Posted tagged ‘poetry’

Another Sestina (Sigh….) “Vacuum”

September 23, 2011

(Supposed to be cigarette smoke)

This is a poem,  a sestina, that I’ve posted before, but I’m linking it tonight to the liv2write2day blog of Victoria Ceretto-Slotto, in which she asks for poems writtenabout the dark, or shadowed, self.  I’ve written a lot of dark poems lately, so could not quite bear a new one, but this poem deals with these issues, at least for its characters.

The sestina is a fairly complex form which uses six six-line stanzas, each line ending one of six repeating words, closing with a three-line “envoie” that uses all six repeating words.  (More about the form in yesterday’s post.)   It’s a challenging form; the  goal is to make the repeated words hypnotic, ironic, thought-provoking, meaningful rather than formulaic or forced.

Hah!

I’ve posted another sestina called “Pink” which is really a better poem then the one below.  This one was my first attempt and, although it uses the form, it does so by using fairly generic repeating words.  So, it’s a bit of a cheat.  (See, I’m already going to dark places!)

The poem tells a story, but keep in mind that it’s a creative work, which, in my case, at least, means it has large elements of fiction, dramatization, exaggeration.

Vacuum

When my aunt came to visit, they talked
of old times, my aunt hunching over
her cigarette, her heavy breasts held up
by an arm across her middle, my mother
smoking as well, her cheeks like a vacuum
cleaner, puffing out.  She only smoked when

her sister came, then turned into a teen when
the folks are out.  Gestures sullen, she talked
the rebel, as if to fill the vacuum
of her youth, when she never thought she’d get over
all the obstacles they’d set, her own mother
not understanding, no wonder she got fed up.

She loved them, yes, but everything was up
from there–farm life.  Especially then, when
owning land was something, not, like her mother
thought, everything.  You were still talked
about, looked down on, passed over,
a farm not bringing cash to fill the vacuum

of nice clothes, furniture, rugs to vacuum.
Though what they remembered–that night they stayed up–
was when the government took their land, building over
their farm a munitions plant for the war, and when
their father went north to rawer land, and they talked
of joining him when their own grandmother

was “stronger.”  (So they said.)  Loved by my mother,
the grandma favored her in turn, filling a vacuum
in the heart of the middle child, the child who talked
of appearances, sticking her nose up
the others thought, the grandma protecting her when
they mocked, but sick now, her life nearly over.

They worked shifts at the plant, then each took over
the grandma’s care–aunt, their mom, my mother.
‘But who was with her,” my aunt asked, eyes round, “when
she died?”  My mother thought: “I had out the vacuum,
I remember that.  Pulled it out after ringing up
the doctor,” my mother smoking hard now as she talked.

“So it was you,” my aunt said, “when—” “I tried to vacuum
fast.”  But slowly my mother spoke, smoke rising up
like traces of what could not be done over, slowly she talked.

 

 

 

P.S. I am also linking this piece to Imperfect Prose for Thursdays.  in the hush of the moon

Poem For Father’s Day (Baby Birds)

June 19, 2011

I’ve posted this poem before, and it doesn’t really go with the picture above, but Father’s Day is almost over, and I would really like to commemorate both it (and my wonderful father), so here goes:

My Father (baby birds)

My father’s voice
when he sang
was deep and cragged and
reminded me of a froggie
gone a’courting.
But this was baby birds.

It was not even a person
who had died.
It was not even a particularly noble dog,
though like all of its species, it was capable
of a self-debasing attachment that could
seem Arthurian.

But after the accident, the rush,
the sad blur home,
my father’s back faced me in my room
with a sound
of birds.
It silenced all gone wrong,
turned me back into a person
who could do things in the world.

(All rights reserved.)

National Poetry Month – Day 30 – “End of National Poetry Month Haiku”

April 30, 2011
20110430-095851.jpg

"April is the cruelest month" (version filtered on Photogene)

End of National Poetry Month Haiku

Some say that April is the
cruelest month. They must
be people who write poems.

All rights reserved.  Suggestions welcomed.  Thanks much for checking in on all the draft poems this month!

"April is the cruelest month." (Unfiltered.)

Rilke on Freezing Early Eve

December 10, 2010

An early freeze on an early eve in early December.  I am stopping briefly in my frigid apartment on a day that has been go-go-go before I dash again into the outdoors cold, the subway, and then, I hope, the overheated snug of a birthday party, then, after the party, to a bus aiming for the greater than ever cold of upstate New York.

But it all stops for a moment, for a book, a present for the birthday girl/woman.  (I would really not mind getting the book myself some day–hint hint.) The Selected Poetry of Rainer Maria Rilke, a bilingual version edited and translated by Stephen Mitchell.  I’ve had other books that were selections from Rilke — I guess mine was Selected Poems. This is more comprehensive.

