Archive for April 2012

Duty/Free

April 21, 2012

Duty/Free

Waiting for my flight/JFK.  Only wandered in because I had time. The Swiss shampoo on special did too–thyme, rosemary, a dirndl of herbs and alpine flowers pristinely depicted in a sleek green bottle way too costly even on sale, even duty-free.

Still, a whiff of Switzerland might be handy, I thought, already pretty sure that India (where I was headed to do research) would not be a bushel of Edelweiss.

To be fair, not all smells were stench–a deeply stabilizing pungency emanated from burning cow patties; the waft of sweet milky tea always uplifted; the rose chutney (that I, at first, confused with betel nut) smelled like love in spring; but there were also quantities of mustard oil (that, when rancid, stinks like sardines), bunched sweat, and, on far too many walls and footpaths, the soak of urine.

I love India, but it is hard without regard to its scents, and, after a while, I became so exhausted by the chaotic jam of bodies and needs, by the frustration of trying to do my work that a few dabs of Swiss shampoo below the old schnoz would no longer make me feel as if order and efficient freshness were actual possibilities in the world.  So (research going nowhere anyway), I escaped to the beach, Goa, the place where the 1960’s took refuge, a tie-dyed coast filled with backpacking Westerners.

All seemed like paradise until I realized that the powder a lot of the Westerners were non-stop rolling into their bidis was actually smack.

And that my relaxing beachside ashram, run by missionaries, housed only a few, like me, who could pay, but was mainly home to those who’d somehow gotten lost along their journeys–

Her name was Shanti–”which means peace,” she smiled–and, when I asked where she was from (I could tell U.S.), said, “the world.”

Shanti, a girl with kaleidoscope eyes, and sunburnt skin, long hair with swathes both stressed and coconut-oiled, body corded as a rope, showed me the showers–rough cubicles made of burlap and green vine–stamped her bare foot repeatedly because, she said, rats sometimes went for the nearby compost, cried “heeyah” to scare them off.

Shuddering, I stepped in, and slowly began pouring water over salty shoulders, trying to unwind as I heard her sing softly just outside, till she smelled my Swiss shampoo, and peeling off skirt and halter, stepped in beside me, kaleidoscope eyes spiraling wider, “what is that smell?”

I squeezed some into her palm and then another palm, and again, as kaleidoscopes closed in the bliss of dancing veda, she lathered repeatedly, even after the water bucket had run out; the moist tropical air, the scents of cumin and rot and mud too beneath our feet, overwhelmed with Alpine flora.

And I, who still had traveler’s checks in my backpack still had, in fact, a backpack and visa and passport and plane ticket, and a home to have plane ticket to, made myself say ‘ here, do you want to keep the whole bottle?”

What else was there to say?

Though I don’t think the words came from generosity exactly, or even a sense of duty to my fellow countrywoman, but from this sudden burning envy for that streaming sudsy bliss, the shine of satisfaction in Shanti’s shut eyes, a courageous trust in the random–this moment, and too, the next–the gift of my Swiss shampoo just a way to barter for a piece of that.

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I’m not sure the above can really be called a poem, but I wrote it for dVerse Poets Pub Poetics challenge “Duty Calls,” which I am hosting today.  I urge you all to check out dVerse and the wonderful poets posting there, and try the challenge yourself!

Also, if you have time and inclination, check out my books!  Very fun novel, NOSE DIVE,  book of poetry, GOING ON SOMEWHERE, or children’s counting book 1 MISSISSIPPI. )

Grief One Has No Claim To – Renewed Sadness over Etan Patz

April 20, 2012

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A Grief

There is grief we have no claim to,
yet it claims us.  It is the reverse
of the view of a landscape owned by another,
a place we drive
or walk by, taking in with sigh the checkerboard
of fields, the cirrus sunsets.

But grief–this grief–is nothing at all
like that.  It’s the reverse, I said–
the metaphors of the bystander just
don’t come–the knife
to a nearby heart, the reverberation
of sob, the dank well
of loss that one has not, in fact,
been forced down to.

A child gone missing==it’s
a blade I have not felt, thank God–but even
the mere thought slices from forehead down–physically hurts–even as I
know that it’s a grief I have no claim to–thank God thank God thank God–
it claims me, physically hurts, even as I know my hurt
is nothing, nothing.

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Have been thinking about Etan Patz and his parents since yesterday’s reports of the fresh search below a basement floor in Soho.  Etan’s disappearance  was an event that saddened  and frightened all New Yorkers (and probably all parents) for many years.  Still, I was shocked at how painful it’s been to read about it all again.  I send my deepest sympathies to Etan’s parents.

