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“Thresher Thrashed”

October 17, 2012

Thresher Thrashed

I tried to scythe my tie to you,
but sighed inside, the tie too wide;
so drew a chainsaw, sawed that chain–
soon saw my efforts were in vain.

No axe could hew, the thresher thrashed,
last-ditch combine was all but trashed.
What could I do but chew and chew,
chew what tethered me to you.

I gnawed into the night’s chill gloom,
I gnawed until mouth turned to wound–
then in the furrowed mists of day
I saw that you had gone away.

You’d gone (it seemed) long long before,
but left me with the lead I wore,
except that side once held by you
now flapped with every single chew.

I lay me down on that same ground
like a plant whose harvest’s come and gone,
my teeth splayed kernels, frayed tie root
so very still from head to foot.

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The above is a draft poem written for a Real Toads prompt hosted by Isadora Guya about the “mechanical harvest.” Yes, it’s kind of self-pitying and pathetic! (I say pathetic because I’m always suspicious of the martyr persona in the first person!) And maybe “lead ” should be “bond” or “leash” or “tether” or “cord”? I don’t know. At least it has a combine.

 Despite the poem’s deficiencies, I want to acknowledge a debt here to Joy Ann Jones (Hedgewitch) whose wonderful poem Cottonwood uses a chain saw that I found quite inspiring.

PS – for those interested in process, this poem’s been edited a bit since first posting – the “long before” couplet originally hinging on “long ago” and something that rhymed with that.

Check out With Real Toads, and also my books! Poetry, GOING ON SOMEWHERE, (by Karin Gustafson, illustrated by Diana Barco). 1 Mississippi -counting book for lovers of rivers, light and pachyderms, or Nose Dive. Nose Dive is available on Kindle for just 99 cents! Nose Dive really is very funny and light hearted, and 1 Mississippi is a lot of fun for little teeny kids.

“Fern-Earred Angel” (Described in Quatrains)

October 14, 2012

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Fern-Eared Angel

The shell of angel ear so fine
a curve, smaller (perhaps) than earth’s
ball surface (and grey stone), still births
bromeliad, fern whose sprung spine

grows fringed with fingered fronds that reach
into the cemetery air
their reversed message, a green clar-
ion (hushed) call, whose unfurled speech,

pronounced by ear, not lips, by dust–
blocked-breeze accumulation–
a granite annunciation–
seeds all who pass with unstained trust.

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The above is a poem written in “enveloped quatrains” for the prompt by With Real Toads, hosted by the wonderful Kerry O’Connor.  As Kerry explains (much more clearly), a famous poem in this form is Tennyson’s In Memoriam, and the prompt included various cool photographs of cemetery statuary.  These, particularly the photo by Isadora Gruye below, reminded me of the beautiful angel I saw (and drew above) on a visit to La Recoleta Cemetery in Buenos Aires, which had ferns growing from her ear, wings and gown.  
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Do visit With Real Toads to read Kerry’s article on this form and check out the other poetry.  Also, if you’ve got time, check out my books!!!!!  Poetry, GOING ON SOMEWHERE, (by Karin Gustafson, illustrated by Diana Barco). 1 Mississippi -counting book for lovers of rivers, light and pachyderms, or Nose Dive. Nose Dive is available on Kindle for just 99 cents! Nose Dive really is very funny and light hearted, and 1 Mississippi is a lot of fun for little teeny kids. 

“Can’t Resist Myself” – Unreliable Narrator/Good Old Etch-a-Sketch

October 11, 2012

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Can’t Resist Myself

I’ll lower all taxes zippity doodah-
but it will be oh so reveney neutrah–
(and I sure know about revenue hoohah
‘Cause I was once a leveraged poobah.)

Close them loopholes fee-fum-fo–
But not a hole that you might know.
(If you deduce which deductions go
It won’t be cause I told you so!)

Now listen up good, while I get this right–
I will not change a thing you like!
(Least not while talking in this mike.)
(Least not in the middle of this fight.)

Leader leader zing zing zing!
Let my etch-a-sketch ring ring ring!
(Shake – is that how you work this thing?)
(Okay, got it, bingity bing.)

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I am posting this for the With Real Toads challenge to write a poem in the voice of an “unreliable narrator.”  To be read in the rhythms of Vachel Lindsay.

(Sorry, couldn’t resist.)

P.S. I appreciate that it may be a bit cryptic for those reading outside the U.S.  Again, apologies.

Sevenling – If Eve Had Been Offered a Pear

September 23, 2012

copyright Ellen Wilson

Sevenling- If Eve Had Been Offered a Pear

If Eve had been offered a pear
in his world view, there’d be no sin,
death, knowledge of good and evil;

only the press for ripeness, which would have called her
to wait long re-decisionist days for
the fruit to soften, moisten, slither between her lips–

As for me, a woman (and archetypal enough), I like crunch.

