Posted tagged ‘manicddaily’

Tactics

September 18, 2014

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Tactics

The treachery of ardor
is an arrow in the eye
and in the bloody gush
of I-mush and you-mush,
vision schisms to scheme,
where we are only seen
in the cross-hairs of each
other’s cyclops’ glares.

One weeps,
but the salt seeps always
into recapture,
tears wrung out and again,
as if pain were a bucket,
as if pain could be filled up
to its top
then dropped in some deep well
to let us be well.

We fight
as if war could fill that bucket up
but fast
(with something other
than ash)
then full (we might say, won)
let us be done.

But actions, unlike flesh,
do not turn to dust before
we even turn around;
and an eye once lost
is rarely found
in not-looking.

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A poem of sorts for the prompt of a word list put together by the wonderful Grapeling on With Real Toads.  Yes, it’s a draft–in the moment before posting I cut out an eight line stanza–maybe the best stanza, but it seemed to just make the poem go on too long.   

Grapeling- Michael–expressed interest in the removed verse so I put it below–it was a second verse and this was one of a few iterations, maybe not the best, but what I took out last minute–sclera means whites of eyes. 

We lid our cribbed gaze
in righteousness,
let pride steel love,
train out any tender bend
towards anguish’s white flags, the sclera of
the vanquished (or simply the scared),
temper mettle
to sword.

Also, please do check out my new book, Nice, available in paper and kindle.  Please also check out my old books, Nose Dive (humorous novel), Going on Somewhere (Poetry), and 1 Mississippi (Elephants!)   They are all pretty cheaply available (most on Kindle for 99 cents, but I am happy to send a free copy to anyone willing to review on Amazon or Kindle–and the review does not even have to be pre-vetted!

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September 2014

September 14, 2014

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September 2014

On this fall porch noon,
as dark shutters are shuffled in and out
for repainting, and the farther world
reshuffles wars I try not
to read about,
the little bat remembers
grey,
a host of slats where he’s packed
his storm-cloud self,

till his wooden shield swoops dayward, shutter
carted away, and he, swung, sweeps the air
like a winged wind,
spanned panic banging against brightness
but not quite the screen door,
till he sites himself, unsighted, on a small spare strip leaning
wall to floor, the wood
that grey-as-a-battleship he knows
so well.

Slipping his quiver behind its two-inch breadth,
side-sliding his cling
into its stripe of shadow, he tries again
to roost.

I confess to not much liking
bats,
to, when they are near,
swooping fearfully, sometimes able
to pack my whole self under a low table or behind
a locked door,
but now I stop my sweeping
of the porch, filled with such fellow feeling
for his upside-down tremor,
that I call for help for him
and not for me,
and wait there with him
till relief comes with a soft net,
taking only a few steps back
into the unblinkered blue.

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For Grace’s prompt about September remembering on With Real Toads.   A bat did hide behind that little piece of wood after his shutter was moved away.  (I know I call almost all poems drafts, but I truly do feel very uncertain about the ending–and beginning–ha!–of this one.)

Also, sorry for the repeated plug, but my new book, Nice, is at last available in paper and on kindle–only 99 cents.  It is an interesting book, especially for someone wanting to go back to, or know more about, 1968.

PP Native Cover_4696546_Front Cover

 

Since I’m in plug mode (!), please also check out my other books, Nose Dive (humorous novel), Going on Somewhere (Poetry), and 1 Mississippi (Elephants!)

