Archive for the ‘writing’ category

Michele Bachmann, Nanowrimo Novel Writing, Practical Mathematics

November 10, 2010

Insisting on Credibility?

One of my hardest obstacles in writing fiction is credibility.  I get completely mired in questions of believability.    (You should have seen how I suffered over the talking dog in one book, till Pearl, my bichon, assured me that it really was okay.)

I have to constantly remind myself that I’m writing a story; that, in other words, it needs drama, to re-adjust the normal daily percentages of humdrum and startling.

I am trying to get over this tendency in my current nanowrimo novel.  (Why, for example, have one of my protagonists just leave a sketchy boyfriend, if, on the way to the door, he can grab her and tie her up?)

(Sigh, It’s hard.)  In the last couple of days, however, I’ve encountered a new teacher:  Michele Bachmann!

Obama’s trip to India, she proclaims, wild- and wide-eyed, is costing taxpayers $200 million a day!  (Maybe, she goes on, he should consider videoconferencing.)

I wondered how she could believe what she was saying.  But then it occurred to me that rather than illustrating the art of fiction, Bachmann might truly be an illustration of the deterioration in practical mathematics.

Which brings me to my  father-in-law;  he is about to be 100 years old.  One of his many admirable qualities is a strong grasp of the mathematical properties of the physical world–he is an incredible judge of distances, surface areas, cubic footage, weight, density, and all the combinations of the above.  When he says 120 square feet or 13 fluid ounces, he knows exactly what he’s talking about.  Part of his skill at estimation results from growing up in a time where this kind of physical understanding was included in one’s education, part may result from a preternatural cleverness–whatever the reason, the ability to make reliable estimates seems to have declined in the modern world (and not just among contractors.)   This decline has in turn led to a gullibility about numbers.  People who don’t bother, or can’t, estimate realistically, readily accept all kinds of crazy figures.

And now we have Michele Bachmann!  Mistress of the Art of fiction?  Drama queen?  Mathematical nitwit?

Nanowrimo Eyes (i.e. Sore)

November 7, 2010

Oops!

All computer and more computer makes Jill have very sore eyes.

My nanowrimo collation of words (I don’t think it can be called a novel at this point) has passed the 18,000 mark (about 75 pages) but it is unfortunately what my mother-in-law would call a cold collation (a platter of cold slices–meat, cheese, tomato.)

In other words, there’s not much cooking yet.  (I started out with plenty of potboiling despair, but that was mainly venting in “fiction” and I don’t think I can actually use it.)

Still, there is, at least, a framework for characters and a story that I had never thought about before.  (Granted, anyone reading it may think:  aren’t these exactly like the characters in every single thing you write?  But I’ll reply, genuinely astonished, “really?”)

Although it is a mere framework, I comfort myself with thoughts of Obama’s health care legislation–that, at least, it’s something to hang things on–or from.  (Sorry, I’m a huge Obama fan, as followers know– what I mean is that at least it’s a start and that, sigh, you do what you can.)

Unfortunately, my right eye has now revolted.  (I type this wearing sunglasses.)

What is to be done?

A notebook and pen truly are suitable alternatives to a computer.  Granted, most people (i.e. me) hate typing up their scratchings, but people have used these implements for a very long time, producing wonders.

Agh.

Further to all words and no play… err… plot i.e. no plot big problem–even for Pearl

November 2, 2010

Pearl Just Can't Make Up Her Mind

Last night, I wrote that I had started Nanowrimo (National Novel Writing Month) with a fair number of words, but a great sense of randomness i.e. no clear plot or plan.

Here’s the question–one faced by anyone trying to write any novel I suppose (that is, one writing a novel just for the sake of writing a novel.)  Do I go for a project I know I could probably cobble together and finish (a project that may have a somewhat silly adolescent aspect), or do I try for something as yet undefined which seems more ambitious and artistic (but which may in fact be undoable, and grandiose)?

My sense is that the most important question is not which project is “better”  but which one I can make myself stick to.

