Archive for the ‘poetry’ category

Man’yoshu Poetry? (What’s that?) With Ladybug

November 3, 2011

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I swore to myself (and this blog) that I would devote at least some of this month to a modified Nanowrimo of revising old manuscripts.  But… it’s really hard to get the steam up for a long project mid-work-week.  So, instead, here is my contribution to dVerse Poets “Form For All” Night, which today focuses on Man’yoshu poetry, a form of Japanese Poetry that includes variations dedicated to love/longing. There is a wonderful exposition of this particular tradition written by “Lady Nyo” a/k/a Jane Kohut-Bartels, that can be found here.

I’m afraid my picture turned out better than my poem, but here’s my own rough attempt:

Ladybug On Navy Shawl

A ladybug, deep
orange, lands on the navy
of my paisleyed shawl;
mountains uplift the view but,
because I cannot
see through eyes that turn green when
faced with color, I
mean, your eyes, all here pales, and
my mind looks past the
now to times when you watched it
with me, when the here,
because you were there, held such
wonders always, your quick breaths.

Feeling very human in Downtown NYC

November 2, 2011

I’m trying trying trying to work on Nanowrimo, but instead I wrote a new, kind of random piece, for a site hosting an event called Imperfect Prose.  This prose poem is very imperfect, but came to me walking home through downtown NYC.

Feeling Human in Downtown NYC

I am thinking, as I walk past Ground Zero–I am not thinking, as I walk,
of Ground Zero, but I am thinking as I walk past, the tall wire fence
on one side, the red neon storefront on the other, of what keeps us human–what
capacities–and my mind, not thinking in the least bit about Ground Zero until
now when I see myself in my mind’s eye
walking there, the sidewalk dark as a night that is not blue
as this night is, this night sheeting Church Street, the lights of the scaffolding–

I am thinking that it has to do with pain–first, the inability to remember
pain.  By this, I mean to recreate pain, to physically call it back,
to make one’s self feel again a pain
not currently manifest–

And I think, as I walk past Ground Zero,
of the birth of my second child, of the tan scuffed front seat
beneath my grip–I was sitting in back–of a car service station wagon
somehow so  different from the midnight-colored seat of the car service sedan
that took me to the birth of my first child, and yet in those moments
that followed each contraction, like the very same ride.
I know this pain, I kept thinking, intimately, astonished with each wrench
that the memory had not imprinted itself like
a difficult scar, to be felt whenever touched, to be felt
when even approached,
and yet, even now, even as I remember so exactly the white slant lines on that
tan seatback that looked as if someone had run a dull knife across it,
I cannot come up with the pain, but only my reactions to it,
the way my upper torso tried to arch from the lower,
the way my mind
scrambled like junked marbles,
the disbelief that pain like that
could ever be part of the natural order of things, the
terror that surrender
might just be meaningless.

And then I think, as I get to a corner–there are stairs on one side
leading up to Brooks Brothers, and on the other Liberty Street
where the old Deutsch Bank building stood, killing two more firemen in its
dismemberment–but I don’t think of them, the weight of machinery smashing
through broken, mismanaged, floors, nor even do I think of how, just across the way,
shadows may still hover, escaping flame–

I think of the ability to imagine pain–how this same body
that cannot recreate its own torment–how it will, if
fully human, cringe or stream with tears
at the sight of a blow, at the muted thud of kick, the
torn cry, the fall, the hew, bang, loss–there
was a man flat on the floor of Grand Central yesterday, feet too neatly
askew, with blood blooming on his forehead like a flag, the soldiers–we have
those now–and police stilled beside him in a watchful pentagon.

I had to be careful then at West Street, as I walked and thought, because it’s hard
in this part of the City, the scale aggrandized, not to be hit by
a car,
how the inability to remember pain allows us to
go on, while the second–the ability to imagine pain–makes us to stop–
(or stop that which should be stopped)
only I think now, as I write this, of all those spirits in the air, and
the blossom of the fire balls, the reeling cry of the street, the blurs of smoke
and dust and all those wisps of photos (the
missing, not to be found)
and my heart finds suddenly that it does remember pain,
and that it can feel that remembered pain,
again and again and again,
even though I cannot think of anything I personally
truly
lost upon that day, anything that I could call
my own.