What I love about Rilke:  well, everything.  (What I don’t love about Rilke: not much, although sometimes I find the longer poems, a bit difficult to sustain as a reader.  But truthfully I have this problem with any long poem that doesn’t contain a clear narrative.  The Odyssey, for example, is okay.)

What I find especially remarkable is the blend of music and meaning.  I don’t read German enough to get anything but the sound; but the poems, amazingly, the same poems whose sensations and points and observations are so subtle and perspicacious and unique in English often rhyme in German, or slant-rhyme, and scan, and if not, still have a lilting haunting music (even in my halting pronunciation.)

And then, there’s “the vision thing.”  Rilke continually sees what is there, and what is not there, but what is, of course, really there, the “reflections upon the polished surface of our being”– only that’s not a good quote truly because he sees the core, not just the reflections, and he see that that is beneath or outside of the polish:  the gaze of Apollo in the headless torso  (“Archaic Torso of Apollo”), the shell of face of the woman weeping who has left it in her hands (The Notebooks of Malte Laurid Brigge), the ghost of his lost friend (Requiem.) He sees all these things (and they see us), then he tells us we must change our lives.

But I’m not quite changing mine yet.  (Got the book for someone else.)  Must run.

(ps – sorry this painting not really Greek!  Edited!)

More Thoughts On Eggs And Lightbulbs

October 27, 2010

Egg Head?

Yesterday I posted a villanelle mistaking an egg for a light bulb.   I was thinking about that today on the subway and came up with this poem.  Perhaps, I should say, draft poem.   Any suggestions are most welcome.

An Egg is not a Light Bulb

An egg is not a light bulb.
An apple is not an orange.
A square peg does not fit
into a round hole.

Actually, an apple is a lot closer
to an orange or even
to a round hole
than an egg
to a light bulb.

Though an egg can
have a certain luminescence.
In a pitch black room, for example,
an egg would be better than nothing
(especially if hard-boiled).

Except that a hard-boiled egg
has a blank crustiness
about its shell, like rough
plaster, or better,
gesso stuck insistently
to what would otherwise be
a relenting stretch of raw canvas,
while an uncooked egg, be it white
or brown (truly a dim peach),
has the iridescence of a pearl,
a tear, a newly-hatched idea,
which is represented (typically)
by a light bulb hovering
just above, or even inside,
a human head.

So maybe, thinks the head,
this thing called life
is possible.

An Egg Is Not A Light Bulb

October 26, 2010

An Egg Is Not A Light Bulb

You make mistakes sometimes.  (If you are like me, you may wish to substitute the words “often” or “frequently” or “constantly” for the temporal element in that last sentence.)

Oddly, the resulting embarrassment, shame, recrimination can be just as intense with small mistakes as big ones.

After all, caught in the wallop of a catastrophic misjudgment, you may feel that fate, or at a minimum, genetics, have conspired against you, while little stupidities seem all your own fault.  Or worse, your brain’s fault–your decaying, ill-functioning, brain.  Even worse–your not-decaying, but lifelong-faulty, brain.

I read a confirmation code to someone today that started with the letters HTO.  It was only after he said “that’s easy to remember, like water,” that I realized that I’d been repeatedly saying H2O.

And believe me, that was the least of it.

Computers compound one’s natural propensity for error–the screen providing a sympathetic gloss for the most flagrant typo; the automatic replace function exponentially upping the ante.

All of the above leads me to the reposting of a villanelle.  (I’m sorry if you’ve seen this one before, but perhaps, if you are like me, you’ve forgotten it…)

Villanelle to Wandering Brain

Sometimes my mind feels like it’s lost its way
and must make do with words that are in reach
as pink as dusk (not dawn), the half-light of the day,

when what it craves is crimson, noon in May,
the unscathed verb or complex forms of speech.
But sometimes my mind feels like it’s lost its way

and calls the egg a lightbulb, plan a tray,
and no matter how it search or how beseech
is pink as dusk (not dawn), the half-light of the day.

I try to make a joke of my decay
or say that busy-ness acts as the leech
that makes my mind feel like it’s lost its way,

but whole years seem as spent as last month’s pay,
plundered in unmet dares to eat a peach
as pink as dusk (not dawn), the half-light of the day.

There is so much I think I still should say,
so press poor words like linens to heart’s breach,
but find my mind has somehow lost its way
as pink as dusk (not dawn), the half-light of the day.

For more villanelles, or info on how to write them, check out that category from the ManicDDaily home page.

Not Quite National Poetry Month but “Good Enough”

May 3, 2010

Diamond Enough

After yesterday’s post concerning the relatively higher payback for posts about Robert Pattinson, I am returning to poetry.  This is, in part, because the  Academy of American Poets announced that it is extending its April program of daily emailed poems for the entire year.  (I figure if the Academy of American Poets can post a poem a day for longer than a month, I can too.)

