, spurts, spills, the
dear-sought ode,
planking swelled
to burst, till calm calm
croon descends, and the baby, poet, breast, turn
into sibilant
moons, orbits interlocked, rocked,
rocked.

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Night Feeding

Skin shines
the only light
in the whole night world–radiance
of breast, head, fingers, as heat
flows from magma to
mouth, melts one
into the other, melds gaze,
eyelids, into a single beam, enough
to adore by.

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I’m sorry – cheating today with two poems for Kerry O’Connor’s prompt on With Real Toads, to write an “ekphrastic” poem based on an Escher drawing.  I think that ekphrastis is supposed to be more of a description of the art work – since my first poem “homing in” didn’t really describe the drawing in any specific way,  I tried my hand again.  Neither quite does the trick.  On the other hand, I do hope the poems promote nursing babies–breastfeeding, in my mind, one of  the most important thing you can do for your child, if possible.  (And great for mothers too.)