“Music Lovers” – Framed Couplets

April 19, 2012

Music Lovers

Fingers at her side begin their tap;
linger at upper thighs then start to map,
by octaves, the flesh of hip, waist,  breast,
sidestepped scale that breaks for a short rest.
Three beats perhaps.  His touch in 3/4 time,
she feels a waltz unwind upon her spine.
Shivers–laughs, then turns to face the man
living the music carried in his hand.
He nods, he smiles, eyes half-closed in song;
she kisses, then plays silently along,
portrays an oddly labile harpsichord,
that sways against his fellow sounding board.
Laughing both now–they feel so full of schmaltz,
tapping out their own skin-skaters’ waltz.

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The above poem, my 19th in these first 19 days of National Poetry Month (!), is posted for dVerse Poets Pub “Form For All” challenge hosted by Gay Reiser Cannon.  This week’s challenge is to write a poem in “framed couplets”, a form developed by Gay’s friend, Hector Gutierrez.  The form has rhymes at the beginning and end of each line–I have not completely kept to it–but close.  

Yes, the poem is a bit silly.  If you like silliness, then check out my comic novel Nose Dive, a foray into phone sex and self-improvement.  (Disclaimer–not very much phone sex, but a great deal of self-improvement.)  

“Damage – All Kinds (L.A. Times Photos)

April 18, 2012

  

Damage  – All Kinds (On Reading About L.A. Times Photos of GIs Posed with Body Parts)

I started to write this morning about good guys–that if you want to be the good guy, you have to be the good guy. (Which in my garbled piece meant  not being the puerile guy or the vicious guy or the depraved guy.  Also that even if you have, at times, to make corpses–and a part of me hated to give even that concession–you could not play with the corpses.)

As I wrote, I pictured the faces of soldiers–the  roundness of youth framed by no-hair smiling sheepishly over camo’ed shoulders and too much gear.  Faces whose trained stocky bodies carried children, fed stray animals, tried to comprehend old men in headdress.  Sometimes, down cheeks hollowed, sometimes smeared with strain.  Soldiers so young each separate eyelash showed up dark and individual.

I saw smirks too on some of those faces.  (Smirks from other hateful photos came to mind.  Abu Graib.)   Smirks that turned  faces into baboon bottoms as they sat over the double folded limbs of prisoners, stripped.

More photos came in to the picture–faces marked with worry , loss; photos of metal shins, plastic knees; recent one of a vet, looking used up, lying on a rug beside his dog.  (Did I say loss?)

And though I myself still had a pretty clear idea about some of the parameters of good guys  – i.e.that  they cannot play with corpses, that they absolutely cannot play with corpses–all my words began to jumble in a kind of rubble, smoke, and all I really could picture were ricocheting pathways through the brain, ricochets maybe of bullets, but maybe only of power, loss, fear, rage.  Resulting in great damage, both direct and collateral.

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Having a very hard time today writing my 18th draft poem for National Poetry Month.   I am also posting this for Imperfect Prose.

What’s prompted this is today’s news about the 2010 photos (just coming out now in the L.A. Times) of  U.S. soldiers posed with body parts of Afghan suicide bombers.  (I haven’t seen the photos.)  

What I’ve come up with is not in any way intended to be disrespectful of our troops overseas.  I know that the soldiers in the photos are not typical, nor is their conduct.  But I’m first very worried  about whether that conduct (i.e. the photos) will put other soldiers in further danger.  And also I’m just concerned, sickened.  It’s a terrible situation, gone on too long, and for some deployed again and again–especially too long.  

Pickaxe – Poem for An Ineffective Tiller

April 17, 2012

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Pickaxe

There is that in me that delves in
pointless suffering–as in today
when I wake to an ache
in the small of my back.
The pickaxe–
yes, it had a point of sorts–a
sharpish wedge
of heavy edge–but did I really need
to bang it upon the ground
so many times?
The goal: to loosen earth
but I was so unsystematic
as to not give birth to anything but…
loose earth (not even one soft bed
ready for seed).

So it is
when I pick on you–
pick fights–pick piques–
Afterwards, the small
of my heart hurts, and I ache
to take all back.
Luckily for me, in our soft bed,
you know that.

 
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The above is my draft poem for the 17th day of National Poetry Month!

Porch – (Thinking Back To Summer Stones/Winter Tabletops)

April 17, 2012

"Porch" (painting by Jason Martin, from GOING ON SOMEWHERE)

Porch

The porch pulled them to its side,
invited nestling upon shaded planks,
recalled cool soft times, clover in fields,
the day she cut his hair, and then they picked
out smooth flat stones,
and lined them along its surface, thick with
years of knobby deck paint.  Against it,
the stones shone like perfect moons to plant upon
winter table tops, reminders
that nights sown by fireflies
were going on somewhere, some time.

