Archive for April 2014

Leaf Sail

April 10, 2014

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Leaf Sail

They tried to sail a sea of fallen leaves
as if they could assail leave-taking
by keeping to dry ground.

For if their keel were only raking
earth, they thought,
at least they could be safe
from any drown.

But the leaves they sailed–they waved
as if still limbed,
their wrinkles crescents
of a misguiding moon–

and soon the winding tides
took the voyagers to a dark salt place
where all they craved
was the swoon

of willows, anything but
the slap of crumble at
their prow, the chap
of spoil.

For a sea of fallen leaves
is a sea of the fallen–
how they now longed to leave
that buried soil.

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Agh. This is very much a draft poem for the tenth day of National Poetry Month, posted for Hedge Witch’s prompt on Odilon Redon for With Real Toads — http://withrealtoads.blogspot.com.  The above is a painting by Redon called Boat in Moonlight.

This poem has been edited a couple of times since posting, once in Grand Central Station! The line I am having trouble with is the crescents line– whether it should just read “crinkled crescents.” Something like that.

April (15th)

April 10, 2014

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April (15th)

For some, it’s formulaic rain;
for others, form-on-form-filled pain–
Ten-forties and ten-forty-ones–
fortified with deduct-ions.
Capital gains, if you are lucky–
“Carried interest,” if high-muck-mucky—
Statements, check stubs and receipts
never saved up nice and neat–
accounting hocus-pocuses
crowding out mere crocuses.
Oh, the Ides that harried Julius C.
pale before these Ides’ ‘Line b’.

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Here’s a silly one for Mama Zen’s prompt on With Real Toads to write of April in 66 words or less. I think mine makes it if some hyphenated words are counted as one!

Process notes–April 15th is U.S. tax return due date. Ten-forty–1040–is the standard U.S. income tax return, a 1041 is a trust or estate income tax return. Capital gains are taxed at lower rates than ordinary income, the “carried interest” rules allow people who work in the investment area, like hedge fund dealers, to be taxed on their standard income at capital gains rates. (These rules are why, for example, Mitt Romney’s operative income tax rate was 13-14%.) The Ides of a month are its mid-point– a low point in March for Julius Caesar.

Home Awaying

April 9, 2014

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Home Awaying

When you head off for days tomorrow
this little room will fill with sorrow;
won’t want to open any door,
my heart too jammed in acting sore.

To persuade you sooner to come back,
I will clothe myself in lack–
I don’t mean here a luring bare–
my version’s always matted hair,
woe-ven sackcloth, wrinkled ash–
somehow, it won’t recall you fast–

At least not faster, though it’s true–
when I call with voice full rue,
you hear below the drama’s pitch
the timbre of a wound unstitched,
an ache as deep as Lake Baikal,
a plunge as stark as Angela Fall–
I’m doing it again, okay,
but checked them both online, and say–

forgive me if I make it harder
for each of us to be a-parter–
stiff upper lip’s just not my style,
stiff other things (now, there’s a smile)
are far preferred for helping cope
when life is not a funny joke.

So, hurry, dear, and then stay put;
your head by mine, also your foot
aside my sock, my wooly sole,
paired together make a whole.
The little room of our tomorrow
will hold then just one cornered sorrow
required for a C of O
under every building code I know.

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This started as serious lyrical poem, and then quickly degenerated to my typical ruefully sentimental couplets. Agh! I am posting it as my 9th April poem, and also for Helen’s prompt on abodes posted on With Real Toads–http://withrealtoads.blogspot.com.

Process note–“C of O” stands for “Certificate of Occupancy” legally required for a habitable dwelling under most U.S. building codes/zoning rules, etc.

The rather silly pic is taken in the room where I stay in the City–my husband down with me here for a day, but needing to take a trip elsewhere–so not my abode! (Thank God!)

After Citizens’ United/McCutcheon

April 8, 2014

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After Citizens’ United/McCutcheon

Long have we known that money could talk;
still, speech was supposed to be free.
But now corporations are let run the walk
as people, my friend, while we–
as people, my friend, on bended knee–
are advised our two-cents is a pittance,
too little by far to buy the House–
not nearly enough for admittance.

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Here’s a Tuesday 55 for Fireblossom (Shay) (who has taken over from the G-Man.) The poem doesn’t quite work since, perhaps, 55 words is not enough to express my disappointment with a Supreme Court that seems intent on further skewing political processes by allowing the disenfranchisement of the poor, young and elderly, while aggrandizing the political power of the already almighty dollar.

Also my 8th poem for April! Please bear with me; I’ve been slow returning visits. Will catch up.

Freedom From

April 7, 2014

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Freedom From

I gaze at the Buddhas
gazing down
and want so very much to have
what they have
in their hands
in their laps
in the moment–
freedom from
desire.

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Yes, it’s a bit trite! But I saw a wonderful show of South East Asian art this evening at the Metropolitan Museum in NYC. (The pictures are from there.) AND I have an anti-gun poem that my husband doesn’t really want me to post, this, the somethingth day in April, National Poetry Month. So, instead, I am posting this one and linking it to Open Link Night on With Real Toads.

And, finally, there’s is a really sweet — from the interviewer’s side– interview with me on the wonderful online poetry site, Poets’ United–by Sherry Marr–of Sherry Blue Sky. If you are interested, check it out!

Thanks.

Sunday Diner

April 6, 2014

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Sunday Diner

Somewhere, waffles beam
from a plate that gleams
white as the Milky Way.
A pat of butter sits fat
as the noonday sun.
A waitress says “Hon,”
as if it were
a benediction.

