Archive for the ‘Uncategorized’ category

How To Draw An Elephant (And Also Procrastinate)

July 16, 2011

Some people will do just about anything to avoid cleaning their apartment.  (I think, after spending several hours on trying to properly upload some version of the above cartoon, that perhaps I am one of them.)

Or perhaps I am just not cut out to become an online animator.

The drawing part is fun, and, in my rudimentary case, quick; the music is fun; putting them together is fun.   But getting them from your digital device to Youtube can be a real pain in the you-know-what.  Sound gets cut off, drawings get cut off.  And unfortunately, some of us (the same people who delay cleaning the apartment, perhaps) get really impatient with online “answers” to technical questions on twitter forums.

So you have to keep on experimenting, uploading and uploading to get what you wanted or once had on your own little iPas, but somehow somehow cannot make come out in a bigger forum.

The good part is that, soon enough, cleaning the apartment doesn’t sound so bad.

Have a nice weekend.

After A Long Summer Weekend (With Elephants)

July 5, 2011

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Back to the circus….

Public/Private disconnect (Sonnet) (With Elephant)

June 21, 2011

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I hate to admit it but I’m kind of a solipsistic person.  It’s not that I don’t like people–I take a strong interest in trying to help others (particularly if it involves telling them what to do.)

But I am just awful in social situations – parties, gatherings, even sometimes work settings.  To some degree, this may have something to do with not being completely at ease with either my “public” persona or private persona.

At any rate, here’s a kind of gloomy sonnet about this kind of public/private disconnect.

Because I am now linking this post to dVerse Poets Pub Raising the Bar for critiquing, I am going to put up two versions of this poem, an older and newer.  (I think the older may be better, but it’s also the one with which I am more familiar.)   They are both a bit self-pitying, although that may be something that makes them universal.

The first is the older  version:

Pretending

 After years, pretending to be what you’re not
becomes a nature;  a second skin
coating you like a kind of make-up, caught
in your pores, nestled in your grooves, a twin
of features, caked, you need not reapply.
But habits, faces, fail and it wears thin,
until, worn through, you can hardly try
anymore.  Too wary, weary, the word
“cagey” describes so much of what you’ve been,
the opposite of free-flying bird,
while unheard, and hardly there within,
is all you’ve been saving, what you hid, why
you did this, what wasn’t supposed to die.

Newer:

Pretending

After years, pretending to be what you’re not
becomes a nature;  a second skin
coating you like a heavy make-up, caught
in your pores, nestled in your grooves, a twin
of features, caked, you need not reapply.
Sometimes the habit fails, pretense wears thin,
that face that clung is suddenly wrung dry–
you don’t want to re-affix, but the word
“cagey” catches so much of what you’ve been–
the opposite of free-flying bird–
that, though you wish more than anything
to be seen, take wing; fretful, you still try
to keep tight all within.  Oh me.  Oh my.

If you are interested in my poetry, check out my poetry book, Going on Somewhere (by Karin Gustafson, illustrated by Diana Barco, cover by Jason Martin) on Amazon.

If you are interested in my elephants, check out my children’s book, 1 Mississippi,  on Amazon.

Blocking Writer’s Block – Tired of Editing? Next Step (If You Dare.)

June 20, 2011

Pearl is really really tired of editing.

I am still working on finishing the manuscript of a novel that I thought was just about finished ages ago.

By finishing, I mean editing, and re-editing.  Cutting and cutting more, adding teeny bits.

I am not changing the plot at this point, even though it’s a bit silly.  I am just honing.  This needn’t be such a long process, except that, unfortunately, I am not somewhat who carves, but rather, someone who whittles.  Meaning that I have to go over the same surface again and again and again, smoothing and chipping rather than making decisive definitive cuts.

The big problem with whittling is that it feels endless.  (If every time you go through the manuscript, you find more to change, it’s hard to ever feel “finished.”)

Though I am quite sure that at a certain point, I’ll feel pretty certain that I am finished.  This will undoubtedly be before I truly am finished.  It will still feel good.

I am not there yet.

My next step is to read the whole thing aloud.  I shudder at the thought, but reading aloud is truly a great way to edit, especially when you are sick and tired of editing.   When you read a manuscript aloud, all of the habitual acceptance disappears, and you immediately understand that that part you always liked is simply boring, or redundant, or run-on, or (if you are lucky), pretty good.

You can see why I shudder!

Pearl just wants me to get on with it.

(For more on writer’s block, see multiple other posts in this category.)

Poem For Father’s Day (Baby Birds)

June 19, 2011

I’ve posted this poem before, and it doesn’t really go with the picture above, but Father’s Day is almost over, and I would really like to commemorate both it (and my wonderful father), so here goes:

My Father (baby birds)

My father’s voice
when he sang
was deep and cragged and
reminded me of a froggie
gone a’courting.
But this was baby birds.

