Archive for the ‘poetry’ category

New Yorkers at The Velvet Garter, Somewhere West

October 19, 2013

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New Yorkers at The Velvet Garter, Somewhere, West

I wanted you to love me on that trip
and felt you pretty much did
after that hour against the tiled
shower, when I was, for at least a while,
as important as your art, something that you might
mount upon a wall, and breathing glee together, we got back
in the car and drove, not at that moment consciously
further West, but to find some twilit entwine
of neon and of dance, even asking
the toll booth operator because no one else
seemed able to tell us–  Where’s the action?
she repeated, dazed bangs sounding out
conundrum, and we said, you know,
fun,
and after staring at the strip
of toll roof in case some early stars might just poke through
to point the way, some folks like
the Velvet Carter–
at least that’s what we thought
she said, naming an exit.

You yahooed, speeding off–so moist still with
each other, the windows gusting
rusting cobalt–and I wondered if we could keep this close
in the City with its whipped grey grids
that blocked you into your work, and me, sort of,
into mine,
then found a white-bulbed sign edged red, and everything
just shrunk.

Sure, the sky we parked beneath
was big, and yes, I felt your warmth
at my bare arms, but it was hard
to keep that smirking togetherness as the
hostess led us in, earnest lipstick tucking cherry
between puffed cheeks, and gloom
pressed down,  at least on me, with
the off-slant of the tablecloths, shabbiness
of stale smelled steak, the sateen reds making me almost
seasick–

Only two other customers, a guy at the next table draped
over a couple
of chairs, skinny legs, boots, splayed, ruffled velveteen bands bunching
the joints of his jeans and sleeves–
a woman squeezed beside him, cleavage even
at the elbows, several bowled goblets encrusted
with gobbed salt and a few more velvet
bands made us realize as we looked down
at the plastiscene menu that what ringed his limbs were garters from
drinks drunk,
and that the name of the place had nothing at all to do
with wagons–

Loneliness fell like night–
hugely; the stub of cigarette
abandoning the guy’s bleared smile showed teeth
stranded at each side, his girl’s hair flat and split
as a bleached beach
under darkening tides, her eyes like the eyes of a collie sad
to be left outside, a collie with one eye black, one blue, though
hers were both just blue, blackened only
by mascara.

This is where people out here
have fun
? you whispered
shaking your head,
but I couldn’t laugh, and as we waded back through velveteen to
blacktop and looked again at the quavering sign, we noticed how
the grin of the G had blown dark (why it looked
a C)–and could not even hold hands.

We were still travelers together,
but any connection of flesh, man-
woman, felt like a worn-out game,
exuberance toothless, our wandering selves slick leeches
sprawling the parched–and I wished guiltily
to be back between my City’s lit grey walls, walls that
held throngs of people and paintings and shelves of words
writ whole, though I knew that was
unfair–the town poor and this bit
of the West beautiful, truly,
if the eye would only
stretch out over its vastness and the City
could be plenty lonely too
just like anyplace where there are couples.

***************************

This is very very much a draft poem, and very belated also, intended to somehow be “beat” for the prompt by Gay Reiser Cannon on dVerse Poets Pub —  It is much too long, and prosaic, and hard to follow., but I’m posting it because I’m not sure how else to re-write just now.   I am also posting for With Real Toads Open Link Night. 

PS – the red and white thing in the drawing is supposed to be a velvet garter, not a santa cap. 

Also – the poem is not autobiographical!  I was trying for the Jack Kerouackian.  

Finally– this has been edited since first posting, changing the last word from “people” to “couples.” 

The Debt Ceiling That Can’t Be Raised

October 18, 2013

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The Debt Ceiling That Can’t Be Raised

I’m not so worried
about the national debt
as the global debt, yet
untallied==  No ticking sign
in Times Square clocks
species docked, soil debased,
seas acidified, landscapes wasted,
or all that roiling plastic
that already bastes us–
little interest’s been paid, but
we’ll be in the hot seat
soon enough, ash-due.

