Archive for 2011

National Poetry Month-Day 13- “Villain-elle” With Elephants

April 13, 2011

Unfortunately, it’s a bit hard to read the text in the pictures (it’s kind of small and blurry), so I have printed the full text below the pictures.  Jump to that, if you can’t read on the frames.

Here’s the poem without elephants!

VILLAIN-ELLE

He twirled his ‘stache when he thought no one could see
and kept away from rope and railroad track,
for a cartoon villain was not what he would be–

what he sought was originality.
Wearing a hat that was not quite white, nor black,
he twirled his ‘stache when he thought no one could see,

until the day he met that Miss Bonnee,
whose single smile made all his knees go slack.
Though a cartoon villain was not what he would be,

she steered him to a classic robbery,
a bank heist with a gun, a car out back,
He twirled his ‘stache when he thought no one could see,

but see they could, if only digitally.
She whispered, as she relieved him of the sack,
that cartoon villain was not what he would be,

“my hero,” and other murmured fiddle-dee,
till his bent head received a good hard whack.
She twirled her stash when she thought no one could see.
A cartoon villain was not what she would be.

All rights reserved.

P.S.  If you like villanelles, look at that category or tag on the site, as I’ve posted a bunch.

National Poetry Month – Day 12 – “That One’s Taken”

April 12, 2011

Day 12 of National Poetry Month.  This is also tax season!  A very busy time for me.  As a result, I’ve found that the only free time I’ve had to do my draft poems in the last couple of days has been on my subway ride to work.   The subway (if I have a seat) is actually one of my favorite places to work.  It is one place where you really can’t multi-task.  Someone else is doing the driving and your handheld computer/smart phone doesn’t work.   And, yet, if you are like me, you can always find something else to distract you, something to keep you from writing a really great poem!  See below.

That One’s Taken

On subway mornings, I try to write,
to jot down something new and bright.
My brain fills with a melody,
however, most unfortunately,
it’s not composed by me at all,
but from some Broadway musical.
Worse still, I find I’m doomed to hear
the jangling in another’s ear.
Their iPod’s turned up way too loud;
they’re making music for the crowd.
Though that’s just what I long to do–
to be heard by more than one or two–
my spoken tune, my thoughtful rhyme,
some memorable (I hope) line–
I cannot think for all the din,
the pre-played music out and in,
and when I try to write a poem,
I’m stuck in someone else’s song.

All rights reserved.  Suggestions welcome.

National Poetry Month – Day 11 – “On the Subway, NYC”

April 11, 2011

I admit to being very tired this eleventh day of National Poetry Month and Monday to boot!  (More on boots below.)

Here’s a draft poem written in and about the New York City subway system.

On the subway, NYC

Oh the energy of the human!
Not only do we wend our tubal way
each day through track and dim
and the jim-jam of more
humanity; we also make the effort, pre-
trek, in some looking-glassed, dim-lit room, to don
a black gaucho hat
with a silver patterned band encircling
its crown, a band which nestles just above another
band of braided brown.
Nestled below the hat
come blue jeans embroidered
at the shins
with a cartoon hip-hot kid in crimson and white,
who carries a similarly threaded boom box
about knee-level,
which brings up, along this same track,
wonder at the energy of
manufacturers, their surging press for
logos, crests, pink princesses
interspersed with spirited teams–the man’s shoes
narrow to points unknown, while
the black leather boots of the woman just across are
open-toed, her nails like lips painted beige
to match her blazer, earrings
sparkling to the clavicle–all
of us poised in our best grim readiness–I myself
washed hair this a.m., rubbed on mousse–
inside these tubes of darkness, mostly,
to step on out into the tiled echoes, beneath the
ceilinged stars, of
Grand Central.

All rights reserved.  Suggestions welcomed.

National Poetry Month – Day 10 (?!) – “Into Porter”

April 10, 2011

 

It seems impossibly soon to be April 10th.  It is still cold here in Manhattan!   (I am wearing silk long  johns and a wool sweater as I write.)

