Posted tagged ‘Karin Gustafson’

Flash Friday 55 – Short Short – (Teacher?)

October 13, 2011

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As part of my (kind of random!) exploration of online poetry and prose sites, I am making my first Flash Friday 55 post, which is a post somehow indelibly connected to the G Man, Mr. Know-it=all, and involves the writing of a 55 word story.

Teacher?

When they were good, she let them
color around the Bible verses they’d
copied out.

When they were bad, she had them
stand before the class, and
slap themselves, exhorting as they lapsed
(second graders get tired),
“harder, harder.”

A God-fearing woman, she felt
called to teach them much; the fear part,
they learned.

Young Palm – Adult Child

October 11, 2011

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I am posting the new poem below for the dVerse Poets Pub “Open Link” night and also for Gooseberry Garden’s poetry picnic.

Adult Child

It seemed to her walking on a beachside street
near the home of aging parents
that she saw in the five feet
of a young palm, the slightly goofy grace
of a fawn or baby giraffe:
in the ridges of green trunk–
knock-knees; in the froth of
lime green frond–the soft bristle of
first-sprout hair; overall a sense of oversized
hooves, paws, the floppy underfooting of
fledgling wonder.

Yet even as she held the young palm
in the back of her mind, another childishness
crept to the forefront–a child’s
fear of death–not fear of the unknown, or
even loss, but of moist brown earth,
clods of non-human
clay, the closing-in of lonely terrible cold; a fear of death that does not
truly believe in death but does know darkness.

It clung to her through the visit
until, at the shore itself, after they had tossed in
a rough sea, which, in the power of that fear, was
almost intolerable to her, and her husband passed
a towel over the brilliance beading their skin,
she could not stop herself from reaching back to him
and whispering, oh please
don’t let me be buried
, and he, confused,
wrapped strong limbs (a Northern person, he is so unlike a palm) around
her trunk, softly kissing and trying jokes, till she said again, please and
promise, and he did.

Then, determined to cast off the still-stalking fear, she darted awkwardly
to the surf and willed herself into a cartwheel
at the edge of the ocean-firmed sand, and when that one worked, another, and
another again, knowing that one cannot will ebullience, but also
that there is nothing
like turning upside down for clearing a head, and
another one, until blinking in the shine, they marveled, before
the next wave, at
the clarity of the palm prints, there, in the wedge of sand and sea,
spread wide, five-fingered.

As always, all rights reserved.

One more tribute to Steve Jobs- iPhoning the Moon.

October 10, 2011

Dear Steve, thank you for catching me the moon.  Thanks for letting me put it in my pocket.

More than than that, thanks for equipping me to somehow see it better.

Yes, I know all about being here and now.  (I know about it as a concept at least)  And I know about the barriers the digital world makes to the real world.  (Very very real barriers that can definitely get into this woman’s way.)

And yet, and yet…when I look at that moon with iPhone in hand, I really do look at it.  And yes, I know I could have done that through a regular camera, but I never did.

And now I do.  I joyously ponder and snap pictures of the moon on the same implement that was just used to speak repeatedly to the woman who’s helping my aging parents (my dad fell, but he’s okay), the same implement just used to send emails to my boss (no, I didn’t finish everything I planned)  and the same implement used to check the exact name of Rilke’s wonderful poem ” The Lay of the Life and Death of the Cornet Christopher Rilke,” which reminds me of Rilke’s beautiful descriptions of soldiers’ faces as they speak of home, and, well, somehow, I find myself taking even more pictures of the moon, and really really valuing then.

So, thank you, Steve, and goodnight, Moon.

“Philosophical” (Ha!) Autumn Haiku

October 9, 2011

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What is real? What is
reflection? One way to know
for sure: take a plunge.

Bumper Sticker Poem (Live Free or Die?) (Thinking of Germany and Bad Times)

October 8, 2011

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This is a fresh-off-the-brain-press poem written for dVerse Poets Pub poetics prompt.  Today, it is to write something inspired by a bumper sticker.

So What if You Really Did Live in Germany in the 1930’s?

‘Live free or die’
easy enough to sigh
‘let me be me’
when it’s not really a choice
of to be or not to be,
but the voicing of
a complaint, the price
of sainted gas
is too damn–
(
kind of half-assed,
if important in its way),
but what if your neighbor,
even the guy you’re sore at,
who plays the tuba at two,
and happens to be a Jew,
is dragged off in the night?
In your window, the light
of a seering torch;
on your porch
the pound of booted step;
and your wife has wept
with fear, your
children so very near,
and you know,
yes, although you know,
it’s terribly wrong,
and you long
(somewhere)
(somehow)
to dare
not to bow
to whatever inner voice
now says, the choice
is not your own.
Okay, you’ve got a gun
but you’ve also got
a son, and
they’ve taken his,
that neighbor–who–
he had one too–
not yours,
yours, who purrs
as he sleeps,
you see the peeps
of dreams beneath his eyelids–
what do you do then?

Unexpectedly reminded of one of my favorite books today – Sorry, Charlotte!

October 7, 2011

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Evening on a Train (With Variations of 17 Syllables)

October 6, 2011

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DVerse Poets Pub (dversepoets.com) is hosting a “form for all” night on the haiku and senryu forms (meaning that they are encouraging participant bloggers to write and post their individual efforts with these forms.) DVerse host, Gay Reiser Cannon also has a wonderful exposition on the differences of the forms.

Haikus are not somehow my favorite form. (I tend towards the wordy.) Still, I had a few old ones (or maybe they are really senryu) that I thought of posting for this event, but, well, they were written in Florida in the springtime, and I am currently in New York in Autumn, and haiku are by their nature rather seasonal. As a result, here are some new ones. These are not truly autumnal, but there were all written today at least, on a commuter train going up the Hudson River.

It was a long train ride so I wrote a lot of variations of each, but will spare you all the experiments.

Looking Out/In

In the train window,
night shades into looking glass;
a stranger peers in.

Brain Trap

Brain flutters against
bone. Firefly in a jar
is mainly thorax.

Like You Somehow

Mountains darker than
nightfall. Your warmth like, and not
like, a sun-licked stone.

P.S. – I’m not sure you should title haikus–it feels a bit like cheating (extra syllables) but I threw those titles in at the last minute. Hope you like them and thanks, as always, for your time and kindness.

Thankful for Steve Jobs, Tribute to iTunes

October 5, 2011

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Yankees’ Fan Gets Nervous

October 4, 2011

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Wonder-Fatigue-Mothers-Grandmothers-Jello-Poem

October 3, 2011

I’ve had a very busy few days visiting aged/aging parents.  This is always both wonderful and a bit exhausting, and because of both of these aspects, I am posting an older poem today.  It’s about a similar visit, made with my mother to visit my grandmother.

Wondrous

We flew out there, then drove.
My mother, who despised gum chewers,
snapped hers loudly, pushing herself up
to the wheel as if it were the chin rest
at an eye exam.

Though my grandmother lived in Minnesota, the hospital
was in Iowa.  When the rental car crossed state lines—
another source of amazement—
my mother, who only drove set routes, had rented a car—
the road narrowed and curved and my mother
cursed all Republicans.

She took the thin gravelly shoulder as
a personal affront; the lip the tires
skidded against was even worse,
an insult to FDR.

At the hospital, my grandmother’s hair cast
about her face like a bridal veil blown back.
She was better already, she said, just
at the sight of us  (but we sure shouldn’t have come;
it was too darn hard).
Then pointed to a cup of jello,
which was as crimson, faceted, as a ruby,
and, at first, resisted my spoon.

Mama,” my mother said.