**************************

Here’s a rather gloomy poem for the G-Man – 55 words (sans title or hope) .  Though I am extremely glad that some of the silliness in Washington has come to an end for now, I worry that with all these self=inflicted crises, no one can focus on true problems, which, to my mind, are not limited to issues of economic growth.

The above is a detail of a chandelier of recycled plastic bottles made by Katherine Harvey that was hung in the World Financial Center last year. Although I think plastic is dreadful stuff— it breaks down and gets absorbed into the bloodstreams and guts of all kinds of creatures–Harvey’s sculpture was stunning.  More pics can be seen here. 

Meatpacking Plant

October 17, 2013

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Meatpacking Plant

Underage, she worked
under her sister’s name
for months,
metal fingerguard sweating, nearly mis-
slicing when the managers, all men, sidled up behind,
hot breath
at her hairnet,
chortling over
the blood in her cheeks–
sure that they could tell.

A year after leaving, needing something temp, she applied again
as herself,
explaining that she had, in fact,
experience.
They kept their distance
showing her out.

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Here’s a little poem for Mama Zen’s prompt on With Real Toads With Real Toads to write something for Boss Day in 67 words or less. (This is 66 minus title–sorry, MZ.) It is a true story of my mother working as a young girl during the Depression at a meatpacking plant, posing as her older sister because she was not old enough herself to work.

I’m sure that it was a pork packing plant, but I have this picture of a cow ready, and it’s such an innocent little cow, it seemed somehow appropriate.

Unredeemed

October 14, 2013

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Unredeemed

They were green as cash and though I glued them
in their rows, I never got a chance to redeem them,
careless enough

that once I went to J.C. Penny’s Lost and Found,
down in the basement like the sheets,
looking for my bag, brown and tassled–
but instead retrieved a black patent leather
I’d lost some years before,
my Sunday School purse, unsnapping it
to my book of saving stamps, though the Tru-Value Store no longer was
in business–

Redemption is something I find hard
to get right–
take certain things I’ve done=-
matters of life and death–at least, of a good death–
acts for those I loved–a taste of honey, an insistence
on no more pain, even just the lending
of a rose-fogged lens, doctored
remembrances–
I could line them up in a book,
but there’s no cashing in

acts shelved low in the heart.
I might wish they could be lost,
but they’re forever found–acts that seem to have acted
on their own, but that, in fact, were acts taken,
and the price I pay is a price
I will pay always–
the price of love.

***********************************

Here is a very belated poem for Fireblossom’s Friday (Shay’s) prompt on With Real Toads about redemption.  I am also linking this to the Open LInk Nights on With Real Toads and dVerse Poets Pub.  

I have revised since posting a couple of weeks ago as I do not think people really “got” the poem the way that it was written–the problem with posting too early.  It had read

and the price I pay is a price
I will pay always, the price
of loss, the price of love, not
an even exchange.

But the poem is really about acts that we take out of love for a person, especially a sick person, acts that could be viewed later as hastening their death–I’m not talking about illegal acts, but merciful acts, and yet one does revisit the decisions always.  Anyway.  I don’t know if anyone will revisit this poem!  But I’ve changed it now.  k. 
 

Duccio’s Pillow

October 13, 2013

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Duccio’s Pillow

Duccio paints a pillow
for the Madonna to sit uponna, shaped
like a hot dog,
its countours long and thin
as the old-man babe who’s perched within
his mother’s dark robe,

itself a distended globe.
All is flattened
in the foreshadowing, incipient chiaroscuro
of what’s to come, except
for that brown orange pillow
that billows just a bit where
the Virgin doesn’t sit.

We all need salt softness
somewhere.

***********************************

A draftish poem for my own prompt of Poetics Italian-STyle for dVerse Poets Pub.  Duccio was an early Renaissance Italian painter, painting in the late thirteenth, early fourteenth century in Sienna.  From my high school foray into art history,  I always thought of him as the painter who made  hot dog pillows that the Madonna sits or lays down upon in the various scenes of her depicted life.  I’m not sure that this is a certified art historical fact as I did not actually find any mention of it in rooting around for this poem, though certainly the pillow above would qualify.  