On the other hand, the beginning of National Poetry Month seems very far away.

I have to confess that I spent all day working on a separate graphic design project, which is something I’m not very good at.   My slowness depressed me enough that a great deal of dancing was required afterwards.  Not Fred Astaire this time, but pure Cole Porter:

 

Into Porter

The trick of Cole Porter,
other than the high order
of wit, is the double rhyme.
Yes, he writes of bubble time–
champagne and effervescence,
an age’s evanescence–
which he crams into a lexicon
where every single word’s spot on.
(It’s huge!  It holds the steppes of Russia
and the pants of a Roxy usher;
Mahatma Gandhi, Mickey Mouse–
all take hands in Porter’s house.)
But, to me, that word cabal’s so cunning,
the terribly banal’s so stunning,
because of the double-barreled rhymes
that punctuate all Porter’s lines.
Alack a day, what can I say,
he’s still the top of all Broadway.

As always, all rights reserved and suggestions welcomed.

 

 

National Poetry Month – Day 9 – “Self-Contained”

April 9, 2011

Extremely tired this 9th day of April, National Poetry Month.  I went to an opera today, an opera!  Where Juan Diego Flores cavorted about first as fake Holy Man, than as fake nun, all the time acting out a terrible womanizer, the Compte Ory, who manages, none the less, to be tremendously engaging.

Here is a poem draft for the day:

Self-Contained

My husband suggests that I write about bowls,
I like bowls, but they feel very soulless to
me, not poem fodder.

Though, actually,
I saw a bowl today,
Japanese, ceramic,
that  had a poem etched
calligraphically
on its sides.  Talk about poetic.

But, I quickly object, the poem was on the sides
of the bowl, not about it.

Don’t
be such a sophist, I tell myself,
which in turn brings up
the amphore, a sort of bowl that is extremely poetical,
the myths of Homer painted on its sides.
You just can’t argue
with Homer.

And wasn’t there also something about plums and
William Carlos Williams? He’s
a poet.

Okay, so maybe bowls weren’t
mentioned, there had to be one smewhere,
right?   Something to serve as vessel
for those plums, myths, poems.

Sure.

National Poetry Month – Day 8 “Dear Fred” (Astaire-way to Heaven)

April 8, 2011

I wrote a poem on the subway this morning which I later deemed just too weird to post. So, feeling glum over the possibility of doing more than one draft poem a day, I spent much of the evening dancing.  But dancing is just so great!  It never fails to give you something!

What it gave tonight:  another draft poem.

Dear Fred

 

Listening to Fred Astaire,
I feel that I could waltz on air,
my mind aloft in swirling swirls
of skirts and arms, top hats and twirls.
My heart is light, if movements less so.
(My tapping hits more heel than tiptoe.)
I clamber, but with grace and ease,
at least through my synaptic trees,
those nerve ends buoyed by Porter’s bubbles
to dance away a host of troubles.
Oh Fred, my hero bold and meek
who dances with me cheek to cheek.
So what you’re just a memory–
they can’t take you away from me.

As always, all rights reserved, and all suggestions welcomed.

 

I am linking this to Bluebell Books weekly submission re bubbles, since Fred is my favorite bubbly guy.

 

 

National Poetry Month – Day 7 – “Oncoming”

April 7, 2011

Today I was kind of dry creatively so, in order to produce a draft poem,  I went back to one of my old rules–if you don’t have anything to write, try a sonnet!

I have purposely tried to use slant rhyme (not-quite rhyme), as I think sonnets can sound a little puerile if too rhymey.   For prior posts about sonnets,  check out this list.

Oncoming

There were one, two, three, four, trucks and we’d hit
sparks, some devilish configuration
of torque and stone, radii and slip,
that spit the car from its lane as from
the sea.  It bucked and dove, frantic, through
the waves of semis; to the right, the poles
of an overpass pulled to some untrue
North, as if to catch whatever souls
the semis missed.  We were on a visit
to a grandmother but I can’t recall
a greeting, meal, kiss, only that minute
that seemed sure to be our last, the haul
of those deep-sided trucks, my father’s swerves,
the way space looks, time feels, when fate uncurls.

