Archive for the ‘Uncategorized’ category

MayDay Night Lower Manhattan

May 1, 2012

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MayDay Night Lower Manhattan

Helicopters strap the sky here as
the President speaks from Afghanistan, of
the deaths that laid
their ash a block from where I sit and so
many more since.

Earnestness
in the half-shadows below his
eyes, and I wish hard
for time to pass, to get, fast, to whatever
date he speaks of–that date that date that date
while copters buzz-saw the night, weedwhacking
lamplit peace, and I wonder
whether they are on the look-out for
terrorists or 99 percenters?
Nearly every wall here bordering Wall, so is it
retribution or redistribution that
they target?

I don’t know, only that
the endless tomtom (blades blades blades blades)
triggers a quiver in my innards, and I feel
thwap thwap
histrionic, yes, still
buzz
like a woman whose husband–New York–
has beaten her enough that
she listens hard now
for his return, any love left pleated
with dread.

Is his step heavy on the stairs? Is his lurch hard?  Goddammit
they are really coming
close
though what she mainly hears is her own
strained breath, her hovering heart, each
swallow.

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Agh!  A new poem written for dVerse Poets Open Link Night, hosted by Natasha Head (Tashtoo), under surveillance of endless helicopters down here in Lower Manhattan (even as I hope that Obama’s speech means we are moving closer to some kind of negotiated peace in Afghanistan.)

“Sunday Morning Ajar” (Mag 115)

April 29, 2012
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Image by Manu Pombrol

Sunday Morning Ajar

A swab about the kitchen quick
then silence re-descends so thick
it brings translucence to the calm
and calls for yet another balm.
Ah, he thinks, stripping down to luster,
there’s nothing else that cuts the mustard
like a Sunday morning soak.

Sinks, then feels the bath invoke
the thinker in him, so holds quite high
a slim slim volume of poe-try. 

Till suddenly, a blistered curse,
that’s quite the opposite of terse,
sounds loudly from a nearby room
above the beating and the boom
of door of fridge and counter clutter-
“gosh darn it,” comes a distinct mutter–
“and now where has my Dijon gone?”

He, dripping, reaches for his thong–
and hurries hurries all to dry,
while fumbling for an alibi–  
though it probably won’t do the trick
even if his brain works quick
for it seems he left the door ajar
while dipping in her favorite jar.   

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Posting the above for Tess Kincaid’s The Mag 115.  Tess gives a photograph prompt each week.   (It’s a lot of fun – check it out.)  I usually try to do my own version of the photo, but I am tired enough from National Poetry Month to just stick with the plain old wonderful image by Manu Pombrol.

“Giving Thanks For Small Favors” (Bugged by) Haiku

April 29, 2012
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Copyright Mama Zen Photography

Giving Thanks For Small Favors

Fake flowers gather
no bugs.  So I tell myself
when dark truths pester.

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The above haiku was written  for for a “Real Toads” Poetry Prompt featuring photographs by the wonderful Mama Zen (who has both a photography and poetry blog.)  It is also written for National Poetry Month, a poem a day–I’ve lost track of which number.  (Agh.)

“Short Sleeves” (Thinking of Sierra Leone)

April 28, 2012

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“Short Sleeves” (Thinking of Sierra Leone)

I cannot come close to really imagining
the bite of knife, the cold metal
below the shoulder blades.

My image of the invading soldiers as they unsheathe
their intent
is stock, stereotyped–when I try to place myself as captive,
the man now without arms, I feel
like the lowest thief of despair, a vampire
sucking at the heart of darkness, truth, suffering,
to fill my own precious
vacuity.

The metal hooks that serve
as his hands
bring wounds to my head, soundbites like
“the congealment of survival.”

My safe/sound cerebellum sees him dreaming
of lost arms, fingers, that clutch at the throats
of metal grins, until, as a dark flock flutters overhead,
all taking wing at once, they stretch
down to his loins, caressing,
tender.  I imagine him waking to nub sides, weeping
at the loss of touch, the touch of him, and
I want to weep–that
part is genuine enough–I want
to weep without, I imagine,
ceasing, touched
in every part of soul I can muster,
hurting
as best I can.

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I wrote the above post for dVerse Poets Pub Poetics Challenge on vampires, hosted by a blogger named Blue Flute.  I have read my share of straight and fun vampire books–in fact if you search vampire on this blog–you will find vampire elephants, vampire camels, and many posts on Robert Pattinson–but today  the theme brought to mind the current war crimes trial at the Hague against Charles Taylor, Liberian dictator–the blood lust of the soldiers and the sorrow I feel over these things without, I know, a true understanding of them.   When Taylor’s  troops invaded Sierra Leone, they sometimes taunted victims with the “choice” of “long sleeves,” the cutting off of their hands, or “short sleeves,” the cutting off of arms above the elbows.  People were given “smiles” by the cutting off of their lips.  Taylor has been found guilty.