 

Bearing Up

September 12, 2014

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Bearing Up

She shuffled through life
like a bear wearing shoes,
which is not to say
that she scratched herself
indiscriminately
or would take any honey
who would have her,
and, honestly, “hirsute” could only truly describe
her underarms,
or when spelled differently, her work clothes–

but it does mean that she shied away
from most humans
(though not, typically, their food)
and from conflict too
except when her young were near any line of attack, when she would become as ferocious as–
well, you know–

It also explains why she wore socks always,
even in bed, her feet not as furred
as her predilections, and why she could stand no chair long–
bears preferring even a stump to a straight-back–

Shoes aren’t great for bears, but were, you know, manageable
when the kids were..um, cubs,
a mother willing to put up with all kinds of difficulty–
snout full of ants,
the sacrifice of salmon,
even pumps–
for the sake of family time in the den,
or, better, the dew of those summer nights
when they lay together in a flattened corn field,
cubs cradled in the warm and slightly hirsute hollows
of her arms,
staring up at their starred totems–

But it also explains the hobble,
later–
after the cubs had grown away,
and the shoes felt always too big,
or too little,
rubbing her slashed pads, the claws
curling inwards, some
wrong way.

It’s true that there were other bears around–
wolves, mammals, poultry too—
even some very cold fish, all also jammed
into shoe leather–but not being a social creature,
she did not interact with them, except to startle
at their nearby heel clicks
down city walks and tiles, and to wonder, repeatedly,
how the fish managed to tie their oxfords on
so tightly.

Perhaps had she ever gotten dancing shoes, ballet flats,
she may have fared better,
but remembering how she once carried
her erstwhile young, she always went
for a stiffer sole, something with support.
Besides, bears tend not
to be good at ballet, not liking
the barre, much less mirrors–

No, if a bear wants to see some version of itself,
it looks down to those beings it was born to protect,
or up to stars’ paw prints, glinting
in the blue-black sky.

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A draft draft draft poem–meaning freshly written, little edited, and probably too long–but for my own prompt on dVerse Poets Pub, meeting the bar, to use extended metaphor. I am also linking to with real toads open link night.

The picture is mine and was originally done to ask people to bear with me in filling in the shoes on the prompt for the wonderful poet and host Brian Miller (who has computer issues.)  But I liked the picture, and it sparked the poem.  For this poem, however, the bear should perhaps have different shoes.

Also–and sorry for the plug–but please do check out my new book, a rather serious one, called Nice.  It is available on Kindle for just 99 cents and in paper back for a bit more.  Also, I would be very happy to send a hard or other copy to anyone interested in writing a review!!!!! 

False Trade

September 7, 2014

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False Trade

Who will live in yesterday
slipping on the faux sleeve of tomorrow?
That us that can’t say yes, today,
to a present not pressed through the narrow–
the narrow I of our needling, my friend,
as we wheedle a bargain with sorrow,
our right-now breath lent to some other time,
time we pretend can be borrowed–

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Here are 55 of the somewhat examined for Mama Zen’s flash 55 on With Real Toads. (I’ve edited a couple of times since first posting–agh!)

Also, some news–my new (and only adult) novel, Nice, is out at last in print on Amazon.

PP Native Cover_4696546_Front Cover

The Kindle version should be also out very soon, if not tonight, tomorrow.  It will only be 99 cents, so I hope you can get it!   (I think a kindle version can be downloaded to a computer. )

And if any one is feeling especially kindly, I would be very grateful if you could read it and review it!

I will say more about the book in a future post, but I’ve gotten a bit tired waiting for the kindle version to make an announcement so am taking advantage of today!

 

PS – Kindle version is out now.  Here’s the link.

 

 

 

 

 

Circle

September 2, 2014

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Circle

Dear Mother,
I realize now
there was a miscommunication.

We were like children playing “telephone”–
sitting in a circle on the floor, mis-whispering
hand-cupped messages.

So, when you said, or at least meant,
“you are my everything,”
I heard, “you must be everything.”
And when you said, at least meant, “there is nothing
more important,”
I heard, “otherwise, you’re nothing important–”

I don’t know how the wires got crossed.
Maybe you’d misheard the messages yourself–
we were not the only ones
in that circle–

But the words of a song learned wrong
soon belong to the tunes we sing, fit our musics
like a glove.

So, what’s to be done, love?

What comes to mind
is simply kindness–
a kindness that is everything
yet gives itself, too, to nothing important.