Here’s an alternate last line:

the way space looks, time feels, in fateful curves

Though I think the poem might be better with a specific description.

National Poetry Month – Day 6 – “If I could be”

April 6, 2011

Another day of National Poetry Month, another draft poem!  I have to say that when I wrote this one I was not (for a change) thinking of any kind of digital device.

If I could be

If I could be myself,
I would stand up straight as a stalk,
my arms flowing
from my breastbone like
the wings of a heron
sweeping the sky.

I would dance across
sanded planks, mornings, eating
blackberry jam,
flavoring the lips you’d kiss
with blackberries.

Afternoons, I’d write
novels, which would be
great the very first draft.
When their movies were made, I’d
play cameos; the directors
would get everything else
right too.

None of my loved ones, nor
their loved ones,
would ever grow ill, and when time
presented its bill,
I (who was myself) would still
stand straight as a stalk, my arms
flowing from my breastbone,
my lips tasting
of you
and blackberries.

All rights reserved.

P.S. if you are interested in blackberries (not digital) and poetry, check out my book of poetry “Going on Somewhere” on Amazon.

National Poetry Month – Day 5 – “Far”

April 5, 2011

Here’s a kind of sad draft poem.  I am very uncertain of the title, and the poem itself, especially the last lines.   I had a few alternatives, but they seemed susceptible to misconstruction, so went with this.

Far

We pushed from cold night into a Chinese restaurant.
The oldest couple in my group had, some time before,
lost their adult child.  It had been sudden, she
had been young.
The restaurant was over-bright, the fluorescent lights
reverberating like the din; one waitress wiped down the
table, another balanced a rounded pot of tea and a fist’s stack
of cups, the pot so full that tea brimmed to the edge of its
long neck, then was swallowed again, a
lithe shining tongue, each time she placed
a cup, which, like an egg shell,
seemed to pocket a translucency of
rice or seed pearls.
It was hard to look at the couple,
who had lost their child, every expression–their patience
with the waitresses, their concern about the crowd–was there space?
Were there chairs?–a barely translucent mask over ragged
loss, their faces like the extremity
of an icon, the bronze saint in a temple, church, whose foot has been rubbed
to a bare smooth grip, like a slip of soap, by petitioners who have
prayed to be washed clean, not of sin, but suffering.

The teapot begged to be poured in great gulps; the waitress ran it
over the cups.  I could almost not look
at the couple, as if their pain
might brim over too, burn me just by sight,
and yet I also wanted to shift my seat,
make room, drink with them that
fresh, hot tea, hold tight
those faces that
seemed so far,
in that fluorescence,
from anything that felt like succor.

 

 

Post-Script – on rereading poem today (April 7), am sorry that the line breaks are kind of messed up–especially through the center.  Also wonder whether last lines should be:

those faces that seemed
so unapproachable
in that flourescence
by anything that seemed
like succor.

 

I don’t know.  “Unapproachable” kind of a mouthful.  Any suggestions are welcome!

National Poetry Month- Day 4 – “Epiphany” (With elephant)

April 4, 2011

Curing Most Ills

National Poetry Month- Draft 4

Epiphany

I would really like to have an epiphany
that doesn’t involve the realization
that death happens.
Why can’t my great enlightenment
alert me to the fact that
chocolate happens?
That peppermint explodes in the mouth?
That a hot bath will cure most ills?
That eggs are unblinking
(until the yolks crack)?
And that the love that always forgives, that is,
the love you give to me,
does not come, like death,
to all, but
like the purest epiphany
wakes just one person
at a time.  Thank God, this go-round,
it’s me.

All rights reserved.  Suggestions welcome.  (It’s a draft!)