Evening on a Train (With Variations of 17 Syllables)

Posted October 6, 2011 by ManicDdaily
Categories: poetry

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DVerse Poets Pub (dversepoets.com) is hosting a “form for all” night on the haiku and senryu forms (meaning that they are encouraging participant bloggers to write and post their individual efforts with these forms.) DVerse host, Gay Reiser Cannon also has a wonderful exposition on the differences of the forms.

Haikus are not somehow my favorite form. (I tend towards the wordy.) Still, I had a few old ones (or maybe they are really senryu) that I thought of posting for this event, but, well, they were written in Florida in the springtime, and I am currently in New York in Autumn, and haiku are by their nature rather seasonal. As a result, here are some new ones. These are not truly autumnal, but there were all written today at least, on a commuter train going up the Hudson River.

It was a long train ride so I wrote a lot of variations of each, but will spare you all the experiments.

Looking Out/In

In the train window,
night shades into looking glass;
a stranger peers in.

Brain Trap

Brain flutters against
bone. Firefly in a jar
is mainly thorax.

Like You Somehow

Mountains darker than
nightfall. Your warmth like, and not
like, a sun-licked stone.

P.S. – I’m not sure you should title haikus–it feels a bit like cheating (extra syllables) but I threw those titles in at the last minute. Hope you like them and thanks, as always, for your time and kindness.

Thankful for Steve Jobs, Tribute to iTunes

Posted October 5, 2011 by ManicDdaily
Categories: iPad art, Vicissitudes of Life

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Yankees’ Fan Gets Nervous

Posted October 4, 2011 by ManicDdaily
Categories: Baseball, iPad art

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Wonder-Fatigue-Mothers-Grandmothers-Jello-Poem

Posted October 3, 2011 by ManicDdaily
Categories: poetry

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I’ve had a very busy few days visiting aged/aging parents.  This is always both wonderful and a bit exhausting, and because of both of these aspects, I am posting an older poem today.  It’s about a similar visit, made with my mother to visit my grandmother.

Wondrous

We flew out there, then drove.
My mother, who despised gum chewers,
snapped hers loudly, pushing herself up
to the wheel as if it were the chin rest
at an eye exam.

Though my grandmother lived in Minnesota, the hospital
was in Iowa.  When the rental car crossed state lines—
another source of amazement—
my mother, who only drove set routes, had rented a car—
the road narrowed and curved and my mother
cursed all Republicans.

She took the thin gravelly shoulder as
a personal affront; the lip the tires
skidded against was even worse,
an insult to FDR.

At the hospital, my grandmother’s hair cast
about her face like a bridal veil blown back.
She was better already, she said, just
at the sight of us  (but we sure shouldn’t have come;
it was too darn hard).
Then pointed to a cup of jello,
which was as crimson, faceted, as a ruby,
and, at first, resisted my spoon.

Mama,” my mother said.

Asleep on One’s Feet (With elephants)

Posted October 2, 2011 by ManicDdaily
Categories: elephants, iPad art

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Tired today….

Pop Art – Serious Poem

Posted October 1, 2011 by ManicDdaily
Categories: elephants, iPhone art, poetry

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Andy with Elephant

I am posting this in response to a dVerse Poets prompt to write something about Pop Art.    My illustration above has (ovbiously) quite a bit to do with Pop art, but nothing with the poem below.  (I couldn’t resist it.)

The poem has less to do with Pop Art, I suppose.  My excuse is that the prompt talked of writing about a cultural phenomenon.  I don’t know if this qualifies, so my second excuse is that I think of Pop Art, some times, as complex juxtapositions flattened out upon a page.  Here goes:

Train of Thought

I am thinking, as I sit upon the train,
that the person who invented rubberized eggs,
that is, those eggs that are scrambled, squared,
and then somehow boinged, for easy sale,
should be shot, or at least, forced to eat them, when
a woman with a rubbed-out face
steps onto my car.  She’s been burned badly,
her face segmented into angular wedges of scar that
web from one ear to the opposite cheekbone.
Hard to read the history
in the hieroglyphics.
An explosion on a stove?
Acid thrown in warning?  Retribution?
Her skin is tan, hair dark, but any particulars
of ethnicity scratched out. I go
for the acid, knowing that whether or not she is a woman
purposely victimized, there are such women.
She stands, her face turned
so that I can see only an edge of eye (though her eyes
are almost all edge).
I want to give her my seat, but the gesture feels
intrusive, a stare made physical, so I do nothing but wonder
about a world in which eggs are turned
into seamless elasticized squares, women’s faces into
a stitching of stiff triangles, and how our minds can hold such things at once–
the trivial, the tragic, this train. 

(All rights reserved.)

Republicans Seeming to Look for Any Alternative To Romney

Posted September 30, 2011 by ManicDdaily
Categories: news

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Republican operatives seem to be looking for any alternative to Mitt Romney (and yes, Perry) these days, without noticeable success. Chris Christie insists he’s not interested. The kitty cat (above) may be interested but has dubious experience. The Swiss Cheese (also above) seems per se disqualified (unless it can convince operatives that it was made in Wisconsin.)

An Egg is Still Not a Lightbulb (Crafting Poetry)

Posted September 29, 2011 by ManicDdaily
Categories: poetry

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I have lately been following a terrific poet-inspiring blog called dVerse Poets Pub;  I’m a bit new to the pub, and in anticipation or what, last week,was a day to post “works-in-progress”, I posted, this morning, a draft poem  (Dolphin Dream).  But instead dVerse Poets Pub has requested poets to think  today about the craft of poetry!