Watcher of Charles G. Taylor Trial, From Sierra Leone

April 27, 2012

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Watcher of Charles G. Taylor Trial, From Sierra Leone

He raises with hook a bunched white handkerchief;
it is not a flag of surrender.
Still presses it to lips to catch at least
pieces of sobs that linger, that sunder
him in two–before and after, then
and now–when already he’s been trimmed
down to his core, both of his arms sliced off when
the slicing was good, so that now he’s rimmed
with sling, limbed with plastic counterparts.
He misses hands, mourns more those who are gone–
he wants to see their shine of faces, hearts–
not smeared with blood and not with bodies shorn.
He wants to take them in lost arms, to enfold,
he wants them back, and then to hold, to hold.

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The coverage of the trial of Charles G. Taylor, brutal dictator of Liberia, is horrific and moving.

“Dust to Dust” (Dust to Sisyphus)

April 26, 2012

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Dust to Dust

I roll this rock
up up this hill,
trying to remember
where I put
my….

The rock is large, chest-high–not like some
marble you can thumb at all the world.
I lean into it as I push, as if it
were the dais of my existence–

though I also pinch my lips
into a tight shut fist against the dust
thrown up by our erosive path,
our close connection–

Of course, I want it to
crumble–the rock to pulverize, the
hill to subside.  How else will I dis-solve
this problem
of path and footing?

But still chest stumbles; dust
seeping through every refusal–
Because I just can’t breathe
when holding breath, can’t rest
when pushing.
(And not-pushing is not
an option–I’m pretty sure
they were clear on that much–)

Oh where–
did I put–
my–
rock….

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I am posting the above poem for dVerse Poets Pub “meeting the bar” challenge, hosted by Victoria C. Slotto.  The challenge was to write an allegorical poem.  I went for the obvious (sort of.)

The 26th day of National Poetry Month!

“Dead Zone”

April 26, 2012

NYC (But not actually Park Avenue but Empire State Building seen from Hudson)

Dead Zone

His name still on my cellphone, cool air
on flexed wrist, Park Avenue bordering
on indigo eventide; press
key that rings up just
my mom now.

Helmsley Palace (ahead) wears
lit stories like a
tiara.  Hi sweetie,
she says as brightly, then launches (after and how
are you)
into the letter she got today from
guess who.

Happiness pairs with despair as I wonder who actually
got down to write her as I had meant to, who else would know
his birthday (the first he’s ever missed). An irritatingly-
organized cousin comes
to mind.

The President, she gloats (so, not cousin)–siren
morphs to moan a few blocks distant–you know I’ve
never gotten a letter from a president before, not
in my whole life. 

Curb shapes huge cobbles–my father
in two wars–picture
a foamed stein with
floating sun–dawn hike in Czechlosovakia,
issued for breakfast, later, beer, each
with raw egg–

Deep step onto tar, and
even as I know, this being NYC, that all the shadows
wearing black are not
in mourning: he wants
you to send him some money,
I tell
her.

Yes, she laughs, it said
‘do not bend,’ right on the envelope.

I know she hasn’t forgotten this date, just today’s–
so many red finned limos, trucks, I have to cross
in angles.

I want to whisper, Mom, you know it’s April 25th, then
imagine her voice scraping the top of something
or bottom, once she remembers, and how, after
she has descended into sadness, I
would comfort her; how, after making her
feel bad, I’d make her
feel better—the Metlife passage huge with
sheen and shine, blocks of transluscent
air/glass/linoleum–

Deep into that gloss, a warble
of politics and donations,
I’ll probably lose you soon, I say,  
just as I always do when I get to about that spot–

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Twenty-fith draft poem of sorts for National Poetry Month.  Agh. My initial posting of it a bit confusing, but I’ve edited it now.  (So I hope it reads better.)

I am linking this one to Real Toads, which had an “Ella’s Edge” prompt about writing an “Inside Outside Poem” one that moves in concentric circles.   I’m not sure that I quite understood the prompt – but there you have it.  This poem was also inspired by the very different and much more uplifting poem of Lady Nyo’s about the anniversary of the birth of her father’s birthday.

“Autonomic Onomatopoeia”

April 24, 2012

Autonomic Onomatopoeia

Certain words onomatopoeically
pluck meaning from innate sound–
evolved sound, sound that we have
very long inhaled–their consonants frets
on the neck of our consciousness, their vowels keys
to our xylobones; their syllabication
autonomically strutting
across the bass of our brains.
They sneak 
their tongues
into our ears – kiss;
strum tenderly the harp
of tuned
 tendons; zither
our various plexi; nipple songs
of
hip (pocampus) as if
on a dulcimer
of reflexive-fuck
percussively; susurrate love
like the near silence

of twilit breeze; and when you are far,
and I am farther still,
they
 make up poems
that both of us
know
by heart.

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Draft poem for 24th day of  National Poetry Month.  I like it!  I hope you do too.  (Sorry to those who are offended by profanity for the profanity!)  Also updated since first posting – could not resist the hippocampus.

This is not linked to any other site, so, instead, I’ll plug some of my books!  (Second Sorry!)  Comic novel, NOSE DIVE,  book of poetry, GOING ON SOMEWHERE, or children’s counting book (with elephants)  1 MISSISSIPPI.   Check them out! 