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The above is a “sevenling” posted for a form and picture prompt by Kerry O’Connor of With Real Toads. Read Kerry’s article for more information about the form which was inspired by Anna Ahkmotova, developed by Roddy Lumsdon. Mine is a rather silly example, but check out Real Toads for some lovely (and more serious) ones.

And if you have even more time, check out my books! Poetry, GOING ON SOMEWHERE, (by Karin Gustafson, illustrated by Diana Barco). 1 Mississippi -counting book for lovers of rivers, light and pachyderms, or Nose Dive, a very fun novel that is perfect for a pool or beachside escape. Nose Dive is available on Kindle for just 99 cents!

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“The Spoils Will Crawl With Us”

August 9, 2012

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The Spoils Will Crawl With Us

When the world bangs shut
mostly,
we
will not whimper, we
will lurk, as accustomed,
in the close crevices of
smolder and freeze, sowing our little
black eggs, seeds that root equally
in the rot and burn of
abundance, need, scrapers-by in the crud
of whatever, until, all together, we blink
our beetle-black eyes and creep free,
finally, our carapaces a shine of silent
smug, without worry of pacing
sole, heel-hammer, stink-nozzled
spray, our antennae un-
cocked crowns reigning feelingly over crisped
crusts, the blue plastic portals
of fosslized fridge doors sky enough
for survivors (no
kitchen lights to scrabble away from
now), the only counters, us, who will tally
and chew, as randomly systematic
as any overlord, all those
crumbs, smears, stains,
our six legs raised
to the power of else.

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Posting this draft poem (apologies to those who feel a little sick) for Real Toads prompt about some good feeling that may arise at the end of the world, an “Out of Standard” challenge hosted by Isadore Gruye. Check out Real Toads, and check out my books!  From main page!

“What She Had Wanted (A Pantoum)”

August 2, 2012

What She Had Wanted  (a pantoum)

When it all came down to it,
it wasn’t her father
gave up the baby, who’d spit
at fate and daughter.

It wasn’t her father
left alone now, the shit
of fate and daughter
of misfortune, who’d sit

(left alone) in the shit
of should-have-been, the fodder
of missed fortune; who’d sit
hard, when the hook caught her

of “should.”  Had been fodder
for him, sure. Her cheek hurt
hard when the hook caught her,
connected all her fresh with dirt.

(For him, sure, her cheek.)  Hurt
even with that fist so far away
(connected not with fresh, but dirt);
still squeezed her full breasts’ sway

even with that fist.  So far away,
seemingly– what she had vaunted
squeezed still.  Full breasts weigh
upon her shoulders–all she had wanted,

seemingly.  While what she had vaunted
gave up the baby, who’d spit
upon her shoulder–all that she had wanted,
when it came down to it.

 

What She Had Wanted (a Pantoum)

 

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Agh!  I wrote the above draft poem for dVerse Poets Pub “form for all” challenge posted by the wonderfully accomplished sonneteer Samuel Peralta (a/k/a Semaphore) .  The challenge is to write a pantoum, a complicated form with interlocking repeated lines (and rhymes).  I’ve posted others; and a brief article on them here (with one of my first  ones.)

I am also linking this poem to With Real Toads for their open link night.  For Real Toads, I added an audio recording (not so great) but I think a reading illuminates a poem like this since the pauses are taken in odd places.  In the light, note that all the pauses are based on punctuation and not line breaks.  (I’m a great believer in punctuation especially for things like pantoums, where it can be used to make changes in the repeated lines.) 

The wonderful picture is of a light sculpture by Jason Martin of a heart in a box (tinfoil/cardboard). 

 

Shaking Loose Retained Rain (Zuihitsu)

August 1, 2012


Shaking Loose Retained Rain (Zuihitsu)

Eyelids leaves after rain, pale and thinly-veined; overhead, translucent green outlined by opaque damp; my brother calls about his own veins as I walk, hard spots clotting legs after an operation.  And, so, I think, we fail.

Caisson, draped in flag, troops through me as he speaks, lashed curb of long ago November ’63, Washington, D.C., the lone stallion backward-booted stirring reins; what we had been as a people days before.

As a harder percussion begins again–wind shaking loose retained rain, unswaddling the clinging downpour–the pain behind my eyes descends my inner face for no root cause that I can name, other than the fact that life stops short (or long.)

