Archive for the ‘poetry’ category

“Going Home” With a French Ballade

January 26, 2012

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The wonderful dVerse Poets Pub has a “form for all” challenge today to write a French Ballade .  The pompt, hosted by Gay Reiser Cannon, gives clear instructions but, frankly, I found it a pretty difficult form.  For me, the hardest part was the syllabic line (8 syllables), since I tend to write in a modified pentameter (which allows for a bit of play in the number of syllables.)

At any rate, here’s mine.  (It’s still kind of a draft–suggestions welcome!)

Going Home (Last Hospital Stay)

Though angled with no special care,
the tape stains spoke of intention,
as if, by cantilever, there
had been some trick of physics done,
some framework lifted, battle won,
a scaffolding’s dismounted trace–
of orange (glue)–and, too, a notion
of failing beams across a face.

But skin was sore now it was bare
of bands of tube that had just run
from nostril curve to curl of ear
to squeeze and ease the oxygen,
to silently let go let come
what let the lungs slow down their race,
and countenance reflect a sun
of failing beams across a face.

They rushed us home through open air–
each stretcher bearer was a son–
and cold it was, so cold out there–
and you, my dad, my only one–
I put my coat, my hat, upon
you too, though they looked out of place,
their blues too sprightly, too much fun,
with failing beams across your face.

You worried whether I was warm
and offered back, with age-old grace,
all to be had that day near done,
its failing beams across your face.

 

 

(P.S. – have edited since I first posted.  A process this!)

“Girl’s Beast Heart” (“Ophelia, Ophelia Syndrome”)

January 24, 2012

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I am diabolically busy this week, so am combining my response to two wonderful online prompts: Magpie Tales, hosted by Tess Kincaid, and dVerse Poets Pub open link night.    (The above is my rendering of Tess’s photographic prompt, its mood slightly offered and the “rice” more or less gone)   I urge you to check out both sites.

And here’s the poem, with a cautionary note that the language is more “adult” than typically posted here, i.e. stop right now if you don’t like that sort of thing.

Ophelia, Ophelia Syndrome

Girl’s beast heart, age ten, swims sky,
arms swinging wings, she springs
till body turns spy—
Where does complete go?
Drips from woman’s breast, ass, thigh.
She loves pining, the yearn,
craves the kiss, lick, fuck,
finds contempt, klutz lust, mucks
about in briny shyness.
Making boy-man God-king
slits wings.  Rubs a zipper
into her skin to mend it,
hoards opalescence.


Further notes–the poem was inspired from a discussion, popular a few years back, about many girls’ loss of confidence at a certain age.   It was actually written as part of a “magnetic poetry” exercise (for a party), in which only words on a specific list could be used.  For those interested in the mechanics of prompts and the wayward mind, the other poem I wrote from that same list deals with peeing in the ocean.  (Both poems are in Going on Somewhere, available on Amazon.)

 

(I am also postinf this for Jingle poetry picnic on http://gooseberrygoespoetic.blogspot.com.)

Borders – Here She Once was There

January 21, 2012

I am posting the poem below (a sonnet) for a dVerse Poets Pub poetics prompt to write about borders.   I thought of posting a more more risque, i.e. erotic poem, as this would somehow represent crossing a sort of personal online- publishing border,  But the fact is I kind of like the poem below, though it is not rique or erotic.  The drawing above, by Diana Barco, is from Going on Somewhere.

East Indian Trains in the Catskills
(For Jeannie Hutchins)

As lilacs cast their fragrance on wet grass,
she thinks of trains and dust, the smell of hot spiced chai,
maroon banquettes, babbled cries en masse—
muffled by shutters echoed Hindi words for buy,
the soles of porters’ shoes so flat and white and pointed,
her own were thick, protection sewn by Clarks,
the baseline of what made her feel anointed—
when her hand waved at the window, it left sparks.
She sparkled just for coming from the West
(with cash, pale eyes, and shockingly blonde hair).
But now she feels a different specialness:
no matter where she is, she once was there,
so that even on this Catskill-scented lawn,
mind resonates with Indian trains at dawn.

“Imagism” in Tube Socks

January 19, 2012

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Victoria C. Slotto, hosting dVerse Poets Pub’s “Meet the Bar” today urges participants to try to write poems in the style of “imagism,” that is, in the spare concrete and imagistic mode of William Carlos Williams, H.D., or Pound.  (Victoria has a wonderful article much more fully describing the movement.)