It was not even a person
who had died.
It was not even a particularly noble dog,
though like all of its species, it was capable
of a self-debasing attachment that could
seem Arthurian.

But after the accident, the rush,
the sad blur home,
my father’s back faced me in my room
with a sound
of birds.
It silenced all gone wrong,
turned me back into a person
who could do things in the world.

(All rights reserved.)

Late night trains with iPad – no rest for the weary with weird priorities

June 15, 2011

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I’ve done everything wrong this evening and it’s all the fault of the iPad. I took it out at a friend’s apartment to show it off.

A wait for the subway and twenty blocks later, I realize I have left it at his apartment. I get out of the train, climb back to the street (a disorienting place since I’m not familiar with this stop), find true North, take a cab into a lot of traffic, retrieve the iPad, and go back to the subway.

This time (I had a long wait last ride), I walk several blocks to a busier and (I hope) faster station. Thirty minutes later (an hour or so after first leaving my friend’s apartment), I am still waiting for a train.

This is a very annoying station. It is at the intersection of a few different lines, but they are separated by different platforms and stairwells, meaning that you have to exclusively choose which one you will wait for.

I opt for the platform that has two related downtown trains, an express and local, figuring I am doubling my bets, but soon realize that the express train is simply parked about a third of the way down the platform, and the local never comes. Disembodied voices occasionally announce that the express is arriving, and people troop dutifully to that side of the platform, even though we all kind of know that no new train is going to hurtle past the one that blocks the track.

Finally, after much analysis of the light patterns on the stained subway walls on the local track, trying to divine impending traindom, I give up on this line, and follow the signs to another line, the Broadway line. The long stairs lead me to something silver–a train!==whose doors are closing.

This line has a little electrical sign to tell me the next train is 11 minutes away.

I rush back to the stairs to look down to the other platform (the one I’ve just left) where I can just make out a silver roof of a new train, a stopping train, a train whose doors will close before I can ever get there.

Now, finally (more than 11 minutes later) I am sitting on a moving train. It is not exactly my train, but it will take me to a stop in the general vicinity of my apartment.

Ah, and now, mid-trip, we are being held by the train dispatcher. There is another train across the platform, a train that may be better than this one. But I have my iPad on my lap, and I am too tired to re-arrange it, and–wait, that other train is actually a much better train for me (I suddenly remember all the walking and detours this one is going to require when I get off) but its doors have shut now.

Yes, my train, my right train, is moving on, and for some reason, we are still sitting here at a platform, doors open.

But, at least I have my iPad.

Hmmmmm……

Outside the Train Window. App-loaded. Mini How-to With Elephant.

June 11, 2011

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Followers of this blog know that I’ve become a little “App-happy” since getting an iPad 2 earlier this year. I openly disclose that a part of my obsession may arise from being an Apple stockholder: I am anxious to believe in the company’s products just so I don’t have to make any decisions about selling the stock.

In my defense, the “Apps” that have been of particular interest to me of late are not Apple products, but they do give the iPad a lot of possibilities.

The picture above was a photograph taken from the MetroNorth train going up the Hudson. Admittedly, the camera on the iPad 2 is not great. It’s even worse when used on a moving train, and worse still when used by me. (I’m still not exactly clear where the lens of the camera is located.) Plus the screen is so glossy and my eyes are so bad I can’t always see the image I am shooting. In this case, I didn’t even try. I just stuck the iPad over my head so that I had a hope of not filming the window frame.

Then I took that image, transferred it to the Brushes App, a finger painting app, and for lack of a better idea, drew an elephant in it. That’s the first picture below. (I was proud of myself for using the eraser function on the app, to make it look like the boat and oar were slightly underwater.)

THEN, I moved the painted photograph to the Photogene App to try some of the Photogene filters. Mixtures of finger painting and photograph often have a weird Roger Rabbit aspect especially with an unskilled artist (like myself). But the beauty of the Photogene filters are that you can stylize the entire piece so that the differences between the photo and the finger-painting diminish. The second one below was done with the “Posterize” filter.

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Yes, a bit hackneyed. Still, cool!

More Rhododendrons – Bunches of Flowers and Apps

June 8, 2011

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Woke up before 5 this morning, thinking about my sister-in-law’s rhododendrons. Above is my initial photograph of them. Below are a few different iterations of “paintings” that were done on the iPad using a variety of “Apps”, from my old standby Brushes, to Sketchbook Pro, also Photogene (a photography app.) It’s probably more interesting to the person with her finger on the screen (i.e. me) than to a viewer. Still, the variety of possibilities is really pretty amazing.

