Archive for the ‘writing’ category

Update on Noveling – Pitch

March 23, 2014

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It is March 23.  The fields are icy; where there is no crust of snow there is glazed mud.  In between slips and slides–I ran into a tree yesterday trying to cross-country ski–(ouch! said bleeding shin–trees are hard!)–I am also trying to publish a novel.

It is difficult.  First, it’s a difficult novel.  (In other words, I’m not even sure IF I like it.)  This makes it extremely hard to foist off on others.

Secondly, I genuinely have plenty of other stuff to do.

Which means I give all that other stuff priority!

And yet…and yet… I know if I let too much time go by, I really will not be able to stand to look at this novel for a few more years–

Also, I would like to be able to start writing poetry again.

And so… and so… in a fit of nerves and depression, I uploaded the novel today.  Meaning I submitted for self-publication.  Meaning that I’ll probably have to edit one more time when I get the proofs, but I am nearly there.

(Agh.)

I also went through a bunch of extremely musty old magazines that I have from the 1960s (and have been storing in boxes outside)  to try to begin putting together a cover.  (Yes, I know I could get people with actual knowledge of these things to  design it!)

In the meantime, although I’m not sure why–given that it embarrasses me so much, given that it truly mortifies me–I set forth below the “pitch” for the novel that I wrote and that just passed the first round of the Amazon Breakthrough Novel Contest.  (The book is called “Nice.”) :

It is summer, 1968, and Les has been trained to be nice.  

When she was really little, they played the Star Spangled Banner in movie theaters before the show; she could feel her chest ripple just like the flag on the screen.

But it is summer, 1968–Martin Luther King Jr. shot in April and now Bobby Kennedy.    

“What in the world is happening to this country?” her mother says as they stay up after the shooting, watching the TV people try to decide whether he’ll have brain damage.  

Les wonders what she, a kid, a girl, can do about any of it.  Other than hold firm to the idea that people are good, that if everyone would just be nice enough, they could impart some of that niceness to others–

Though, in the meantime, she would also like to be just a little more cool–

Then Duke comes to visit, a cool cat, a natural charmer, and something happens to Les that is not nice– 

Who can she tell?  How, afterwards, can she un-tell them? 

Her older brother, Arne, lives his own side of the story that summer as he tries angrily, in the midst of suburban family life and the escalating Vietnam War, to become a young man. 

But “what in the world is happening?” he wonders as his sister changes, his sister who has always been the nice one–

Their story traverses the landscape of country, family, heart.

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Thank God, I don’t think the pitch counts for anything but getting into the second round!  And I have no expectations of the contest.  And the book is not written like the pitch!  And I don’t think that was even the final pitch as I edited it on the website!

I think I am posting this to keep up my commitment!  Thanks for your kindness!

Poppies ( Excerpt From “Nice” – Flash Fiction? )

March 9, 2014

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Poppies

It seemed forever.  It was forever.  Through the cornfields and the gas stations and the Stuckey signs, and, as the sky darkened, the occasional smell of skunk.

He felt very sad beneath the darkening sky, certain that love was not for him.

It wasn’t the pimples.

(A doctor pulls a string from a woman’s ear, the string tighter and tighter until the doctor has to strain, until  plop–a large bouquet of roses tumbles out.

“I say,” the doctor says, “where did those come from?”

“How should I know?” the woman says.  “Show me the card.”)

What he felt was that he would never be that woman.

How could he think such things?  Stupid riddles, women, flowers.  It made him furious.  It wasn’t what he meant.  It had nothing to do with any of it.

This is what he doubted–that anyone–a girl–would just take him, put his head upon her lap–he pictured an ad for a Swedish movie:  the man pretending to rest, his hair stroked back, his head cradled, loved, it seemed, just for laying there like a log.

The turquoise upholstery scraped the backs of his arms like fish scales; maybe he was allergic to something, his chest a too-tight balloon.

He looked at Les who looked out the window.  The forever flat wings of the turnpike.

In France, there were poppies along the roadsides.  He’d seen pictures of them, a kid in his class who’d gone to France and posed, one in her hair–

Les would be like that, he thought.  No matter what happened, she’d put this big red poppy in her hair, smile for the camera.

No, it was really his mother who’d be like that, his mother with Les, gathering poppies for her hair, sticking one behind Les’ ear, fixing it, repeatedly.

He imagined himself pitching out of the car, bopping around between tires with his hands up over his face as they stood there, practicing their poses.

