Posted tagged ‘Love Poem’

Another Villanelle – “The Nap”

November 22, 2009

Believe it or not, I have found, on this blog’s “stats,” that there are almost as many people interested in villanelles as in Robert Pattinson.  (Well, maybe not almost as many.)  Still, there is an interest.

This is fortunate for me as the villanelle form is one that I really like.  (Check out my other posts on this subject, if you would like to read explanations of the villanelle form and suggestions about how to write them.  Check these out especially if you also like Magnolia Bakery’s Banana Pudding.)

Today, I’m posting the villanelle, “The Nap,” because it it feels to me to have an autumnal aspect–after the fall, as it were.  (I was in upstate in New York when I wrote it, when the leaves were fallen, brown, and slowly drying out.)

To all those who are afraid to try writing a villanelle–you’ll see that  I cheated!  I modified the repeating lines;  in other words, I gave priority to meaning over manneristic form.   (Ha ha!)

Reading suggestion:  line breaks, in my poems at least, are not intended to denote pauses, unless there is also a specific punctuation break, such as comma or period.

Thanks as always for reading this blog.  I very much appreciate your sympathetic interest and time.  Comments are also always welcome.  Thanks again.

The Nap

Side by side, we slid to a dry, still, place.
It was not a woeful drought of age or dust,
the softer dryness of a tear-trailed face.

We never used to find this quiet space.
Any closeness quickly clambered into lust.
But side by side, we slid to a dry, still, place

where hands touched in a sweat-free interlace,
fatigue overwhelming pheromone fuss
with the softer dryness of a tear-trailed face.

Some other time we’d find that moist embrace
where pleasure mounts to such synaptic bust
I find myself side-sliding to a place

as blank as emptied well, as capsized chase.
(My brain reacts so badly to heart’s trust,
the softer dryness of a tear-trailed face.)

But today, we two, exhausted by the pace
of time and life and words like ‘should’ and ‘must’,
side by side, slid to a dry, still, place,
the softer dryness of a tear-trailed face.

 

I am submitting this post into the Gooseberry Garden’s Poetry Picnic, with the theme of love and lost love.

All rights reserved, Karin Gustafson.

Also check out 1 Mississippi by Karin Gustafson on Amazon.

Love Poem (Tangentially) Inspired By Federer’s Defeat

September 14, 2009

This is a poem I wrote the last time (or at least ONE time, one of the few other times) that  Federer lost an important match.  In that case, it was to Nadal at one of the French Opens, which because they are played on clay, appear on a bright orange surface, when televised.  (If you have read any of my posts re writing block, you will notice that it also centers on the trials of trying to come up with a writing exercise on one’s own.)

Would-be Poet

I, who must be purposeful at every minute,
even when lying in bed miles away, call to ask you
for a prompt, something to write about, something
outside of myself.
You are watching tennis.  You’ve taken the phone into
the TV room, but, far
from its home cradle, it emits a steady cackle.
Earlier, out of love for me, you left the TV, but this is
the second call of the morning, and Federer, the champion for umpteen
seasons, is being trounced.  In my mind, I see your leg
ticcing with compressed intensity as you sit
on the edge of the bed in that far room, eyes glazed by the brilliant orange
of the beamed clay surface.
But Federer is never his best
on clay!  I want to shout.
Don’t you know that already?  Doesn’t the world?

You speak slowly, squeezing words
out of the small part of you not glued to the screen.
I think of ‘static’ not as in the phone line, or even
our relationship,  but the electrified ash of my own TV growing up,
my brother sitting in the only good
chair, his huge bare foot blocking my view, his
big toe like a weird fleshy centerpiece on a table meant
to be intimate.  Crazy-making.  But in my image,
my brother and I are still, complaints and taunts
temporarily silenced by the buzz of the Emergency Broadcast System,
ninety seconds in which we were both awed
and irritated by something other.
How about ‘Photosynthesis?’
you say.

You are not a poet; you don’t pretend to be a poet; why
do I even ask you, a non-poet, for such help?
I groan.
Wait,
you say. How about ‘ love and photosynthesis?’
I groan again.
‘Asparagus’ then,
you laugh, making some inane
remark about how it’s like your love for me, endlessly growing.

I am so jealous suddenly, of the clay, the ball, the trounced Federer, but most of all, of your ability to just sit there and watch,
guiltlessly, lovingly, full
of bright orange beams.

(All rights reserved, Karin Gustafson)