Archive for April 2011

National Poetry Month – Day 10 (?!) – “Into Porter”

April 10, 2011

 

It seems impossibly soon to be April 10th.  It is still cold here in Manhattan!   (I am wearing silk long  johns and a wool sweater as I write.)

On the other hand, the beginning of National Poetry Month seems very far away.

I have to confess that I spent all day working on a separate graphic design project, which is something I’m not very good at.   My slowness depressed me enough that a great deal of dancing was required afterwards.  Not Fred Astaire this time, but pure Cole Porter:

 

Into Porter

The trick of Cole Porter,
other than the high order
of wit, is the double rhyme.
Yes, he writes of bubble time–
champagne and effervescence,
an age’s evanescence–
which he crams into a lexicon
where every single word’s spot on.
(It’s huge!  It holds the steppes of Russia
and the pants of a Roxy usher;
Mahatma Gandhi, Mickey Mouse–
all take hands in Porter’s house.)
But, to me, that word cabal’s so cunning,
the terribly banal’s so stunning,
because of the double-barreled rhymes
that punctuate all Porter’s lines.
Alack a day, what can I say,
he’s still the top of all Broadway.

As always, all rights reserved and suggestions welcomed.

 

 

National Poetry Month – Day 9 – “Self-Contained”

April 9, 2011

Extremely tired this 9th day of April, National Poetry Month.  I went to an opera today, an opera!  Where Juan Diego Flores cavorted about first as fake Holy Man, than as fake nun, all the time acting out a terrible womanizer, the Compte Ory, who manages, none the less, to be tremendously engaging.

Here is a poem draft for the day:

Self-Contained

My husband suggests that I write about bowls,
I like bowls, but they feel very soulless to
me, not poem fodder.

Though, actually,
I saw a bowl today,
Japanese, ceramic,
that  had a poem etched
calligraphically
on its sides.  Talk about poetic.

But, I quickly object, the poem was on the sides
of the bowl, not about it.

Don’t
be such a sophist, I tell myself,
which in turn brings up
the amphore, a sort of bowl that is extremely poetical,
the myths of Homer painted on its sides.
You just can’t argue
with Homer.

And wasn’t there also something about plums and
William Carlos Williams? He’s
a poet.

Okay, so maybe bowls weren’t
mentioned, there had to be one smewhere,
right?   Something to serve as vessel
for those plums, myths, poems.

Sure.

National Poetry Month – Day 8 “Dear Fred” (Astaire-way to Heaven)

April 8, 2011

I wrote a poem on the subway this morning which I later deemed just too weird to post. So, feeling glum over the possibility of doing more than one draft poem a day, I spent much of the evening dancing.  But dancing is just so great!  It never fails to give you something!

What it gave tonight:  another draft poem.

Dear Fred

 

Listening to Fred Astaire,
I feel that I could waltz on air,
my mind aloft in swirling swirls
of skirts and arms, top hats and twirls.
My heart is light, if movements less so.
(My tapping hits more heel than tiptoe.)
I clamber, but with grace and ease,
at least through my synaptic trees,
those nerve ends buoyed by Porter’s bubbles
to dance away a host of troubles.
Oh Fred, my hero bold and meek
who dances with me cheek to cheek.
So what you’re just a memory–
they can’t take you away from me.

As always, all rights reserved, and all suggestions welcomed.

 

I am linking this to Bluebell Books weekly submission re bubbles, since Fred is my favorite bubbly guy.

 

 

National Poetry Month – Day 7 – “Oncoming”

April 7, 2011

Today I was kind of dry creatively so, in order to produce a draft poem,  I went back to one of my old rules–if you don’t have anything to write, try a sonnet!

I have purposely tried to use slant rhyme (not-quite rhyme), as I think sonnets can sound a little puerile if too rhymey.   For prior posts about sonnets,  check out this list.

Oncoming

There were one, two, three, four, trucks and we’d hit
sparks, some devilish configuration
of torque and stone, radii and slip,
that spit the car from its lane as from
the sea.  It bucked and dove, frantic, through
the waves of semis; to the right, the poles
of an overpass pulled to some untrue
North, as if to catch whatever souls
the semis missed.  We were on a visit
to a grandmother but I can’t recall
a greeting, meal, kiss, only that minute
that seemed sure to be our last, the haul
of those deep-sided trucks, my father’s swerves,
the way space looks, time feels, when fate uncurls.

Here’s an alternate last line:

the way space looks, time feels, in fateful curves

Though I think the poem might be better with a specific description.

National Poetry Month – Day 6 – “If I could be”

April 6, 2011

Another day of National Poetry Month, another draft poem!  I have to say that when I wrote this one I was not (for a change) thinking of any kind of digital device.

If I could be

If I could be myself,
I would stand up straight as a stalk,
my arms flowing
from my breastbone like
the wings of a heron
sweeping the sky.

I would dance across
sanded planks, mornings, eating
blackberry jam,
flavoring the lips you’d kiss
with blackberries.

Afternoons, I’d write
novels, which would be
great the very first draft.
When their movies were made, I’d
play cameos; the directors
would get everything else
right too.

None of my loved ones, nor
their loved ones,
would ever grow ill, and when time
presented its bill,
I (who was myself) would still
stand straight as a stalk, my arms
flowing from my breastbone,
my lips tasting
of you
and blackberries.

All rights reserved.

P.S. if you are interested in blackberries (not digital) and poetry, check out my book of poetry “Going on Somewhere” on Amazon.

