Archive for the ‘poetry’ category

Insomnia- – Friday Flash 55

December 13, 2013

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Insomnia

I remember
nights slept–
I mean, I don’t
remember them,
memory rolled shut
like the lid to a
business, closed-
for-the-day, the only trade
on its corrugated gray waves
that neon graffiti
tagged REM.

Oh, for those hours that abandoned me
in their not-wake,
oh for that now not-here,
oh, for that dark night’s alley.

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Here are 55 insomnia-honed words for the G-Man Mr. Knowitall. Ugh. (That’s to myself only, not the wonderful G-Man.) I have cheated a bit through the hyphenations. (For those 55 sticklers who do not believe in hyphenated words being a single word, cut out the last line!)

Through the Crinkly Boots

December 7, 2013

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When I put on my boots this morning, they felt really cold and crinkly.

I remembered that the last time I wore them I tried to hike over a stream.

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I think the correct word is “ford.”

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But I only had my own two feet, which have a lot less traction than most tires.  Especially modern ones .

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I kind of wished I’d put on my special thick socks, with the super cool stripes, but, hey, the boots were laced up already.

And after I wore them around the house a while either they relaxed or my feet grew crinkly.  Either way, they felt more or less in sync.

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Then I went outside.

Have you ever felt your toes get cold?  Have you ever NOT felt your toes get cold?

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As I trudged around, I thought about my special thick socks sitting so cozily in my drawer, their cool stripes useless in its darkness.

20131207-200033.jpgBut I kept trudging.

No-toes and all

Tree trunks striping the snow,

but my feet in frozen solids.

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I am linking the above to the dVerse Poets Pub prompt by the wonderful Claudia Schoenfeld to write something about Through the Looking Glass/ Alice in Wonderland and/or Advent.  I’m not sure this fits but it is what I have done!

(All rights in the pictures, such as they are, as well as the text are mine, and cannot be reproduced without permission.  Thanks! )

Happy Saturday and do check out the other wonderful poets at dVerse.

Blue (in 55)

December 7, 2013

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Blue

Blue, I think in cobalt.

Cerulean smiles. Prussian, well, takes charge.

But cobalt colors waves’ sink, glass pretending darkness
will save it from break, the near-night sky,

I do not know
how the footfalls of approaching night
are found in rock salt, sindered.
Only that, when sky fixes
in the buried, oceans are
unearthed.

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Cobalt is a wonderful deep blue made of salts of alumina, sindered, meaning heated very hot. It is used in making pigments, but also for a deep blue glass, and the blues in Chinese porcelain. Cerulean and Prussian are other blues–55 packed into one for the G-man--also for Sam Peralta of dVerse Poets Pub.

Early Morning Poem for Pearl

November 29, 2013

iPhone drawing based on old Pearl–meaning young Pearl–new pictures of her (18) don’t really do her justice

Early Morning Poem For Pearl

Sun winks gold pink
at the freeze’s peaked rim, every edge below
a ledge for white, all
snow-furred.
I hold the old dog, whitish,
also hinting pink.  She trembles
even back in the house; heart sinks
in the holding.
In this stilled valley,
all that moves–the trembling dog,
the pinking light, my heart.

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55 words for Pearl (and also for the G-Man).  She is nearly 18 1/2 and really getting decrepit.  It is sad in ways that a person who’s not owned a dog may find difficult to fathom.  

I post a picture of Pearl below though she looks terribly bedraggled.  It is torturous to her to mess around too much with her grooming at this stage in her life. 

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Ode To Black And White Film (Photographic)

November 28, 2013

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Ode To Black And White Film (Photographic)

I.

You turn spider veins
below the one-piece to
inroads into
the intimate,
make pimples spots
almost capable of coupling
with the word “beauty;”

wrinkles, under your auspices, shape
a face
like the tentative tries of
the sketch artist,
while the cross-hatch of liver stains
grants depth.

