Archive for the ‘Uncategorized’ category

The Mag 130 – “An Evening at the Triton Club”

August 15, 2012
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Image by Francesca Woodman

Below are two short and rather silly poems posted for The Mag, a writing blog hosted by Tess Kincaid with a picture prompt each week.  I tend to do my own pictures, but found it very hard to do my own version of this image by Francesca Woodman, a young woman photographer who sadly took her life at a very young age.  I actually found it rather hard to write about this image at all – perhaps the reason for the comic direction.   (Do not feel obligated to read both – first very silly, second a revised sonnet.) 

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An Evening At The Triton Club

Okay, they were gits with swollen–um–noses–
but they’d paid top price for these very poses:
a girl with a shell in a brown paper wrapper,
a girl (without shell) still managing dapper–
Better than cake-jumping–(gooey as hell;
frosting and hair–euewww–didn’t mix well)
Besides this big conch could double as club,
perfect for either a grope or a (s)nub.
She’d sneak it home too when her shift was over
her taxi becoming the white cliffs of Dover,
her couch, the sea side, her bed the far shore,
as she kept by her head the caught oceans’ roar,
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Different Tastes in Mythical Creatures

Some go for vampires, caught by the idea
of themselves archly pursued, the notion
of life as the personal cup of tea
of the ruthless.  Others look to the ocean,
scanning fantastic waves for gleam of gleam,
twist of twist, the well-hipped curve of tail;
their magic’s found in the muscular seam
between breast and flipper, flesh and scale.
They crave submergence, the dive to the unknown,
an elegance clothed in its own wet skin–
Eve and the serpent combined–slicked hair let down,
finding their idyll in the dare, plunge, swim.
But some (aforementioned) fear to go headfirst–
we’ll just wait, dryly, to slake another’s thirst.

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What We Can’t Swallow (Bitter Pills/Politics)

August 14, 2012

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What We Can’t Swallow  (Bitter Pills/Politics)

When my father was old and ill,
he could not swallow pills
well.
Even the pieces I cut
to speck size, souped
with applesauce,
stuck.
After finger-digging
some neon morsel
from between the rawer
pink of gum and lip (the bit where humans
evolved from bivalves) for
the eighth time (he, scowling
at the bitter trail),
I’d get frustrated, almost
mad,
and might even have given up
or castigated,
but for the background play
of Big Bands,
his yarn-blue eyes, and perhaps most importantly,
some tuning of my inner ear to the
reverberation of unkindness, that bit
(evolved from prey) that
instinctively ducks the rebound,
boomerang and karmic ka-ching, a
sensor of pendulum swing that
kept me adjusting the volume of
both applesauce and Glenn Miller,
till the pill-specks all
got down.

It’s that same part of me, breathless and increasingly
dry-mouthed,
as I walk uphill today, my joints
all waving hello,
that wonders how it is that greed
cannot see
its self-interest;
how those politicians/people
urging the further squeeze of the sick,
the elderly, the working poor and poorer, in favor of
the more-er and more-er,
can be so cock-sure that they will not also
some day
have a bitter pill
to swallow, one that the past greasing of
palms may not
lubricate.

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I’m posting the above for dVerse Poets Pub Open Link Night.  Check out dVerse and also (from my main page) my books!  poetry, GOING ON SOMEWHERE, (by Karin Gustafson, illustrated by Diana Barco). 1 Mississippi -counting book for lovers of rivers, light and pachyderms, or Nose Dive, a very fun novel that is perfect for a pool or beachside escape.

Lawn of Thyme

August 12, 2012

20120812-115838.jpgLawn of Thyme

This lawn, now all thyme,
a purple land mine
of dark buzz, wing shine,
unintended.

This lawn where such time
(no clocks in our mind)
passed, read line by line,
pages tended

each morn, afternoon,
voice struggling to tune
characters assumed,
beneath tree’s shade.

We read while thyme grew
then quick tiptoed through
sweet savory bloom,
our bee-loud glade–

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This draft poem is a Cyhydedd Hir, a Welsh form based upon a 19 syllable line, with a certain interlocking rhyme pattern.  I am posting it for Kerry O’Connor’s challenge on the poetry site With Real Toads.  I am not sure I’ve got it at all, as I am using (i) slant rhymes and (ii) stealing from – ahem – paying homage to William Butler Yeats who is Irish not Welsh.  (But it’s all I can come up with late Sunday night!)

