Posted tagged ‘April National Poetry Month’

National Poetry Month – Day 11 – “On the Subway, NYC”

April 11, 2011

I admit to being very tired this eleventh day of National Poetry Month and Monday to boot!  (More on boots below.)

Here’s a draft poem written in and about the New York City subway system.

On the subway, NYC

Oh the energy of the human!
Not only do we wend our tubal way
each day through track and dim
and the jim-jam of more
humanity; we also make the effort, pre-
trek, in some looking-glassed, dim-lit room, to don
a black gaucho hat
with a silver patterned band encircling
its crown, a band which nestles just above another
band of braided brown.
Nestled below the hat
come blue jeans embroidered
at the shins
with a cartoon hip-hot kid in crimson and white,
who carries a similarly threaded boom box
about knee-level,
which brings up, along this same track,
wonder at the energy of
manufacturers, their surging press for
logos, crests, pink princesses
interspersed with spirited teams–the man’s shoes
narrow to points unknown, while
the black leather boots of the woman just across are
open-toed, her nails like lips painted beige
to match her blazer, earrings
sparkling to the clavicle–all
of us poised in our best grim readiness–I myself
washed hair this a.m., rubbed on mousse–
inside these tubes of darkness, mostly,
to step on out into the tiled echoes, beneath the
ceilinged stars, of
Grand Central.

All rights reserved.  Suggestions welcomed.

National Poetry Month – Day 9 – “Self-Contained”

April 9, 2011

Extremely tired this 9th day of April, National Poetry Month.  I went to an opera today, an opera!  Where Juan Diego Flores cavorted about first as fake Holy Man, than as fake nun, all the time acting out a terrible womanizer, the Compte Ory, who manages, none the less, to be tremendously engaging.

Here is a poem draft for the day:

Self-Contained

My husband suggests that I write about bowls,
I like bowls, but they feel very soulless to
me, not poem fodder.

Though, actually,
I saw a bowl today,
Japanese, ceramic,
that  had a poem etched
calligraphically
on its sides.  Talk about poetic.

But, I quickly object, the poem was on the sides
of the bowl, not about it.

Don’t
be such a sophist, I tell myself,
which in turn brings up
the amphore, a sort of bowl that is extremely poetical,
the myths of Homer painted on its sides.
You just can’t argue
with Homer.

And wasn’t there also something about plums and
William Carlos Williams? He’s
a poet.

Okay, so maybe bowls weren’t
mentioned, there had to be one smewhere,
right?   Something to serve as vessel
for those plums, myths, poems.

Sure.

National Poetry Month – Day 8 “Dear Fred” (Astaire-way to Heaven)

April 8, 2011

I wrote a poem on the subway this morning which I later deemed just too weird to post. So, feeling glum over the possibility of doing more than one draft poem a day, I spent much of the evening dancing.  But dancing is just so great!  It never fails to give you something!

What it gave tonight:  another draft poem.

Dear Fred

 

Listening to Fred Astaire,
I feel that I could waltz on air,
my mind aloft in swirling swirls
of skirts and arms, top hats and twirls.
My heart is light, if movements less so.
(My tapping hits more heel than tiptoe.)
I clamber, but with grace and ease,
at least through my synaptic trees,
those nerve ends buoyed by Porter’s bubbles
to dance away a host of troubles.
Oh Fred, my hero bold and meek
who dances with me cheek to cheek.
So what you’re just a memory–
they can’t take you away from me.

As always, all rights reserved, and all suggestions welcomed.

 

I am linking this to Bluebell Books weekly submission re bubbles, since Fred is my favorite bubbly guy.

 

 

National Poetry Month – Day 5 – “Far”

April 5, 2011

Here’s a kind of sad draft poem.  I am very uncertain of the title, and the poem itself, especially the last lines.   I had a few alternatives, but they seemed susceptible to misconstruction, so went with this.

Far

We pushed from cold night into a Chinese restaurant.
The oldest couple in my group had, some time before,
lost their adult child.  It had been sudden, she
had been young.
The restaurant was over-bright, the fluorescent lights
reverberating like the din; one waitress wiped down the
table, another balanced a rounded pot of tea and a fist’s stack
of cups, the pot so full that tea brimmed to the edge of its
long neck, then was swallowed again, a
lithe shining tongue, each time she placed
a cup, which, like an egg shell,
seemed to pocket a translucency of
rice or seed pearls.
It was hard to look at the couple,
who had lost their child, every expression–their patience
with the waitresses, their concern about the crowd–was there space?
Were there chairs?–a barely translucent mask over ragged
loss, their faces like the extremity
of an icon, the bronze saint in a temple, church, whose foot has been rubbed
to a bare smooth grip, like a slip of soap, by petitioners who have
prayed to be washed clean, not of sin, but suffering.

The teapot begged to be poured in great gulps; the waitress ran it
over the cups.  I could almost not look
at the couple, as if their pain
might brim over too, burn me just by sight,
and yet I also wanted to shift my seat,
make room, drink with them that
fresh, hot tea, hold tight
those faces that
seemed so far,
in that fluorescence,
from anything that felt like succor.

 

 

Post-Script – on rereading poem today (April 7), am sorry that the line breaks are kind of messed up–especially through the center.  Also wonder whether last lines should be:

those faces that seemed
so unapproachable
in that flourescence
by anything that seemed
like succor.

 

I don’t know.  “Unapproachable” kind of a mouthful.  Any suggestions are welcome!

April Poetry Month – “What is it” (Thinking of Japan)

April 1, 2011

Last year, during National Poetry Month, I posted, more or less, a new draft poem each day.  I really wasn’t sure I was up for that this year, but this morning, the scent of April called up some urge, and so I wrote the draft poem below.

It is a wonderful thing to have an incentive to think about and write poetry.  I don’t know if I can keep it up for the whole month, but I urge you all to consider trying it (at least for a few days!)   The poems I will post will, by and large, be drafts so please feel free to write comments and suggestions.

What is it

What is it that allows
the deeply suffering to feel
gratitude, that permits
the young man in Japan
on finding, after weeks, the remains of
his mother and sister, now delicately swaddled
in muddy blankets, to say
“I am so happy.”
Like the curve of breast or
hip that rises gently above
bone, softening the contours of a body evolved
to stand up on two legs, like swallowing
and swallowing again, and the relief in that,
to the caught, parched throat.

As always, all rights reserved.  As always, comment!  Suggest!  And, if you like the work, please please please check out my poetry book, Going on Somewhere, poems by Karin Gustafson, illustrations by Diana Barco, and cover by Jason Martin on Amazon.