All skin,
no matter the shade,
turns as velvet in your grip
as Colbert’s (Claudette):
all grins claim Clark Gable
as their close kin.

II.

Old names fit
because we enter
another age
between your frames–
time turns back
to a when we mourn
for its lost grandeur,
at least simplicity.

Then one pictures
the harsh-bright hunch of shoulders/breasts/bellies
lined up beside the charcoal-wooled SS;
the black and white stripes of
limbed kindling–

Sheriffs’ belts in the South, the highlit teeth
of snarl, blinding shirts over backs
beaten–

III.

Maybe what we miss is a time when man,
for all his good and cruelty,
operated the machine, the machine
that now runs us–

Maybe what we imagine in your
stilled life
is the machine turned off,
maybe what we hear
in your dark/light are whole minutes
as buzz-free as forests covering with snow,
lost streets pooling in lamplight–

IV.

But even before the machine,
there was a kaching-ching-ching
beneath most human doings,
gold that worked
its own gradations,
sometimes even
posed for its picture.

In its portraits, the ermine borders have spots
frequently, and the strands of fur can almost
be counted.

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Forgive me for the length of this very very drafty all-over-the-place poem, written for Kerry O’Connor’s prompt on With Real Toads to write poetry in black and white.  The idea, explained  beautifully by Kerry, was to write something using various types of contrast, and not necessarily about black and white photography.  My literal brain had a hard time with it, though it really is an excellent prompt.  Check it out! 

The above photograph is not black and white, but it has a very monochromatic feel (and in the distance are forests covering with snow.) 

Aftershock (November ‘63 – Kennedy’s Funeral, Washington, D.C.; Ruby Shoots Oswald, Dallas)

November 24, 2013

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Aftershock
(November ‘63 – Kennedy’s Funeral, Washington, D.C.; Ruby Shoots Oswald, Dallas)

The black horse resisting its prance,
the turned-back boots, the sense of legs
invisible, and those thin red stripes
at the sides of the uniform
not there,
though there were uniforms
between the sheen
of metal, tears,
pale sun;
legs too, dark grey
as those trees they have in Washington
whose leaves always look turned
the wrong way out.

The stripes now gold
in memory, and maybe were some blur
of caisson; wheels so black
they blanched the avenue,
slow as the word ‘inexorable’.

A terrible hush of waiting,
even after the black bulk passed, for what would happen next,
save us,
my face stuck with the coats,
everything wool but my mother’s hand, and she,
not able to look down–

On the way home–and this did not compare, but still
was special–
we stopped at McDonald’s,
and it really did have arches you could park beside
like the screen of a drive-in movie; and the day
seemed almost to open, a sign touting all the burgers ever sold,
which then read 4
(millions or billions–I never was quite sure)–
till my Dad turned on the radio
over our grease-spotted wrappers–

The voice was back
in Dallas, and my mother repeated after it Jack Ruby? as shocked
as if Ruby were someone she actually knew, as if it were some acquaintance
who’d done something
so unheard of
(though of course she did not know Ruby,
though it was only America she thought she knew)
and every single line on her face darkened
like nightfall or a drawing of dulled lead–

The way she acted,
Oswald’s death seemed almost as important as Kennedy’s, as Kennedy himself
being shot, which I couldn’t understand–
but she stood up from the car, hand on her curled-hair head,
then sunk to her seat again, leaning away from the upholstery
the scaled blue-green of a 60s mermaid, leaning
into the parking lot–

Oh my God, she said–what is–and I kept thinking of that dark horse
whose flanks shone like lightning as it pulled back–happening–
and of the spider quiver of muscle
inside those flanks–
to this country?

And not a one of us–my big brother, me,
my Dad–said anything for a while.

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My apologies to all who are saturated with remembrances of the events surrounding John F. Kennedy’s assassination.  I do not have a TV!  (Too many reasons to explain.)  So I’m a bit out of the loop with all the coverage.

