Posted tagged ‘poetry’

12th Day of National Poetry Month – “Cheater”

April 12, 2010

Grrr....

I guess I’ve not been in the best mood lately.  This 12th poem draft seems to be evidence of that.  (Lesson of the day–writing can be a way to vent your feelings!)

Cheater

When someone cheats me, or worse,
cheats my friend, one for whom
I’ve stood in, stood up, I understand the mind
of the stalker.

I want to call the cheater, anonymously, at
whatever time he grins, and hiss
imprecations of punishment,
both divine and karmic.   I want
to seek out his car and smear something
on the glass that will dry hard and
impenetrable—tomato paste,
shellac, maybe sardines–
spelling out some simple
characterization like “this guy
is a big fat cheat,” or
“smells like dead fish.”

I want to picture him
rattled, spilling large mugs of coffee
over a beige shag rug.
(A part of me wants to imagine him
stumbling with borscht, only anti-oxident,
wonderful beets are
just too good for the likes of him.)

Speaking of beets, I’d like to beat him, only not
in the flesh, but in the mind, in a re-make of
that money game we’ve just concluded (or he and
my “friend”), only this time I’d bargain him down
to a pinhead, a place from which he would truly beg, at which point,
I would gladly extend largess; I’d be absolutely
generous, a softie all over again, happy
to show him, at last, how these things should be done.

9th Day of National Poetry Month – Good News, Bad News

April 9, 2010

Good News/Bad News

Good News/Bad News

And then there was the children’s book
about the man–look!–who fell out of
a plane. That was the bad news.
But, phew! he fell onto a hay stack;
this was, apparently, the good news:
that his back was not broken
through the intervention of
dried grass. But hey! there was
a needle in that stack–
which was the bad news.  Except that, wait!
He turned out to have a spare camel
in his pocket which fit exactly through the eye
of that needle–which was the good news!
for it took him straight to, do-not-pass-go to,
the kingdom of heaven, not
so much because he was a rich man
but because the hay stack hadn’t worked that well,
after all, not against a fall from the sky.

Fourth Day of National Poetry Month – Easter Poem

April 4, 2010

Here’s today’s poem draft, an Easter Poem.   The drawing done during Easter sermon on the Church program;  I hope it’s not impolite, but it helps me to listen.  (Also I  hope some of you guys are also trying some daily poems so that I don’t feel like I’m the only one being silly. )

After Easter Service with Music By Tomas Luis de Victoria, Francisco Guerrerro

One miracle of Easter
is that a stone can actually
be rolled away.  No Sisyphus in
Golgotha;  no Calvaric wheel
of samsara, resurrection not
rebirth so much as return.  (Christ,
unlike the Dali Lama,
was not even asked to pick out
the wire-rimmed glasses of
the prior him.)
But why don’t they recognize him?
Mary Magdalen takes him
for a gardener; at Emmaus, he’s
the only  stranger in Jerusalem.
Though I’m not sure of  what I recognize either
except that when clear single voices chime
together in a Renaissance motet
the soul exists for some while, and any stones
in the heart become simply the stuff that
earth is made of.


First Day of National Poetry Month

April 2, 2010

First day of National Poetry Month was a day, unfortunately, busy with many non-poetry tasks, but two drafts were written as per my commitment, one on the subway up to a see a musical, the other, during an intermission (sort of).

The Suspense of Survival

The suspense of survival
can be hard enough to support,
that, at times, we almost wish it all just done,
rather than contend with the
uncertainty, the worry about how
it will happen and when, and whether, in the meantime,
it will hurt.
What’s me in me wants to add in “if
silently, though the mind knows truly
that not-surviving is a given in this world, so instead
it adds “in this world”, hoping like hell
(only not like hell) for another.

Home From A Musical

Just home from an old-timey musical,
a Rodgers/Hammersteiny musical,
whose refrains repeated, repeats refrained,
while true love waxed then slightly waned.
The bass was manly, tenor impassioned,
the soprano not quite out of fashion.
Internal rhymes danced through each line
as singers kicked their legs in time,
for these singers danced and dancers sang
as they acted out each heart-struck pang.
Hurrah hurrah for a musical show
that finds the lilt in every woe.

