Posted tagged ‘poetry’

Villanelles – Banana Pudding

September 7, 2009

I love formal poetry, particularly villanelles.  I will write about the exact form (a traditionally French embrace of repeating lines and rhymes) tomorrow.  (I hope.)

Today, I’ll just say that the form itself generally ensures a villanelle a certain amount of built-in music and irony.

The form is a bit complicated, however.   So getting your villanelle to more or less follow the rules, and also to make sense, is often about all you can hope for. Profundity must be left to the sidelines. (Traditionally French, remember?)

My view is, well, who really cares that much about profundity when you’ve got built-in music and irony? (I don’t. But remember that I’m also someone who has spent a not insignificant amount of time blogging about Robert Pattinson.  See e.g. posts re same. )

Another reason I like writing villanelles (besides their music) is that I am fundamentally (or perhaps I should just say, mentally) lazy. This makes a villanelle kind of perfect for me because (a) as mentioned above, profundity is often left at the sidelines, and (b) the whole poem revolves around two repeating lines.  Which means that once you get your repeating lines right, you don’t have to come up with all that much else.

The poem also involves only two different sets of rhymes: the rhyme of your repeating lines and the rhyme for the intersecting lines.   This limited rhyme scheme definitely narrows your options, a great benefit for someone like me:  a narrowed field of choices means fewer places to get lost, side-tracked.

As I was thinking about all this on the subway this morning (hungry),  I realized that the seeming complexity (but actual simplicity) of the villanelle is very much like Magnolia Bakery’s Banana Pudding.

Although the dessert, a layered concoction of creamy custard, banana slices, vanilla wafers, and whipped cream, seems very elaborate, it is in fact made with a relatively small number of ingredients, several of which are prepackaged (as in the vanilla wafers and the bananas).  What the recipe does require, however, is planning;  i.e. your pudding needs time to set, your bananas must be more or less uniformly sliced (and not too soon before assembly); your cream whipped, your wafers unboxed.  Without that planning, the whole concoction is flat, runny.

Which is amazingly like writing a villanelle.  Because you really do need to spend a bit of time getting your repeating lines right, and choosing flexible rhymes. Otherwise it will just collapse.

But once you have your base ingredients ready, the assembly is really quite fun.

Unfortunately, villanelles, like many poetic forms, seem to have fallen from fashion in modern poetry. (I’m guessing it’s the whole profundity thing.) Some critics might even say that villanelles, like Banana Pudding, are essentially a Trifle. (As in an English confection of sherry-soaked cake, fruit, custard, cream.)

All I can say is that Trifle, like Banana Pudding, is pretty terrific stuff.

*                   *                   *

Despite the similarities to Banana Pudding, most of my villanelles are not particularly light and fluffy. As a result, I am re-posting one that I posted several weeks ago simply because it is one of my more cheerful, and suits the end of summer. I’ll put some different ones up later in the week.

The two repeating lines are “our palms grew pale as paws in northern climes” and “in summers past, how brightly water shines.”  Rhymes are based on climes/shines and skin.


Swimming in Summer


Our palms grew pale as paws in northern climes
as water soaked right through our outer skin.
In summers past, how brightly water shines,

its surface sparked by countless solar mimes,
an aurora only fragmented by limb.
Our palms grew pale as paws in northern climes

as we played hide and seek with sunken dimes,
diving beneath the waves of echoed din;
in summers past, how brightly water shines.

My mother sat at poolside with the Times’
Sunday magazine; I swam by her shin,
my palms as pale as paws in northern climes,

sculpting her ivory leg, the only signs
of life the hair strands barely there, so prim
in summers past. How brightly water shines

in that lost pool; and all that filled our minds
frozen now, the glimmer petrified within
palms grown pale as paws in northern climes.
In summers past, how brightly water shines.

Copyright 2008, Karin Gustafson, All rights reserved.

If you like elephants swimming, please check out 1 Mississippi at the link above or on Amazon.

For more on Villanelles and how to write them, click here.

For Labor Day Weekend – Busy

September 4, 2009

Years ago, I was lucky enough to do field work in India studying Indian trade unions.   (More about that some other time.)   This is a poem about a wonderful trade union leader, who very kindly took me under his wing, allowing me to travel with him to various union headquarters around the state of Gujerat.

Have I learned anything?

Ah this is better.
This is sitting down.
This is getting some tea.
This is biting into an orange peel, just slightly, before peeling.
This is biting into the orange.
I think about the labor leader I knew in Ahmadabad.
How they would bring him his coffee
in the morning, me my tea.
He had given up tea, he said,
when Gandhi said to, and ever since,
taking a hot slurp,
he had never drunk it.
Because of the British.

