Posted tagged ‘writing exercise’

Not Quite National Poetry Month but “Good Enough”

May 3, 2010

Diamond Enough

After yesterday’s post concerning the relatively higher payback for posts about Robert Pattinson, I am returning to poetry.  This is, in part, because the  Academy of American Poets announced that it is extending its April program of daily emailed poems for the entire year.  (I figure if the Academy of American Poets can post a poem a day for longer than a month, I can too.)

So here’s another draft poem  (written on the morning subway).   Any suggestions for improvement that you may send are seriously considered and greatly appreciated.

Good Enough

Why is it that they,
the amorphous they,
can never say
you’re good enough
well enough
for you to feel, in fact,
good (enough);
not perhaps like a
diamond in the rough,
much less a diamond buffed,
just not ‘not good enough’.

What can they say
to allay
that bay of inadequacy,
that convenient, if unsafe, harbor,
built-in, if empty, larder?

It sounds like a game,
but if words can tame pain,
rhyme act as anodyne,
it’s worth a shot,
would mean a lot,
maybe, for a short time, enough.

(PS – note that an earlier version of this post incorrectly named the Academy of American Poets.  Sorry, Poets!  Their emailed poems are a feature called “poem-a-day”. )

28th Day of National Poetry Month – Train of Thought

April 28, 2010

The 28th day of National Poetry Month, and my 28th draft poem.  This one is very much a draft, but, I hope, interesting.

Train of Thought

I am thinking as I sit upon the train
that the person who invented rubberized eggs
should be shot, or at least, forced to eat them, when
a woman with a rubbed-out face
steps onto my car.  She’s been burned badly,
her face segmented into triangular wedges of scar that
web the skin from one ear to the opposite cheekbone.
Hard to read the history
in the hieroglyphics.
An explosion on a stove?
Acid thrown in warning?  Retribution?
Her skin tan, hair dark, ethnicity scratched out, I go
for the acid, knowing that whether or not she is a woman
purposely victimized, there are such women,
damaged for their difference, their efforts, to hold
things in place, women.
She stands, waits, her face turned
so that I can see only an edge of eye (though her eyes
are almost all edge).
I want to give her my seat, but the gesture feels
intrusive, a kind of stare, so do nothing but wonder
about a world in which eggs are turned
into seamless yellow squares, and woman’s faces into
a stitching of scars, and how our minds can hold such things at once–
the trivial, the tragic, the very very tragic–and this City too,
this train.

16th Day of National Poetry Month – Vacationing Away From New York Limericks

April 16, 2010

New Yorker In a Car (Outside of New York)

Unfortunately, this 16th day of National Poetry Month was so busy I had little time to focus on much poetic.  A good day, in short, for draft limericks!

I’m sorry to say that the limericks I did  (which connect as one longer poem draft) have a fairly limited subject matter;  they describe that feeling of “going to seed” which may descend on vacation, particularly a family vacation, in which normal exercise and eating routines are put to the side; this feeling may be particularly pronounced in the case of the peripatetic New Yorker.

The limerick form is five lines, with a rhyme scheme that is typically: A, A, b, b, A; with the first, second and fifth rhyming lines longer than the truncated couplet of the third and fourth lines.

Traveling New Yorker

There was an old gal from New York
who watched what she put on her fork;
still, outside the confines
of the Four and Five lines,
she felt herself turning to pork.

The thing is that life in the City
made her walk through the nit and the gritty,
while, whenever afar,
she traveled by car,
quite bad for the hips, more’s the pity.

So she worried, this gal from Manhattan,
as she felt herself fatten and fatten–
too many fast treats–
too many cheap eats–
and just about all came au gratin.

Oh, for her home—twenty blocks to a mile;
twenty steps too, till the average turnstile.
Sure, there was soot,
but she’d breathe it on foot.
Once back, she’d stay put for a while.

15th Day of National Poetry Month – “Communion”

April 15, 2010

Ah, Blue!

It’s the 15th day of National Poetry Month  and also you know what.  I started to write my daily draft poem about an idle tax day comment overheard at a Florida Starbucks, but then ended up working on a completely different draft poem, something a little closer to home.

Communion

What a gift it is to sit
with someone you love and not hear
about the body/blood, given/shed,
for your or anyone’s salvation,
redemption,
success/despair,
education, regeneration
in remembrance of.

What sweetness not to discuss
any house in any location,
great aunt or uncle,
small town or large,
teacher or outfit (with
or without peter pan collar,
ruffed cuff),
income or IQ;
patience so much more elusive than gratitude,
love task-like in its minutiae,
the sullenness of childhood a sharp stone
on memory lane.

Ah, the communion of the trivial shared right now,
the small square tile that bears a silent “e”,
the ace on the card table,
the deliciousness of breeze or scone.