Sunday Poem (Mother, Daughter, in Father-Son Realm)

February 21, 2010

Script (Poem for Sundays)

A poem for Sundays–perhaps more of a story than poem.  Thanks as always for reading.

Script

Pictures hung in the Sunday School downstairs:
men mostly, whose long-haired, but not hippified, heads
were highlit with gold, clouds, doves,
and, hovering above, goatee-shaped
wisps of flame.

In the actual nave hung
only a spare metal cross,
lit by shafts of dust-mote-
dropping day.

Whenever the minister made an important point, he cupped
his hands together,
the fingers separate but clenched, the pinkies nearly throbbing
with tautness.  He used the gesture
to symbolize a knot.  But also growth.
Tense knotty growth.  How hard
it all was, how simple.

I watched the terse bend of knuckle closely, the extended
half-wound fists.  But, as the sermon droned, I turned to
other hands:  my own inside short white gloves, the
worn seam
tracing their perimeter,
like a railroad track en route to itself;
my mother’s, bare, cool, soft.
I picked up her fingers,
one by one, as if to find beneath them,
a way of passing time.

Then, just as my father’s shaved crust of chin
nodded over the crisp edge of Sunday shirt collar,
she quietly rotated
the bulletin on top of a hymnal and
modeled my name in script.
She used one of the short pencils stored in the pews
for new parishioners.  I, taking off one glove
to firmly grip the wood,
copied her letters slowly,
feeling each curve
as a blessing, a secret blessing,
for we were interlopers in that
realm of fathers/sons/ghosts,
the ones who snuck beneath the shafts of light,
then basked in them,
we women.

(All rights reserved.  Karin Gustafson)

In Honor Of Unromantic Love – Pre-Valentine’s Day Poem

February 12, 2010

Valentine Sweetie

For kids, Valentine’s Day is not a completely romantic holiday (at least it wasn’t back in the stone age when I was a child.)   In the spirit of total inclusion, little Valentine’s Day cards were given to every member of one’s elementary school class by every other member.   (They weren’t exactly cards, more like little pieces of paper filled with hearts and silly slogans.)  A more elegant heart (of chocolate) was given to the elementary school teacher, and those little chalky fortune-cookie message candy hearts, the ones with the red print embedded in their pastel sides, were eaten (or saved and studied)  by everyone else.   I say fortune-cookie message hearts in that their messages, like fortunes, were sometimes a bit difficult to understand.  “Be Mine” was obvious.  But “Sure Thing” seemed a little odd to a six-year old.

(Apologies for the heart candy painted above, by the way.  I’m not sure those chalk hearts had punctuation.)

The point of all this is that Valentine’s Day was about love and not just romantic love.  In that spirit, I’m posting a non-romantic love poem.

Going in to look at my daughter asleep

When I walk into your room
I try to sneak
beneath your soft
small breaths like
hiding inside the
lilac bush, trying not to laugh, like
the dreams in which I
sit with my dead
grandmother, so happy to
have her back.  It’s a rebirth
each time I see you after
not seeing you, it’s
as if you had made
the dead rise.

All rights reserved.

The Dark Side of Carpe Diem – A Villanelle

December 30, 2009

In the last couple of posts, I’ve written about carpe diem, or carpe decade (using a symbolic date, such as the turn of the decade, as a goad to long delayed action).  But here’s a villanelle about the dark side of carpe diem, i.e. impatience!   A demand for action is pretty useful to impose on one’s self, but not perhaps, on someone else.

If you are interested in the form of villanelle and how to write one, check out other posts in that category from the ManicDDaily home page.

Right now

Fretful insistence marking the brow,
she pretended to ask but her tone commanded.
I wasn’t like her no way, no how,

still I’d spent the day as her little hausfrau,
wiping the dustless as she demanded,
fretful insistence marking the brow.

“That letter’s ready, could you take it now?”
“The post office’s closed.” (Take that for candid–
I wasn’t like her no way, no how.)