In the same way, in the car,
he took out all his toiletries, one by one, handing
them to me for examination:
a small soap still wrapped in its green labeled paper,
collected from an Indian hotel,
his razor, his comb—he combed
his close cropped hair before handing it to me as if
to show its use—a small towel–
he really didn’t have very much–a small
scissors.  His feet were up
on the seat.  Now
he brought one to his knee, shifting
his white cloth dhoti, and
clipped the toe nails quickly, first
one foot then the other.
He collected as he clipped
the small white crusts of nail, then
opened the window a bit wider
to toss them out.

“You see how I am always busy,” he said.  “Never
a moment idle, wasted.  I am busy all the time,
you see how I am doing it.”
He took the toiletries back from me.

I finish my breakfast slowly,
just sitting.

(For a different side of Labor Day weekend, i.e. the very sad end of vacation side, check out the Last Voyage of the Summer, below.   And, as always, check out 1 Mississippi (Karin Gustafson) at link above.)

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Have I learned anything?

Ah this is better.

This is sitting down.

This is getting some tea.

This is biting into an orange peel, just slightly, before peeling.

This is biting into the orange.

I think about the labor leader I knew in Ahmadabad.

How they would bring him his coffee

in the morning, me my tea.

He had given up tea, he said,

when Gandhi said to, and ever since,

taking a hot slurp,

he had never drunk it.

Because of the British.

In the same way, in the car,

he took out all his toiletries, one by one, handing

them to me for examination:

a small soap still wrapped in its green labeled paper,

collected from an Indian hotel,

his razor, his comb—he combed

his close cropped hair before handing it to me as if

to show its use—a small towel–

he really didn’t have very much–a small

scissors. His feet were up

on the seat. Now

he brought one to his knee, shifting

his white cloth dhoti, and

clipped the toe nails quickly, first

one foot then the other.

He collected as he clipped

the small white crusts of nail, then

opened the window a bit wider

to toss them out.

“You see how I am always busy,” he said. “Never

a moment idle, wasted. I am busy all the time,

you see

how I am doing it.”

He took the toiletries back from me.

I finish my breakfast slowly,

just sitting.

Anniversary

August 22, 2009
Catskill Mountain Wedding With Elephants

Catskill Mountain Wedding With Elephants

Mist

Mist rises over lake like fish jumping
like heart wishing like eye
blinking like memory crying like fir boughs
sighing like awe inspiring, like hope
dying (not needed, not even considered), like
dawn breaking like
love making like
water curling in its fall,
like head on lap on
lips on lips on hips
on you on me, like
fingers fingering,
brushing against a nipple,
or being brushed
like something somewhere
sure of joy,
like the thing itself.

All rights reserved.

Person Blocks – “Pretending”

August 17, 2009

Thinking today of blocks other than writer’s block.  A person block is a big one;  the force that keep one from putting one’s true self into the world, that keeps one from being publicly one’s self.

When I say “being publicly” one’s self, I’m not referring to celebrity.  (Although, weirdly, the subject makes me wonder again about my fascination with Robert Pattinson.  If there is anyone who has a hard time being himself in public, it would seem to be him.  See e.g.  screaming girls and clicking paparazzi.)

But I wasn’t really thinking about Robert Pattinson.  I was thinking more about people like me, perhaps you too.  How hard it is for me (us) to take actions that might make us vulnerable to criticism.  How difficult it is to show openly the parts of ourselves which do not fit so well into a mold of other’s expectations.  (Or really, one’s expectations of other’s expectations.)

These kinds of pretenses are deeply ingrained, at least for me.  Even as a little kid—I was not an especially hip one—I felt the need to pretend I knew all kinds of rock bands that I’d never heard of.   For years afterward, a more complex camouflauge seemed to be called for.  I won’t go into the specifics.  I’m sure most of you know the types of things I mean.

What seems strange is that we actually live in a fairly tolerant society.  I compare my situation with my mother’s, for example.  A teacher, she happened to move shortly after I was born to a county where women teachers were only entitled to substitute’s pay (about 50% of the scale) during the full school year following the birth of a child.  It was a rule apparently motivated either by (a) a wish to keep mothers of infants at home; or (b) an assumption that mothers of infants would be at home, whether working full-time or not  (i.e. an assumption that women with young children were inherently unreliable.)

My mom, both reliable and unwilling to take a pay cut, spent the whole first year of my life pretending I didn’t exist.

My mother had a concrete reason for hiding a fairly big part of her life.  But for many people (me at least), the reason for the camouflauge boils down to the simple fear that if others really knew me better,  I would be deemed very very imperfect.  (Not just imperfect, downright faulty.)