He smiled.

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I was inspired by the wonderful (and completely different) poem Sleepsong Of the Poppies by Hedgewitch/Joy Anne Jones, and the beautiful picture she posted by Vandy Massey, to think of poppies.  This brought up this short excerpt from the novel I’ve been working on called Nice.   This is an excerpt from right smack in the middle (I’m sorry never to start in the beginning! )  It is told from the voice of a teenage boy, at this point on a car trip with his family, and disturbed about certain thoughts about his sister.  The story takes place in the summer of 1968.   (I am hoping this qualifies as “flash fiction.”)

The picture above was actually made by my mother, Phyllis M. Gustafson, on my iPad.  She is 90 years old.

 

Not Watched – From “Nice.”

March 1, 2014

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Many of you know that I have been working on the manuscript for a novel.  The book is called Nice.  Here’s an excerpt (taken from the very middle of the book) that I am posting for the prompt by Mary of dVerse Poets Pub on invisibility. The story takes place in the summer of 1968.  Photo above is of a light sculpture by Jason Martin.  (Sorry for length!)

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Every hour on the hour they had a fifteen minute rest period.  It was a time when all the screaming, splashing, marco poloing, stopped and grown-ups, with their strange dry strokes, puffy backs and silken bathing caps, swam slow laps.  You had to be over sixteen to stay in the water.

Like the other kids, Les sat along the edge of the pool, waiting for the whistle.  A boy with red hair, older than her but clearly below sixteen, slipped silently from the ledge across, and ducked beneath the water, his body an expanded wriggle beneath the blue.

She felt the whole poolside watching him, holding its collective breath till he pulled himself up onto the pool’s opposite side, head sleek as an otter, water shimmering down his back.  Everyone, in relief and pleasure, readjusted their bottoms, hid their smirks.  It was as if they had all fooled the guard.

Then Les felt herself alone again, herself the watched one.

She hadn’t talked to Arne all day, but she knew he had been keeping an eye on her,  even as he pretended not to.

What had she told him?  Why had she said anything?

It was because of the grass.  She’d heard him and Jasper talking about it when she’d been hiding in the bushes beside the patio.  She hadn’t meant to hear, she just had, and then when she went down there, she knew they had done it, the way they looked.  It was so crazy, Arne smoking grass, Arne, the math nerd.

She’d wondered whether maybe it meant that he was different from what she’d always thought; that maybe he was normal, human, someone she could actually talk to.

But it was stupid to think that.  Because he wasn’t any different.  He was the same old Arne.  And now she had said something to him, something stupid.

Bruce Beebee was at the pool too, Bruce from school.  Bruce, who didn’t even belong to that swimming pool, Bruce with a streak of white stuff down his nose, a deep tan everywhere else, sitting on a picnic table at the snack bar with his brother.  He was not directly looking at her either; yet she felt his looks all the same, and in his looks, she felt this change in herself, a change that showed as much as his thick white streak, only the streak looked almost cool, and she couldn’t think of herself as cool, not even this changed self.

She answered his not looking at her by not looking at him, crossing her arms over her chest, keeping her eyes down towards the water.

Arne hulked by Bruce’s brother.  She had forgotten that they knew each other, and Jasper too, and they were all standing or leaning on the picnic table talking, Jasper eating a frozen Snickers bar, Bruce listening to them, holding his tennis racket between his legs, two palms pressed against the racket part.

She wondered whether Arne was telling them something, telling them what she had said.

He wouldn’t–she knew he wouldn’t–and yet, with the echo of his telling in her mind, she couldn’t stand not looking at them any more, not being looked at in return, and she got up from the side of the pool and walked slowly towards the girls’ locker room, feeling in the boys’ not-looks the pucker of her bathing suit inside her buttocks, and she hurried her walk a little, though she still aimed for nonchalance, not wanting to reach down and tug the suit loose, not with them not watching.

The locker room was immediately cool.  It smelled of wet paint and wet toilet paper and dank chlorinated concrete, all tinged with Coppertone.  She sat down on a short blue bench by a wall of wooden cubby holes.  The surface of the bench was knobby with repeated paint jobs.  She ran her finger over a speckled place that someone had already started to peel.

How could she go back to school in the fall? She hadn’t even thought about that part.  Her mom might not notice anything, but kids would.

Now two older girls burst in, falling over each other through the bright doorway, the flesh of their stomachs rolling over their bikinis.

