Posted tagged ‘Steven Slater’

My Own “Take This Job And Shove It” Moment

August 13, 2010

Should We Take The Guitar?

Thinking of Steven Slater brought me back to my own “Take This Job And Shove It” moment.  It really didn’t have much to do with shoving a job (I was raised to be very very nice).  It arose more in the context of seeking a job, and had to do with the Johnny Paycheck (the country music singer about whom I wrote yesterday).

This was back in my own country music days.  They were also my  law school days, but law school, as you may have heard, is not exactly scintillating, and my brilliant, beautiful, roommate, Cynthia, and I decided that writing country music would be a viable (and far more interesting) career alternative.

The problem with the music world is that it’s difficult to just decide to have a career in it.  Especially if you are not all that talented.  You need an “in”, a break, some significant help from the stars, both celestial and human; at least a hook.

Our hook came (we thought) in the form of the “Paycheck Song”, a song we wrote while interviewing for summer jobs.

It would be just perfect (we thought) for Johnny Paycheck, his next hit after “Take This Job and Shove it”.

But how could we get it to him?

We had the young and blonde part going for us; but we were far from Nashville.  (We were in school in New Haven, Connecticut.) Our efforts at groupydom were going to be significantly mitigated (to use a good law school word.)

Our chance came when Johnny Paycheck came to New York, to the Lone Star Cafe.

The show was on a weekday, but hey! this was important.  We took the train down in our best (in my case, only) Texas boots.  Cynthia’s had tassles.  Our hair gleamed, our eyes glommed, the lashes thick with mascara.  Our hopes were crazily high.

So many decisions to make:  should we should mention that we were in law school?  (No.  It would make us stand out, but might seem weird.)

Should Cynthia bring her guitar?  (No.  Her playing wasn’t that great, my singing worse.)

We would just give him the print version of the Paycheck song, with big smiles, a little enthusiastic crooning.

Johnny Paycheck was a short grizzled man back then; his skin had the slightly leathery look of hard living in hard weather–sun, wind, cigarette smoke.

He gave a great performance, but even in a small place like the Lone Star, the back stage was, well — way back.  I remember a glimpse of the dressing room; black cowboy hats blocked the wedge of open door, a make-up mirror was overbright behind them.   The people at the door didn’t seem all that interested in our page of sheet music.

Did we hand it to someone?  I think so, but we couldn’t really wait all night to see what happened to it.  We had a train to catch, class in the morning.

Steven Slater – The New Johnny Paycheck (Sans Guitar) – “Take This Job And Shove It”

August 12, 2010

Johnny Paycheck ("Take This Job And Shove It" by David Coe)

“Take This Job And Shove It” made a career for Johnny Paycheck in the recession of the Carter years.  It looks like Jet Blue flight attendant Steven Slater may have found a similar niche.   (If you’ve been on another planet, he’s the flight attendant,  who after getting hit on the head with a nasty passenger’s carry-on, told the passenger off on the PA system, and then activated and slid down the plane’s emergency chute.)

Americans love someone who gets sick of it all with panache–such a welcome relief from people who get sick of it all with a gun.   (See e.g. Omar Thornton, the Connecticut employee who shot himself and eight others at a disciplinary hearing.  “Everybody’s got a breaking point”, Joanne Hannah, the mother of Thornton’s girlfriend, said of him.)

I can’t comment on Thornton’s state of mind, except to think it was truly broken.

Slater’s mood  is a lot easier and more pleasant to try to read.  Everyone has “been there” as it were, on a literal or figurative airplane where their head has been hit by someone else’s overbearing physical or psychic baggage one too many times.

Most people restrain themselves (and tend to be glad that they did.)   Even so, there is something especially dramatic (tempting) about leaving or losing a job during difficult employment conditions: something that you can’t readily leave automatically feels confining  (see e.g. prison.)

When you feel like you can’t just walk away, in other words, there’s an exhilaration in watching someone whoosh, beer in gesticulating hand.

(For a recording of  Johnny Paycheck’s, “Take This Job And Shove It”, click here.)