Archive for the ‘poetry’ category

Sunday Night End of Vacation Poem

January 3, 2011

Feeling sorry for all those going back to work tomorrow, especially the teachers!   My mother was a teacher;  she found Sunday nights, even regular Sunday nights (much less vacation Sunday nights) especially hard.   A poem:

Sunday Night Before Work Week

My mom mopped the basement stairs Sunday nights,
moaning that the lazy was at his best
when the sun went to the West.

We hid.
Even though we knew that
we should volunteer–not so much as helpers
but as fodder, like stiff British regulars
marched before the French–she had to get up a good head
of steam, she said, in order to get anything done—
still we slid into our beds like
coins (dull nickels) in search of a slot, feigned sleep,
knowing well that we
were sorry specimens.

The stairwell, narrow but tall.
clouded over with the lost weekend,
the day to come crowding my mother’s forehead
as she bent to her task.
From my room, I could hear the intermittent
rumble of her rhyme.  She
seemed to identify with the lazy, but I was sure
that she felt, secretly, the best,
at least among us.

Written in some physical discomfort

December 17, 2010

In Discomfort

Oh, how prominent the body
when it does but hurt.
When it works,
it’s the slovenly servant
(each not as pretty or clever
or fast
as others in its class.)
But when it pains,
the servant reigns.
We supplicate, cajole,
pretend to ignore,
pray for, hold
(in its arms), pledge allegiance to
(hoping for a truce.)
It is not amused; it is not
amused.

Turtle Dreams (Draft)

December 14, 2010

Turtle On Head

We began the swamp on foot.
This was a bad idea,
a turtle suddenly on my head,
a large one, I dreamed, a snapper.
I could just make out the
creased unwrinkling of one short khaki leg
as it dangled down my brow like
an ancient bang; its mottled shell,
a dangerous helmet.
You somehow got a boat, turned to my aid.
“Don’t use the oar,” I pleaded,
as you hoisted the long, smoothed wood,
but I could see aim in your eyes.
shut mine.

(This is today’s draft.  Any suggestions?  Especially at beginning or end, let me know.)

Self-Appointed Tasks (Draft Poem)

December 13, 2010

Self-appointed Tasks

Invent duties in order to feel dutiful.
Propose purposes.
Appoint tasks.
Why? you ask.
To crowd out the required,
that, we are mired in,
what makes us cry uncle
but from which we can’t bunk off.
Cast them onto a list
where they can almost be forgotten
till ticked off,
one being to die,
another, surely, to live.

Rain, Melting Snow, Draft Villanelle

December 12, 2010

Rain Today, Melting Snow

A rainy day.  I thought I’d try a villanelle; the draft is below.  In this one, I’ve played with internal rhyme and word repetition; also used slant rhyme to avoid the flippancy of straight rhyme.  I am linking this also to Bluebell Books short story slam–their picture was a girl outside in the rain–this is a woman inside (in bed with iPhone) in the rain! 

Any suggestions, re-writes, corrections–feel free to let me know!

 

Rain today, melting snow

 

 

It rains today.  What was a scrim of white
frays to a stark and intermittent thread,
as browning fields bring softness to the eye,

 

and rumpled folds of brush and weed deny
the brambles that will later stalk my tread.
It rains today.  What is a scrim of white–

the screen that fixates, though two inches wide–
and, like a stalker, ties me to my bed–
(’till browning fields bring softness to the eye)

as intermittent glances, window-wise,
prise digital fingers from my real-world head.
It rains today; what was a scrim of white,

 

as bright outside as in, in puddles lies–
as clear as any water (over mud).
The browning fields bring softness to the eye,

 

reminding one that even autumns die,
snow too, its shine reduced to what was then
by rains today, a threadbare scrim of white.
The browning fields bring softness to the eye.

I appreciate that the poem has a certain similarity to other efforts of mine.  (But there it is–you write what you write.)

For other villanelles, or posts about the mechanics of villanelle writing, check out the category “villanelle” here.