‘Did you see that?’ they laughed, ‘what he did?’ ‘I almost died.’

They laughed themselves to the mirror, which for a moment, they seemed to embrace. They were closer there, their warm baby oil seeping over her.  Then the dark-haired girl dug into an open cubby and, finding a tube of lipstick behind some rolled-up cut-offs, coated her lips in ghostly lavender.

The other girl, whose hair was lighter, messed with a brown paper bag folded around a half lemon.  Leaning against the mirror, she pulled one side of hair back above her ears and squeezed juice over it, combing as she squeezed and picking at the pulp and seeds that clung to the wet strands.

“Jesus, this stuff is shit; does it look horrible?” she said.

“No more than usual,” the dark-haired girl said.

The other scowled.

“Just kidding,” the dark-haired one laughed.  “Come on, it just looks a little wet; that’s all.”

They re-tied each other’s bikini tops.  As one tied, the other looked at herself in the mirror, trying out a selection of smiles.  Beneath the smiles, the floating triangles of cloth re-centered themselves.

Les looked down at the bench, conscious of her own breasts.  Nothing like these girls, but different from what they had been, no longer a simple ribcage of breath.

Could she tell them?  It would be like telling her friends, only they weren’t her friends, so it would be better.  She would never have to talk to them again.

“This really weird thing happened to me–” she could say.

She tried to imagine them leaning into her like they leaned into the mirror.

‘Some people might think it was cool,’ she could say.

Leaning into her, listening to her, not even noticing after a bit that she was actually one of the younger kids.

She would like that.

Further update– self-sabotage and cover-up

February 25, 2014
From "1 Mississippi"

From “1 Mississippi”  (Used For Cover)

A friend kindly wrote that he liked my novel-writing posts. Since it is also very nice for me to have an excuse to kvetch, I will burden you with another.

Some of you may be wondering why I am finally now focusing on one of the old manuscripts that has been kicking around (make that, laying comatosely in) my closet for years,  Especially since periodically over the life of this blog, I have threatened (promised) to go back to one of these novels and haven’t.

The truth is that I’ve succombed to the power of a deadline.  In this case, the deadline has been the submission date for the 2014 Amazon Breakthrough Novel Award.

Believe me, I have no illusions about the possibility of my winning, or even placing or showing in, the Amazon Breakthrough Novel Award (called the “ABNA”).

This is partly because I’ve entered the ABNA a few times already,  possibly even with a rougher version of this same novel, which due to its subject matter (kind of grim), writing style (would-be literary) and pace (not action) is not in any way likely to even make the semi-finals.

Nonetheless, a deadline, if one can convince one’s self to believe in it, has great power.

In my case, what this deadline did was make me take a practical look at my nearly comatose–make that anxious-to-start-kicking–manuscripts, and decide which one could most easily be made acceptably publishable in a few weeks time.

The deadline then also has gotten me working on the improvement/revision of that chosen manuscript.

Unfortunately, however, I am someone who is about as self-defeating as ambitious.    (I calculate that my personality holds one part self-sabotage for every one-and-a-half parts grandiosity.)

(Okay, okay, how about one part self-sabotage for every part self-disciplined?)

The self-defeating components make it very difficult for me to buckle down to any truly systematic, effective, eye-on-the-likely-audience revision process–a process that would involve, for example, reading the book aloud or at least on the printed page.

Instead, I have found myself endlessly rereading the manuscript on the computer and iPad–yes, I know, this is bad bad bad–making little edits here and there–oh, and back there again–checking one narrative thread for repetition, another one for gaps, gently rearranging scenes.

But still missing, I am sure, loads of errors, and worse, boring run-on paragaphs—to the point, that I will sometimes read a section with something approaching shock–that, after all this time–it is still so awkward.   Or even lacking a period at the end of a sentence.

The self-sabotaging aspects of myself have also made it very hard for me to focus on certain ancillary efforts that actually matter in the ABNA contest.  For example, the “pitch.”  This is a three hundred word invite into your novel–a sales pitch, as it were–a blurb–that will be the sole basis of the first round of judging.

I hate sales pitches.

I hate them so much I don’t even allow myself to learn how to post pictures of the covers of the books I’ve already published on the side bar of this blog.  (And I love my past book covers.)

So, what do you do when you are one part self-sabotaging and one part self-disciplined?

Whatever you can manage.