All I can say is that the unformed one is way easier to get started on.  I just sit down and start writing something–a scene or a mood or a memory–and hope that it will somehow fit in with the 3000 words done yesterday.   The problem here is that it’s harder to maintain.  You keep waiting for momentum to kick in, hoping that the fact that you only have one brain will bring a certain uniform stamp and shape to what you are doing.    (This book would ultimately, I guess, be one of those books that seems like a bunch of little stories.)

Or do I go for one of the old plots I have already kicking around–(a) the sequel to a teen fantasy novel about beauty, cruelty, and rebellion (that’s sounding pretty good); (b) adult novel betrayal in Benares (seems a bit hard, right now); (c) children’s book about a little white dog who reads the dictionary, (d) or some kind of “boys’ book” for young people.  (They always need boys’ books.) .

Any suggestions, tell me quick!  Only 29 days to go.

Blogging Brazen? Showing Drafts Daft? Nanowrimo/Blog Quandary

October 31, 2010

Posting a Brazen Act?

Still trying to figure out how to handle this blog during November, National Novel Writing Month (Nanowrimo.)

As any regular follower must perceive, I am a person of routine inconsistency.  That is, I post pretty much every day (that’s the routine part), but the posts are all over the map, in terms of content and quality (there’s the you-know-what).

I’ve stuck to daily postings (despite the stress) because the commitment helps me to bypass some of the negative self-judgment that blocks any writer.  (If you publish every day, you can’t worry if your writing is worthwhile.  You just do what you can.)

Nanowrimo works on some of the same concepts; once you decide to do it, you simply have to hurry up and do it.

The problem for someone like me (who is lucky enough to also have a paying job!) is that two such driven activities are a bit much to conduct simultaneously.

Here are my choices:

  1. Let the blog go for a month.  (A relief to followers, perhaps.)
  2. Forget about Nanowrimo this year, as I did last year.  (A relief to myself.  I really don’t have a clue about what novel I might write.)
  3. Try to post something pre-written on the blog while doing Nanowrimo on the side.

I have been planning to opt for number 3, posting an old Nanowrimo novel called Nose Dive.

Nose Dive is a teen novel, and yes, a bit embarrassing.  I chose the story because it was silly and fun enough that I could write the initial draft quite quickly.  However, the same silly/fun factor has made the novel hard to satisfactorily revise.

The question of posting the draft Nose Dive now raises an interesting concern:  publicly showing one’s work (even as a blog) turns out to be an amazingly brazen activity.

When one publishes through a publisher there’s a shield of third-party endorsement.

When one self-publishes, or even just shows a piece to a friend, this shield is not available.  Given the rapidly-changing-to-avoid-demise-face of publishing, this is less of a source of embarrassment than it used to be.

Even so, a fairly high temperature blush arises simply from the fact that you are putting yourself on the line (even online).

And even though you say that your work is quick, rough, in draft form, there you are–risking criticism, ridicule, and (perhaps, worse) disinterest.

So.  (Confession.)  My concern is that if I (deep breath) post excerpts of Nose Dive, which is quick, rough, and (still) in draft form, I will feel so immediately regretful that I will have a hard time focusing on a new novel.

And yet, there’s that routine part of me, and that brazen part that has learned repeatedly–nothing ventured, nothing gained, and, more importantly (swallow) nobody’s perfect.

I guess, I’ll see what happens tomorrow (or later tonight.)

Hope you come back to check.

Trying To Plan A Novel? (For Nanowrimo?)

October 28, 2010

Three days and very very few hours until November and Nanowrimo begin and I still haven’t spent a moment mapping out a plan.

Nanowrimo, as you may know, is National Novel Writing Month–a month in which any one of the writing persuasion is justified in caving in to all anti-social, anti-utilitarian, and Auntie-Mame tendencies in order to pound out a novel (or 50,000 words) in thirty days.

Technically, you are not supposed to put a word to paper (okay, screen) prior to 12:01 a.m. November 1.