Unfortunately, however, a failure to be openly one’s self can doom one to being less than one’s self.    (Even less perfect!  And much less happy.)

My ex- husband, an artist, gave me some good lessons in this area (though I am only beginning to follow them.)  He is a master of carrying out what sometimes seems to border on the silly.  (I admit, carrying out the silly is a whole lot easier in the art world than in the average professional arena.)

In an early performance piece, he played a violin with a loaf of Italian bread.  He does not play the violin.  His lack of expertise with the instrument wasn’t important, however, since the violin he used was broken.   Besides, the bread, though shellacked, wasn’t a great bow.

You can probably immediately intuit the piece’s potential silliness.  In fact, it was truly magical.

I am not extolling performance pieces.  Many are self-indulgent, and full full full of pretense.  (One reason my ex-husband’s violin playing was so powerful, I think, is that it was not a piece about himself, but about Paul Klee during the World War II.)

I’m not extolling confessional art either.  (Remember, you may someday wish to talk to your friends and family again.)

What I’m urging, I guess, is not to be afraid to risk some silliness.  The unabashed showing of ignorance.  (Sure, ignorance isn’t something to be proud of, but pretended knowledge is way worse.)  A lack of hipness.  To be, in short, more openly yourself.

Here’s a sonnet (unfortunately not terribly silly) about the long-term price of protective coloration:

Pretending

After years, pretending to be what you’re not
becomes a nature;  a second skin
coating you like a heavy make-up, caught
in your pores, nestled in your grooves, a twin
of features, caked, you need not reapply.
But habits, faces, fail; pretense wears thin,
until, worn through, you can hardly try
anymore.  Too wary, weary–the word
“cagey” describes so much of what you’ve been,
the opposite of free-flying bird,
while unheard, and hardly there within,
is all you’ve been saving, what you hid, why
you did this, what wasn’t supposed to die.

All rights reserved.

Cowspotting

August 16, 2009

Stuck in city this hot weekend, thought of this country, contrary, poem.

Cowspotting

He said that cows always faced
In the same direction.
As in Mecca?
I asked, sarcastic.
As in a field,
he corrected.
You just look in any field,
he said.
The cows will all be facing
the same way.

We curved around
shallow hills spotted
with the honey brown shanks of still cattle.
Look,
I said, that one’s
completely sideways.
An anomaly
, he said.  The exception
that proves the rule.  There’s always one.

If he was someone who always had to be right,
I was someone who had to be righter.

For years afterwards,
even though I got to the country only occasionally,
I carefully checked the collective stance
of cows, never accepting a near unanimity of
moist soft snout.
Not even once.

All rights reserved.

If you prefer elephants to cows, or if you just like elephants as well as cows, check out 1 Mississippi at link above.

Pictorial Interlude – Villainelle (preview)

August 3, 2009

This illustration from Villainelle by Karin Gustafson (BackStroke Books) (to be published soon as part of A Definite Spark, An Illustrated Guide to Kids, their Parents, and their Pachyderms.)

from Villainelle

from Villainelle

Check out already published children’s counting book 1 Mississippi on Amazon:  http://www.amazon.com/1-Mississippi-Karin-Gustafson/dp/0981992307/ref=sr_1_1?ie=UTF8&s=books&qid=1249300645&sr=8-1

A Poetic Interlude

July 31, 2009

For those of you that can’t relate to Twilight (or understand my obsession –I can’t either), I’m posting aVillanelle.  This was written as part of a writing exercise over the phone with my dear writing buddy.  (See Blocking Writer’s Block  – Part II), and when I was lucky enough to be in a quiet woodsy place where I could walk while jotting.

Swimming in Summer

Our palms grew pale as paws in northern climes
as water soaked right through our outer skin.
In summers past, how brightly water shines,

its surface sparked by countless solar mimes,
an aurora only fragmented by limb.
Our palms grew pale as paws in northern climes

as we played hide and seek with sunken dimes,
diving beneath the waves of echoed din;
in summers past, how brightly water shines.

My mother sat at poolside with the Times’
Sunday magazine; I swam by her shin,
my palms as pale as paws in northern climes,

sculpting her ivory leg, the only signs
of life the hair strands barely there, so prim
in summers past.  How brightly water shines

in that lost pool; and all that filled our minds
frozen now, the glimmer petrified within
palms grown pale as paws in northern climes.
In summers past, how brightly water shines.

Copyright 2008, Karin Gustafson, All rights reserved.

Check out 1 Mississippi on Amazon:  http://www.amazon.com/1-Mississippi-Karin-Gustafson/dp/0981992307/ref=sr_1_1?ie=UTF8&qid=1249040514&sr=8-1