I grew up in DC and attended both Kennedy’s inauguration and funeral. I was a very young child and do not remember much, but since I’ve been thinking about it, I thought I’d jot down some of what I came up with it.

I am linking this to the open link nights of both dVerse Poets Pub and With Real Toads. I feel a bit behind with the season but have been working a great deal so have had little free time.  Take care, and thanks all for your kind visits and wonderful inspiration. 

November 22, 1963 (if Alive then and Over Five, You Remember)

November 22, 2013

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November 22, 1963 (if Alive then and Over Five, You Remember)

Ushered from pine
desks to blacktop,
the big girls–third-graders–
roamed red-eyed arm-in-arm,
while we, who always spent recess as horses,
studied holding our bowed heads stiff
so that even our hair (the reins)
would not seem to play at anything
but the insurmountable grief
we were only just
learning about.

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Fifty years. Fifty-five words without the title. I know it’s late in the day but tell it to the G-Man.

I am also linking this to Victoria C. Slotto’s Poetics prompt on calendars over at dVerse Poets Pub.  (Not sure this quite fits the prompt, but it is a day on the calendar that pops up for me.)

(All rights reserved to poem and photograph.).

Ode To My Sore Eyes

November 22, 2013

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Ode To My Sore Eyes

If I could keep you
comfortable
in my palms
like St. Lucy
on a platter,
I’d wear gloves of water
that would cup you
in blue
as renewing as
morning’s true sky.

If I could keep you
cozy
in the moist squint
of my breasts,
I would slip you beneath
their lids
where you would sleep
till some long rest
had refreshed you
like the sight
of night’s lover.

Oh eyes,
there seems no soothing
your sharp burn.
Lke a hawk that plies
a talon ’round you,
it tries to prise you,
fly you where, mid-air, it would mock, perhaps,
our insufficiency,
or simply let you see for once
the big picture,
while me, I cling to you harder
than a child, than a mother,
holding you faster even
than that which keeps the “I” inside
the head,
no matter the pain of it.

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Here’s a draft ode to my chronically sore eyes inspired by Pablo Neruda’s many odes, and written for dVerse Poets Pub form for all hosted by Tony Maude. Check out Tony’s wonderful post and the great poems linked up.

The painting above is of St. Lucy, by Domenico Beccafumi, painted in 1521. No copyright infringement intended.

Moonrise

November 17, 2013

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Moonrise

I can make the moon rise
Again and again
Just by walking
This darkening hill
But you do not come home
No matter how I climb

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Japanese forms are (no pun intended) very foreign to me but a wonderful series of articles at With Real Toads has emboldened me to post the (maybe) tanka above. Photo taken iPhone, which just goes to show that (to my mind) the best camera is the one you’ve got in your hand. I may post a series of the passing cars as it is very hard for me to pick a favorite of the different pix. Check out the great articles and tanka at with real toads.

Ps– I did not try for syllabic count so do not know if these can count as tanka.

As Long As (Watch out for the Ping Soda)

November 16, 2013

The Matrix On Cheetos

As Long As

As long as there’s bottomless Ping we can drink
and a computerized thingy implanted to sync
with what’s left of our brain and also the right
and Cheetos hardwired all day and all night
so that crunch we can go and snap we can pop
with never and never and never a stop,
then we will feel nearly, gee, almost at home
no matter how close or how far we do roam,
no matter if Saturn’s just outside our glass
or Uranus is left far behind on its ass–
Oh we will be happy as happy can be
in our saucer uncupped by all gravity
in a pod that’s so cute, so very cozy
where there floats just me and just me and just me.

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Here’s a sort of draft ditty for Bjorn Rudberg’s wonderful prompt  on dVerse Poets Pub to write a sci fi poem.  I don’t know if this qualifies–I do confess to liking the drawing. (An older one by yours truly.  As always all rights reserved.)