Archive for the ‘poetry’ category

“Swoop” (Chagall Clown)

May 23, 2012

The Circus With the Yellow Clown, 1967, Marc Chagall

Swoop

Some have the trick of swoop; they loop-de-loop
into love; even their arc of catching/being caught trapezes, their leaping
release of grip an elegant show, their hold never easing
over their own sweet selves.

Others fall hard–like clowns–flat
on their prat, splat–
no matter their particular grace, they ace
bumble; fumbling humbly with their offer
of all they are.  (All–
when less might be
more.)

Their swoop occurs in
eyelash–the blink, the wish, the
vow–the wobble
of heartbeat.

And when they leap–the clownish–
their untethered arc ends in an
ignominious tub–too much splash
for tears, too little
to be blue.

(He loved her–it was as simple
and hopeless as that.)

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The above is my offering for The Mag – a blog hosted by Tess Kincaid.  Tess puts up an image each week as a writing prompt.   Check it out.

And while you are checking things, take a look at my books!   Children’s counting book 1 Mississippi -for lovers of rivers, light and pachyderms.  Or, if you in the mood for something older, check out Going on Somewhere, poetry, and Nose Dive, escapist fluff.

“The Hunger Artist” – Unread Kafka Her Mentor

May 22, 2012

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The Hunger Artist

I.

She putties potatoes/eggs/whatever
around her plate, constructing a trompe l’oeil
of savor, tinting flavor
with a spectrum of petite packages – fake sugars  (pastels),
cheap mustard (sallow yellow), ketchup (cadmium)–a palette
that abstracts a meal from anything, or
nothing, frames nibble.

So, she molds herself, flattening
with fingers a fluted
throat, bas-relief of belly, stilled life portrait
that refuses to be titled help me.

II.

She has not read Kafka, but re-enacts
the self-expression of
repression, metier of life/death, her wont: I won’t/I won’t/I won’t.

Or too like the earlier Brunelleschi, working out
perspective by numbers, the intersection of
calories, weight,
narrowing to
a single
vanishing point.

Lettuce pray.

III.

You can self-sculpt flesh
but carved bone is weakened (even when
buttressed by concrete will.)  A
mighty fortress is
my will
, hums
the hunger artist from
the ramparts
of rib cathedral.
Help me, murmurs the animal
base of brain, only, since it holds no
language center, the words transubstantiate to
I won’t.

IV.

The patina depicts
a picky picky
no no no, while within the
figurine –  so much easier to manage a life
that can be pocketed–hallowed emptiness
aches to please.

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The above is my draft offering for dVerse Poets Pub Open Link Night and also for Imperfect Prose.   I urge all interested in reading and writing to check out these sites.  

Crib notes – Franz Kafka wrote a great story called “The Hunger Artist” about an artist who specialized in fasting; Brunelleschi was the Renaissance architect/sculptor/mathematician who was one of the principal developers of linear perspective.

“At Sea” – “Verb-al” Poem Of Sorts – with Brother/Sister/Elephant!

May 19, 2012

Sailor Elephant?

At Sea

Brother

The boy hauled the roses like burlap sacking–
at a distance–navigating prickle
through kitchen door which he kicked
to the side for noise value,
hating his mother.  What he wanted was to man
the wood, where he could
lurk and spy and brick up
hideouts with clods of dirt and brush and never lean
to any whim or wish except
of sky and guttering stream
to whose blue wills he’d willingly tack
his whole young life.

Sister

The girl rigged her skirt to
the base of her hips,
tacking the elastic waist
to her pelvis, a convenient gutter
for fabric that would run its own course.
Bottling lips into an appraising O,
she weighed her chances, spying
navel in that belly as smooth
as the long sought shore, distant
yet within reach.

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The above is a paired poem written as part of an exercise on verbs!  In this case, I used verbs associated with the life of a sailor/pirate, i.e. tack, navigate, haul, rig, weigh, spy. (Sorry if it seems a bit sexist!  I  have no particular problem with girls getting mad at having to cart roses around and boys adjusting their clothes.)

At any rate, I am posting this for the dVerse Poets Pub Poetics Prompt – “Tools of the Trade” – which I am also hosting today.  Check it out!

And, while you are at it, check out my books!  Children’s counting book 1 Mississippi -for lovers of rivers, light and pachyderms.  Or, if you in the mood for something older, check out Going on Somewhere, poetry, and Nose Dive, escapist fluff.

“So Help Me Listening” – Sprung Rhythm? Sonnet?

