Archive for the ‘iPad art’ category

Demeter Denied

March 28, 2015

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Demeter Denied

All went awry, it seemed, with the pomegranate,
but the fault lay not in a fruit of blood-red grain
but in the fruit of woman’s womb, still knotted
after years.  Your son’s your son, she cried,

‘till he takes a wife, but your daughter–(she cried)–
should stay all her life.  And so the Goddess naughted
growth, cupping seeds on a palm of granite
furrowing soil against its grain,

as she sought the cleft of earth where her dear grain,
daughter, had strayed, where a burst of pomegranate,
some purpling explosion of spray, had cried
out to her and where her vines had knotted

with the deep. The clouds above the mother knotted
grey and the ground froze where she now cried
not–how could she leave me, the threshed grain
shushed–
and no tree would dare a pomegranate–

Till the Gods themselves cried back and forth ‘enough’,
and the sun like a pomegranate rose red,
and the grain once more
knotted gold, all for at least
a little.

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Here’s a drafty sort of poem for Bjorn Rudberg’s prompt on With Real Toads, to write a “quartina” or an abbreviated sestina.   (I’m not sure I’ve got the envoi exactly right–on the other hand, I think Bjorn invented this form, so I hope he’ll be indulgent.)

This one is based upon the myth of Demeter, the Goddess of the Harvest, and her daughter Persephone, who was stolen away by Hades.  In her mourning search for Persephone, Demeter let all crops die out–finally, Helios, the Sun God, revealed to where Persephone was, but by the time, she had eaten a few grains of pomegranate in the Underworld and was bound forever to return a few months of every year (during which time her mother mourns her absence again.)  (Pic of pomegranates is mine.  All rights reserved.) 

Pink Dream

December 26, 2014

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Pink Dream

She holds the breast to her chest
as if it were a baby nestling,
as if it could suckle
the ribbed cavity,
latching on
to its own past home.

The nipple stares up at her
like the eye of a truncated
dolphin, her arms waves
it needs to surface, not able to breathe
in the trough
of that separated flesh.

She tries to apologize, but her mouth
cannot move;
it, too, swallowed.

Later–later–
she wonders at the will
of the mammalian.

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Yes, a strange poem I know.  I am posting it for With Real Toads, the prompt by Margaret Bender.  Margaret’s prompt is called “Simply Beautiful,” and I don’t think the poem fits that, but it was something that came up after looking at Margaret’s beautiful photographs.  I modified the picture above–Margaret’s picture is below.

 

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The Elephant of the Magi

December 21, 2014

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The Elephant of the Magi

They always give the camels all the credit
(forgetting how they smell and nip and spit at–)
while it was me remembering all day bright
the star that showed our way the prior night.

A hard trip all in all, for kings can be
terribly terribly terribly uppity
and frankincense is not the cup of tea
of those who have a trunkal allergy–

But when I finally got us to the town
where that fledgling family’d gone to ground,
I found the trip was worth the camel stench,
and all the sneezes caused by frankincense.

There’s simply nothing like a newborn babe
to lift us from the suffering of our age,
to take away the sins of this, our world,
and make us hope that peace will still the sword.

So I forgave the Bactrian bite, the snort of king,
as heart and both my flapping ears took wing–
they always give the angels credit too
when (miraculously) it was I who flew,
hovering above that tiny little stable
just as softly as a pachyderm is able.

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A Christmas poem for Kerry O’Connor’s mixed-up titles prompt on With Real Toads.  The above picture is a collaboration of Giotto and MDD (me!)   (The Adoration of the Magi). 

Like Clockwork (For The Mentally Cursed)

July 9, 2014

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Like Clockwork (For The Mentally Cursed)

Sadness struck
like clockwork,
a chain across the cheek,
linking life’s blood
to its drain.

There was no joy
that could not be exchanged
for despair; a disrepair
of synapse that collapsed
the soul,
made holes in wholeness
customary,
burst the midrange, found pain fresh
each go,
as if locks overflown
had never been breached, as if the beseeching
of God or DNA
were not a speech
in a much-aired play–
a to-be, a wherefore-art, a who-goes-
there?
a not-I,
defiant.

 

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A poem of sorts for a word list prompt  by Grapeling (It Could Be That)  on With Real Toads.  It’s been edited since first posting. 

 

The drawing is mine–a repeat I’m afraid due to busy-ness here in NYC. 

 

 

Update from Train/Novel

May 13, 2014

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I am right now sitting on a train going backwards. This is not the same as sitting backwards on a train going forwards–that is, upon a back-facing seat.

This is sitting on a train that is, as it were, backtracking.

In this case, although we have all paid a substantial premium to take a train that is supposed to be faster and more reliable than the other trains on this line (in other words, we are on the Acela); we are hampered by an engine malfunction and are undergoing some kind of backwards maneuver to allow the back (functioning) locomotive to take over for the front (problematic) locomotive.

Ah. And now, we are stopped–with a dirt and gravel slide out one window and a stone wall on the other.

It reminds me today of noveling–i.e. trying to finalize and publish a novel.

Those who follow this blog may wonder–oh yeah, wasn’t she talking about that months ago?

Oh great. So, now we are moving backwards again–past cheery penguins and a worried polar bear painted on the side of a parking lot–they have big black gaps in their middles where the walls break to ventilate exhaust.

As in, yes, I was talking about this months ago.

The conductor, by the way, said that this delay would take about ten minutes, but it feels like at least fifteen. The good news is that we are moving quite quickly now; unfortunately, all passengers agree that we are still heading in the wrong direction.

So, about that novel.