Planning is allowed, however: outlines, mapping, character sketches, thinking.

(The deadline is self-imposed.  No would actually know if you cleverly converted outlines into written text… a week or so before November 1.)

But here I am.  Not planning anything yet, because, in my ManicDdaily way, I am grappling with personal and professional issues that feel in the instant like matters of crippling importance.  (In fact, it’s probably the feelings that are crippling, the matters less so.)

Enough said.  What do you do when you don’t have a plan for a novel and you really really want to write one anyway?

First of all, be honest.  You say you don’t have a plan, but is there nothing kicking around your cranial closet?  What about an old plan, discarded plan, some plan that seemed at one point impossible to you?

When you come up with that old plan–and seriously, just about everyone has one–think about whether you could commit to it for a month.  More importantly, could you have fun with it?

Don’t pass over a plan because you think it’s stupid or impossible, but only because you are genuinely not interested.  And even then, think twice.  (The novel loves narrative–it really is helpful to have an idea for one.)

If you can’t come up with a plan, you can always try just writing.  Start with a scene, a place, a person, a feeling, relatively random words set down upon the page.  (The human mind’s love of narrative is so strong that a story is likely to take over even when using this method.   Eventually.)

But take care.  This kind of writing (which the Nanowrimo staff calls writing “by the seat of your pants”) can feel emotionally satisfying at its inception (like therapy) but can sometimes bog down (like therapy), especially if it wanders too much into the territory of a roman a clef.

Which brings up another important point.   Whether you are a “pantser” or a planner, try to let go of the angst. There may be a nobility to enduring suffering, but few people want to read pages and pages of how you have endured yours.  Whining tends to be very hard to shape.

Besides, what fun is it avoiding the trials and tribulations of your personal life for a month if you’re going to spend your whole time writing about them?

(The lady doth protest too much, methinks.)

Need An Excuse To Write? – Nanowrimo (National Novel Writing Month)

October 25, 2010

One week until Nanowrimo (National Novel Writing Month) begins.

I confess that I am writing about Nanowrimo mainly to steel myself to actually do it.

National Novel Writing Month, in case you haven’t heard, is a month in which you try to write a novel (or 50,000 words) in the month of November.  You and a zillion other people.

Yes, it’s arbitrary.

Why not write a novel during the month of August?  Or from mid-January to mid-February?  (Better yet from mid-January to mid-December?)

And why make the effort to write so public?   With so much hoopla?

Many of the good (and silly) reasons to try Nanowrimo can undoubtedly be found, somewhere, on the very comprehensive website–www.nanowrimo.org.

One of my favorites is the excuse Nanowrimo provides–the justification (good for at least a month) to put your writing first.  Here is how it works:

“Clean the fridge?   Yes, I did notice that green sphere (too furry for cabbage), but I’ve got to get to work on my Nanowrimo.”

“You say we need new sheets, towels, glasses, winter coat, blender and they’re all on sale this Veterans’ Day?   (But I’m only on Chapter 3!)”

“You expected Turkey?”

PS – sorry that the video is not exactly up to snuff!  I really don’t have the hang of it yet, still don’t have camera, and don’t have a clue about editing commands, or uploading, and it takes forever.  Agh.

Mid-October? What’s Happened? What’s Coming? National Novel Writing Month!

October 14, 2010

 

Blank Page

 

It is mid-October already.  Mid-October!

This means a variety of pleasant and not-so-pleasant things:

1.  That, since I can’t remember what in the world I was doing at the beginning of October, I must be getting… (I don’t want to use the o-word or the s-word or the A-word)…. forgetful.

2.  Leaves must have already changed in Upstate New York, or even fallen.  ( I seem to have some vague memory of red and yellow.  Is that where I was a couple of those lost days?)