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P.S. in honor of sales pitches and loving my past book covers, I am posting the painting that was used in the cover of my book “1 Mississippi” above (painted by me–I can’t seem to find a good photo of the cover)  and below, the covers of my book “Going on Somewhere” (painting by Jason Martin) and “Nose Dive” (painting by Jonathan Segal) below.

PPS  in honor of self-sabotage and hating sales pitches, I will not post the links to purchase details for any of those books.

Haha!  (Agh.)

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Novel Update–Hi All!–Criss-crossed Tracks

February 23, 2014

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Hi all!

An update from novel land (that is, the Great Mo-heavy Desert of the not-quite-finished manuscript.)

Agh.

I am, at least, in the clean-up process.  I’ve fixed, as well as I can, the weak beginning–that is, I’ve brought in, at an earlier point, threads that are important to the story and its context (1968) that I hope will make the beginning more compelling.  Also reduced the “ick factor.”

Shortened the end–the last bits had dragged on endlessly.

Given up the idea of major structural revision, i.e. let go of aiming for a scintilla of momentum.

Now, I’m stuck in almost random, despairing, desultory, always looking for distraction, copyediting.  (Also trying to weed out extra words–all those, oh’s, wells, so’s, that people actually use in speech but that weigh down dialogue.)

This involves, among other things, some application of the rules of comma usage.  (Yes, I know a lot of people don’t bother with comma usage in poetry for all kinds of artistic reasons, but this is not that poetic a novel.)

Which means I have to remember the rules of comma usage.  (God forbid I would just look them up.)

Comma usage makes one (if one is me) acutely conscious of the seep, like that weird maroon or yellow liquid that sometimes leaks out from under a refrigerator,  of dementia.

As in, comma usage seems to be one of the first things to have totally gone.

Perhaps this is because I never truly had comma usage under my belt.  Unlike certain parts of the multiplication tables, which I drilled enough to be able to spit out in my sleep.   (Unfortunately, I have not been able to fit six times six anywhere into my text.)

When it comes to comma usage the whole thing feels more like, let’s say– eight times seven— a multiple I always had a hard time with, or fourteen times four, which is one I never even tried to learn–this is all quite remarkable because when I do fixate on those multiples I end up with–.

But let’s not go there.

Anyway, I thank you all so much for your encouragement.

PS — the despair also comes from the fact that one gets so bored, tired, can never be pleased, finds so much awkwardness,  whole damn passages that can’t even be fixed by corrected commas!

Also, if you can’t remember or never knew the rules of comma usage, you keep changing them in your mind–does that mean you have to go back and change what you’ve already finished?

PPS – (Can’t stand to look at it any more; must go through it one more time.)

(Oh come on, shouldn’t you just scrap the whole thing!?)

(Maybe you should just scrap the whole thing?)

(Oh stop it!)

(Should there be commas before those ‘ohs?’)

(Agh.)

(Hey, shouldn’t that be ‘ugh?’)

(But I like ‘agh–’)

(she says, in anguish.)

Photo above is of two different kinds of animal tracks crossing in snow.  As always, click on it if you can’t see it all–also all rights reserved.

Blog Update

February 16, 2014

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I’ve been terribly absent from this blog of late and I wanted to send a little heads-up especially to those of you who have been kind enough to wonder and worry.

I have been very busy with work and travel.  But, when I’ve had free time, I’ve finally been able to get in touch with one of the old novel manuscripts I am forever trying to finalize. It is a very old manuscript–first written probably at least fifteen years ago.  This has made it very hard to pick up again, as there are many things about the style–the pacing and scene choices–that I would not adopt if I were writing it fresh.

My embarrassment about the stylistic choices has been intense enough that for years it has been hard for me to even look at this particular manuscript.  At the same time, I could not bear the idea of massive structural revisions (though earlier on I did try some.)

But somehow now, I’ve just accepted the book, more or less, in its basic format.  Yes, it has an older-fashioned pacing.  Yes, it is very internal, probably a little static.

The content is also difficult.  It is about child sexual abuse.  No, it is not, thankfully, about me.  But, because one colors one’s writings with the palette of one’s life–and I have definitely used elements of myself and of persons known to me to make the characters more real–it has long worried me that readers will assume that the content is true, that it is memoir rather than fiction, and that the book presents accurate descriptions of the real persons who bear similarities to the characters.  (It does not.)  Of course, I’ve worried that publication could inadvertently cause pain.