May 17, 2012

So Help Me Listening

No no (dear god dear god dear god) I’m not mad at you.
Seriously, I AM (so help me) listening.
It’s just that I’ve got (Christ almighty) a tad to do,
and family genealogy (all who was and had) isn’t somehow glistening
at the top (or even slop) of my list of priorities.
But I know (no no no no) that you’re different;
wounded by small-town cruelties,
teacher slaps, kid snubs, a scrubbiness that rent
a childish heart in two (one two); scars’ scurvies
repustulating ache, like the cut in your hip (that too)
as even the straight mind topsy-turvies
here and there and there and there and you
have, I admit it, told me before
once or (but it’s sore, and yes I will try) more.
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I am posting the above for dVerse Poets Pub “Form For All” prompt hosted by Gay Reiser Cannon on “sprung rhythm,” a form of meter used primarily by Gerard Manley Hopkins.  I also tried to make it a sonnet – at least 14 lines – since that’s another Hopkins trick.

“Side”

May 15, 2012

Side (drawing by Diana Barco)

Side

All day I’ve seen your side
in my mind, the smooth slopes
of rib, hip, limb, like
the banks of a river.
All day I’ve strained
towards these banks
with an overflow of self,
that wash of discontent,
too quick, too fretful, to find anything
but what’s next and next and next.
All day I’ve longed to stretch out by some cove
in your warm torso–
you’re so sound in sleep–
to slide between joint, bone, flesh,
to subside.

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Here’s a poem just for today, which is a bit of a tired day.  It’s not the one I’m posting for dVerse Open Link Night – I opted for funny for the Open Link – Gauguin’s Stomach Grumbles, as I think people can always use a laugh.

The above, Side, has been slightly revised from my book of poems Going on Somewhere.  The book/poem by Karin Gustafson (me), the drawing is by Diana Barco; Diana also illustrated the book.

Gauguin’s Stomach Grumbles (Oy! Poi!)

May 14, 2012

“The Meal,” 1891, by Paul Gauguin

Gauguin’s Stomach Grumbles – Pourquoi Poi?

Mes petits choux, don’t get me wrong–
I absolument do not long
for France or that old life of mine–
where so terrible was the grind–

Vraiment, I love the sun and shade
of this Tahitian island glade
but my old tum, not Polynesian,
simply won’t become amnesian
and insists on crying, ‘Oy evay,
non non non non more poi today.’

My tum’s the problem–it’s not me
it’s having a hard time ici;
it simply won’t accoutumée
to guava without creme brûlée.

I see coquille–it thinks St Jacques
(it doesn’t much like taro snacks).
So please mes enfants m’excusez,
when I say I’ll pass on poi today.

Perhaps un jour, I’ll change my mind;
my tum will hush its spoiled whine.
But til I reach that day so calm–
just pour me more of vin du Palme
And, s’il vous plait, go ahead, enjoy
that whole darn plat of lovely poi.

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The above is my offiering for The Mag 117, where Tess Kincaid posts a pictoral prompt. I am also posting it for dVerse Poets Open Link Night. 

This week, Tess’s prompt, is the lovely painting by Paul Gauguin, who left his home in Europe, France and Denmark, for French Polynesia. There’s a bit of poetic license here – poi is the Hawaian name for a paste made from Taro. I believe they have the same stuff in Polynesia, but don’t know what they call it.

All the words above in italics are in French except “oy evay!” The point of this note is that “terrible” should be read ‘teRRIbla,’ more or less.

If you are in the mood for more silliness, check out my novel, Nose Dive, escapist fun that costs a whole lot less than a trip to Tahiti. If you are in the mood for something artistic, check out 1 Mississippi (children’s counting book with elephants, illustrated by yours truly).

“Know This” Poem for Mother’s Day For A Mother Taken Too Soon

May 13, 2012

Not a Mother, a Buddha, but Looks Motherly to Me

The Last Thing –  Mother To Child

For Rhona Saffer

Know that,
when I must go,
I will love you
just the same.

When I must go,
I know it will not feel
just the same.
There will be cool air—

I know it will not feel
like my lips—
but there will be cool air
caressing your face

like my lips,
while your smile only,
caressing your face
(oh reflection of mine),

will be your smile only.
I never wanted to cause you pain,
oh reflection of mine.
That was the last thing

I ever wanted to cause you—pain.
No, I would love you—
that was the last thing.
Just the same,

know, I would love you,
will love you,
just the same.
Know that.

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The above is a poem (posted before) for Mother’s Day, written for a dear friend of mine, who was a consummate mother.  The poem was written for her when, in the terminal stages of breast cancer, she told me that one of the most painful parts of her impending death was her concern for the suffering it would cause her wonderful children. I was able to read the poem to her before her death. 

The picture is of a Japanese Buddha not mother! at the Yale Art Museum.  Although buddhas are generally male, this one has a very maternal feel, I think.  I am also linking this post to Imaginary Gardens with Real Toads, a site for poetry and support for poets, focusing today on motherhood.   

Perfection (In a Nutshell) (Thinking of Maurice Sendak)

May 12, 2012

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Perfection (In a Nutshell)  (Thinking of Maurice Sendak)

There once was a little girl who had a grandmother who believed in perfection.