It feels–the receiving
of this kindness–like bared hands cupping
one another–
like the breath of palm upon knuckle,
the caress of air’s
tissues–

It feels–the giving
of this kindness–like these hands cupping
a heart
as if it were an infant animal, baby chick,
some ball of warmth whose murmured messages
we think we well understand.

But it’s hard to cup one’s own heart, to reach
inside the cage of one’s formed ribs, twist elbows
against their grooves;
fearsome to stretch fingers
into that deep,
to find the aching beat one can’t see but must just feel for

when we sometimes seem to feel it everywhere,
even in the boards I pace as I call you, now from a cell phone,
as if the heart could be cut and sanded,
made into planks that we might sit upon, you and me,
holding us upright, as back and forth
we whisper, try too, to listen.

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Here’s a poem for Real Toads Open Link night. And also for Kerry O’Connor’s fortuitous prompt on dichotomy.

Trying Hard Though/ Roadside

August 28, 2014

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Trying Hard Though

I’d like to be–
a breath of fresh air,
drink of cool water,
fireflight encirling warmth, nights.

I’m more likely–
a breath of cold water,
drink of end air,
night flight, circling–

Meaning, if you would find me, seek,
the sodden, panting, extremely late,
still warm–

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The above is a poem about what makes me weird for Mama Zen’s prompt on With Real Toads.  MZ, the mistress of the verbally distilled, limits the poem at 46 words.  Writing this poem led me to the longer one below–sorry to try your patience, but if you are interested, it seemed to me the better poem–  Unfortunately, the pictures I tried to get of what I describe below did not work out–they needed to be videos taken from a moving bicycle–something that is well beyond my pay grade!

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Roadside

What I like about myself–
that I bow to the shadows of crickets flickering on the tar,
when the sun shines at just the right angle,
the whir of my bike stilling
by the lithe field.

What I don’t like about myself–
that I see shadows everywhere.

What I like about myself–
that I think about that dance of grays
for days afterwards, that I think too of the field–
how the grass rippled like a stream,
light sparking in the dry darts
of thoraces.

What I don’t like about myself:
that my brain feels
like crickets scampering.

What I don’t like about myself:
as many things as there are crickets
in the field.

What I like: that, for a short while, while the sun shone
at just the right angle,
my mind wheeled in sync
with singing legs.

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Thanks.

ps–I will be without Internet for the next few days so will not be able to return comments. Will respond when I return.

Pared Down

August 24, 2014

Pared Down

So, what if, in those days
when Despair walked her like a dog,
heeling her sternly,
one of those cabs she dashed in front of,
not exactly on purpose, but not looking both ways
when faced with any chance to dart away–
to bypass the silver flash of plate glass, to out-dive the splash of yellow
under white-skied sun, to feel, for a moment, lucky–
what if one of them had, in fact, crashed
and Despair smashed
into the tar, and even though lashed
to her same stretcher,
had ended up as hospital offal,
ashen–

Would she then, after the long recovery,
the fitting of fiberglass or steel, the pairing
of the prosthesis–
would she then, nights,
after its pegged bulk had been unbuckled, bedside,
long for you–
I’m talking to you directly now, Despair–
Would she feel, in the flat vacancy below the sheet, down comforter,
your abscessing absence–
Would she, wakeful
in the ache cast by your phantom, prop herself up,
and not quite able on crutches to feel her way, still search
by window’s glow, 
some bottle of balm or pill–
something that might kill pain
from afar, a heat-seeking missile
encapsulated–

And what if, by some strange happenstance, you, Despair–
that limb that is so much a part
of her given form–were restored–
the despaired-of calf reattached, the rank ankle knobs
re-positioned–
Would she now dog you? Trot gamely by
your re-joined gait even as you heeled her sternly,
after, that is, you held her close–

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Here’s a sort of poem for the “play it again, Sam” prompt on With Real Toads, hosted by Margaret Bednar.  Margaret gives a choice of certain past prompts–the one I chose was by Kerry O’ Connor to write a labyrinthine/mazelike poem (hopefully influence by Borges.)   The picture is another recycled one, I’m afraid–called “between a rock and a hard place. ”  (All rights reserved, as always.) 

