Posted tagged ‘manicddaily’

In DC Across from Arlington

September 17, 2013

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In DC Across from Arlington

I walk in my hometown to and from
a business meeting, wanting to weep,
your grave across the river,
and me caught in
such boxes–money, time–
stuck fast
in fast-moving side tracks.

I know the shape of your stone
from seeing others, and, from the diagrams,
what it should say, and I’ve seen
the clipped expanse of grass where
it’s supposed to sit, which my brain folds into
the oblong vista of sky and riverbank seen
from a landing plane, there, just beyond
a runway–

But I walk an asphalt street, walled in by architecture
shaped like faked honeycomb, interlocking
chained links,
while you, my dear, lie
over a bridge I don’t see how I can cross
today.

There are, my memory believes,
winged horses sheathed in bronze
upon that bridge, their nostrils flaring
in full vigor, feathers woven like outstretched
hands–

The street narrows, is sided
by actual houses, faced
with actual brick, and their individuated crumbling
softens the air I walk through, as if it were
your pardon, as if even stone could forgive
when broken down for parts–

And how astonishingly lucky I have been, I think,
to have known such love, without
condition, though I cannot say the thought
makes me more cheerful, that it lifts
me like a flying horse, or sends a current of wind
or river or freedom against my cheeks–

only that it shifts
for a moment
the lids from all known boxes, letting in
sharp corners of fresh blue.

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Another draftish rather gloomy poem (sorry!) posted for dVerse Poets Pub Open Link Night. Also, sorry that I have been traveling and quite busy and fear I haven’t been able to return visits from commentators–will try to do this shortly. k.

Old Dog

September 15, 2013
By Kathryn DeChairo

By Kathryn DeChairo

Old Dog

First hard frost
and when I take you out to the ice-furred grass,
you stand stock still
as you always do these days,
then edge blindly towards the side of a stone step,
nudging away from collision only just
as I bend down–all normal enough
for the now you–

until after taking your next stance,
you begin to heave, something newish,
torso jerking in waves of disjoint
that bring up nothing,
and there is nothing I can do
but wait until you’re still again, then pick you up
so that my fingers do not interlace your ribs, at least not
with pressure,
and hold you in the folds of my nightgown, which I realize
from the sensation of sleeved seam
against my cheeks
I’ve put on inside-out
in the rushed near-darkness–

Hours later, I wonder whether that was comforting,
the flannel worn next to my skin
smelling more of me
than the patterned side,
and think how rare it is
to have a well-adjusted being in one’s life
who actually seeks out
one’s smells–

But at dawn I think only of your trembling
trust, and worry, as I carry you,
about how mute you’ve become,
though you still manage to communicate so well, I keep
telling myself, the way we know
each other–

My husband scrapes a porthole in the windshield,
leaning towards me as he drives
to peer through. Taking me to the station,
and we talk of what, next, how, until
as my tears run into
the roar of the defroster, he reaches from the wheel
to pat my leg, which is when, I realize,
that we truly speak,
at least, understand–

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Here’s a draftish poem – I’ve cut a lot that maybe should be put back, and put back stuff that maybe should be cut–for a With Real Toads challenge hosted by the very talented Canadian poet, Grace,  and featuring the art work of Kathryn Dyche Dechairo.    The above is a painting (or mixed media piece) by Dechairo, called “Barren.”

Those who follow this blog will know that the old dog in the poem is Pearl, 18, who is actually doing pretty well (for 18).  This was written about a not-great morning, but it is not, thankfully, every morning.

In the Night Kitchen (With Broom)

September 14, 2013

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In the Night Kitchen (With Broom)

I sweep the kitchen floor nights,
light as dim as brain, and think
in the quiet swish
how lucky that it’s just detritus
(sweep sweep)
I rearrange,
the letters like me, myself–anyone–
swept so easily in the big
back-and-forth
into weeps weeps weeps,
wishes
dust-jumbled–
how wonderful
to be just
sweeping–

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Here’s a one-day belated Friday Flash 55 posted for the G-Man. Tell him it got lost in the mail.  I am also linking this with dVerse Poets Pub Poetics prompt posted by Shanyn; the prompt deals with using a familiar phrase.  I’m not sure this is quite right for the prompt, but in my case, the phrase would be the title derived from the wonderful Maurice Sendak.

Not-Jazz Poem

September 13, 2013

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My Not-Jazz Poem

My hands don’t find
Bobby Blue bland;
I’ve driven hours
over Miles.
My legs sure glide when
the trombone slides
and my eyes tear
when Louis smiles.

But I don’t poem jazz;
I just can’t poem jazz–
oh, I jitter
and I’m plenty bugged,
but can only riff old honkywonk
and snip a bordered rug.

I can listen till I’m Dizzy,
Muddy Waters on the brain,
But I don’t poem jazz–
I just can’t poem jazz
it’s just the way I am.

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The above is my non-jazz poem responding to the wonderful prompt by Gay Cannon on dVerse Poets Pub to write a jazz poem. My apologies in advance to anyone who finds the poem offensive or politically incorrect–it’s intended only to make fun of myself. Have a great weekend.

Safekeeping

September 12, 2013

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Safekeeping

She sewed pieces of eight
‘gainst the harshness of fate
into her muslin-lined bodice.

Then found that her breast
like an oak treasure chest
weighed heavy.

She walked with a bend,
clanked in the wind,
smelled of a grasping fist,

and always she feared
that if love came too near
it would lift her dubloons
as its levy.

So, long long before
she e’re met death’s door
she slept lone with arms
tightly crossed.