There were good things about having a grandmother who believed in perfection.  One was a small diamond birthday tiara–it must have been diamond, it shined so bright–with little comb teeth that the grandmother anchored into the girl’s hair just before that magical moment when she brought out the equally glowing cake she had made, its candles flaming as high as the diamond peaks–

And once the grandmother made a clover crown for the little girl when they sat out in the backyard, which was itself magical, for this was not a grandmother who sat in grass much, and this was not your ordinary clover crown–a row of single flowers knotted from spindly stem to blossom–but was woven out of thick bands of flowers, somehow interlocked–

But this grandmother, who knew so very much about crowns, also wanted things neat and straight and right now and once she went into the little girl’s room, and there was one toy on the floor, she told her that it looked like a hurricane had passed through.

And you could never hang wet laundry out on the Grandmother’s line on anything but a Monday.

And beware of cracker crumbs.

And the little girl had to smile nicely and always in clean clothes, knees as closed as a mouth was supposed to be when eating.

Then one day the grandmother gave the girl a little box of littler books; and each book opened to its own separate story about a boy who looked as if he should be named Max, but was sometimes called Johnny or Pierre.  The boy had a slightly devilish but also sometimes worried or sad or bored or haughty or gleeful face–and drank soup while ice-skating and involved himself with alligators and had a knowing white-haired dog, but, most importantly of all, frowned.

And, while frowning, he repeatedly told his parents – who looked concerned (but rather helpless)–that he didn’t care.  Not that he was pouring syrup on his hair, or sitting backward in his chair, or was here or there, or….anything.

Not only did the boy tell his parents he didn’t care – he also told a lion.  Who then ate him briefly.

This was all very interesting to the girl.

And, when her grandmother laughed at the drawn frowning boy–laughed so hard that she slipped slightly in her own chair—it became even more interesting to the girl.  Who noticed that somewhere on these pages was a little gold crown.

That looked
as if it had been made
of paper.

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I wrote the above prose poem for a dVerse Poets Pub Poetics prompt hosted by Brian Miller and Aaron Kent on the topic of the incomparable Maurice Sendak.
If you are interested in children’s books, I urge you to check out my modest (but fun) offerings: a picture book called 1 Mississippi (children’s counting book with elephants, illustrated by yours truly) and Nose Dive, a really fun young adult novel with absolutely terrific and somewhat Sendakian illustrations by Jonathan Segal.

“Rain, Snow, iPhone” (Villanelle Against the Machine!)

May 10, 2012

Rain Melting Snow

Rain, Snow, iPhone

It rains today. What was a scrim of white
unspools to fraying sequins, silver thread,
as browning fields bring softness to the eye,

and rumpled folds of brush and weed deny
the brambles that should later stalk my tread.
It rains today. What is a scrim of white–

the screen that fixates, all two inches wide–
like a stalker, strictly ties me to my bed–
though browning fields bring softness to my eye

as they sneak in from windowed world outside,
trying to prise digitalia from fogged head–
It rains today; what was a scrim of white

white snow (white noise within), lies
now as clear as any water over mud,
while browning fields bring softness to my eye,

since battery dying (at last). I sigh,
rebooting my own spark, my drive, and shred
the reins for today–that scrim of white–
as brown-out brings felt softness to my eye.

 

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Here’s another revised villanelle posted for dVerse Poets Pub Meeting the Bar challenge, hosted by Charles Miller alias Chazinator, to write about “technology.”

Check out my books,  all!  1 Mississippi (children’s counting book with elephants), Going on Somewhere, poetry, and Nose Dive, escapist fun.

“The Nap” (Villanelle With Non-fitting Elephants)

May 10, 2012

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The Nap (Post Fight, Post Reconcilation) 

Side by side, we slid to a dry, still, place.
It was not a woeful drought of age or dust,
the softer dryness of a tear-trailed face.

We never used to find this quiet space.
Any closeness quickly clambered into lust.
But side by side, we slid to a dry, still, place

where hands touched in a sweat-free interlace,
fatigue overwhelming pheromone fuss
with the softer dryness of a tear-trailed face.

Some other time we’d find that moist embrace
where pleasure mounts to such synaptic bust
I find myself side-sliding to a place

as blank as emptied well, as capsized chase.
(My brain reacts so badly to heart’s trust,
the softer dryness of a tear-trailed face.)

But today, we two, exhausted by the pace
of time and life and words like ‘should’ and ‘must’,
side by side, slid to a dry, still, place,
the softer dryness of a tear-trailed face.

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First off, want to say how gladdened and moved I am by Obama’s statements re gay marriage.  (Hurray! And Finally! But mainly just plain Hurray!)

Secondly, I am posting the above villanelle for Imaginary Garden With Real Toads.  (If you like villanelles, do check out that category on this blog.  I’ve done a lot – I’m not sure this is such a good one, but  it hasn’t been circulated very much.)   (And no, the elephants sitting up in bed do not really fit with either the poem or gay marriage!  I just liked the picture.) (And no, they are not Republican elephants.)

Finally, thanks as always for your patience and ongoing support.  It is much appreciated on this end.