Posted tagged ‘manicddaily’

Milkweed – Hollow Stalk, Promise (But Great Pic)

July 13, 2012

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Hollow Stalk (and Promise) Man

Man, pocketing with others
empty breeze, 1930s,
promised the two kids
ten bucks for a milkweed, root
unbroken.

They dug the whole hot day, splintering, till, going wide, deep,
(unbroken) carried dirt-dripping triumph, delicately.

Alone, balking more
than the damn plant, he ditched them
with only a memory, though that grew
quite dear, over time.

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The above is my Flash 55 Fiction for the G-Man, Mr. Know-it-all, who is wonderfully BACK!

My pic is of milkweed which seems quite attractive to butterflies.  It is undoctored – there’s the shadow of a third swallowtail in there–crazy.

“Not P-Rose”

July 12, 2012

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Not P-rose

Perhaps a rose by any other name
would smell as sweet, but the unappellated
bud, the un-monickered bloom whose fame
has not been sung (its petals not related
in pinked syllables, scent characterized
by a synesthesia of waltz and skirt,
mud taste of coffee beans and honeyed pies),
that flower–that not-called-rose–will not insert
itself in my memory, which even smells
with words (as much as nose), holding most close
those lines that ring, that linger, echoed bells,
clinging even to harsh jangles more than prose
(some prose).  A rose–let it take new names in turn
but let them, my brain whispers, be names I learn.

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The above is a sonnet (of sorts) written for the dVerse Poets Pub “Form For All” challenge, hosted by the extremely thoughtful, generous and lyrical Gay Reiser Cannon, to write a poem on… poetry.   Check out dVerse, which is about to celebrate its first anniversary.

Also if anyone truly has time on their hands, they may enjoy looking at a very early (and quite different) draft of the poem above that I wrote one April, National Poetry Month, a couple of years back, on the 25th day of the month (when I was writing a poem a day).  The precursor really doesn’t work that well, but may be interesting to those intrigued by process.

Finally!  I have a poem featured in a new blog/zine– “Ten of the Best – Short Poetry,” which highlights ten short poems each month.  My poem arose from Brian Miller’s “buttons” prompt  – “Parkinson’s (Father)”.   Thanks  thanks thanks to Kolembo, the editor, and to all of you.

“Colonel” (Kernel)

July 11, 2012

Chilmark Hay, Thomas Hart Benton

Colonel

Perhaps, because she never saw the name spelled out,
or because she’d reached the age
when all her parents did seemed inane,
their leadership monumentally ignorant,
she always thought it typical,
if bizarre,
that they had named a favorite horse
after corn.

But when he really did get the colic
from too much cold water
on too hot a day, his withers
quivering with ribbed agony, shuddering
beneath fly and wheeze and barely lashing tail, and when
her mother, who loved
horses, propped him up
all day and through the night, her old
wives’ wisdom claiming
that a horse could never die
still standing–

And after the tug of halter gave way
to a holster of flank, the sprigged chintz
of her mother’s shoulder soaked
brown, a bandage not of blood but
dandered strain; let the horse lie
down, her brain
screamed; but when he flopped, his legs knobbed
sticks next to that bloat, the marbled pupils of his eyes
fleeing the oblivion of veined whites; her father’s face creased
like the ropes
he untwisted and arranged, a hoist
and tackle, her mother pleading with the horse
to rise, face pelted
pressed to long-lashed lids, muzzle–

The ropes proved handy enough after the end, the burial
of a horse a harsh chore

that she would have none of, not even watch; rather stood
in the maze of field,  pretending to wipe only her hair
from scalding cheeks, heart hurting
like a hard dry kernel
that has been made
to burst.

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I am posting the above draft poem for Magpie Tales hosted by Tess Kincaid, who sets up a pictorial prompt each week and for the Trifecta Writing Challenge.   I am also posting with Real Toads, for Kenia’s challenge about “incomformity” where I am thinking of a meaning of irregular or disagreeing–here the disagreement (misunderstanding) between Colonel and kernel.  Check out the sites, and if you have time, check out my books!  Children’s counting book 1 Mississippi -for lovers of rivers, light and pachyderms,  Going on Somewhere, poetry, or  Nose Dive, a very fun novel that is perfect for a pool or beachside escape.