Besides that, I was much older now
no longer a child to be reprimanded
fretful insistence marking the brow.

“Still, take it,” she said, “take it right now.”
My heart felt her will like a bird that’s banded,
but I wasn’t like her no way, no how.

“We’ll forget it, if you don’t do it right now.”
Her right side frozen, she passed it left-handed,
fretful insistence marking the brow.
I wasn’t like her no way, no how.

All rights reserved.  Karin Gustafson

“In the Ukraine”

December 15, 2009

Here is another poem which has the dank feel of early winter.  It was written after reading about Father Desbois, a French Roman Catholic priest, who has worked in the Ukraine to document the murder of Ukranian jews during the Holocaust.  It was brought to mind today by Hanukkah (another shining of light), and the terrible news of a different priest (a Russian Orthodox priest) leading a crowd to attack  a Menorrah in  Moldava, neighbor to the Ukraine.

In the Ukraine (sixty-some years later, still finding)

Reluctant shovels prod earth;
roots grip hard; growth
took well here,  the ground
not trod by paths, boots,
only perhaps by light feet running on a dare,
and the fine dart of swallows,
a swivel of darkness against blue-violet,
evening sky;
the underdirt unfolds in webs
of stems as pale, as green, as bones;
coarse hair that might have grown too, white.
Men pause, leaning against
shovels’ long-grained necks; it feels
like gasoline coming up,
a poison surely
that must come out, that wants to come out,
still burns.
The priest extends his hand, not touching flesh or cloth–
“this was the place?”
His voice reminds them of rock–worn, smooth,
soft, hard, a color that seems to them indeterminate–
at least, they don’t know what it’s called.
Looking down from beneath wool cap, a looser collar
swallows unseen, then digs again.
Too late to bargain.
Yellowed pages rumpled
like the inside of that non-priest’s collar, the returning circle
of neck, have been
produced;  the prints of names
(letters quavering like blades of sea grass)–
the smudged “A” of
“AVRAHAM,” the terminal H of
“DEVORAH”–have been again recorded.
Dark eyes’ insistence
on having once seen, has been seen.
Burns coming up, those digging
want to spit it out
but can’t, not here.

All rights reserved, Karin Gustafson.

Sonnet in Winter – Hospital Visit

December 8, 2009

For a change of pace, here’s a sonnet, written about a winter’s visit to a sick friend.

The sonnet follows the Shakespearean rhyme scheme, and though it tries for Iambic Pentameter, I’m not sure that attempt is truly successful.  As noted in previous posts about sonnets and formal poetry, I tend to use a syllabic rule of thumb rather than to follow strict rules of scansion.

For further explanation of the Shakespearean rhyme scheme and some approximation of the rules of meter in formal poetry, check out prior posts re poetic meter, and sonnets, and for reasons to write formal verse .  (And plenty of others – check out poetry category.)

No chance

I wanted to give her time, a summer’s day,
a perfect green blue day that I would pluck
from my summers to come, that I would lay
upon her bed, and, shimmering, tuck
around her.  It should have been an easy offer,
easy to say.  After all, the future
can’t be readily assigned; life’s coffer
holds nothing forfeit.  Tubes followed suture
to a darkness barely gowned; I searched around
my jangling brain for words, but what came out
were stones that lined her pillow, the sound
not meaning my meaning, and not about
summer days; my own fierce will to live
hoarding what I had no power to give.

All rights reserved, Karin Gustafson.

(If interested in different forms of poems–sestinas, pantoums, villanelles, and more villanelles, and even more villanelles–there are a lot of villanelles.   Really.  Check out these links, and others.  Thanks.)

Friday Night in Winter Poem

December 4, 2009

Here is a poem written in Jaipur, India  (the “Pink City” in Rajasthan).

Jaipur

Cold inside, I foolishly drink
Two cups of strong hot tea.
Now I will sit awake all night
Thinking of you.

All rights reserved.  Karin Gustafson.

(PS- shameless plug:  Jaipur is a place of elephants.  If you like elephants, check out  1 Mississippi by Karin Gustafson, at Amazon, or link from home page.)