I sit with my parents and paint.
Those who do not paint often
focus intently on
a carefully drawn petal or jagged blotch of sea.
Ah, blue; ah, green; ah, yellow.

The 14th Day of National Poetry Month – Writer’s Block Sonnet (and White Sock)

April 14, 2010

Blank Page and Sock

The 14th day of National Poetry Month, sigh.  The draft sonnet I wrote today is intended to illustrate the principle that a poem can be written with no inspiration whatsoever!  In other words,  don’t wait for the muse.

The draft below follows the rhyme scheme of a Shakespearean sonnet; although I do keep to certain syllabic limits (approximately 10 or 11 syllables per line), I’m not sure that these exactly correspond to iambic pentameter.   For more on sonnet structures, check here, (or check out the poetry category form the home page of this blog).  For more on writer’s block, check out the writer’s block category.

Writer’s Block Sonnet

A blank page is not like a plain white sock.
It will do nothing for a cold foot at night,
and fits poorly into a shoe; you can’t tuck
your pants into it as part of a fight
against Lyme’s Disease; it won’t put you at ease
in any way; won’t cushion the impact
of concrete; won’t even give you release
from the itch of sand or pine needle, the tact
of the blank page so much less than the sock,
though also white and cheap and omnipresent.
The page won’t be worn quietly, it will talk
to you, it will talk at you; it will resent
any effort to shush its voice, cap its sound.
You won’t listen?  Then, it will stare you down.

12th Day of National Poetry Month – “Cheater”

April 12, 2010

Grrr....

I guess I’ve not been in the best mood lately.  This 12th poem draft seems to be evidence of that.  (Lesson of the day–writing can be a way to vent your feelings!)

Cheater

When someone cheats me, or worse,
cheats my friend, one for whom
I’ve stood in, stood up, I understand the mind
of the stalker.

I want to call the cheater, anonymously, at
whatever time he grins, and hiss
imprecations of punishment,
both divine and karmic.   I want
to seek out his car and smear something
on the glass that will dry hard and
impenetrable—tomato paste,
shellac, maybe sardines–
spelling out some simple
characterization like “this guy
is a big fat cheat,” or
“smells like dead fish.”

I want to picture him
rattled, spilling large mugs of coffee
over a beige shag rug.
(A part of me wants to imagine him
stumbling with borscht, only anti-oxident,
wonderful beets are
just too good for the likes of him.)

Speaking of beets, I’d like to beat him, only not
in the flesh, but in the mind, in a re-make of
that money game we’ve just concluded (or he and
my “friend”), only this time I’d bargain him down
to a pinhead, a place from which he would truly beg, at which point,
I would gladly extend largess; I’d be absolutely
generous, a softie all over again, happy
to show him, at last, how these things should be done.

Seventh Day of National Poetry Month – New Computer Poem

April 7, 2010

New Computer And Eye Issue

I’m afraid to say this seventh draft poem of National Poetry Month does not bode well.

New Computer

My new computer really hurts my eye.
It swirls, it’s quick, it does
a zillion tricks–sit up, play dead,
if I say “speak”, it speaks;
say “seek”, it finds;  still it puts
me in a very pricey bind–
this new computer really hurts my eye.

But when I try to write things out by hand,
my fingers won’t quite prise
the pen, at least won’t prise
it well; even signing my own name
takes clumsy thought–
which is why I really need this new laptop.

Besides, it beams, how it beams–
which seems to be the problem–all those beams–
like staring at the sun, Louis Quatorze
Medusa, Yoda’s cave that held the Force.
All that glisters is not gold,
but this bright screen has now been sold
to me, oh my, right retina, goodbye,
this lovely new computer hurts my eye.

Fourth Day of National Poetry Month – Easter Poem

April 4, 2010

Here’s today’s poem draft, an Easter Poem.   The drawing done during Easter sermon on the Church program;  I hope it’s not impolite, but it helps me to listen.  (Also I  hope some of you guys are also trying some daily poems so that I don’t feel like I’m the only one being silly. )

After Easter Service with Music By Tomas Luis de Victoria, Francisco Guerrerro

One miracle of Easter
is that a stone can actually
be rolled away.  No Sisyphus in
Golgotha;  no Calvaric wheel
of samsara, resurrection not
rebirth so much as return.  (Christ,
unlike the Dali Lama,
was not even asked to pick out
the wire-rimmed glasses of
the prior him.)
But why don’t they recognize him?
Mary Magdalen takes him
for a gardener; at Emmaus, he’s
the only  stranger in Jerusalem.
Though I’m not sure of  what I recognize either
except that when clear single voices chime
together in a Renaissance motet
the soul exists for some while, and any stones
in the heart become simply the stuff that
earth is made of.