I find that I can understand how “Brushes” works better, especially in terms of the layering. You can directly manipulate where you want your layer (foreground or background). (This may also be possible with Sketchbook Pro but I certainly can’t figure it out.) Sketchbook Pro, on the other hand, allows you to adjust the transparency of layers. This is quite cool if you want to leave a ghost of a photograph in the picture. The screen also sometimes seems more responsive with Sketchbook Pro. (You can spend several minutes running your finger over the screen in Brushes and then find that, for some reason–perhaps you were moving too fast–very little has actually come out.)

The hardest thing for me, of course, is deciding which iteration I prefer. Here are different combinations of the three Apps. (Photogene also which is often needed to rotate the Brushes images.)

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Some of the Nature of iPhone/iPad Addiction

June 6, 2011

Pearl, Nature, Butterfly, iPhone

Yes, yes, I know it’s undoubtedly a character flaw.  (At least this is the implication in the side-long glances, ahem, glares, I’ve been getting from certain family members.)

And it’s certainly not very zen.

But the fact is that I’m addicted to electronic gadgetry.

Not TV or gameboxes.  (I think I may be combining X-boxes and gameboys there).  The communicating kinds–the ones that you mis-type little messages on.

Sometimes, I really do make do with an old-fashioned composition book, but I also have been carrying my iPhone or iPad around with me a lot these days, even on little hikes in the country (where I am staying right now.)

It’s terrible.  I know that when I am taking these walks, I should probably just be  in nature.

But electronic gadgets feed something very ravenous in the ManicD personality.

The obvious: a hunger for words–our own, those of others.

Even more important, a need for purpose, possibility.  When you carry around an electronic device, you know that at any moment you can start and perhaps even complete some not-yet imagined task.  It may also be a completely imaginary task–did you really need to respond to that email just when you were passing that small waterfall–still, having that warm little radioactive slab on your person can grant some palpable glow of self-importance.

I’m thankfully moving a bit beyond this aspect of the gadgetry.  Using the device to ensure non-stop availability can soon make you feel more harried than efficient.  (I also don’t have very good reception here.)

Did you know, however, that you can download and carry around a poem on the screen of your iPhone or iPad, which will show up even when you have no service, and that then you can look down every few moments during your walk and memorize it?

Okay okay.  Some of you may not have taken a vow to do anything (other than giving up wine at dinner) to salvage your remaining brain cells.  Some of you (i.e. my husband) may not think that repeated glances at an electronic screen and mumbling even deeply poetic lines promote the contemplation of nature.

So, how about using your phone or tablet for photography?  You are required, after all, to stop and look at what you photograph.

Yesterday, for example, Pearl and I and iPhone spent a fair amount of time on butterflies, beavers, water, stones.  Some internal quiet did, eventually, ensue, despite the device in hand, the repeating rhymes in the head.

The family members also forgave us.

Finishing Manuscript/Formatting/Pains of Self-Publishing/Pearl Gets Bored

June 5, 2011

Pearl Doesn't Really Like Formatting Either

I trying today to finish a novel.  Unfortunately, I am not working on the fun part of finishing a novel–i.e. coming up with the last sentence and going “ah” at the end.

No, I’m in the ‘trying to fix all the formatting’ stage of finishing a novel.  This stage has a lot more ‘dammits” than ‘ahs.’

I like to think that my curses are directed at glitches in computer software, but the fact is that most of the glitches are being made by me personally; that is me pressing the wrong key and suddenly undoing everything I’ve done in the previous five minutes.

These glitches bring me to the wonders and head-aches of self-publishing.

I am planning to self-publish this novel.  I will use my own little publishing company, BackStroke Books.  (Yes, it even has a fledgling website–http://backstrokebooks.com/.)

The novel will be called Nose Dive.  It may not be a great novel, but it’s pretty good–funny, cute, readable.  And it will  have some really great illustrations, done by a fledgling but wonderful illustrator, named Jonathan Segal.

Now, I could (and should) send the novel around and around to independent agents and publishers instead of publishing it through BackStroke Books.

The problem is that route just feels impossible these days.  Especially for a funny, cute, readable–but possibly not absolutely great  or super-commercial–novel that is written by someone (i.e. me,) who is not a film star, fashion model, or reality show denizen, who does not have a billionaire politician father, and who has not been able to fabricate a history of drug addiction.

The up-side of self-publishing is that there is something very satisfying about ‘taking the bull by the horns,’ ‘not waiting for the machine,’ ‘plowing ahead.’

The bad side is, well… true publishers have distribution networks, publicity people, etc. etc.  And, of course, staff that know about formatting.

I have, thankfully, managed to commandeer some extremely good help in the copy-editing area.  But, still, I have to be somewhat involved, especially at this hopefully near-final stage.   (Dammit.)