“Wood Be Harry (Caught by Houdini’s Lure)” – Mag 114

April 22, 2012

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Wood Be Harry (Caught by Houdini’s Lure)

Caught by Houdini’s lure
before he even heard the name–
he climbed from crib, rolled from
stroller, finessed
his way from fingertips, magicking red
the faces of his parents once again, when, as
six-year old, he found the manacles
in their bedroom drawer and showed them
how he could release his pale clasped
wrists without even a nudge of
the coupled key.

But to teach his lungs to burst
their bounds
would take some work.  And privacy.  How
could he practice
in a public pool?  A pond aligned with
a window?  A river by any road?
No.  He took his tank–aquarium
salvaged from dentist’s dumpster–
to a high far glen, where sounded only
the spark of bird, the knock of woodpecker, the rare
ullulation of wild turkey blustering through
the bush.  Carting up
the water had been a bitch.

But worth it, he thought, lowering head
beneath the slosh, as a reverse bubbling slipped
between the press of lips, and freedom itself,
escaping the crimp
of the wide world, took refuge in
his second-counting soul,
and bloomed.

He could go on this way,
he thought, forever–until,
suddenly, captured wave caressing
his proud teen’s musclebound
limbs, the image of his parents’ manacles
came to mind, the fraught stillness of
their years-ago bedroom drawer, and, with a spluttered
cough half-trapped in his
tight throat, he realized, ruefully,
that much much more practice
would be necessary.

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Here’s my offering for Tess Kincaid’s Magpie Tales, 114.   My iPad painting is based on Tess’s prompt, an image by Alex Stoddard.  This is also my 22nd poem – I’ll call them that, though some have been very prosey – for National Poetry Month!

Duty/Free

April 21, 2012

Duty/Free

Waiting for my flight/JFK.  Only wandered in because I had time. The Swiss shampoo on special did too–thyme, rosemary, a dirndl of herbs and alpine flowers pristinely depicted in a sleek green bottle way too costly even on sale, even duty-free.

Still, a whiff of Switzerland might be handy, I thought, already pretty sure that India (where I was headed to do research) would not be a bushel of Edelweiss.

To be fair, not all smells were stench–a deeply stabilizing pungency emanated from burning cow patties; the waft of sweet milky tea always uplifted; the rose chutney (that I, at first, confused with betel nut) smelled like love in spring; but there were also quantities of mustard oil (that, when rancid, stinks like sardines), bunched sweat, and, on far too many walls and footpaths, the soak of urine.

I love India, but it is hard without regard to its scents, and, after a while, I became so exhausted by the chaotic jam of bodies and needs, by the frustration of trying to do my work that a few dabs of Swiss shampoo below the old schnoz would no longer make me feel as if order and efficient freshness were actual possibilities in the world.  So (research going nowhere anyway), I escaped to the beach, Goa, the place where the 1960’s took refuge, a tie-dyed coast filled with backpacking Westerners.

All seemed like paradise until I realized that the powder a lot of the Westerners were non-stop rolling into their bidis was actually smack.

And that my relaxing beachside ashram, run by missionaries, housed only a few, like me, who could pay, but was mainly home to those who’d somehow gotten lost along their journeys–

Her name was Shanti–”which means peace,” she smiled–and, when I asked where she was from (I could tell U.S.), said, “the world.”

Shanti, a girl with kaleidoscope eyes, and sunburnt skin, long hair with swathes both stressed and coconut-oiled, body corded as a rope, showed me the showers–rough cubicles made of burlap and green vine–stamped her bare foot repeatedly because, she said, rats sometimes went for the nearby compost, cried “heeyah” to scare them off.

Shuddering, I stepped in, and slowly began pouring water over salty shoulders, trying to unwind as I heard her sing softly just outside, till she smelled my Swiss shampoo, and peeling off skirt and halter, stepped in beside me, kaleidoscope eyes spiraling wider, “what is that smell?”

I squeezed some into her palm and then another palm, and again, as kaleidoscopes closed in the bliss of dancing veda, she lathered repeatedly, even after the water bucket had run out; the moist tropical air, the scents of cumin and rot and mud too beneath our feet, overwhelmed with Alpine flora.

And I, who still had traveler’s checks in my backpack still had, in fact, a backpack and visa and passport and plane ticket, and a home to have plane ticket to, made myself say ‘ here, do you want to keep the whole bottle?”

What else was there to say?

Though I don’t think the words came from generosity exactly, or even a sense of duty to my fellow countrywoman, but from this sudden burning envy for that streaming sudsy bliss, the shine of satisfaction in Shanti’s shut eyes, a courageous trust in the random–this moment, and too, the next–the gift of my Swiss shampoo just a way to barter for a piece of that.

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I’m not sure the above can really be called a poem, but I wrote it for dVerse Poets Pub Poetics challenge “Duty Calls,” which I am hosting today.  I urge you all to check out dVerse and the wonderful poets posting there, and try the challenge yourself!

Also, if you have time and inclination, check out my books!  Very fun novel, NOSE DIVE,  book of poetry, GOING ON SOMEWHERE, or children’s counting book 1 MISSISSIPPI. )