 

Draft Sonnet, Cold House – Choosing the Wrong Train

December 11, 2010

I’m typing up this post in a freezing (closed-for-winter) house which happens to have an Internet connection.

A sonnet!  A draft sonnet!   Because my teeth are chattering, fingers growing stiff, I am posting this before making final decisions about the poem, especially the last lines.  I’ve posted a few alternatives.  Any preferences let me know.  Any suggestions–absolutely let me know!

In a Hurry, Choosing the Wrong Train

I worry that, in my forgetting much,
the best route from here to there eludes
me.  I overthink, then blurrily rush
to a train I barely know that broods
upon the track while my regular line
goes whoosh (in my mind).  Beneath the slow chug
of this one’s start and stop, tremorous grind,
ears burn with trains not taken that speed snug
along their rails.  All for some two or three,
maybe four, saved blocks–my brain’s too tired
for the calculation.  The part of me
that invents tests it hopes to ace, that’s wired
for glee in a glide, tick-tocks by the door,
longs for time itself to open, offer more.

Some alternate last lines:

longing for time to open, offer more.

longing for time to spare her, feeling sore.

longing for time to spare it, feeling sore.

longing for time to open, time to spare.

Is “spare” close enough rhyme to door?


Rilke on Freezing Early Eve

December 10, 2010

An early freeze on an early eve in early December.  I am stopping briefly in my frigid apartment on a day that has been go-go-go before I dash again into the outdoors cold, the subway, and then, I hope, the overheated snug of a birthday party, then, after the party, to a bus aiming for the greater than ever cold of upstate New York.

But it all stops for a moment, for a book, a present for the birthday girl/woman.  (I would really not mind getting the book myself some day–hint hint.) The Selected Poetry of Rainer Maria Rilke, a bilingual version edited and translated by Stephen Mitchell.  I’ve had other books that were selections from Rilke — I guess mine was Selected Poems. This is more comprehensive.

What I love about Rilke:  well, everything.  (What I don’t love about Rilke: not much, although sometimes I find the longer poems, a bit difficult to sustain as a reader.  But truthfully I have this problem with any long poem that doesn’t contain a clear narrative.  The Odyssey, for example, is okay.)

What I find especially remarkable is the blend of music and meaning.  I don’t read German enough to get anything but the sound; but the poems, amazingly, the same poems whose sensations and points and observations are so subtle and perspicacious and unique in English often rhyme in German, or slant-rhyme, and scan, and if not, still have a lilting haunting music (even in my halting pronunciation.)

And then, there’s “the vision thing.”  Rilke continually sees what is there, and what is not there, but what is, of course, really there, the “reflections upon the polished surface of our being”– only that’s not a good quote truly because he sees the core, not just the reflections, and he see that that is beneath or outside of the polish:  the gaze of Apollo in the headless torso  (“Archaic Torso of Apollo”), the shell of face of the woman weeping who has left it in her hands (The Notebooks of Malte Laurid Brigge), the ghost of his lost friend (Requiem.) He sees all these things (and they see us), then he tells us we must change our lives.

But I’m not quite changing mine yet.  (Got the book for someone else.)  Must run.

(ps – sorry this painting not really Greek!  Edited!)

Benefits of Friend (With Talents)

November 18, 2010

By Diana Barco (illustration from "Going On Somewhere") (All rights reserved.)

Some are blessed with beauty, talent, and a generous heart.

Others are just lucky enough to have a lifelong friend with these qualities.

I fall into the “others” category, but feel today very lucky indeed.

The talented friend is Diana Barco.  In our teens, Diana was an artist, student and something of a quiet provocateur (at least of our joint mischief.)  Today, she is an artist, architect, and social activist in the field of women’s health, and sexual and reproductive rights (mainly with IPPF).  Diana is also a founding member of the Rogelio Salmona Foundation, a charitable foundation devoted to the work of Colombian architect Rogelio Salmona.

Despite these activities (which take her frequently around the globe), Diana has found time over the last year both to illustrate my poems, and to coach and cajole me into finalizing them.  These have been major jobs; the first a showcase for her amazing visual imagination and sensitivity;  the second a test of her incredible patience.