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This is an older poem posted for dVerse Poets Pub Open Link Night and the Promising Poets Rally.   The painting is by Jason Martin (and, sorry, the color is a bit garish here.)   It is on the cover of my book of poetry, Going on Somewhere,  available on Amazon and elsewhere.  Check out the book where you can see the painting in much truer color!

PS – if anyone’s counting, I’m going to have to write a new poem today in honor of Nat’l Poetry Month, but wasn’t so pleased with yesterday’s creation, so didn’t want to WASTE an open link nigh on it!  Have to see what arises tonight! K.

“Dry Spring” For 16th Day of National Poetry Month (No Sirocco Up North)

April 16, 2012

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Dry Spring

It’s the brownest Spring I’ve ever seen,
as grass, jaded in all but hue, bends down
in pale pre-drought submission above small green
that tries to poke and thrust as if the ground
held melted snow–it doesn’t–instead, cracks

beneath our weight, a crust of old leaf
and lichen crunching what should ooze tracks.
Still heat so sweet, we try not to believe
in anything but the wondrous good
of being able, in April, to swim
in water that should freeze, at least should
rush; till evening brings warm wind, I turn to him–
“A sirocco?” “No, it’s a zephyr,” he says.
The breeze, re-labeled now, delightful, plays.


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Agh! The above is my 16th draft poem this month. I’ve played with it until it’s too late to go on! Must post or keep making it worse! A sorry sonnet of sorts!

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“Oh, the Red Roofs” – 15th Day of National Poetry Month-Magpie Tales

April 15, 2012
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"Red Roofs" Marc Chagal

Oh, the Red Roofs

When young, the roofs I longed for
weren’t crimson but

terracotta; they clustered beneath 
Florentine skies whose Giotto blue was propped by crusty bread
and the dusky wine that poured from pitchers 
sprigged with painted poppy. 

So much better, I thought back then, than the darker shingles
of triangulated humdrum further North, those shelters of bricked-up
dreams that held at best (I thought)
the wafting steam of milky tea.

In my midlife, I sought a specific deep red roof most often seen
from snow, a house whose windows of yellow light
beckoned like lanterns across sky sea,
where too the wafting steam of tea warmed fingers
like nothing else except perhaps (hours later) red wine and your
ribbed side.

Now older–tea drunk, wine swallowed, kisses exchanged–I think
of the deep red roofs of mouths, and beneath them

so many once-housed words– the rounded vowels of terracotta, the
shingles of hinged consonants, letters 
traced on snow-fogged glass,
prayers emboldened by Giotto blue–

Now, older, I think of the deep red roofs of mouths.

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The above poem, posted a bit late (I’m sorry), is for Tess Kincaid’s Magpie Tales.  Tess’s prompt this week is the Chagall painting above, “Red Roofs” though I think this poem probably owes more to Walt Whitman than Chagall.

Synapse Subway – 14th Day of National Poetry Month

April 14, 2012

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Synapse Subway

There is a subway under the skin that
travels by synapse rail. It trails the curve
of spine and your sixth birthday out
in the yard; accelerates through the loins, jumps
with only a bump over that boy
in the backseat, chugs its way up
to the brain. Trestles of pleasing
try to ease the way, still, it bogs down over
changes in time, destination, track,
derails completely
periodically.

You don’t much care for the riders–the breath of some is terrible–
others (poorly shaven) constantly bug you for change.  A few make themselves
up while the train careens through
the autonomic nervous system, but they are not like
those on the IRT, who, holding
compact mirror in hand, apply their eyeliner
in a precise calligraphy–these
bunch the lines in blotted
jags that disrupt clear
vision, practically invite tearing up,
the rider’s grasp upon the glass
not as firm as it might be, nor
upon the brush either.

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Here’s my poem for the 14th day of National Poetry Month.  It is also written for dVerse Poets Pub “Poetics”  challenge asking for poems about subways, hosted by the wonderful Claudia Schoenfeld.  Since I live in NYC, and have written many posts about the NYC subway, I wanted to go for something a bit different. 

Peaked in Darien–Friday Flash 55

April 13, 2012

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Today I’m on the train again,
presently entering Darien.
Bum hurts from multiple days in seats–
But bum brain still remembers Keats.
Of Cortez, he wrote (or maybe of his men)–
Surmising, silent, on a peak in Darien.
(On horseback? Mayhap.) But in the end,
my bum bolstered by comparison,
I too peek at Darien.

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Here’s thirteenth poem for April with  55 words written on the train (and based upon John Keats sonnet (about first reading Chapman’s Homer.)  Tell it to the g-man!