So here’s another draft poem  (written on the morning subway).   Any suggestions for improvement that you may send are seriously considered and greatly appreciated.

Good Enough

Why is it that they,
the amorphous they,
can never say
you’re good enough
well enough
for you to feel, in fact,
good (enough);
not perhaps like a
diamond in the rough,
much less a diamond buffed,
just not ‘not good enough’.

What can they say
to allay
that bay of inadequacy,
that convenient, if unsafe, harbor,
built-in, if empty, larder?

It sounds like a game,
but if words can tame pain,
rhyme act as anodyne,
it’s worth a shot,
would mean a lot,
maybe, for a short time, enough.

(PS – note that an earlier version of this post incorrectly named the Academy of American Poets.  Sorry, Poets!  Their emailed poems are a feature called “poem-a-day”. )

End of National Poetry Month – Poetry Goes On! (May 1st Monsoon Villanelle)

May 1, 2010

Monsoon Skirt

What to do when April, National Poetry Month, is over, and you no longer have an excuse to post draft poems, but you are not yet ready to reinvent yourself or your blog?

Post another poem about excuses, difficulties with reinvention and May 1st!

Here it is (a Villanelle).  (Thanks for your patience.  Tomorrow, I really do hope to move on.)

Travelers’ Wedding – Bangkok

The monsoon sky grew slowly thick with grey
as sweat like traffic stalled the steaming city.
It didn’t feel much like the first of May,

not even in his shirt saved for the day,
nor in the Indian skirt she’d thought so pretty.
The monsoon sky grew slowly thick with grey

as they hurried to the bureau where they’d say
“I do”, or if required, some learned Thai ditty.
It didn’t feel much like the first of May;

still was, and, as they found, a holiday.
Closed office doors made clean clothes somehow gritty;
the monsoon sky grew slowly thick with grey.

“Tomorrow then,” they sighed, feigning dismay,
and then made jokes that almost passed for witty.
But it didn’t feel much like the first of May,

stained, like his shirt, with portent and delay
as sweat, like lifetimes, stalled throughout the city.
The monsoon sky grew slowly thick with grey;
it didn’t feel much like the first of May.

16th Day of National Poetry Month – Vacationing Away From New York Limericks

April 16, 2010

New Yorker In a Car (Outside of New York)

Unfortunately, this 16th day of National Poetry Month was so busy I had little time to focus on much poetic.  A good day, in short, for draft limericks!

I’m sorry to say that the limericks I did  (which connect as one longer poem draft) have a fairly limited subject matter;  they describe that feeling of “going to seed” which may descend on vacation, particularly a family vacation, in which normal exercise and eating routines are put to the side; this feeling may be particularly pronounced in the case of the peripatetic New Yorker.

The limerick form is five lines, with a rhyme scheme that is typically: A, A, b, b, A; with the first, second and fifth rhyming lines longer than the truncated couplet of the third and fourth lines.

Traveling New Yorker

There was an old gal from New York
who watched what she put on her fork;
still, outside the confines
of the Four and Five lines,
she felt herself turning to pork.

The thing is that life in the City
made her walk through the nit and the gritty,
while, whenever afar,
she traveled by car,
quite bad for the hips, more’s the pity.

So she worried, this gal from Manhattan,
as she felt herself fatten and fatten–
too many fast treats–
too many cheap eats–
and just about all came au gratin.

Oh, for her home—twenty blocks to a mile;
twenty steps too, till the average turnstile.
Sure, there was soot,
but she’d breathe it on foot.
Once back, she’d stay put for a while.

15th Day of National Poetry Month – “Communion”

April 15, 2010

Ah, Blue!

It’s the 15th day of National Poetry Month  and also you know what.  I started to write my daily draft poem about an idle tax day comment overheard at a Florida Starbucks, but then ended up working on a completely different draft poem, something a little closer to home.

Communion

What a gift it is to sit
with someone you love and not hear
about the body/blood, given/shed,
for your or anyone’s salvation,
redemption,
success/despair,
education, regeneration
in remembrance of.

What sweetness not to discuss
any house in any location,
great aunt or uncle,
small town or large,
teacher or outfit (with
or without peter pan collar,
ruffed cuff),
income or IQ;
patience so much more elusive than gratitude,
love task-like in its minutiae,
the sullenness of childhood a sharp stone
on memory lane.

Ah, the communion of the trivial shared right now,
the small square tile that bears a silent “e”,
the ace on the card table,
the deliciousness of breeze or scone.

I sit with my parents and paint.
Those who do not paint often
focus intently on
a carefully drawn petal or jagged blotch of sea.
Ah, blue; ah, green; ah, yellow.