To Do

August 23, 2014

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To Do

I make such a todo
of the to-do
that I don’t make time
to be.

To be or not to be, ponders Hamlet.
Don’t be a do-bee, responds me (after Miss Connie).
Dooby dooby doo, croons Frank Sinatra.

Frankly, my dear,
though I don’t always like his style,
Sinatra probably said it best;
for Hamlet doesn’t even make it
through the play,
and Miss Connie (of Romper Room)
never actually said it
my way
(ahem).

For there’s naught quite like
a dooby-do
when you just don’t know the words–
(so much so absurd)–
when you strive to do
what you want to be
and not to be
what you do,
when your face surprises
in mirror’s light,
when your shadow seems
yet stranger in the night–
when the world swims by
in grey-green glances
stillness swarming
insect dances–
so many many hums,
and you’ve got
to sing 
something–

 

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A draftish sort of poem for a prompt by Fireblossom (Shay) on With Real Toads to write something involving lists.  I mean dooby here solely as the dooby that goes with doo!  I wrote the poem last night and have probably over-lengthened today–originally ending with good old strangers in the night, but that seemed a bit grim. 

Have a nice weekend, and check all the great posts at Toads. 

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PS – both drawings are recycled, but old favorites–all rights reserved.

 

 

 

Pps– I have edited since first posting .

Screen-Free

August 21, 2014

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Screen-free

This is the First Day of the Rest of My Life.
Determined not to live it in the blue light
of a computer screen,
I grab my notebook and
what turns out to be
a leaky pen.

This is the First Day of the Rest of My Life,
but already my fingers are blotted bluer
than the dawnish morn (this being the First Day
of the Rest of My Life, I’ve gotten up early)
and I’ve smudged the down comforter
with indigo.

I tell myself that anyone who will live like I will
in this, the Rest of My Life,
will, of course, have bedclothes stained
with ink and, probably also, tea,
but that feels depressingly like
the rest of my life, that is, the spotty part that came before.

I try to block out the smudge
with my notebook–for even at the Dawn
of this energetic, disciplined, real-world Rest of My Life, I do not have the vim
to get up and wash my hands, much less
the comforter–

Rub my fingers along the white pages,
but their blue-lined grid is stolidly oblivious,
the ink already too embedded in my skin
to rub off.

A lone cow lows
out the window,
somewhere down the valley,
but beneath the same pale sky.

 

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Here’s a sort of poem posted for two prompts–though I don’t know that it’s quite right for either.  One is from Victoria C. Slotto on dVerse Poets to write about patterns in our life; the other is Susie Clevenger’s post on With Real Toads, to use a Native American springboard–in this case, the line–“Listen, or your tongue will make you deaf.” – Tribe Unknown.  I don’t know how this came from that, but I think it arose from the idea that the big change would be just to look out the window in the morning with neither pen nor keyboard.  

The drawing above is an old one, and because in black and white, I did not include the blue smudges!  

An other trinity

August 17, 2014

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An other trinity

Three is thee
and me and the other
me, which occasionally equals
more–that is, when Other You comes to the fore, slips
through the door, pours itself
into that “now” so full
of you, me,
and Other Me.  Yes, I
know it’s not fair.  Other You too should
feel free to be here, should know that space will be made
in the shaded crook of my breastbone
(or hers), but don’t you see–
I only
have two arms, and one must
keep hold of that Other Me, which means
I’ve only the one side left (or right).  So…sorry–
hope you understand–um–and You too–
whom I do love truly.
(So does she.)

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Here’s a “triquain,” for Kerry O’Connor’s prompt on With Real Toads.  This is a new form with a syllabic breakdown of lines, developed by Shelley Cephas.   I think this one would be “triquain swirl.”

The rather silly drawing is mine–no good eraser handy! so sorry for the smudges–but you probably get the point.