So, it’s been a struggle–all these issues still make me very uncertain as to how I will handle the completed manuscript–but I am almost there.   The first five to ten pages are not quite right–probably the rest of the pages are not quite right either (!) but beginnings are always incredibly hard for me and especially here where the actual, true first pages were written before the story found its way.  Nonetheless,  I feel certain that pretty soon, I will either get these pages right, or just accept their current revised form.

Anyway, I want to thank all of you who’ve checked in to the blog.  I wish I had a little more mental space as I really miss the wonderful engagement of writing poems, and the friendly back-and-forth of the online poetry community, but for now and a little bit longer, I just don’t have that reach.

Thanks again.

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The photo above is posted from my iPhone–you may need to click on it to see the whole thing. 

A Tree That Doesn’t Grow in Brooklyn

January 20, 2014

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A Tree That Doesn’t Grow In Brooklyn

She got back and the tree was gone, even the square of yellow dirt in which the tree had struggled was gone, and their neighbor’s belly gloated over his lawn chair just out front, no more leaves slick as shit for those Sp–cs and N—s to sue him for anything they could, he said, and she screamed at him, and marched down the street still torn-up, asking every guy in a hard hat till two pointed towards a storefront other side of Metropolitan where the City had set up some temporary office for the fix, and she marched into its yellow paint and blueprints, right across from the pizzeria where the guy was missing half his right thumb and part of a forefinger too, and they’d had a tree, there–there–pointing on the map at the little square break in the row of connected squares, and he said, yes, but the owner told them that they didn’t want it, and she said, but he wasn’t the owner, and he said, oh, and something about a letter, and she brought up jackhammering, a vein in her temple throbbing she was sure, and he talked about where she could send the letter, and how the tree had been dead already, really, the bark ringed, and she thought of their neighbor getting out of his lawn chair for once, squatting down with a knife, or maybe paying some kid to do it, you know, one of the ones who was sure to sue him if he slipped, and the guy shrugged and she stepped out of the office, the narrow green door with the diamond peep holes so heavy it almost slammed her, and how could they, when it was on the map, how could they just uproot it from
the ground–

and the office had been air conditioned more heavily than she realized because coming out onto Graham was like being flattened .what with the summer exhaust of car, truck, bus, the oven drafts of air conditioner, the fan of pizza parlor particulating tomato–

and she kept thinking of the difference of a tree–she could take the neon and the freon, she could stand below the river whole subways long, she could look down the vista at the red tower of that hospital you were supposed to stay away from at all cost, and up the vista at the rumpled pant’s legs aimless on various street corners,

and now she did look down the vista and spindly specters were planted every several yards, their burlap still showing like the shoes of the homeless, but not like the homeless, because this was beauty come calling, like the knobby legs of fawns daring the combed cement, like a gift of grapes from the sky, like scattered molecules of breeze–

all but on their own little block–

and as the sun beat down on the too white new cement and the too black tar, she felt any chance of shade ever evaporating, much less blossom, the stoppering of breath–of the inhalation, that is, not the yammering–

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Here’s a belated, but still very much of a draft, piece for dVerse Poets Pub prompt on trees posted by the very prolific and creative Bjorn Rudberg. 

Lonely In A Florida Kitchen Morning

January 12, 2014

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Lonely in a Florida Kitchen Morning

The words “low fat” do not feel like friendly greetings but name calling–hoots from the side lines of cabinets, shelves, fridge–they shout from every vantage point–”low” a descriptor of her brain state; “fat” an appellation for her personal container.

Though in her case, it’s more a heaviness of mind than body; too many unloseable layers.

As she shifts through the cupboard, “natural” clangs in.  The straight faces of the boxes frankly amaze her–she, who knows perfectly well that cardboard does not shout in nature–

“Whole,” sneers the double-plasticked.

She remembers apples.

They too are body-bagged.  Still, a burst of fellow feeling lifts her as she bends into the crisper to grab one, crunch.

Or rather, not crunch.  But as something like sustenance syrups down her throat, her sense of good and evil is also re-affirmed.

She feels like an interloper withdrawing, she and her prize, as if she should back away,  as if, like a time traveler, she should do everything in reverse.  She hears at her back the silent fury of the “fiber,” the glares of the cornered cellophane–all those individual wraps of what were once food stuffs–so angry–as if she were the one who had labeled them–

And then, just as she steps back to the spare bedroom,  she catches at the roof of the neighboring house, a pane of sky.  How is it  so perfectly blue, so blankly solidly blue?  How does that happen here?  Almost every day?