And cursed her harsh fate.

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Here’s a rather silly little poem for wonderfully distilled Mama Zen’s challenge “words count” on With Real Toads. It is below 80 words and bounces off some usage of 8.

The Obsessive Stripper

September 10, 2013

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The Obsessive Stripper  (to know her was to love her)

To know her was to love her,
she just knew that was the case–
If the world scoped out her essence,
it would look beyond her face.

Not that her face was terrible–
round, sure, and sort of freckled
(but nothing like her dad claimed–
a hen’s bottom plucked and speckled–)

So, how to start? She bared her soul,
her deepest and her darkest–
but found that no one cared much
for truth at its most starkest–

Now, naked flesh was something else–
she noticed when the wind blew
and her skirt performed a Marilyn
that the street burst out with woohoo–
(woooooohooooooooooooo——-)

Wolf whistle wheezed into the breeze,
but it made her think again–
her dad had only mocked her face–
he’d approved below the chin.

She moved from skirt akimbo
to what they call decolleté,
neckline lower than limbo
on winners’ take-all-off day.

What she bared soon jiggled from shoulders
to waistline and well beyond
sashaying up her freckled thighs
past Venus’s precious mound.

But though the rhythmic clapping
burnished all her cheeks with glow,
still, she couldn’t see herself
as a girl the crowd cared to know–

not know for real, not know for self,
most certainly not for life–
her father’s sneer showed in their leer,
and cut her like a knife.

But to know her was to love her–
how could that not be true?
maybe the nightly dis-cloth-ure
left too much to be seen through.

So shaved her bod, so shaved her head,
uprooted every eyelash;
spoke without punctuation,
and spiked heels into the wet trash–

Stripped off, bleached out, believing
that revelations would end lonely days–
for to know her was to love her–
that just had to be the case.

******************************
The above is a rather sad and far-too-long ditty written very belatedly for  the very creative Fireblossom’s Friday prompt of a while back on With Real Toads, to write a poem based upon an assortment of mandatory composite titles. I am also posting this for dVerse Poets Open Link Night, hosted by Tony Maude.. 

Overcanopy in an under leaf

September 8, 2013

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I just love these pictures, though I know they are a bit hard to make out.

What I was aiming for was a puddle in the central leaf that reflected the leaf canopy above. You can see some of the contrast in the two pics. I actually took a video also where you can see the shifting light but I thought it was probably too boring and shaky to post. (Perhaps a bit like the camera person.) Have a great week.

Sewn

September 7, 2013

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Sewn

And then there was the time
in which she cut off everything
and I don’t mean hair or carrot tops or
anything attached to another–
except herself, that is,
to him.

She tried to keep most of it pictorial–
the severed hands, breast, sex,
falling in still motion from her body
on the painted page, blood spurting
in wavy red lines that looked
like the symbol of sonar, except drawn
with her most delicate brush.

In real life, such as it was,
what she sliced was the time it took
to cross a street, to turn
a corner, to board a train,
darting in front of the bright swipes of everything
as if metal too
were insubstantial.

I don’t want to detail what he said
that woke her, only that it felt
unkind, the words
a cudgel.

Still, the blow somehow showed
the triviality of her scalpel,
the histrionic goofiness
of assumed amputation,
and the true dangers
of crossing busy streets.

And in the ache of the shockwave,
she began to re-member herself–

She heard in the rattle of old pipes
her grandmother’s tanned hands
checking in the oven a pan
of cinnamon rolls, ones she herself
had twirled.

In the glare of roof/window,
saw the grin of her father
over his paperback
against the fridge blue walls of the
doctor’s office as he waited with her,
as he always did, for her
weekly allergy shot,
after a long drive.

Her mother’s lap was in the front seat
of another car trip, making those perfectly
symmetrical sandwiches she managed, even at 65 miles
per hour;

while she herself jumped up and down,
on her childhood’s green sofa,
ecstatic in the terror of winged monkeys,
especially since she knew,
from annual viewings, that Dorothy would
be victorious, but through
no fault of her own.

I speak in flashes, as if it happened
fast, but the stitching
took some time.  The needle hurt,
perforating, the thread pulled,
and the seams caught and ridged,
even when she used
her most delicate brush.

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Here’s a poem – yes, I will call it a draft poem (sorry – but I always feel like they are drafts when I’m still working on them and I’ve edited this one even after posting  for my prompt on dVerse Poets Pub about remembering.  Check out all the wonderful poets at dVerse.

And if you have any extra time, check out my books on Amazon!  

Red Lines (A Riddle Poem)

September 6, 2013

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Red Lines

In nature,
they tend to zag–
gob, dribble,
snagging even flattened grass
as the animal still
flees, wounded.

Crest a bird’s
head, or rim
with worried crimson
its unsyncopated
blink.

Pinpoint
petals.

Sometimes work
their iron will upon the ground,
ore masquerading
as mineralized sunset, blood.

Where man’s will is
involved,
make
for fresh blood.

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Here’s a “riddle” poem with the answer in the title for Samuel Peralta’s dVerse Poets Pub Prompt. It also has exactly 55 words, minus the title, so please do tell it to the G-Man.

On the political point, I know the questions involved do pose a riddle.  I personally don’t think that they can be solved by bombing.

The above (blurry) photo is one I took of a ring-necked pheasant, which has a white line around its neck but red circles rimming its eyes.  They are among my favorite red lines.

PS – I am slated to host dVerse Poetics tomorrow so “remember” to save the date!

Protective Coloration?

September 4, 2013

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