Archive for May 2012

“Leaving” – Clarian Sonnet

May 3, 2012

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Leaving

When I left home to have my second child,
the first (latched to my legs) turned woeful, wild,
“don’t go, she cried, her “mommies” torn with “please,”
while I, as tearful, tugged her from my knees,
then picked her up to briefly wedge my heart
above the labor’s crazy stop and start.
I loved that age, that strength, but love won’t bind
much of anything that has to do with time.
So now when I hear words like “please don’t go”
I don’t return to births from long ago,
but to the bedsides dim of friends and more
where fearful like an only child, voice torn,
I pleaded with them please to please stay on,
even after every piece of them was gone.

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The above is a “Clarian Sonnet,” named after poet John Clare (1793-1864) posted for the dVerse Poets “Form For All” Challenge, and hosted by Samuel Peralta who blogs as Semaphore.  It is a sonnet based upon seven rhyming couplets.  (Quick editorial note –  the second child was born healthy and wonderful and the first and second are now very very close.)

I am also linking this to Imperfect Prose, where Emily Wierenga blogs about motherhood and other difficult/wondrous experiences.

Any Bidders?

May 2, 2012

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Sotheby’s auctioned Edvard Munch’s The Scream for nearly $119.9 million today, the most ever paid for an art work at auction.  I am pretty sure that I can get you the above (elephant included) wholesale.

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I am linking this post to Emily Wieranga’s Imperfect Prose.  Yes, I know, there’s precious little prose, but Emily asks for descriptions of things that are broken, and honestly, as much as I love Edvard Munch (I do), and art of all kinds (absolutely), I also think 120 million is a bit out of whack.  It turns art into a commodity instead of an expression and overvalues certain popular pieces and artists while undervaluing others.  Also, it causes viewers to see dollar signs rather than images.  All that said, congrats to the seller, Peter Olsen, Norwegian businessman and shipping heir, whose father was actually a friend, neighbor and patron of Munch.

MayDay Night Lower Manhattan

May 1, 2012

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MayDay Night Lower Manhattan

Helicopters strap the sky here as
the President speaks from Afghanistan, of
the deaths that laid
their ash a block from where I sit and so
many more since.

Earnestness
in the half-shadows below his
eyes, and I wish hard
for time to pass, to get, fast, to whatever
date he speaks of–that date that date that date
while copters buzz-saw the night, weedwhacking
lamplit peace, and I wonder
whether they are on the look-out for
terrorists or 99 percenters?
Nearly every wall here bordering Wall, so is it
retribution or redistribution that
they target?

I don’t know, only that
the endless tomtom (blades blades blades blades)
triggers a quiver in my innards, and I feel
thwap thwap
histrionic, yes, still
buzz
like a woman whose husband–New York–
has beaten her enough that
she listens hard now
for his return, any love left pleated
with dread.

Is his step heavy on the stairs? Is his lurch hard?  Goddammit
they are really coming
close
though what she mainly hears is her own
strained breath, her hovering heart, each
swallow.

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Agh!  A new poem written for dVerse Poets Open Link Night, hosted by Natasha Head (Tashtoo), under surveillance of endless helicopters down here in Lower Manhattan (even as I hope that Obama’s speech means we are moving closer to some kind of negotiated peace in Afghanistan.)