Insect Paparazzi-ing (Amazing sights!)

July 10, 2012

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I have been taking pictures of bugs lately.  Yesterday, I posted a very weird picture of a bee (who seemed to stare right into my iPhone camera.)  Here was another unexpected sight.

Eerie Ocelli (Not The Bee’s Knees)

July 9, 2012

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Eerie Ocelli

I’ve heard of Sandro Botticelli,
but never before of bees’ ocelli.
(They’re organs on their whatchmacallits
that collect light like painters’ pastel palettes.)
I suppose a Venus on a half-shell
is nothing like a full-size bluebell,
if, rather than the occasional fresco,
you live your entire life al fresco.
But, to me, they look like eyes–those spots–
that affix me as I take my shots,
into a blotter-sheet memory
that lines some nearby apiary.
I vow to lay low.

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The above is a photo I took this weekend- those bright spots on the bee’s head are ocelli  (I think).  There are three; you can just make out the pale third.  I thank the bee for the pose!

“Love All” (Tennis, Federer, Not Quite Wimbledon)

July 8, 2012

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Roger Federer (surprise surprise!) won Wimbledon. I confess to have been rooting for Andy Murray (so the Brits could at last get the title.)  Still, congrats to Federer – it is impossible not to admire his nimble grace and iron composure.

Wimbledon is, of course, played on grass, where Federer excels. Historically, however, he has not been such a winning machine when he plays on clay, particularly on the bright orange surfaces of the French Open.  Here’s a freshly revised poem, written during one of those French Opens.

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Would-be Poet

I, who must be purposeful at every minute,
even when lying in bed on a Sunday morning, call to ask you, miles away,
for a prompt, something to write about, something
outside of myself.

You are watching tennis. You’ve taken the phone into
the TV room, but, far
from its home cradle, it emits a steady cackle.
Earlier, you left the TV, but this is
my second call of the morning, and Federer, the champion for umpteen
seasons, is being trounced.

As the silence on your end
of the line extends (but for
the crackling), my mind’s eye
sees your legs–you wear tennis
shorts for the event–they bounce
from heel to thigh, not with impatience, but
compressed excitement, so that your
hips barely rest upon the edge of
that bed (so very far
from mine); I imagine
your face too, gaze glazed
with the brilliant orange
of the beamed clay surface.

I want to shout
over the static: But Federer is never his best
on clay! Don’t you
know that already? Doesn’t
the world?

Instead I whine something
about really needing
a prompt, and you, squeezing words from
the small bits of brain
not glued to the brilliant screen, say, um…
how about…’photosynthesis’?

You are not a poet; you don’t pretend to be a poet; why
do I even ask you, a non-poet, for such help?
I groan.

Wait,
you interject, with renewed
vigor (someone’s just made
their serve), how about ‘love
and photosynthesis’?

I groan again.

‘Asparagus’ then, you laugh,
making some distracted
but cheerfully inane
remark about how
it’s like your love for me, endlessly growing.

While I, who must be purposeful
at every moment, turn green, so jealous
of the TV that grips you, of
the clay, the ball, even the frustrated
Federer, that uncaringly
hold you so close–but mostly
of you yourself, your ability to just sit there
and watch,
guiltlessly, lovingly, full
of bright orange beams.

 

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Posted also for dVerse Poets Pub Open Link Night. 

 

Weather or Not – Villanelles (Traveler’s Wedding Side by Side A Nap)

July 7, 2012

Monsoon Skirt

I am posting the villanelle below, an older one, for dVerse Poets Pub Poetics challenge, hosted by the wonderful Stu McPherson, to write a poem influenced by the weather.   To spice up this villanelle a bit, I have made a doublespeak audio recording of it,  pairing it with another villanelle called “The Nap (Post-Fight)” (whose text may be found here.)   I personally find the mixed audio more intriguing than reading the single villanelle bel0w–there is a really odd music to two villanelles together, that, as incomprehensible as the words are, kind of transcends the texts –at least my texts!