 

 

in the hush of the moon

Magpie Tales (89) (“These Words Are No Nest”)

October 30, 2011

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This is a post (1001th – an apology to those who subscribe) made for Tess Kincaid’s Magpie Tales. Each week Tess posts an interesting photograph as a prompt. The above is my personal take on the photo–I’ve revised it a bit to fit in with the poem below, a sonnet of sorts.

No Nest

These words are no nest.  They won’t warm you
when I’m gone.  You won’t be able to tuck
your head under a t, though it starts true,
slip fingers down n‘s curve, deftly pluck
replies from even the unsilent e‘s.
They won’t warm me either–no echoes
in ashen brains, though spread upon a breeze.
As twigs and hair and grass and dust close in,
words will be somewhere else; just as what peeps
behind these eyes, this voice, this flickering
insistent maw of self, will, at best, sleep
long.  But for now, I’m here, a bickering
steadfast word monger, building a place
of syllabic lingering, would-be embrace.

 

(I am also linking this poem to The Poetry Palace weekly poets’ rally.)

Conversation Poem? (“No Good Answer”)

October 29, 2011

dVerse Poets Pub has a poetics challenge today, hosted by the wonderful Claudia Schoenfeld (who lives in Germany but writes beautiful poetry in English)  asking for a “call and response” or conversation poem.

The poem below is a conversation in which one person speaks in words, the other gestures.  it’s a pretty grim poem, sorry.  (Please remember it’s a poem, i.e. work of art! )  Also note that, although it rhymes and has line breaks, pauses should really only be taken where punctuated and not at the end of a line.

No Good Answer

She took a brush and hit her hand,
trying hard to make a stand.

“Just go,” he sighed,
“it’s just not working.
You’ve got to know
I’m not just jerking
you around.
No, it’s just the way I am is all,
I’m not the one for you at all.”

She stuck a tack into her wrist,
showing him a bloodied fist.

He shuddered, turned aside his head,
“It’s time for me to go to bed,”
then left her for their one spare room,
while she sat on beneath a gloom
of fear
that she would stop the pain
so that it would not come again.

But she was frozen, could not move,
luckily, perhaps, since all self-love
had vanished
just as his had done,
not to be found under moon or sun.

Friday Flash Fiction 55 – “Both Desperate”

October 28, 2011

Both Desperate

Hit, it still had flight
in its front legs.  The man dragged
it by its antlers off the road,  crouched
on its neck with a knife.  It bled
in dark gulps, still tried to rear, roared.
He laid the hand not pressing it down
upon its shoulder, as if to calm,
as if touch could.

This is my 55 word story (not including title!) for the G-Man.  (Thanks, Mr. Knowitall, for the incentive to compress this scene.)

Conflation in Poetry? Hmmmm…. “Far”

October 27, 2011

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As followers of this blog know, I’ve gotten very involved of late with the dVerse Poetry Pub, and poetry in general.  (There is nothing like community for stimulating work. )  The prompt today by Emmet Wheatfall deals with “conflation,” what I think of as piecing things, often disparate, together.  I don’t know if this poem totally qualifies, but it is a poem I’ve had on my mind, and that I re-wrote (and improved) with the idea of conflating themes in mind.   

Far

We pushed from cold night into a Chinese restaurant,
the fluorescents reverberating like the din.  One waitress
wiped the table, burnishing smears into reflection;
 another balanced a rounded pot of tea and a fist’s stack
of cups (their sides glowing, incongruously,
with little seeds of translucence, grains of rice
made glass), the pot so full
that tea brimmed to the edge of its
spout with every shift from level, hip
or wrist, a
glimmering lithe tongue.

A man in my group had, some time before,
lost his adult child.  It had been sudden, she
had been young.
It was hard for me to look at him,
each expression–his patience
with the waitresses, concern about the chairs, even his
cold-reddened skin—a riddled mask
over the shear of loss that had left
the merest sense of face, worn
like the extremity
of an icon, the bronze saint whose foot has been rubbed
to a bare grip, slip
of soap, by petitioners who have
prayed to be washed clean, not of sin, but suffering.

The teapot begged to be poured; the waitress ran its
gulping stream over the beaded cups, steam rising into
air that ached to be warmed, the door, the night, opening
always at our side.

I could almost not look
at the man, as if his pain
might brim over,
scald me too, and yet another part of me,
what I like to think of as a part
that catches light like the curve of
a cup, or perhaps a part that is
dark, swirling, like the grain in the veneer
of even a plastic tabletop, that part that
somehow recalls a tree (or at least, the idea
of a tree), shifted my chair closer, wanting
to  drink with him that
fresh, hot tea, 
anything that could pass for succor.

