Triolets (Waltzing Not-Mathilda)

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Here are two triolets!  A triolet is a medieval form that is the subject of a wonderful article by Samuel Peralta and Gay Reiser Cannon for dVerse Poets Pub Form For All.  It is a form involving repeating lines.  (I think of it as a short waltz of a villanelle, but I’m not sure where the 1-2-3 comes from except that the first line is repeated three times.)

Below are my two draft attempts;  they use some of the same lines.  I personally think the second is better (though maybe I can work them into a pair.)

Starting to Unwind (Beginning Yoga)

I found that I’d not breathed for many years
and that my heart was lodged in my right-hand back.

I’d recycled air from way back when and fears
I found that I’d not breathed for many years

to anyone–not sympathetic ears,
nor those stopped up against a hurting fact

I’d found.  I had not breathed for many years;
my heart was lodged in my right-hand back.


Who knows?

I found that I’d not breathed since who knows when–
a cherry blossom spring, I wore white gloves
whose seams ran up my hand,  then back again.

I found that I’d not breathed since–  Who knows when
the heart bursts seams when it finds a pen
to hold it, when it leashes its wild loves?    

I found that I’d not breathed since who knows when,
a cherry blossom spring–I wore white gloves. 

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17 Comments on “Triolets (Waltzing Not-Mathilda)”

  1. brian miller's avatar brian miller Says:

    ok i love the sherry blossom spring int he second and how that plays on the had not breathed because i always think of them blowing off the tree…

    i think the first is more evocative to me honestly…your anchors are stronger to me…

  2. Semaphore's avatar Semaphore Says:

    These are both well-crafted poets. The first has the strong anchor lines, and the second has that twist of meaning in the final lines, a hallmark of the best triolets.

  3. hedgewitch's avatar hedgewitch Says:

    These are excellent–and I also find the first draws me in a bit more–I don’t know why, because the second has some lovely images and as Sam says, that haunting twist at the end–maybe the first is just a little more bare and real, which suits my mood tonight–regardless, I knew you’d absolutely sail on this form. Great work.

  4. Claudia's avatar Claudia Says:

    i like them both k. – happens so easily that we stop breathing in a way with all the demands of everyday life…and i like how you weave the cherry blossoms in with the white gloves.


  5. I like the second one better, too, though both are quite good. I love the variation in the punctuation in the lines that are the “same.” I almost caught myself holding my breath. Peace, Linda


  6. I’m clear the second works best for me; perhaps because I feel the imagery is so deep and layered and I like very well the final couplet.
    Yet I admire both and think you’ve done noble work here.

  7. David King's avatar David King Says:

    I agree with Gay, the second works best, but both tick all the boxes for me. Great post as per usual! Thanks.

  8. Tony Maude's avatar Tony Says:

    The first has a stronger refrain, the second has stronger imagery – in my opinion at least. Enjoyed them both though.

  9. kaykuala's avatar kaykuala Says:

    I like both but the second better, K! The second allows some waltzing with more imagery that makes it smooth when reading. Great!

    Hank

  10. kaykuala's avatar kaykuala Says:

    I like both but the second better, K! The second allows more waltzing with more imagery that makes it smooth when reading. Great!

    Hank

  11. shanyns's avatar shanyns Says:

    I like them both, for different reasons, first one for the strong anchor and the second for the movement. Very nicely done!

  12. Chazinator's avatar Chazinator Says:

    I think these are enlightening poems, told back to back the way they are. the integration of yoga practice into the form is quite innovative and refreshing. I think you’ve used the form so effortlessly, I sit a bit amazed at how easily it moves organically from thought to thought and evince a sense of true progression and development rather than a cyclical motion.


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