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Here’s a poem, 6 for six in April (ha!), for Kenia’s “Sunday” prompt on With Real Toads.

Real Toads is very thoughtfully providing daily nourishment for all those poets trying to celebrate National Poetry Month through self-flagellation. Check it out.

Once again, pic is not quite right, but I haven’t had time to do new ones this month, so in place of seated elephant, you’ll have to imagine waffle, waitress, butter, maybe sun.

Free That Day

April 5, 2014

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Free That Day

“so, that’s the Hall of Mirrors,” I said,
hoisting my little one by her waist–not so little–nine–
but no way could she tiptoe to the height of the paned
glass–
“where they signed some big treaties–um–”
darting looks-out–  “World War I–”

the red checks of her dress’s skirt bunched,
in my hold, into the flower sprigs of
the bodice, a pattern of mismatch like
our socks, after travel, our feet now
interlopers in the gravel that bordered
the razor-sharp lawn, there, on the other side
of the bunted rope
we’d just slipped around–

”Can you see?” to her older sister.
Balancing her too then
on my braced knee, against
the stares peering back at us–
our own in the blinked
sheen–so hot, a record
for Paris–
“They’re super tarnished
anyway–”

“Yeah, it is huge–”
But no guards, it seemed, the one day of the week
the Palace was closed,
not that saw us scooting back to the gardens–”really the best part–”
with its avenues of shrubbed poodle tail
where one or two capped men, sitting beside
the refracted bronze of dolphin leap and nymphic breast–
“and, at least, it’s not crowded–”
found sun translated to breeze.

That may be the day I remember best
of that whole trip
when the guidebook slipped past me
and we ended up seeing ourselves
in historical glass, as if we too
were a secret part of it,
nearly always the way
of women and young girls.

 

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I realized once I started this that I had already written about the same incident!  (Agh.)  It has to do with a day we went to Versailles and the palace turned out to be closed.  But that poem is a little bit different and this is this poem–very much a draft!– and certain memories are rather indelible I guess.  At any rate, here’s my fifth this April, posted for the prompt of the wonderful Grace (of Everyday Amazing) on ‘mirrors’ on real toads

 

Mailbox

April 4, 2014

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Mailbox

She sat when she was small
and Time was tall
and the unfolding of a house–
the way it yawned and roused
itself from the naps of houses–
she’d stayed home sick, alone–
they worked, they phoned–
filled her chest with fright
as if she’d sighted
in the hall–for she was small–
a gorilla or a thief–Time was so tall–
a robber in the closet–
she’d turned full hard the faucet
for the noise, the TV too–
but even the bright blue
of whitening power,
the game show of the hour,
could not crowd out
the terrible roust-about
of brick, of wall, nowhere at all
to run (for she was small, Time tall)
and she would walk out to the curb–
and yes, it sounds absurd
if you are big and time is short–
but for her it was a port
from roomside storm, and she would sit
beneath the mail box as if it
were a matter of an important letter,
as if she were important, or better,
as if she were, and of course, she was
which is exactly what she feared, because
if she was–she could be caught–
there, in the house where she thought
she heard the step of someone home,
someone who didn’t know that, yes, they phoned,
someone who could trap her in the bedroom or the hall
where there was nowhere to run at all,
if you were small and Time–too tall–

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Here’s my draftish poem for April 4, written for Fireblossom (Shay’s) prompt on With Real Toads to write something about letters, the mail.  I am recycling the drawing (mine) from another somewhat different poem that uses some of the same imagery. 

Reading note–as some know, I am a big believer in punctuation, so typically in reading my poems, there are only pauses at the ends of lines, where punctuated. 

 

Death’s Turn

April 3, 2014

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Death’s Turn

How long it takes
for death to turn the stomach,
its odor as ochre as goldenseal
stopping the throat.

Unhabituated, we’re sickened, sure,
but like a child swallowing a roller coaster, gullet tense
so stretched,
we still–early on–relish the drop at the top, the spin
to our bottomless sure seat, locked guards against
our buckle.

Bitterness a supposed virtue
in the medicinal–
oh, the drama–
we even nibble
at Death’s edges, inking its stink
with a tincture of svelte shadow.

Until all those little doses climb,
like our clackety strapped cart,
to some high teeter
and of a sudden
we’ve had it up to here–
Death there–
cancer on our corner–

We want
to throw it all up–
all clots of seeming,
any empathy that even slightly smacks its lips.
We want something strong–
red wine, dark chocolate–
to take the taste–
open air,
bared arms,
time–

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Please don’t be alarmed.  I’ve had no bad diagnosis, just heard bad news of a few different friends.  I am doing a poem a day for April–this my third in three days–ha!–and I am also posting this for Claudia Schoenfeld’s post at dVerse Poets Pub about writing a poem about emotion that doesn’t name the emotion.  Not sure if it qualifies, but know I haven’t used the word “despair” in there. 

Note that I am going to have a hard time focusing on visuals this month–so they may not always fit!  I thank you for your indulgence in advance.  (As I say that, I realize that they often don’t fit!  Oh well.)  

 

 

After Kilroy

April 2, 2014

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Nobody said it had to be a GOOD poem a day. Here’s one for Susan’s perfectly great prompt on With Real Toads to write a poem you imagine as grafitti. Process note– some refer to B.C. as B.C.E. (“Before Common Era.”)