Traveler’s Wedding/Nap (ITunes)

Travelers’ Wedding – Bangkok

The monsoon sky grew slowly thick with grey
as sweat like traffic stalled the steaming city.
It didn’t feel much like the first of May,

not even in his shirt saved for the day,
nor in the Indian skirt she’d thought so pretty.
The monsoon sky grew slowly thick with grey

as they hurried to the bureau where they’d say
“I do”, or if required, some learned Thai ditty.
It didn’t feel much like the first of May;

still was, and, as they found, a holiday.
Closed office doors made clean clothes somehow gritty;
the monsoon sky grew slowly thick with grey.

“Tomorrow then,” they sighed, feigning dismay,
and then made jokes that almost passed for witty.
But it didn’t feel much like the first of May,

stained, like his shirt, with portent and delay
as sweat, like lifetimes, stalled throughout the city.
The monsoon sky grew slowly thick with grey;
it didn’t feel much like the first of May.

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Thanks for your patience with this new technique!  I definitely have a long way to go with it.  K.

Squaring Off?

July 6, 2012

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Accident? Parody? Double-speak? (Tribute to John Cage?)

July 5, 2012

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As some of you may know, I’ve been experimenting with audio versions of poems. Here’s one that happened accidentally. I originally  linked it to With Real Toads, which had a prompt of self-parody of one’s own poetic style, since it arose from my fascination with villanelles.  ( Everyone’s there was super clever and funny by the way – check them out!)

Then dVerse Poets Pub had a wonderful prompt on the modern, posted by the brilliant poet Charles Miller.  And, frankly, the Sixties – which this sound poem focuses on seems to be as modern as I will get tonight.

So here goes.  FYI, John Cage is a very cool modern composer, one of whose most famous pieces is 4’33” (pronounced “4 minutes and 33 seconds”) which consists of three movements of silence.  (All instruments are instructed to keep quiet.)

This is not silent! And it does give a picture of facets of modern life i.e. (i) multi-tasking, (ii)  low-tech meeting higher tech, and (iii) minds  getting stuck in grooves.   So, give it a click!

Flag/Swimming

Here are links to the text versions of the poems, Swimming in Summer, and Flag (After Vietnam)

“Flag (After Vietnam)” (A Villanelle – Spoken)

July 4, 2012

“Flag” drawing by Diana Barco

As a child, I was a school patrol, charged with the raising and lowering of our school’s American flag each day.  This was actually a very solemn post which certainly required as much care as directing kids across streets.  There were strong rules back then about the handling of the flag; these were, of course, affected by the protest movements of the Sixties, but also (perhaps even more) by subsequent commercialism–i.e. using the flag as a pattern for everything from shower curtains to napkins.  Then came all the business with the lapel flag pin, where use of the flag became incredibly polarized (and almost co-opted by various political movements.)

After 9/11 – let’s say on September 12th–flags were briefly solemn images of unity, but  their use soon became (to my mind at least) very polarized again, and somewhat jingoistic, with flags even used as antenna decorations.  As an old school patrol trained to run to retrieve and safeguard the flag at the first sight of a raindrop, I found these frayed and faded car flags rather troubling.

At any rate, here’s the poem AND a taped reading.  I urge you to check out the tape.  A villanelle on the page can seem incredibly inane–this one in particular, because its pauses that do not conform at all with the line or stanza breaks.

And finally, Happy 4th of July all, especially to my beloved country.

(Click the title for the spoken poem.  And honestly – if you are pressed for time,  click rather than read on.)

Flag (After Vietnam) Recording

Flag (After Vietnam) 

There were rules.  You weren’t allowed to let it
touch the ground.  If it did, it should be burned
or buried.  You couldn’t just forget it,

pretend it hadn’t slipped (if stained, to wet it)–
our trusted God would see and you’d be spurned.
There were rules.  You weren’t allowed to let it

rip or fray.  To be flown at night upset its
regimen, as it were.  The darkness turned
it into something buried.  Don’t forget it,

leave out in the rain; you had to get it
(getting soaked yourself, your last concern).
There were rules. You weren’t allowed to let it

pass—even at the movies, we would fête it—
until the Sixties came, and their war churned
and buried much—you couldn’t just forget it,

pretend we hadn’t slipped.  The fall begat at
least two flags—one paraded, the other mourned—
but just one rule—you weren’t allowed to let it
be buried; we couldn’t just forget it.

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The poem is from Going on Somewhere,  by Karin Gustafson, drawings by Diana Barco, cover by Jason Martin.