Still Life
Still Life
There is, in the framing of fruit,
a special deliciousness.
Yes, there’s awe
for shown skill, the furring of a peach
with paint, but for me
much of the magic lies
in the frame–not the gilded, the scrolled,
the varnished wood–the simple edge,
parameter, the fact that the seen–
the scene–ends.
When we underscore
almost anything,
then extend that bottom line
four square,
we pare down the all-too-much
to a center,
fence a tableau,
tame–no, aim–the random,
the overbreadth, the more-
than-the-eye-
can-take-in,
making a window
into the not-right-here-
right-now, which, for all
we praise the moment,
we crave.
I think of suddenly
dark streets, just into
a shift of seasons, when walking in cold that falls
as quick as night, I look up to find a dinner hour, three flights
from the street–so elegant
from the asphalt, even a penny jar
on top of some inner refrigerator shining
like a goblet, a goblet like a sliver of moon,
then higher, half a block over, an aquarium blue
as remembered June;
in the not-quite basement apartment at sidewalk-level,
someone’s best wooden bowl on their nicked
wooden counter backdropped
by scuffed floor–all
the different grains angled
by panes into a pattern
the eye finds marvelous, everything made much
by its confines.
Oh yes, we admire thinking
outside the box,
but how beautiful is
the box
where life holds still
as long as we want, and then some,
while we, standing at its window, wonder whether
we’ll ever make it through.
***************************
Here’s a belated and drafty poem for Margaret Bednar’s prompt on With Real Toads relating to the wonderful still lives of American painter, Severin Roesin. The above pic was taken by Margaret Bednar on her iPhone and is a detail of a Roesin’s “Still Life with Fruit.”
(A typo–lack of comma in the first posted version has been remedied!)
Explore posts in the same categories: poetry, Uncategorized
Tags: after "placing a jar on a hill" or something like that but Wallace Stevens, http://withrealtoads.blogspot, humans like the contained poem, manicddaily, Severin Roesin, Still life poem, what's framed looks different poem
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November 22, 2014 at 8:41 pm
“the furring of a peach
with paint,”
I can taste those words. The imagery is exquisite. ♥
November 22, 2014 at 8:53 pm
Thanks, Magaly. k.
November 23, 2014 at 10:16 am
You beat me to it! 🙂 I was just about to remark on that line, too. Exquisite.
Greetings from London.
November 22, 2014 at 8:45 pm
“someone’s best wooden bowl on their nicked
wooden counter backdropped
by scuffed floor–all
the different grains angled
by panes into a pattern
the eye finds marvelous, ”
A night window-peeper? I stand guilty. My mom always loved doing this (she is still alive) and when I walk the the neighborhoods at night, I must admit the curtainless windows draw my attention. The detail in the above copied lines is fantastic.
November 22, 2014 at 8:53 pm
Thanks, Margaret, I was trying to get at the idea of framing everything–something I find very powerful in photography. I had a typo in last lines of poem, but just realized it and fixed. Thanks for great prompt. k.
November 24, 2014 at 12:36 am
Yes, we do “frame” when we photograph. I do it even before I get the camera out!
November 23, 2014 at 10:17 am
Well, you read my reply to magaly. I thought it was an exquisite poem.
Greetings from London.
November 23, 2014 at 1:39 pm
Ha. Thanks. k.
November 24, 2014 at 5:30 am
I especially like:
Oh yes, we admire thinking
outside the box,
but how beautiful is
the box
I think we love our boxes in reality.. boxes give the colors of life.. but the perimeter can also make us miss the colors.