3.  Your last chance for last year’s tax return is about to expire.  (Oops!)

4.  Didn’t the World Series use to be over by now?

5.  I’m not going to say anything about upcoming mid-term elections.  (I’d like this to be post to be cheerful.)

6.  Nanowrimo–National Novel Writing Month (the month of November) is just around the corner!

Nanowrimo was the conception of Chris Baty, a writer in the San Francisco Bay Area, who realized in a brainstorm that the one thing non-professional writers lack that professional writers have is a deadline.  He also postulated that the imposition of a deadline (a firm deadline, even if arbitrary) could be an important step to blocking writer’s block, i.e. getting the old fingers/pen/keyboard working.  Fast.

Nanowrimo gives would-be writers a very public start date and end date–November 1 to November 30–to write a novel of approximately 175 pages (50,000 words).

The goal (remember you only have a month!) is quantity.

I urge all of you to go to the Nanowrimo website–www.nanowrimo.org–to learn more about this endeavor/torture.  All I can say is that if you can commit to it, it’s a lot of fun/torture.  There is something wonderful/torturous about writing madly with the virtual company of thousands of other crazed/tortured people, all of you racking your brains and up your word count.  (Yes, I too can sense a theme developing.)

I haven’t quite decided how to handle the blog this November.  There’s the temptation to post current Nanowrimo output, but I will resist that.  If you are writing a novel in a month, you need to be free to be ridiculous.    (There’s a limit to how much torture can be borne!)

More soon.

Posting on Air (Not)

September 19, 2010

Isn't life grand!?

I am flying back from Florida to New York and the flight attendant has just announced that we are over 10,000 feet and that permitted electronic devices can now be turned on and also (omg!) that this airplane is equipped with WiFi service – ‘just check your sky magazine for details.’

I am not the kind of person who checks sky magazines for details any more than I am the kind of person who reads instructions before assembling a baby carriage.  There are screws and bolts and bits and pieces and  somehow you’ve got to jam them all together so that you only have one or two of the silly things left over.

You call my kind of people the bargers-ahead; the damners of the torpedoes.

But I digress.

Wifi on the airplane!

Yes, I was almost asleep.  Yes, I’d been actually reading print media.  Yes, I’d even been looking out the window.

But hey, yippee!

I don’t write this as a complete troglodyte.  Wifi on the airplane gives me a whole new reason to look out the window.  Now I’ll be able to write about what I see.  More importantly, I’ll be able to think about what I see.  (Looking silently is maybe just doable, but thinking silently?  Without pen or pad or laptop!?  No way, for a manic barger torpedo-damner.)

I compose my excited first line as I drag out my laptop:  I’m flying.  I’m posting.  I’ve got the Atlantic Ocean to my right, and two empty seats to my left!

 

 

(Hey, I can even post a photograph.   I drag out my camera and take a shot of this herd of beautiful little puffs of clouds and ocean and shoreline as my computer boots up.  Then try to log on.)

Yes, there is Wifi on the airplane. But it costs $10 per flight.

Do I really need to post right here, right now?

Wasn’t I about to go to sleep?

It’s not the money; it’s the principle of the thing.

I know the airlines will not give you a free lunch any more, but can’t they spare a little bandwidth???

The clouds are petering out.  The shore is no longer visible.  Enjoy the sky.  Still blue, still free, for now.

 

 

 

 

Better Make The Most of It (while still free).

Draft Poem Process – Blocking Writer’s Block

September 15, 2010

Okay (to the regular readers of this blog), I admit that the draft poem posted at about 1 a.m. this morning is blank verse in the truest (and possibly, worst) sense of the word.  I’d like to dignify it with some epithet like Creelyesque, but I’d hate to do that to the wonderful Robert Creeley.

Instead, I’ll explain away the poem by giving it as an example of an effort to block writer’s block.  If you want to write, you have to write.  It really is as simple as that.   You have to do it without being too precious about every single result.  That’s probably an elemental rule for getting yourself to do anything creative.

Waiting for the right conditions, the right mindset, even a modicum of brain power, may put you in a queue of one forever;  if you wait for inspiration, there you might be–in the abandoned mind bakery–holding a ticket that is never called.  (Even if it is called, all those wonderful half-baked goods may have gone completely stale by the time you actually get to the counter!)