She goes back to the counter, reaches deep into one of the boxes.  Breakfast cereal from a pseudo health-foody company, bought, she suspects, especially for her visit, or perhaps, one of her prior visits.

The oats and all the other stuff that make it–that is, what is left of oats and all the other stuff that make it–are shaped into little tan hearts.  Too sweet, her mind says, as she crunches, too refined.  She reaches down for another handful, and then crunching, another.

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Here’s a little sketch done while traveling.  I am having a hard time posting, and so although I was in part inspired by Shanyn’s wonderful prompt on dVerse Poets Pub, about looking out a window, I am not linking this anywhere as I fear I will have a hard time returning comments.  The photo is of a Florida sky, but not as clear a one as that described in the piece. 

Resolutions For Old/New Year

December 31, 2013

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I had a sense that my new year’s resolutions were doomed when I looked down at the page on which I was starting to write them and saw I’d titled it “List for 2013.”

There’s a part of me that viewed that as one more sign of my decay, but then a good old defensive part kicked in.  Ah, I told myself–maybe a mini-review of what held me back in 2013 would be  a far more useful exercise than taking random stabs at that great but as yet unwedged pie in the sky of the upcoming year.

So what would I change in my personal 2013, if I had it to do over?

It came down surprising quickly to two words–”resistance” (as in having less)  and “quiet” (as in being more.)

Resistance is a shorthand for the concerns of the Serenity Prayer–you know, the one about having the courage to change what one can, the strength to accept what one can’t, and the wisdom to know the difference.

By resistance, I basically mean all those acts of non-acceptance and also all those non-acts of change that took up so much of my last year.  These are activities like moping, kvetching, carping, procrastinating–these may lead some people (eventually) to a burst of either reformation or resignation, but they are more likely, in my case, to lead to (i) a waste of time and energy that might otherwise be spent purposefully;  or (ii) a bungling of the contentment that might otherwise be attained.

Half the time I find myself complaining about circumstances to which I am actually fully committed, but which are–surprise surprise–just like me–imperfect.  (By “circumstances,” I also mean people.)

But my resistance typically only accentuates the imperfect–for example, I make my free time shorter by a henpecking focus on its shortness; I make the rocky parts of relationships rockier by grinding at them in a way that only sharpens them; I make all those chores and tasks and duties we all face more burdensome by stretching them out through procrastination (i.e. websurfing.)

So enough already.  Here’s the resolution–to stop adding to the inherent entropy of life–to let go, in other words, of some of the friction.

And the ‘being more quiet’ part–that speaks for itself.

Happy New Year to all of you!  I really do not know where this blog will go in 2014, but I am so grateful to you for your kindness and support for the last few years.

Taking a Break From Blogging Break (With Pearl!)

November 2, 2013

I am now taking a blogging break to try to revise and finish an old novel manuscript.

But right this minute I am taking a break from my blogging break because I will do anything rather than revise and finish this old novel manuscript.

Ha.

I very much want it to be done.

I don’t even mostly mind the work of doing it.  Not when I am in the midst of such work.

I just have a hard time beginning and sticking to the work:

  1. because I have no faith that I can/will complete the task, meaning spending any time at all on it is a waste.
  2. because I have no faith that even if I do complete the task, it will be very good, or even if good, will be read, or liked.  (Meaning spending any time at all on it is a waste.)
  3. because I hate making decisions and revising is a non-stop decision-making process.  (As in–yes, cut this.  And this.  And this.  And, should you re-write this?  I mean, seriously.  Are you actually improving anything here? Oh yes, and maybe you better put that back.  I mean, it’s a plot point, right?)  (Meaning that it’s not all that fun, meaning spending any time on  it is a waste.)

Here’s where discipline comes in.

Meaning …that if I want to do this, I have to just make myself do it, even when I don’t want to.

Meaning…. better get back to it.

Meaning… Pearl, did you leave any for me?    (To have with wine/whine.)

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Note that for the sake of my sanity and to escape the solitude of a big project I will probably be posting little whining notes like this every once in a while this month.  Feel free to comment–encouragement is always welcome, but disparagement will probably feel more familiar (i.e. like talking to myself.)  I will try to return visits, but may be slow.  

Also, I am doing this during nanowrimo month to get some energy from collective prosing despair – but my project is really one of cutting not writing.  This particular manuscript is already written and much too long.