Sure, I’ve known it, like the day’s weather mapped out in advance, but now, as tree limbs sway like upturned skirts, I lie beneath some unknown piano (grand), where a delicately slippered foot, its arch curved like a closed eyelid, periodically pumps the pedal by my head, and, as I hope in that thick of that dust and wood that, if I stay quiet enough, I’ll be allowed to stay up late, I catch the scent of the woman’s hose, a delirium of nylon as seductive as glue, gasoline, a cedar drawer tinged with secret lingerie, blurred together in a child’s mind like raw batter, illicit in a great glass bowl.

One thistle highlights the field, a softly feathered burst of mauve belying thorn; the wind dying now so that raindrops quiet, barely fingering a distant scale.

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I worked on the above draft prose poem for Kerry O’Connor’s Wednesday Challenge as part With Real Toads (poetry site.)  The challenge was to write something like a Zuihitsu, which is a Japanese form based on the idea of a “following brush.”  (Read Kerry’s description for more information.)  For those who follow this blog, this prose poem was the underpinning for a much shorter poem I wrote this past weekend  called Feuille. (Reason for some of the overlap.)  This weekend, I was trying to really shorten everything.  But the Zuihitsu seemed to allow for the digressions of the original piece.  (More or less.)  I’ve edited a fair amount since first posting. 

The poem is supposed to describe a moment after the rain has pretty much stopped, but I could not resist, in these drought-ridden days, posting a short video of a the rain that came before that stopping. 

“Here, Body” (Your Body Is Not Even Your Good Lab)

July 29, 2012

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Here, Body

The body is not your good dog.
It may sit, lie down, roll over,
but there’s a limit to its Rover
aspect. No spank
will keep it from
accident; no leash
train it to the right; no yank
make it heel
feelings.

You tell it what to want, but
it will vaunt
its fleshly, furry ways,
sneaking food when already fed;
taking up all the room on the bed;
whiffing what should not be sniffed;
its passion aimed at but a toy–
here, girl; here, boy–
that can never love it back.

It will decay
though you say stay. Still,
you will love it,
this not-good dog;
for even as you scold and cajole,
call,
and despair
of calling,
you will find yourself
cradling it;
you will find yourself
in its arms.

This is an older poem I am reposting for MagPie Tales, a writing blog hosted by Tess Kincaid. Tess posts a picture prompt each week; Tess’s prompt, an image by Zelko Nedic.  I am also posting for Open Link Night of Imaginary Garden With Real Toads, a great poetry blog.  My rather silly picture, prompted by Leonardo, is above.

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If you have time on this rainy Sunday, check out my books. Nose Dive is only 99 cents on Kindle – well, with ten times that much, which is its price in paper!

Children’s counting book 1 Mississippi -for lovers of rivers, light and pachyderms. Or, if you in the mood for something older, check out Going on Somewhere, poetry, or Nose Dive, a very fun novel for those who are somewhat discontent with their appearance but love musicals, cheese and downtown NYC.

“The Nap” (Villanelle With Non-fitting Elephants)

May 10, 2012

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The Nap (Post Fight, Post Reconcilation) 

Side by side, we slid to a dry, still, place.
It was not a woeful drought of age or dust,
the softer dryness of a tear-trailed face.

We never used to find this quiet space.
Any closeness quickly clambered into lust.
But side by side, we slid to a dry, still, place

where hands touched in a sweat-free interlace,
fatigue overwhelming pheromone fuss
with the softer dryness of a tear-trailed face.

Some other time we’d find that moist embrace
where pleasure mounts to such synaptic bust
I find myself side-sliding to a place

as blank as emptied well, as capsized chase.
(My brain reacts so badly to heart’s trust,
the softer dryness of a tear-trailed face.)

But today, we two, exhausted by the pace
of time and life and words like ‘should’ and ‘must’,
side by side, slid to a dry, still, place,
the softer dryness of a tear-trailed face.

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First off, want to say how gladdened and moved I am by Obama’s statements re gay marriage.  (Hurray! And Finally! But mainly just plain Hurray!)

Secondly, I am posting the above villanelle for Imaginary Garden With Real Toads.  (If you like villanelles, do check out that category on this blog.  I’ve done a lot – I’m not sure this is such a good one, but  it hasn’t been circulated very much.)   (And no, the elephants sitting up in bed do not really fit with either the poem or gay marriage!  I just liked the picture.) (And no, they are not Republican elephants.)

Finally, thanks as always for your patience and ongoing support.  It is much appreciated on this end.

“Giving Thanks For Small Favors” (Bugged by) Haiku

April 29, 2012
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Copyright Mama Zen Photography

Giving Thanks For Small Favors

Fake flowers gather
no bugs.  So I tell myself
when dark truths pester.

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The above haiku was written  for for a “Real Toads” Poetry Prompt featuring photographs by the wonderful Mama Zen (who has both a photography and poetry blog.)  It is also written for National Poetry Month, a poem a day–I’ve lost track of which number.  (Agh.)