Sure, an inner voice may tell you urgently that you are  a writer, an artist, but it’s unlikely to tell you in the hurly-burly of every single day exactly what to set down.

That’s where doggedness comes in (and not necessarily the doggedness of the wiggly happy dog that greets you at the door every evening.)  It’s more like the dog that is pawing pawing pawing at the zipper of your backpack because it is sure that somewhere inside nestles a treat.   Sometimes that treat is the old remains of a bagel; sometimes it’s chocolate!

Which, I know, yes, is terrible for dogs.  (More for us.)

Fourths of July Past – Swimming Pool Beauty Contests – In Search of Sparklers

July 3, 2010

Sparkler?

The 4th of July was a day of mixed blessings for me.  Oh, I was proud of my country sure.  In the years before 1967-68, when I was also ten or under (oops!), it was hard for me not to think of the U.S. with anything but absolute pride.   My parents had either fought in, or been very marked by, World War II, and the feeling of the U.S. as the ultimate good guy, the savior of the world, was strongly imprinted on me.

Already, of course, there were doubts about what was going on in Vietnam, but I felt with childish certainty (strengthened by the fact that the beginning of the war was associated with the martyred John F. Kennedy), that the U.S. had, at least, entered into that conflict trying to help people.

So what marred my childhood experience of the 4th was not any doubt in the indivisible goodness of my country and countrymen, but, well, beauty contests.

My uninformed sense is that the juvenile pageant circuit is considerably larger and more professionalized now, accompanied both by heftier prizes and far thicker applications of eyeliner.

In my day, these were extremely local events, held at our local swimming pool.  Which means, yes, that they involved a bathing suit portion.  As well as a talent portion.   I don’t remember any evening gown portion, but occasionally there was bicycle decorating—crepe paper bunting was used.  Sometimes, it seems to me that the contestants were also draped in bunting, but I have a feeling that this may have been only part of my mother’s ingenuity.  In other words, I may have been the only contestant who wore bunting.  (Yes, it was red, white and blue.)

There was no congeniality part—since everyone knew each other that would probably have been considered a hurtful popularity contest.  (As if the rest of it wasn’t! )  (Some bitterness there?)

I don’t mean to impugn my mother, although she was the instigator of my participation in these activities.   She bought the new bathing suits, arranged for whatever bunting was applied, listened and encouraged my choice of “talent”, and, after the inevitable defeat always always to a girl named Karen A. (whose full name I will not use in this internet-find-your-old-friends world), she complained bitterly at the bias and short-sightedness of the judges.  (They chose Karen A., according to my mom, because her parents were super popular at the pool, i.e. they drank and partied. )

Of course, I knew there was more—even my mother would admit it eventually.   Dimples.  A certain sassiness of hips.  A two piece suit and culique of eyeliner (even way back then.)   And even more importantly — a sparky conviction which Karen A. had and I didn’t a) that the contest was fun and  b) that she definitely deserved to win it.

On my mother’s behalf, she, a brunette, was born with what was then charitably called a “Roman nose.”  It actually gave her face a striking handsomeness.  But she grew up in the age of Shirley Temple, Ginger Rodgers, Betty Grable.   And when her daughter was born short-nosed and blonde, it felt miraculous.   How could a daughter with such innate advantages not win whatever contest came her way!? !

I don’t know why I kept trying. (Correction—I don’t know why my mom kept me trying.)  I guess the only answer is that people repeat their mistakes.  (See e.g. the U.S. government and foreign wars started ostensibly to help protect fledging “democracies”.)

I say, the day held mixed blessings.  In the evening, when suburban pre-much-airconditioning Maryland finally cooled down enough for us to leave the pool, we had fireworks.  Funny little black smoking worms that my brother was permitted to light on our back patio, flame-emitting cones that only my Dad could touch, eyes averted, and sparklers, many sparklers that, even as kids, we could wave about in almost any way we wished.