Another Poetry Exercise Sample – Family Finishes

October 24, 2009

In the last couple of posts, I’ve discussed a poetry exercise for the inspirationally-challenged.  (See prior posts for the inspirationally-challenged for detailed instructions.)  The exercise basically involves choosing a craft or occupation, and listing the verbs associated with that craft or occupation.  These tend to be strong, particular, and colorful words and verbs.  These are then used in the drafting of  your exercise poem.

Here is another set of examples, which again, I’ve grouped as a single poem since they were all based on the same exercise.  This one involved the craft of carpentry.  (See e.g. “level,” “sand,” “smooth,” “measure,” “adorn,” “glue,” “hammer,” “file,” “nail,” “shape,” “cut,” “drill,” etc.)   I haven’t been able to locate the list of exercise nouns in my disorganized notebooks, but I know I included certain good generics like “mother”, as well as the nice specific tangible words “tulips” and “stickiness.”

Family Finishes

I.

The perfect mother sands the child down to her image, or
an image, filing away the
unsightly, the angry, the unspeakable.
She drills in a face fit for a pageant, as
smooth as balsam, as modeled as
the keel of a canoe.
Cutting the child to measure, she
ignores the stickness of any unseamed tar.

II.

A family levels itself to just folks with enough distance,
an occasional pageant – picnic or funeral – joins the blood again,
a bienniel application of glue.
The occasions are muddled with the stickiness of the blood, the
mother hammering away at the grandmother, the son
nailing the father, the family portrait gathering a  sullen patina.

III.

Steeped in tradition, the young mother thought
to measure out love in spoonfuls,
smoothing away excess and screwing it into a tied-up sock.

Blasphemy to mount to ecstasy over your child.  No.  Passion
was to be hammered down to fit the furniture, adorn the home,
like a bowl of tulips shaped to
its interval.  But the small white
fist that gripped her finger leveled her training,
proper restraint transmuted from an aged wine to water,
casks burst to loose a stream, river, flow barely banked,
clear, sparkling.

All rights reserved.  Karin  Gustafson

Also, check out the updated page re ManicDDaily.  With a photo!  (Ha.)

Poetry Exercise For Those “At Sea”

October 23, 2009

Yesterday, I set forth the rules for a somewhat reductive poetry exercise for the inspirationally-challenged.   (https://manicddaily.wordpress.com/2009/10/22/for-the-inspirationally-challenged-writing-exercise-for-harried-poets/)

The exercise mandates the writing of a poem which is really an extended metaphor;  the tension in the poem comes from using a set of physically- charged, action verbs.  These are verbs which describe tasks performed in a particular occupation or craft (and are listed as Column B) .  The poem is put together from a list of these Column B verbs, and a random list of unrelated nouns  (Column A). The poem is put together by making lines which use a word selected from Column A and a word selected from Column B  (and, of course, other words.)

Here is a a poem (a connected pair of poems) which I did a few years ago using this exercise.   Unfortunately, despite spending some time looking through my very disorganized notebooks, I have not been able to find the full Columns A and B that I used;  however, I know that the chosen occupation was “sailor.”  (I’m not sure of the nouns except to be certain that “gutter”, “mother”, and, I believe, “burlap”, and “brick” were among them.)

The “sailor” words went fairly far afield from those that you might at first associate with sailor–they included words like “weigh”  (as in weigh anchor), “spy”, “navigate,” “haul,” “scrub” (as in scrub the deck), “run” (as in run up a flag), “tack”, “man” (as in man the deck), “cast”, “seek”, “spy”, among others.  (If you are doing this exercise, feel free to be similarly wide-ranging in your choices.)

The poem has been edited since the first iteration.  I’m posting it because I like it even though I’m not sure it’s the best illustration of the exercise.  (Tomorrow, I’ll post a less edited poem, that may be a better illustration.)  Still, I hope it gives a taste of how a “set” of verbs chosen as part of an exercise can direct your ideas if you are someone, like me, who is frequently “at sea.”

At Sea

I.  Brother

The boy hauled the roses like burlap sacking
that scrubbed his arms with prickle.
Navigating the bunch through kitchen door which he kicked
to the side for noise value,
he hated his mother.  What he wanted was to man
the road, casting his day by the side
of the long green wood where he
could lurk and spy and brick up
hideouts with clods of dirt and brush and never lean
to any whim or wish except
of sky and guttering stream
to whose wills he’d willingly tack
his whole young life.

II.  Sister

The girl rigged her skirt to
the base of her hips,
tacking the elastic waist
to her pelvis, a convenient gutter
for fabric that would run its own course.
Bottling lips into an appraising O,
she weighed her chances, spying out
navel and the smooth flat skin of her belly
like the long sought shore, distant
yet within reach.

All rights reserved.  Karin Gustafson