“Here, Body” (The Body Is Not Your Good Dog.)

October 25, 2011

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I’m sorry.  There is an incurable goofiness about some of my drawings.   I did this one (based on Leonardo) for the recently revised poem below.  It is quite a serious poem and not really much about dogs, so forgive me for being misleading.

The poem is being posted for dVerse Poets Pub Open Link Night (Tuesdays) hosted by the wonderfully generous (and thankfully, humorous) Brian Miller.

Here, Body

The body is not your good dog.
It may sit, lie down, roll over,
but there’s a limit to its Rover
aspect.  No spank
will keep it from
accident; no leash
train it to the right; no yank
make it heel
feelings.

You tell it what to want, but
it will vaunt
its fleshly, furry ways,
sneaking food when already fed;
taking up all the room on the bed;
whiffing what should not be sniffed;
its passion aimed at but a toy–
here, girl; here, boy–
that can never love it back.

It will decay
though you say stay. Still,
you will love it,
this not-good dog;
for even as you scold and cajole,
call,
and despair
of calling,
you will find yourself
cradling it;
you will find yourself
in its arms.

Magpie Tales – “Oncoming” (Sonnet)

October 23, 2011

This is a sonnet I revised in connection with the weekly prompt of the “Magpie Tales” blog, hosted by Tess Kincaid.  Tess posted a great photo of a city street, seen both from a car and in a car’s rear view mirror, but I have re-drawn the picture (above) to fit a little closer to my poem.  (Still, not a true fit, sorry!)

Oncoming

There were one, two, three, four, trucks and we’d hit
sparks, some devilish configuration
of torque and stone, radii and slip,
that spit the car from its lane as from
the sea, only to buck and plunge it through
the waves of semis; to the right, the poles
of overpass pulled us to some untrue
North, as if to catch whatever souls
the trucks might miss.  We were on a visit
to a grandmother, but I can’t recall
a later meal or kiss, only that minute
on the road there, the unreeling miss and haul
of grill, glass flashing glass, my father’s swerves–
the way space looks, time feels, when fate uncurls.

Poem by The Other? (who wants some cheese.)

October 22, 2011

dVerse Poets Pub, a wonderfully supportive website for online poets, has a poetics prompt today about writing in the voice of the other (hosted by Mark Kerstetter).  I have one very serious poem written from a very different perspective (the poem’s called Honor Killing.)   But the world is such a somber place these days, I wanted to focus on something lighter, i.e. a dog! And cheese!

So here’s the poem.  And below is a little fledgling animation I did some time ago which does not exactly illustrate the poem, but is close enough.  (Have a great and light Saturday!)

Sniff Becomes Him 

Sniff cheese sniff cheese sniff cheese above,
Sniff that pungent sniff I love. 
Sniff high faint clouds of that so dear–
Sniff cheese so far and yet so near.

Sniff bowl, oh holy hallowed
Bowl, sniff (howl howl) bowl, so hollowed
Now.  Oh please Oh please
Oh please, Oh please!
Oh wherefore art thou
Phantom cheese?

Sniff time not passing,
(Swiss, Cheddar, Brie?)
Sniff hours harassing,
(Oh my! Oh me!)

A Treat! (for Pete’s sake!)
For him who’ll wait
By door and bedside
Early, late.

Oh whimper/whine, I’ll beg no more,
If you’ll just drop some on the floor.
Egads! Yum Yum!  My thanks for this,
Sweet morsel of a moment’s bliss.

(Repeat till satisfied.)


Fridays Flash 55 (“Did you hear the one about the father, the daughter, and the….?”

October 21, 2011

Overheard in NYC 

Man, dark curls pulled back below
balance of thick black hat,
breaks from gentling lilt of
tuneful (if slightly breathless) Hebrew song,
to child, blonde curls falling forward,
anxious (despite song),
in his fully-extended arms (and pink), wedged
between careful pale-
fingered grasp and
trapezoidal cardboard box:
“Don’t worry, sweetie, we’ve got
the ukelele.”

(This is posted for Friday Flash 55 (Flash Fiction in 55 words), a fun excercise posted by the G-Man, Mr. Know=it-all.   (I’m going to tell him a thing or two.)

Apologies to regular followers:it’s the reposting of an earlier (not great) drawing, and story, though slightly expanded here.