Read yesterday about the upcoming first run publication of 350,000 copies of the new Twilight graphic novel. “The characters and settings are very close to what I was imagining while writing the series,” Stephanie Meyers, the author of the original Twilight series has said of the graphic novel. (Does this mean that Ms. Meyers always pictured the characters and settings as cartoonish?)
Okay. Stop. Guilty confession time. As followers of this blog know, I wallowed in the Twlight series. I have also, more recently, wallowed in another vampire series—The Southern Vampire Series by Charlaine Harris, also known as the Sookie Stackhouse Mysteries.
(What can I say? I get tired, manic, depressed.)
Which brings up another question. Why is the Twilight Saga (whose collective sales have now reached 45 million) so much more popular than the Southern Vampire Sookie Stackhouse Series?
(Don’t get me wrong. Charlene Harris is unlikely to live in a garret. Still, 45 million!)
What makes the difference especially remarkable is that the two series have enough in common to make a vampiric copyright lawyer lick his blood-stained chops. Both focus on a human-vampire love story; both share telepathy, characters whose minds cannot be permeated by telepathy, super-handsome, super-sexy vampires (well, Edward Cullen is sexy in principal at least), shape-shifters/werewolves, love triangles, heroinic (as in both addictive and held by the heroine) special blood, attempted suicide through sun-stepping, a ruthless vampire hierarchy, controlling and hyper-jealous male lovers, and fast, fancy cars. Most importantly, both series have spawned commercially-successful screen versions.
So what makes for the phenomenon? (Other than the casting of Robsten.)
First, there’s the teen factor. Perhaps (believe or not) tweens and teens simply read more. After all, they have parents who tell them to turn off the TV and the internet, and they usually don’t have full time jobs.
Then there’s the identification factor. Bella Swan, the Twilight heroine, is herself a teenager. (Sookie’s in her early twenties.)
More importantly, Bella is presented as Every Girl—Every Girl who is cute enough but clumsy, and who also happens to have some nearly magical qualities (not even known to herself) which, in turn, attract a consummately handsome, devoted, rich, strong, elegant, vampire; a vampire, who, although insistently male (at least he insists he’s male), loves her for her essence, not her body; a body which he adores, but which he heroically resists (sigh), both to protect her soul and safety.
Sookie is harder to identify with. She is very much not Every Girl, but a cocktail waitress specifically based in Northern Louisiana. She introduces herself in the first book Dead Until Dark as someone suffering from a deformity. She’s also super-attractive. (The way her mental abilities cause human suitors to lose interest in her well-built body is a bit like the pre-feminist tales of women who were told to hide their smarts if they wanted to hold onto a man.)
Sookie’s vampires, unlike Edward Cullen, have little high-minded hesitancy about sex (or about manipulation and violence.) Moreover, Sookie’s vampires (i) don’t just lust after her blood but frequently bite her, and (ii) spend about half of every day actually dead. (These qualities may well be confusing to a young adult reader.)
So maybe here’s the distinction: Twilight characters are good. Good. GOOD. Except when they are bad. Bad. BAD.
Hmm… Is it possible that the qualities which seem to make Twilight so popular are the same qualities that make it adaptable to graphic novel form? (A world that can be drawn in black and white lines.)
Teenage girls, it seems, are idealists after all. Idealists and Every Girl and lovers of the fantastical.










Jon Stewart On O’Reilly – Fending Off the Rudeness and Hypocrisy Factor
February 6, 2010Energized by anger today. Well, anger, a good weekend night’s sleep, four or five cups of strong tea, and chocolate rice cakes.
Part of this comes from the recent Jon Stewart interview on Bill O’Reilly’s the O’Reilly Factor. (Note—you have to pay to watch it on O’Reilly’s website, but it’s free on the Fox News site.)
I don’t much like Bill O’Reilly. I don’t much like any news opinion show. To tell the truth, I don’t much like TV news. (Make that TV.) So, it’s difficult for me to watch these things.
Part of the problem is that I’m not used to so much rudeness. Stewart, the ex-stand up comedian, is the one you would expect to be profane or interrupting, but he is polite, amicable. Although he’s certainly not a pushover, he does not lower himself to O’Reilly’s barrage of dismissive and reductive ridicule.
The other part of my problem with watching is my own rudeness. I have a nearly uncontrollable urge to hiss things like ‘a——————‘ every time O’Reilly opens his mouth.
I did stay quiet enough to focus, however. This is partly because Stewart clear, as well as engaging, made points which have not been adequately stressed by the more mainstream, and less comically-gifted, powers-that-be. (Caveat– I’ve modified Stewart’s points somewhat while trying to stay within their spirit.)
First, Stewart noted the issue of hypocrisy–all the conservative commentators (and politicians) who screamed treason at any criticism of George W. Bush, while commander in chief of a nation at war, who now treat Obama as if he were not even a true U.S. citizen.
Secondly, there’s the issue of hypocrisy: all of the conservative commentators (and politicians) who allowed Bush to spend and untax the country into the biggest deficit in history who now call themselves fiscal conservatives.
Third, there’s the issue of hypocrisy: all of the conservative commentators (and politicians) who allowed Bush to spend, untax, deregulate, and ignore, the onset of the biggest financial crisis since the Great Depression, and now blame it on Obama.
Fourth, well, you know, hypocrisy—all the conservative commentators (and politicians) complaining about a lack of bipartisanship who filibuster even relatively low level appointments.
(There is a ton more that could be said about hypocrisy and O’Reilly personallybut I won’t go into that here.)
The American people, unfortunately, seem to expect miracles. They seem to believe that Obama should be able to undo years of damage, in a few swift strokes. Fox news encourages this view, while at the same time making a huge outcry when Obama undertakes any stroke at all.
The conservative media feeds a notion that only one basic change is necessary—the poof! disappearance of our problems. They foster the notion that this change could happen by, as Obama put it in the State of the Union, simply continuing the same policies that got us into this mess; they (crazily) imply that Obama caused the damage. (I would remind them that Lehman Brothers fell in September 2009.)
A repair with no actually fixing involved. Wouldn’t that be nice? It’s sort of like the idea of a country waging two expensive wars while cutting taxes.
BackStroke Books was founded in 2009 by Karin Gustafson. Karin lives in downtown Manhattan, with a dog, husband and, occasionally, two grown daughters and a variety of nephews. They all give her lots of ideas, especially the dog.
Karin writes poetry, fiction and the ManicDDaily blog. She also draws pictures. These are, currently, mainly of elephants, but Karin is slowly branching out to other species. (Her dog thinks that’s a very good idea.)
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Tags: Fox News Fables, Hypocrisy of Conservative Commentators, Jon Stewart, Jon Stewart on O'Reilly Factor, manicddaily, O'Reilly, Obama, Rudeness of O'Reilly, Rudeness on TV
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