Posted tagged ‘Work’

Laboring To Connect The Brains

November 19, 2009

The brain is a funny quirky creature.  I say “creature” because mine, at least, feels, often, like a separate being.  Separate from what?  I’m not exactly sure.  The self?  The soul?  Itself?

Maybe a more accurate description is that the brain (again, mine) seems often to be divided into (at least) two parts—the watcher and the doer, the judge and the experiencer;  the witness and the defendant; the onlooker and the looker.

I don’t mean to suggest though that one side is active, and the other passive.  Or that one is more analytical.  I have to confess that I haven’t analyzed the division that closely;  I’ve noticed that both sides seem to be fairly emotive.  They both crave and fear; recognize damage, pain, desire, joy.   Though my brain, at least, has notoriously unscientific notions of the causation of any of these shadows and bright spots; it tends to assign causation to external circumstances, happy or traumatic events, of which it can sometimes remember only the vaguest inkling.  Even so, outside factors are somehow a less troubling causative factor than the darker inks of genetic blueprints.  No one likes to feel that they are going to end up exactly like their aging parents.  Even when they very much admire their aging parents.  (In case you are reading this, did you get that last bit, Mom?)

Then there’s the whole subject of absorption.  By absorption, I don’t mean, escapist fascination (surfing the Internet for news about Robert Pattinson, for example.)  I’m talking about what it is that makes the brain click into gear.  And I don’t mean function, I mean, hum. What is it that makes the watcher and experiencer close ranks, the brain and the self interlock?

My first answer for this (at about Union Square, since I am writing on the subway) is work, preferably creative work.   I feel a bit like a character in a Chekhov play (Uncle Vanya, specifically), when I think about the importance of work, especially, of course, engaging work, work that one likes.

But, as the train chugs towards Grand Central, I realize that the category should be enlarged.  That it isn’t just work that pulls the selves together, but effort, intense effort, labor.

Which makes me suddenly realize why I have wandered onto this topic in the first place.  Because for me, the most intense experience I’ve ever had of the coming together of brain and self, watcher and doer, judge and experiencer, was some years ago on this very same date shortly after 1 a.m. when, after forty hours of labor (as in childbirth), I realized that a part of me could really not hang back, lurking in some cranial synaptical view chamber (as if behind a one way mirror).  This was around the time that the words “fetal distress,” and “push push push the baby” surrounded me, some in an Irish brogue.

The watcher/witness simply had to jump in; all parts of the brain and self were on immediate urgent call; there could be no holding back.

Everything worked together quite wonderfully, as it turned out.

Subway Blog – Autopilot

August 27, 2009

Late late late.  In this case for someone who has come to a meeting at my office forty minutes early and called me at home wondering where I am.  Not entirely my fault.  Still bad feelings coat stomach.  Pace platform.

Where I find that the expensive purse which I bought in a trance last night in a shop in Grand Central really is too big, too heavy, to be truly comfortable.    Yes, the price was slashed by 70%.  (The store has been closing for weeks, and was down to the wire.)  Even reduced, it is the most expensive purse I’ve ever bought, and I’m not even someone who cares about nice leather.  I’m vegetarian for God’s sake!

When finally on train, I sit across from a pale, but slightly red-faced, man who wears round tortoise shell glasses, a pin-stripe shirt, a careful, if curly comb-over, and thick suede hiking boots.  He  seems to be talking occasionally, gesticulating, not wildly, but in the mild considered way of someone wearing a headset, only we are on a moving train and his ears are clear.

I can’t stop myself from meeting his eyes repeatedly, though they have a slightly fishy blankness (mixed with intensity) which tells me I shouldn’t.

Late late late.  Why did I wash hair that was washed last night?   And then I had to rinse it repeatedly because I was hurrying so much I first started drying strands still sticky with shampoo.

Ate swiss muesli too (something which should never be eaten fast) with guzzling speed.

I regret that speedy muesli now as the train chugs along and I catch the eye again of the round-glassed, slightly muttering man who suddenly looks genuinely sad.  His expression makes me feel somehow sick again, beyond the lateness sickness and the muesli sickness;  I wonder what has happened to him.

Or maybe, I think suddenly, in my wishful vegetarian blogger way, he’s just reciting poetry to himself.  What with the round tortoise shell glasses.  He has an umbrella too, on his lap, one with a wooden handle which means it was probably not bought on the street in a storm.  It could be the umbrella of someone who recites poetry to themselves.

But his mutters do not have the consistency of line for poems.  And, in addition, to the flickers of sadness, there is a strong cast of resentment around his mouth.  The only poet I can think of at that moment who is resentful is Bob Dylan, and the guy across from me is definitely not singing.    Though he does flick his fingers repeatedly.  Still, no.

Oh-oh.  I think he just said “swine”.  Twice.

I try to look away.

But the autopilot mania of my lateness, my prospective workday, my morning fatigue, and the rushed muesli, makes it really hard.

I force my eyes to the hand resting on the round purple tummy of the girl right next to me, pregnant, ruffly-bloused, whose long-lashed eyes are closed.  I strive for a bit of her calm.

But striving and calm don’t mix all that well, and the guy across from me says something a bit louder now, over the sound of the train tracks.  I look up;  this time he stares right at me.

Oh the New York City subway system.

Now we stop.  Train traffic ahead.

Right next to my guy sits a blonde woman writing hurriedly on a pad with lots of pastel pages.  She seems happy, animated;  her ears do wear earphones, she sometimes twitches with rhythm, energy.  I wonder immediately if she’s writing a blog and imagine it to be a funny one. .

Then my guy, the one I’m trying not to look at it, suddenly punches the air, each elbow at a sharp right angle, as he hits the space before him.

No one else seems to notice.  And I force myself to look away.  Punching’s a bit much.  Stare instead at the black-bordered screen of the guy beside me.  He watches it intently, his thumbs on dials.  It looks like there is a animated woman in a noose on the screen.

When I get off, I walk fast.

(The above post is part of a continuing series about stress.  See e.g. “From Rat Race to Rat Rut” and any post mentioning Robert Pattinson.)

If you want something unstressful to read to kids on subway, check out 1 Mississippi, (Karin Gustafson) at link above, or on Amazon.