FYI – the picture above is a lawn in upstate New York, which is largely made up of wild thyme at this point, and also is a place where I was lucky enough to spend many hours reading aloud to my children when they were small.   I hope you are also lucky enough to have access to such magical places.

Have a great night.

Melancholy? (Maybe) (With Musical Accompaniment and Spoken Word) (Ha!)

August 11, 2012

(Detail from “1 Mississippi” by Karin Gustafson

Melancholy (Maybe?)

Come to me my melancholy baby.
          Come over here girl,
Cuddle up and don’t be blue,
          ‘N cut your frownin’.
All your fears are foolish fancies, maybe
          You listen to that gabbin’ roundin’?
You know, honey, I’m in love with you.
          Don’t you know I love you, gal?
Every cloud must have a silver lining
          Things’ just about to look up, Hon;
Just wait until the sun shines through.
          Just you wait and come some fun.
Smile, my honey dear, while I kiss away each tear
          So, give me a kiss, don’t you pout–
Or else I shall be melancholy too
          Or else you gonna bum me out. 

 

To hear the poem/song click this title:  Melancholy Maybe

If you want a good if sorrowful LAUGH, I  urge you to listen to the above recording of the above poem, half of which is sung by yours truly.  (Yes, I have a sore throat, poor equipment, and all the rest of the usual excuses, all in this case true!)

I am posting the above for dVerse Poets Pub Poetics challenge, hosted today by the wonderful (if sometimes grim) poet Stu MacPherson.  He asks us to instill our work with some combination of melancholy and beauty.  My poem (for those who don’t recognize it) borrows all of its non-italicized phrases from the lyrics to the beautiful song, My Melancholy Baby,  written by Marc Shaiman, Ernie Burnett, and George Norton.

Check out dVerse.  And my books! poetry, GOING ON SOMEWHERE,  (by Karin Gustafson, illustrated by Diana Barco).    1 Mississippi -counting book for lovers of rivers, light and pachyderms, or Nose Dive, a very fun novel that is perfect for a pool or beachside escape.

An Impression of Motion Sickness on MTA (Flash Friday 55)

August 10, 2012

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Motion Sick On Train  (Well, Just A Little)

Fake wood encircles
stomach side of cloud=
spattered glass,
stall-start express; outside
sun gleam-shines
river’s shell,
mountains swell
from continental
mist and drift==
slow…halllttttt..(no station stop)…go–
“Watch the Gap” warns yellow-black
stick-fellow, inked leg
incautious==but on train still forever
try not to.

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I’m posting the above for dVerse Poets Pub “meeting the bar” prompt hosted by the wonderful Claudia Schoenfeld, about impressionistic writing (and, in this case, my impressionistic stomach).  (Since first posting I’ve edited heavily as I have trouble with my stove this morning and still haven’t had morning tea, so nothing’s right.)

I’m also letting the G-Man know since the poem is exactly 55 words.  (Yes, I cheated.)

The train I sometimes take travels along the banks of the beautiful Hudson River. 

“The Spoils Will Crawl With Us”

August 9, 2012

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The Spoils Will Crawl With Us

When the world bangs shut
mostly,
we
will not whimper, we
will lurk, as accustomed,
in the close crevices of
smolder and freeze, sowing our little
black eggs, seeds that root equally
in the rot and burn of
abundance, need, scrapers-by in the crud
of whatever, until, all together, we blink
our beetle-black eyes and creep free,
finally, our carapaces a shine of silent
smug, without worry of pacing
sole, heel-hammer, stink-nozzled
spray, our antennae un-
cocked crowns reigning feelingly over crisped
crusts, the blue plastic portals
of fosslized fridge doors sky enough
for survivors (no
kitchen lights to scrabble away from
now), the only counters, us, who will tally
and chew, as randomly systematic
as any overlord, all those
crumbs, smears, stains,
our six legs raised
to the power of else.

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Posting this draft poem (apologies to those who feel a little sick) for Real Toads prompt about some good feeling that may arise at the end of the world, an “Out of Standard” challenge hosted by Isadore Gruye. Check out Real Toads, and check out my books!  From main page!

Roofers in Downtown NYC

August 8, 2012

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From Indigo, Aqua.