Below is another Duccio, and below that, my own version of an early Renaissance painting.  (Guess which is which.)  (Note, “chiaroscuro” is a technique of painting using light and shadow to sculpt images–the technique was truly developed a little later than Duccio.) 

Note, that I have edited since first posting.

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How We Grow To Care– Dave King

October 10, 2013
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This is just an imagined image– I don’t think it really looks like Dave–I’m not a portraitist–but I just did it to express affection.

When you read someone’s poetry, you cannot help but get a sense of their personality.  Poetry tends towards the personal.  “Blogged” poetry (posted so quickly after initial creation) is perhaps even more personal.  Often the blogging poet does not have the time, or the wish, to insert the levels of separation that might arise from extended periods of revising, sticking into a drawer, revising again.

There are some  poets you get to know even better than others–not necessarily because the poets are confessional.  These poets just have “friendly” voices.  When you read their work, you feel like you are sitting down with them over a cup of tea.  Often they share something  that is even more warming than the virtual hot drink–they share enthusiasm, passion, determination, wonder–a vision and a voice–their truest selves.

Dave King, a poet who blogged at http://picsandpoems.blogspot.com, was one of these friendly voices.  You understood reading his poetry that this was a good man.  His death was just announced by his family on his blog yesterday;  I, and many in the online poetry community, have been terribly saddened by this news.

Dave’s work was insightful and clever.  Some of my favorite pieces are the sketches he wrote about village life in England when he was growing up (around the time of World War II).  The sketches are simply so much fun–they recreate this world–its rich quirkiness–its kindness and harshness, its quintessential Britishness–

Dave also wrote a lot of poetry exploring nature, physics, rather deep philosophical questions.  He wrote about people for whom he had cared–his students, his friends, especially his wife.

He had a wonderful visual sense–he occasionally posted a painting he had made, and wrote  about the act of painting, also about the act of seeing.

Dave also used his wonderful poetic voice to support the work of others.  His comments buoyed me up many many times when I just wasn’t sure that posting my poems was worth the effort.

Please do go check out his wonderful work.  The last pieces, written in sickness, are transformative.

Finally–I never met Dave–I’ve seen just a small picture of him.  So I know the above, meant to be a younger Dave, does not truly look like him, and I really hope the drawing doesn’t offend anyone.  (I’m not terribly good at portraits.)  My thought was just to illustrate the way a face becomes part of one’s context of the world–even a face one only sees in a little corner of a blog post–how strange it is how these creative online exchanges can reach across ocean and skies all the way to hearts and minds–

(I am linking this up to dVerse Poets Pub where Brian Miller has made a small homage to Dave today.)

Evening

October 7, 2013

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Evening

I walk out into air
too soft for fall.
It catches the hillside
in its net; I think of the filmy scarfs
old ladies wore when I was small
to shield their permanents.

It catches me too,
as if I were a tendril that might stray
from some cosmic ‘do
if given half the chance.

And I would.
The insides of my days,
so clockworked, cog-clogged–permanently, so it seems–
that even the caress of this weather is at first a heaviness
to be slogged through.

The ladies hurtled in their scarves
from door to door, car to church, store to kitchen, knots tied
beneath chins, whirls of tease and tame
perseveringly preserved–

How much I owe them, I tell myself, grass pressed damp
against my shins, then wonder what
exactly–this tangled mop, these clumsy boots, the insistence
that I should at least feel
worthy of love.

In the veiled reds,
greyed golds, so much leave-
taking–at the end, the scarf was worn simply
against cold, white strands loose
on pillow–the air too soft
for fall–I walk out in it.

*************************************
This is very much of a draft poem for Kerry O’Connor’s terrific prompt on Real Toads to try to write something influenced by Denise Levertov. I had read very little Levertov before the prompt, and I cannot say how this is influenced by her work, only that I read several poems and then came up with this. I really don’t think it’s “there” yet, but there it is. I am also linking to the open link nights of  With Real Toads and dVerse Poets Pub.  

October (why am I not) Surprise(d) (Dear John) (The Great….)

October 5, 2013

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October (why am I not) Surprise(d) (Dear John) (The Great….)