The craft of poetry!  Thinking!  I don’t know which is more difficult for me.   Both take some measure of disciplined focus and wild abandon.  I do a lot of revision when I write;  at the same time, I rely a huge amount on unconscious leaps.   Increasingly, these leaps probably arise from synaptic gaps (or gaffes), as much as from inspiration.    I try to use these gaps as starting out places, and then, ideally, I go over and over them to iron out the rough edges.  Good to leave some rough edges though.  And, of course, to add music.

A form can help as it can supply some of the discipline and focus.  (As well as the music.)

And now, here’s a poem about it.

Villanelle to Wandering Brain

Sometimes my mind feels like it’s lost its way
and must make do with words that are in reach
as pink as dusk (not dawn), the half-light of the day,

when what it craves is crimson, noon in May,
the unscathed verb or complex forms of speech.
But sometimes my mind feels like it’s lost its way

and calls the egg a lightbulb, a plan a tray,
and no matter how I search or how beseech,
is pink as dusk (not dawn), the half-light of the day.

I try to make a joke of my decay
or say that busy-ness acts as the leech
that makes my mind feel like it’s lost its way,

but whole years seem as spent as last month’s pay,
plundered in unmet dares to eat a peach
as pink as dusk (not dawn), the half-light of the day.

There is so much I think I still should say,
so press poor words like linens to heart’s breach,
but find my mind has somehow lost its way
as pink as dusk (not dawn), the half-light of the day.

(Sorry to those who have read the poem before, a reposting.  It’s also in my book, Going on Somewhere, by Karin Gustafson, available on Amazon.)

Revising a “Dolphin Dream” (Slivers of silver, gradients gray.)

Posted September 29, 2011 by ManicDdaily
Categories: iPad art, poetry

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The poem below, Dolphin Dream,  is a revised version of a draft poem I wrote this past April as part of my effort to celebrate National Poetry Month.  (I try to post a new draft poem every day.)   I was planning on linking this revised version last week for the dVerse Poets Pub, “Meet the Bar”, event in which participants give each other helpful commentary to improve their poems, but because that event focused (in a very interesting way) on the subject of poetic craft, and this poem is not really very “crafty”, I did not highlight it.  At any rate, here it is for the dVerse Poets “Open Link” night.   I am very happy to get commentary from both dVerse poets and non-dVerse poets.  (Thanks much.)

Dolphin Dream

The hospital warned I’d have to cart
the scanner needed to test my heart,
my torso too, and abdomen,
the places growths had lodged within.

I carried the scanner in a bag;
still those who saw it guessed the sag
that weighed my spirit, slowed my walk,
and, only human, began to talk.

Upset, I left, broke for the sea,
though the waves that day were high for me.
To escape what seemed a crushing blow,
I took a dive far far below. 

The drop was so precipitate,
five fathoms deep I had to wait,
and watch above the wash of bubbles–
warning signs of deadly troubles,

’till, as my lungs used up my breath,
I saw a sight beyond the rest,
from my cerulean deep sea bed,
a paisley pattern over head.

Slivers of silver, gradients grey,
muscled curves as clear as day,
Sharks? No, dolphins. My heart took flight,
awe subsuming background fright.

Their ease, their grace, was palpable;
to wish them gone felt culpable;
though soon my lungs were so compressed,
wonder turned to harsh distress.

The need for change brought exhalation,
despite the lack of further ration–
no air down there–and so far down,
I felt that I must surely drown.

I woke up treading toward the light,
gasping, panting, in the night,
afraid to settle back to sleep,
though longing to re-spy that deep.

That I could watch those dolphins twist
without a clutch inside my chest!
That I could sink into that dream,
without a thought of scan machine,

or hospital, or sense of tumor,
hush of the half-murmured rumor.
But how could I return with ease
to a place I could not breathe,

where ocean salt still left its trace
inside my heart and on my face,
and dolphins swam as far above
as anything I’ve ever loved.

One query for commenters is whether the last line should read “as everything I’ve ever loved” rather than anything.  

P.S.  I’m reposting an old picture.  (Sorry!)   I don’t like to do this, but it was one of the first I did on iPad 2 so I’ve always had a soft spot for it.

Mea Culpa. Blown Sestina. (Feels Bad But Could Be Worse.) (No Casualties)

Posted September 28, 2011 by ManicDdaily
Categories: elephants, poetry

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In the early years of this millenium, I used to console myself when I made a mistake with the thought that I hadn’t invaded Iraq. (The idea being that if even supposedly “expert” teams of ex-think-tank leaders can make extremely problematic and terribly consequential decisions, I should cut my self-acknowledged dim wits some slack.)

It feels flippant to use such a consolation in the case of a poetic mistake, that is, the omission of a line in a poetic form. I could perhaps look for solace in less bloody, and perhaps more current, comparisons, such as “Hey!  I didn’t invest in credit default swaps.” Or, how about, “I didn’t push Greek debt.”)

A plain old admission of “I blew it” makes a lot more sense.

So here it is–I blew it. My “sestina” posted yesterday is missing a line in the third stanza. This stanza only has five lines rather than the requisite six; the missing repeated word is “air.”

My only excuse is I wrote the poem in such extended scribbles (actually on a big index card while walking) that I scribbled over my little reminders related to the ordering of the end words. (I had posted them in pencil in the margin of my index cards.)

Of course, the poem is salvageable (if such a thing even matters). I can re-work the third stanza. I am also pretty sure that the additional line will make the poem better. My sense is that traditional forms became traditional because they have a certain ring–a kind of innate rightness, charisma.

So far, unfortunately, I haven’t had the time or the strength of mind to make the changes. (Embarrassment takes a certain hold, as in, that elephant up there is blushing.)

My apologies to all who complimented me on the good use of the form!