Finalizing, publishing, seems to be one of those things ready any minute now, only not. This is my fault. Small corrections take an unduly long time as I just can’t bear to attend to them. (And also because I always sense that I should instead be doing major corrections.) I feel as if I’ve lost all sense of discrimination about the stupid thing–i.e. is something boring? Flowing? Awkward? Good?

By the way–we have been going backwards now for about twenty minutes and really fast too. (Since when do train conductors feel that they have to live out my metaphors!)

One of my problems now is deciding about the formatting. The paragraphs look way too tightly spaced on the page. I feel like I can hardly read them. On the other hand, when I pull books off the shelf and look at them, they seem to have similar tight spacing. Have I never noticed this before in books off the shelf?

By the way, it turns out — all passengers now agree–that we have NOT been going backwards for this last speedy half hour.

On the other hand, the train will be about an hour late.

Above is the picture I did for the novel’s cover. (All rights reserved.) I’ll save posting the actual cover till it’s ready. Any day/week/month now! (Ha!)

Shared Ribs

March 27, 2014

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Shared Ribs

My unconscious deflects the cryptic, oscillates
between the quotidian ho-hum
and the quotidian urgent,
makes a big to-do of the to-done–
fetishizing all those t’s foolishly dotted,
i’s crossed–
though often, turns only my torso,
doesn’t even scan
dream pages.

While you, asleep, leap
from penumbral cliffs,
wheel monkey-wrenched helicopters,
exact precise control
over the trigger kegs
of ravening St. Bernards
and, whenever I reach across, are chasing hard,
some sure inkling
of salvation.

You want, upon waking,
to tell me about it.
Pupils amplified by night’s close,
voice as husky as if it wore
an aviator’s jacket–
you tender word montages
from the irrational geographic, a tout
for your disappearing country,
while me, I pout about needing tea,
willfully weighting
the baggage that keeps
me here–

for I fear,
shouldering the sheet,
that you are Jung at heart,
while I find myself an old hand
at schadenfreude.

Oh, the heart, the gloved heart, mittened
by its own chest, caged
by those expanding, contracting ribs that join us
on some anthropomythic level
(which you will likely describe
one morning–how the curved bones moonscaped
Lethe skies–while I silently bite ribbed lips, nodding)–

for you listen to me often enough
mornings, evenings, afternoons, even without
kegged St. Bernards.

Why we love so much
the ribs beside us
in this dream
of fitfully shared
sleep, companion heart beat.

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Here’s a poem posted for a prompt by the wonderful Hedge Witch (Joy Anne Jones) on With Real Toads. The prompt, accompanying a very cool article on Mind and Symbol, is a list of words taken from the first chapter of Man and Symbol by Carl Jung.

New Mother, Turning To the Kora

January 4, 2014

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New Mother, Turning To the Kora

When you still fit
my arms
like an instrument
beating rhythms
at my heart, you would, at times,
cry without cease,
without reason–without reason that I
could reason out–and I, almost without
reason myself, would play a music
of Kora and guitar
in which the strings,
sounding of bells,
plucked us from the closed-in walls
and wails,
lifted us
from the hard wood floor we walked, transported us
to some bigger brighter world where sun streamed
vibrationally, where leaves echoed, where
life strolled, where tears caught in scrunched cheeks seemed almost
ripples re-centering a well
on a day when one
craved water, a natural wrinkle
of wells and water.

Whirled shine glinted
upon our faces whether we looked
up or down, and even though, in that apartment,
metal gates shadowed the nearest windows;
we knew–even as an infant you could hear–
that the music held want as well
as tinkle, that knells mourn even as
they proclaim, that the lone also
harmonizes,
still you at last would smile, me
too, as if both of us were tuned
by those stringed scales,
so gratefully tethered.

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Here’s a draftish sort of poem just written for Marian Kent’s prompt on With Real Toads to respond to the wonderful music of Ali Farke Toure and Toumani Diabate–I love this music!  When I was a new mother, I had a record that I used to listen to again and again –part of the subject of this poem.  It is magical beautiful music.  Thank you, Marian, for reminding me of it.  (This poem has been slightly edited since first posting.)

Old Couple (She, Swedish)

November 16, 2013

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I am re-posting this poem for Fireblossom’s prompt on With Real Toads, to post a best or favorite poem. I do not think this is my best or favorite poem, but when I was looking through different things, I just felt the urge to go with it, because I like the presentation. I hope it is legible.

Alternative titles were Old Couple Grown Older and That Same Night (which was the original title.)

Mask

October 27, 2013

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Mask

When young, they were fitted for the mask,
an age when every question asked
could be answered with because
Pretty is as pretty does,
for children will take on a task

adults won’t swallow without a flask
full of flow as hot as ash
and guaranteed to grant a buzz
of when young.

But though they aged, the mask stuck fast;
it trapped their warmth just like the cask
they tapped now, sipped and sometimes guz-
zled, to scrape off “is,” grate down to “was,”
bare what they’d been by file or rasp
when young.

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Still playing with Rondeaus — not very well–here’s a draftish one for Grapeling’s prompt on With Real Toads to write a poem about a mask. 

This is also a signing-off for me for now, maybe.  I am trying very hard to get myself to go on an extended blog break, at least for the month of November.  As some readers know, this has been a super busy work period for me.  Blogging poetry and being part of the online poetry community has been a wonderful way to get out of my workaday mode–but it also keeps me from getting to certain larger fiction projects that I’ve put on hold practically forever (and keep talking of going back to.)  I really do want to make one more effort, and November, national noveling month, seems a good time to try.

That said, do check in from time to time, as I am likely to (i) break my resolution, (ii) post pictures; and (iii) miss you terribly!   

Take care, k.