Come on, Pumpkin.

No!

Seriously, let’s not go through this again.

Wanna!

All we’re doing is going to the doctor, Pumpkin. You heard me make the appointment a long time ago, right? It was all agreed–

Don’ want ‘ppointment.

Remember how even Uncle Roberts said okay–

Hate Uncle Roberts!

–what with that great big hole in your head.

Hate head.

And all those foot wounds–

Wah!

I mean, I told you not to play with those pistols–

Wanna. Wannagun/wannagun/wannawannawanna gun!

And, by the way, Pumpkin–.

Mmmph…..

It’s probably not great to put them in your mouth, what with the 
powder burns and that big toe looking so–

Mmmph! Mmmphmmmphmmmphmmmphmmmph!

Yes, I know you suck, but honestly, Toots–

La La Lalalalalala (hands over ears.)

And blocking traffic is just plain–I mean, look there’s a milk truck waiting to pass; think of all the little kids that need their milk.

LALALALALALALALA! (arms and legs flattening onto the concrete. Correction, legs and one arm.)

Whoa! Could you please stop waving that thing around! I mean, you might actually miss your feet some time.

LA!

Okay, I admit it…so, it’s not just the hole in your head the doctor should see–there’s this other huge hole that’s opened up–you know, on your–

(Hands go to backside, face turns even more orange–)

******************************************

Here’s my offering for Brian Miller’s dVerse Poets Pub prompt on pumpkins.

Being There (between the covers)

October 3, 2013

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Being There  (between the covers)

Oh, the places you’ll go–
the odyssey
through the looking glass,
the voyage out
to the lighthouse–

Everything is illuminated,
darkness visible–
the red and the black,
the wind in the willows,
the shining
leaves of grass,

Goodnight moon.
Far from the madding crowd,
the sun also rises,
pale fire.

***************************

Okay, I’m not sure what it means either, but here is a “spine poem,” written for Samuel Peralta’s prompt on dVerse Poets Pub.  It also happens to be exactly 55 words.  So go tell the G-Man!

For those who may not know, a spine poem is poem “found” in the titles of books.  There should be a photo of all the books. I’ve been traveling tonight and had to come up with books that I know I own in one form or another.  I just could not get a photograph of spines together. (And I’m sorry this pic also doesn’t really suit the poem!  Tired!)

  The titles in the order of appearance are by Jerzy Kosinski, Dr. Seuss, Homer, Lewis Carroll, Virginia Woolf, Virginia Woolf, Jonathan Safran Foer, William Styron, Stendhal, Kenneth Grahame, Stephen King, Walt Whitman, Margaret Wise Brown, Thomas Hardy, Ernest Hemingway and Vladimir Nabokov.

I am still very uncertain of the poem’s title–if not the books’ titles–I may change when not trying to fit into 55 words.  (Hint hint Galen!)   Actually –I’ve edited this since posting. I meant “between” the covers, but put “under the covers!”

 

“Come here, Doll”

September 29, 2013
Photo by Margaret Bednar

Photo by Margaret Bednar of doll house rooms at Art Institute of Chicago

Come here, Doll

He looked down at his large hands,
the thumbs, to her,
like hammers;
then up again, slyly shy,
as if he peeked out from under
his own forehead.

Winked, eyes bright as the crinkle of cellophane
off a Dutch Master,
spreading out his arms,
come here, doll.

She went over to him–what else?
He pulled her into the spread
between his legs.

She smelled, from there, his aftershave mixed
with cigar
and the hard bristle
of his face, muscle,
the heat like another biceped limb
beneath the fold of clothes, holding her
in place.

She did not quite know
what to do in that place,
so tried to hold herself against
his holding, to hold herself in, to make herself
just as small as she could get,
to not let herself
touch anything.

*********************************************
A draft poem of sorts for the prompt of Margaret Bednar on Real Toads, featuring doll house rooms from the Art Institute of Chicago.  The photograph of one of the doll rooms is by Margaret, a wonderful photographer.  The prompt calls for a poem about place–I got focused on the doll aspect, but I think the poem is also about place, in a way.