August 7, 2012

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I’m taking a chance today, posting an excerpt from an old (and, at this point, very page-scattered) manuscript of a novel called INDIGO, about a couple traveling in India.  I thought of this after taking the above photo–yes, I know it’s  not aqua – because the manuscript includes several short segments that bounce around shades of  blue.  A few caveats – the manuscript is entirely fictional – in fact the voice below is even supposed to be a man’s; secondly – warning–there is some “adult” content.  

I am linking this to the wonderful dVerse Poets Pub Open Link night.  Thanks so much for you indulgence; sorry sorry sorry for the length.   

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From Indigo -“Aqua”

Aqua–the color of water at my childhood pool, chlorine a somehow trap for sparkle.

As a boy, that blue crystallized all that summer should be, though now I think it was the lamps I loved the most–the pool open till 9–those underwater headlights set into asphalt walls.

In the sunset nights of early summer, their glimmer barely showed, but as the long days waned (though summer itself grew hotter and we stayed late), the lights turned brilliant, each disk radiating the white-embered halo of a magic cave or chest, or, as I liked best to imagine, a sunken porthole, which I, a creature of the true sea (some great mermoth), both battled and defended.

In India, this aqua–a kind of turquoise, truly–can be found in the North, set into Himlayan silver–though, to me, it will always be more of a Native American blue, house paint in New Mexican desert.

I keep wondering what would have happened if I’d gone South instead of East; if I’d taken to shooting those geologically raw mountains of Guatemala or Peru; that macho of green. 

But I came instead to these worn plains, crowded steps, thronged cities; came and came again.

Men hold hands in Delhi, Bombay, of course, here too in Varanasi, arms on necks, a caressing slide around the shoulders.

I’d like to think of aqua as the color of Helen’s throat, too light for Shiva’s. He inhales all the poison in the world, refuses to swallow, turns blue with not breathing.  It makes sense that his blue, so troubled, is darker than aquamarine.

Though she’s not breathing now either. I can feel the caught swell in her throat, the pulse and not-pulse. .

She won’t acknowledge it, of course. Neither of us wants to talk of any of this just yet, still thinking there’s a chance it will go away if we can just avoid mentioning it.

But the unmentionable nags, my mind picturing Tim’s hands between my legs, coupling my balls, a tremor of blue deeper than aquamarine, dyes that swirl in water.  When we meet him in the street, I ache even for the dark bristle of hair on the backs of his hands.

She wants me to just say no, as my entire chest tries to promise, while some other part of me–some careening crazy piece–silently begs him  to refuse any no that I might muster, begs him to make happen what I cannot begin, to turn my life into the dazzle of light on water, floating, irrefutable.

How clear that pool grew as night fell; how I wrapped my arms about the reverse shadows of those lights; how I lingered over them, submerged until I gasped, away from the humid darkness, guarding, loving,ide—I can’t explain it–she doesn’t want me to explain it.  While he already understands.

I feel like I am both dying and being born at once, that despair, that exhilaration, fear.

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This Way Please

August 6, 2012

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“Not Rightly Re(a)d” (After John Singer Sargent)

August 5, 2012

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Not Rightly Re(a)d
(Bouncing off of crimson walls painted by John Singer Sargent, 1884)

Her remark was admittedly
oblique, but, she thought, daringly
witty: that her dream was ‘to wake up
each day to something black
and white
and re(a)d all over.’

She had even winked.  (Amazing.)

But a woman’s wish to be
au courant, smudged with the
badge of newsprint, inked (as it
were), was not
considered, and so, and
thus, and accordingly–
her walls
were papered instead
with the soft crimson
of the boudoir, the scarlet
that lined
her laquered jewelbox–an embered
burn that her cheeks
reflected over each morning’s coffee,
while she pondered, silently,
how little re(a)d was
her very own heart.

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Yes, the draft poem above is very anachronistic!  I don’t think that particular riddle was known in the 19th century.  However, I’m still thinking about the past from yesterday’s post about the French Olympics 1900!

This one is posted for The Mag, a writing blog hosted by Tess Kincaid, in which Tess puts up a pictorial prompt each week.  The prompt, a painting by John Singer Sargent, was painted in 1884, two years after England passed the Married Woman’s Act of 1882, giving married women legal rights in their own property and earnings.  (Such property had previously gone to their husbands.)  (The initial married women’s property law in England was passed in 1870, but was a much weaker more limited act.)  In the U.S., these laws were passed on a state by state basis beginning in the mid-19th century.