This is a difficult challenge for very wordy me.

Here’s my attempt:

Tube Socks

How, in near night
grass, do
white cotton
socks
pulse light?
Right
(left right)
at our feet.

P.S. I have not been much involved in the bookselling busiess lately due to all the turmoil in my life, but please please please check out NOSE DIVE, a very silly comic novel written by me and illustrated by Jonathan Segal.  At 99 cents (on Kindle) it’s an incredible bargain.  Also available on paperback for a bit more.  Thanks much!

(Sort of) 1960’s “Block” Poem

January 17, 2012

"Block" (Poem by Karin Gustafson, Image by Diana Barco, from GOING ON SOMEWHERE.)

I have been thinking about the 1960’s, perhaps because of Martin Luther King, Jr.’s birthday yesterday, so here’s a (sort of) 60’s poem (though not about MLK Jr.)   The poem is also published in my book of poetry, Going on Somewhere.(Check it out!)  I am posting it here for the wonderful dVerse Poets Pub open link night.

Block

Right-angled in the newer areas,
our curb was smooth, sloping into
a chenille of pebbled tar
that bubbled below our skate wheels,
grinding up to spine,
a gravelly shiatsu.
Bare knees as gravelly, the memory of
scrapes embedded in skin, we sat with them up
till the white truck jingling
fairy dust turned in, spreading both
joy and panic, then ran for
quarters.

I had a working mom and so
had funds enough for a drumstick, real
ice cream, but
hid the extra change deep in a pocket
where only straight fingers could
touch bottom, joining
Patty and Susie and Celeste, the
Catholic kids, with houses of siblings,
chores, and, hovering in their stories, nuns
(rulers at the ready)—
Patty the pretty, Susie the plain,
Celeste Celeste
Celeste, who, arms outstretched, could walk across
practically anything,
Celeste with the six brothers
who constantly rat-tat-tat-
played war—panting for the
popsicle of the day.  Sometimes it would
be root beer, that sweet-strange amber we hardly
dared lick; pink lemonade a purer thrill
in our specific honor.
The new houses started at the next
corner but no one sat in front of their
flatter spindly-treed lawns.
Did those houses even
have kids?

Later our side changed too.
Patty only came out to dry
her nails; Susie didn’t feel
like playing; and Celeste, Celeste,
Celeste’s father came back from
Vietnam, a different man.
Her brothers who’d crawled under bush,
up tree, their finger guns poised,
were not to be seen.
It was dark behind
their screens, words heard only as
vibration, things shaken.

The street still,
except on the rare
blue evening as fall fell,
when a boy we’d fought in
war, lorded over on skates,
stepped out from the curb, tossing
a football hand to hand.  Slowly we’d
all appear, copping moves scribbled
on his cupped palm.  Our feet
slapped hard against the
pavement, voices loud that, yes, we had
touched with two hands.

We played until car lights glared and our
bodies smelled of cold blown leaves.
But that would be it.
We would not come out again
for some time.

(If you’re interested in a more comic take on teenagerdom, please please please check out my comic novel NOSE DIVE!   It’s a lot of fun and very very cheap both in paperback and kindle.)

Botero (With Elephant) — Courbet (In Verse)

January 14, 2012

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dVerse Poets Pub has a poetics prompt based on Fernando Botero this week (hosted by Victoria C. Slotto.)

I like Botero’s images (one of which I’ve adapted above), but every time I thought of writing a poem about one, I pictured a person being swallowed by their own flesh.  Instead I’m opting for an older poem about other (more traditional) flesh-favoring artists:

Courbet

All I can say is that
it’s a good thing we have museums
hanging Courbets,
Rubens,
Rembrandts,
the occasional Italian,
with their depictions of swelling bellies,
dimples gathered around spines, flesh rippling
like Aphrodite’s birth foam,
the creep of pubic hair juxtaposed by coy hands
whose curved digits
pudge, slightly sunken cheeks (above, below),
spidery blood vessels
rooting beneath the patina. 
All I can say, as I catch
my face in the glass,
glance down at my folio
of torso, is that
it’s a good thing. 

(This is from my collection of poems, Going on Somewhere.  Check it out!   Also check out my new comic novel–Nose Dive,  a fun look at truth, beauty and the pursuit of harmony–available in paperback and on Kindle for just 99 cents!)