Diana also coordinated the design of the project with Sigma Andrea Torres, a wonderfully generous, creative, and gifted graphic designer.  (Don’t ever let anyone tell you that putting together a manuscript of poetry is simple because it has relatively few words.  Arranging those words, especially with pictures, involves a host of issues–ordering, placement, fonts, margins–it’s immense.)

The final result, a book of poetry entitled Going On Somewhere (poems by Karin Gustafson, illustrations by Diana Barco), will be coming out very soon.

It really is a beautiful book.  The poems were okay on their own; the illustrations raise them to a whole new level of interest, engagement, evocativeness.

I will give more details when the book is actually out (soon!)   But we seem now to have crossed a final threshold.  I want to thank Diana and Andrea, my personal lucky stars.

More Thoughts On Eggs And Lightbulbs

October 27, 2010

Egg Head?

Yesterday I posted a villanelle mistaking an egg for a light bulb.   I was thinking about that today on the subway and came up with this poem.  Perhaps, I should say, draft poem.   Any suggestions are most welcome.

An Egg is not a Light Bulb

An egg is not a light bulb.
An apple is not an orange.
A square peg does not fit
into a round hole.

Actually, an apple is a lot closer
to an orange or even
to a round hole
than an egg
to a light bulb.

Though an egg can
have a certain luminescence.
In a pitch black room, for example,
an egg would be better than nothing
(especially if hard-boiled).

Except that a hard-boiled egg
has a blank crustiness
about its shell, like rough
plaster, or better,
gesso stuck insistently
to what would otherwise be
a relenting stretch of raw canvas,
while an uncooked egg, be it white
or brown (truly a dim peach),
has the iridescence of a pearl,
a tear, a newly-hatched idea,
which is represented (typically)
by a light bulb hovering
just above, or even inside,
a human head.

So maybe, thinks the head,
this thing called life
is possible.

An Egg Is Not A Light Bulb

October 26, 2010

An Egg Is Not A Light Bulb

You make mistakes sometimes.  (If you are like me, you may wish to substitute the words “often” or “frequently” or “constantly” for the temporal element in that last sentence.)

Oddly, the resulting embarrassment, shame, recrimination can be just as intense with small mistakes as big ones.

After all, caught in the wallop of a catastrophic misjudgment, you may feel that fate, or at a minimum, genetics, have conspired against you, while little stupidities seem all your own fault.  Or worse, your brain’s fault–your decaying, ill-functioning, brain.  Even worse–your not-decaying, but lifelong-faulty, brain.

I read a confirmation code to someone today that started with the letters HTO.  It was only after he said “that’s easy to remember, like water,” that I realized that I’d been repeatedly saying H2O.

And believe me, that was the least of it.

Computers compound one’s natural propensity for error–the screen providing a sympathetic gloss for the most flagrant typo; the automatic replace function exponentially upping the ante.

All of the above leads me to the reposting of a villanelle.  (I’m sorry if you’ve seen this one before, but perhaps, if you are like me, you’ve forgotten it…)

Villanelle to Wandering Brain

Sometimes my mind feels like it’s lost its way
and must make do with words that are in reach
as pink as dusk (not dawn), the half-light of the day,

when what it craves is crimson, noon in May,
the unscathed verb or complex forms of speech.
But sometimes my mind feels like it’s lost its way

and calls the egg a lightbulb, plan a tray,
and no matter how it search or how beseech
is pink as dusk (not dawn), the half-light of the day.

I try to make a joke of my decay
or say that busy-ness acts as the leech
that makes my mind feel like it’s lost its way,

but whole years seem as spent as last month’s pay,
plundered in unmet dares to eat a peach
as pink as dusk (not dawn), the half-light of the day.

There is so much I think I still should say,
so press poor words like linens to heart’s breach,
but find my mind has somehow lost its way
as pink as dusk (not dawn), the half-light of the day.

For more villanelles, or info on how to write them, check out that category from the ManicDDaily home page.