National Poetry Month – Day 5 – “Far”

April 5, 2011

Here’s a kind of sad draft poem.  I am very uncertain of the title, and the poem itself, especially the last lines.   I had a few alternatives, but they seemed susceptible to misconstruction, so went with this.

Far

We pushed from cold night into a Chinese restaurant.
The oldest couple in my group had, some time before,
lost their adult child.  It had been sudden, she
had been young.
The restaurant was over-bright, the fluorescent lights
reverberating like the din; one waitress wiped down the
table, another balanced a rounded pot of tea and a fist’s stack
of cups, the pot so full that tea brimmed to the edge of its
long neck, then was swallowed again, a
lithe shining tongue, each time she placed
a cup, which, like an egg shell,
seemed to pocket a translucency of
rice or seed pearls.
It was hard to look at the couple,
who had lost their child, every expression–their patience
with the waitresses, their concern about the crowd–was there space?
Were there chairs?–a barely translucent mask over ragged
loss, their faces like the extremity
of an icon, the bronze saint in a temple, church, whose foot has been rubbed
to a bare smooth grip, like a slip of soap, by petitioners who have
prayed to be washed clean, not of sin, but suffering.

The teapot begged to be poured in great gulps; the waitress ran it
over the cups.  I could almost not look
at the couple, as if their pain
might brim over too, burn me just by sight,
and yet I also wanted to shift my seat,
make room, drink with them that
fresh, hot tea, hold tight
those faces that
seemed so far,
in that fluorescence,
from anything that felt like succor.

 

 

Post-Script – on rereading poem today (April 7), am sorry that the line breaks are kind of messed up–especially through the center.  Also wonder whether last lines should be:

those faces that seemed
so unapproachable
in that flourescence
by anything that seemed
like succor.

 

I don’t know.  “Unapproachable” kind of a mouthful.  Any suggestions are welcome!

National Poetry Month- Day 4 – “Epiphany” (With elephant)

April 4, 2011

Curing Most Ills

National Poetry Month- Draft 4

Epiphany

I would really like to have an epiphany
that doesn’t involve the realization
that death happens.
Why can’t my great enlightenment
alert me to the fact that
chocolate happens?
That peppermint explodes in the mouth?
That a hot bath will cure most ills?
That eggs are unblinking
(until the yolks crack)?
And that the love that always forgives, that is,
the love you give to me,
does not come, like death,
to all, but
like the purest epiphany
wakes just one person
at a time.  Thank God, this go-round,
it’s me.

All rights reserved.  Suggestions welcome.  (It’s a draft!)

Third Day of National Poetry Month – “Sparrow Dreams”

April 3, 2011

Draft poem in honor of April, National Poetry Month.

Sparrow Dreams

I dreamt, years ago, that my infant child was a sparrow.
My husband, just last night, dreamt of a huge pooled grill
upon which customers threw raw steaks.
He also dreams of flying.

I rarely remember my dreams now–I don’t know if I can’t
hold onto them, or if I just don’t have them.  But I
dreamt, years ago, that I cupped the small brown bird,
who was my child,
inside my palms.

My husband dreams always, exciting scenarios.  Khaddafi makes
a house call; my husband disarms him while
lecturing on the merits of Debussy.

My mother once led, with great difficulty, a horse
down long dark stairs
only to find at the sweaty stoop
a sign that read, “Elevator For Horses
Only.”  Close to ninety, she still tells
that dream, but the words sometimes change:
“Horses Shouldn’t Take Stairs.”
My husband likes to tell his when he first wakes;
the surface of his sleep-furred eyes glisten
with the fantastical.


I sat holding my softly-feathered child on a bench
of women before sculptured green.  It was
Rockefeller Center, I remember, and that suddenly
I seemed to have put her down, my sparrow child, then
weeping, could not find her.

It was before her birth–when you are pregnant,
you have many dreams–but I knew, when I woke,
that my life was forever different,
that I had been given a fragile, marvelous, chance, a chance
I could not grip tightly (even though it might take flight),
but that I could not bear to lose, not ever.

As always, all rights reserved.

And also, as always, please feel free to let me know comments or suggestions.  This is a draft, and it would be wonderful to have guidance as to how to improve it.

Day 2 of National Poetry Month

April 2, 2011

Father with child and important package

Draft poem of the day.

Overheard in NYC

Man, breaking from snatches
of Hebrew song, to daughter
in arms (and pink),
“Don’t worry, sweetie, we’ve got
the ukelele.”

(All rights reserved.)

April Poetry Month – “What is it” (Thinking of Japan)

April 1, 2011

Last year, during National Poetry Month, I posted, more or less, a new draft poem each day.  I really wasn’t sure I was up for that this year, but this morning, the scent of April called up some urge, and so I wrote the draft poem below.

It is a wonderful thing to have an incentive to think about and write poetry.  I don’t know if I can keep it up for the whole month, but I urge you all to consider trying it (at least for a few days!)   The poems I will post will, by and large, be drafts so please feel free to write comments and suggestions.

What is it

What is it that allows
the deeply suffering to feel
gratitude, that permits
the young man in Japan
on finding, after weeks, the remains of
his mother and sister, now delicately swaddled
in muddy blankets, to say
“I am so happy.”
Like the curve of breast or
hip that rises gently above
bone, softening the contours of a body evolved
to stand up on two legs, like swallowing
and swallowing again, and the relief in that,
to the caught, parched throat.

As always, all rights reserved.  As always, comment!  Suggest!  And, if you like the work, please please please check out my poetry book, Going on Somewhere, poems by Karin Gustafson, illustrations by Diana Barco, and cover by Jason Martin on Amazon.