“What You See” – On January 12th-13th, 2012

January 13, 2012

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As followers of this blog know, my beloved father died a little over a week ago, and I’ve been going through various post-death machinations down in Florida where he lived, some difficult, some wonderful, some tedious, some eye-opening.

Here’s a poem written this a.m. (still perhaps a draft):

What You See

When you shut your eyes after the sight
of death, even
contained, the lidded
darkness tells you
to change your life–
”you there.”

You’d think
it would urge self-fulfillment–
all that grandiosity–but no–

“be kind,”
the darkness whispers.

“Kinder,” urges
that depth behind the eyes.

“Try,” it insists.  “Every
single day, every
next day.”

Though you stand in a grey box
of a room, looking out, variously, at a refrigerator
tank and an incinerator’s
portal, you still feel it–kindness–
it’s all you can breathe actually–
as it waits patiently for you to inhale,
inhale again.

Ode Not To Autumn -Eau’d Not to Autumn (“Swimming in Summer”)

January 12, 2012
The wonderful dVerse Poets Pub has a “form for all” challenge tonight to write an ode.  The prompt hosted by Gay Reiser Cannon cites Keats’ “Ode to Autumn.”  I’m not in great circumstances to write a new poem today, but the Keats brought up the closest thing I have to an Ode. Or should I say,”eau’d.”   (Sorry! And sorry too that some of you may have seen this villanelle before.  It is from my poetry book Going on Somewhere.  Check it out, and with it, my new comic novel NOSE DIVE.)

Swimming in Summer

Our palms grew pale as paws in northern climes
as water soaked right through our outer skin.
In summers past, how brightly water shines,

its surface sparked by countless solar mimes,
an aurora only fragmented by limb.
Our palms grew pale as paws in northern climes

as we played hide and seek with sunken dimes,
diving beneath the waves of echoed din;
in summers past, how brightly water shines.

My mother sat at poolside with the Times’
Sunday magazine; I swam by her shin,
my palms as pale as paws in northern climes,

sculpting her ivory leg, the only signs
of life the hair strands barely there, so prim
in summers past.  How brightly water shines

in that lost pool; and all that filled our minds
frozen now, the glimmer petrified within
palms, grown pale as paws in northern climes.
In summers past, how brightly water shines.

Pantoum – Slow Waltz “Last Anniversary Party (During the Chemo)”

January 10, 2012

Silver Slipper

Due to the death of my beloved father last week, I’ve spent the last few days somewhat focused on loss.  Here is an older poem, a pantoum, that deals with the loss of a friend.  (I posted a very early draft of this poem some time ago.  I think this version is much improved.  I am linking it to dVerse Poets Pub open link night.)

I’m not sure the poem quite works, even improved.  However, the pantoum form, which is by its nature a bit of an unwieldy dance (with all the repeating lines) seems to suit the subject.   (As with all my poetry, pauses in reading should be taken based on punctuation, not line breaks.)

Last Anniversary Party (During the Chemo)

She walked that night on the side
edges of silver slippers,
her smile stretched movie-star wide
above feet the meds had blistered.

The edges of silver slippers,
gathering (elasticized)
around feet the meds had blistered,
wedged in a slow waltz that defined

our gathering.  Elasticized
sweetness stretched around the bitter
wedge that their slow waltz defined.
With her husband, her too, we fitted

into that sweetness (stretched around the bitter
to make it last), pain astride.
With her husband, her too, we fitted
loss with all that sparkled fine

to make it last.  Pain astride
a smile stretched movie-star wide
lost none of that sparkle fine.
She walked that night still on this side.

Magpie Tale – Odd Poem on Baldness (“Arched/Domed”)

January 8, 2012

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This is an odd poem written for Tess Kincaid’s Magpie TalesMagpie Tales. Tess posts a photographic prompt. I prefer to use my own art in my blog, so do my own version of Tess’s photo. And here’s the poem:

Arched/Domed

There is arched baldness and there is domed baldness,
Polished baldness and (simply) overly-shiny baldness,
Smooth baldness and whiskery baldness,
Waxed baldness (hair shaved) and waned baldness (hair receding),
Diabolic baldness and sweet baldness,
Destroyer-of-worlds baldness and lab-scientist-with-oddly-ruffled-
sides baldness.

The sweet (domed) baldness sits above a chest on which
one feels safe to rest one’s head,
While the arched baldness overlooks an
appraising brow.

You may wonder how I know
so much about no-hair.
Wonder on.